Archives for 2013

Khan: 10 Years After the War in Iraq, The Anti-War Movement is Virtually Dead

Freelance Journalist Nida Khan

Freelance Journalist Nida Khan

Last week marked the official 10-year anniversary of the start of the Iraq War. Leading up to the commemoration of this bloody and costly engagement, major networks, newspapers and online outlets acknowledged the decade milestone with extensive coverage. They parsed the many ways in which the Bush administration misled everyone and orchestrated a brazen attack on a sovereign nation. And they criticized the media’s own fallacy in helping to sell the war to the American people. But out of all of the supposed lessons learned and promises to rectify our ways going forward, it’s amazing just how little we have changed. In some sort of twisted irony, many of the most vocal opponents of the Iraq war are virtually silent at this very moment when we are actively entrenched and engaged in more areas of the world than possibly ever before. An estimated 6 million people demonstrated against the war in Iraq (according to Al Jazeera). Viewing old footage of these protests, one thing became vividly evident: 10 years later, any semblance of an anti-war movement has been all but crushed.

Michael Mooregreen-225“As Americans, now whenever we’re told anything, somebody comes on and says there’s reports that maybe this and maybe that, we have to have the most skeptical, critical eye and ear to what we’re being told,” said filmmaker Michael Moore last Tuesday on ‘Piers Morgan Tonight’. Responding to reports of alleged chemical weapons use in Syria, and Ahmadinejad’s potential nuclear capabilities in Iran, Moore emphatically stated that our government – ‘the real government’ as he put it (Wall St., banks, the military) – hasn’t earned a right to be trusted. He went so far as to say that unless Ahmadinejad walks in the room with a bomb in his hand and shows it to him, he won’t believe anything he’s told about Iran. Watching Moore call out our rush to judgment (and subsequent action) around the world, it became blatantly obvious how rare his dissent actually is. In all the hoopla of ‘how could we let this happen’ in regards to Iraq 10 years ago, hardly anyone had the backbone to say that we’re still falling for the same playbook today save for one Michael Moore and a few others that have just been pushed to the margins.

Regardless of what your own personal views may be on Qaddafi (Gaddafi), Ahmadinejad, Abbas or the latest ‘bad guy’ on our list, the fact remains that we are still projecting them through a specific lens that gets drummed up in our mass media without appropriate context or complete information from all angles. And what follows is our involvement in yet another foreign independent country without adequate debate back home. Just because we may now align ourselves with a few other allies when doing so, does that make our actions really any less different than what happened with Iraq? And let’s put aside the notion of dictators that
need to be toppled for a moment and examine the use of weaponry in a host of other nations. Actively utilizing the predator drone program in Somalia, Yemen,

Mali, Afghanistan, Pakistan and numerous other countries, we are still dropping bombs that undoubtedly kill innocent civilians in the process. And yet, where’s the
objection from those that demonstrated against Iraq?

Medea Benjamin

Whenever the concept of drones is addressed in our common discourse, a majority almost instantaneously defend its use because it requires less forces on the ground, and less loss of American lives. Pressing buttons, dropping bombs and watching explosions on a screen as if it were some sort of video game, the individuals operating drones in Nevada or elsewhere are not only further desensitized to the notion of taking lives, but so are the rest of us. No longer do we have to protest the lack of images of coffins with dead U.S. soldiers – we don’t even consider the use of drones an act of war. Under the same open-ended guise of ‘fighting terrorism’, the drone program is fundamentally unchecked from independent entities, and functions pretty much without accountability because it remains a covert process (though there’s talk to move it from CIA control, but we have yet to see). It wasn’t until Congressman Rand Paul’s recent filibuster of Brennan’s confirmation that many Americans likely heard about drones for the first time – and many probably still haven’t. The silence, from all sides, has been quite deafening.

Rallies and marches against the war in Vietnam played an intricate role in the larger struggle for civil rights in this country. While we may be losing less troops today of course (which is a plus), modern warfare still results in the murder of innocents. Every time a supposed target is hit by a drone, civilians – often times women and children – are killed simultaneously and many others permanently wounded. And that goes for every bomb dropped, every time, in every town, in every village, in every city, in every country. But when was the last time we saw 6 million protest that? Or even a million? For that matter, when was the last time we saw any sort of massive anti-war protest anywhere? Have we become such a complacent society that out of sight really has translated into out of mind? Or have we become neutralized because the dynamics of warfare have changed? Any which way you look at it, it’s pretty shocking.

With the exception of a few journalists like Glenn Greenwald and Jeremy Scahill that have been discussing drones at length for some time now, the vast majority of our press has been silent (minus recent Rand Paul coverage). Instead, we have media that continues to tell us that the drone program is effective in defeating terrorism and getting the bad guys. Rather than questioning a policy as journalists should do, they have been selling it for years – much in the same fashion that the Iraq war was sold to us 10 years ago. In all the focus on the anniversary of the invasion, never once did pundits and journos from either side of the aisle highlight the fact that we are repeating the same mishaps again, right now, in the present. And in discussions of the media’s complacency in selling the war, how often did we hear an acknowledgment of its current complacency in selling any of our present conflicts?

Guess people will wait to talk about today’s failures another 10 years from now.

written by Nida Khan follow her on twitter at

http://www.youtube.com/watch?v=hPqpV9olIlw

Rosa Clemente Blasts Rapper Rick Ross.. Calls on Hip Hop to Say ‘No’ to Rape Culture

Rick Ross brownIn recent days a lot has happened that has kept the issue of rape and rape culture in the forefront.. It ranges from two female social commentators/ bloggers Zerlina Maxwell and Adria Richards being threatened with rape after speaking out against sexual assault and inappropriate sexist jokes to massive rapes in the military to recent fights and resistance that proceeded the passing of the Violence Against Women Act..

Most recently its come in the form of former law enforcement officer turned rapper Rick Ross, kicking lyrics in a new song that advocates date rape…. At a time where one out of three women globally are sexually assaulted and almost half of Black and Brown women in the US being sexually assaulted, Ross’s words are beyond wack. They’re dangerous, irresponsible and reflective of a corporate business culture that has hijacked cultural expression to plant seeds of poison.

The other day long time Hip Hop activist and former Vice Presidential candidate for the Green Party Rosa Clemente responded to Ross with a stinging rebuttal that she posted on youtube.. It was a stark reminder of whats at stake in terms of whats at stake.. Clemente ask for men in Hip Hop to step up draw lines in the sand and protect the culture and the women around them..She calls upon people to put an end to rape culture and uplift the humanity in us all..

https://www.youtube.com/watch?v=_lH7pU7PvFA

Long time industry vet Dee Dee Cocheta stepped up and penned a heartfelt  open letter to Rick Ross that appears on All Hip Hop..

Greetings William,

I am writing you a letter because I have sat back and observed long enough. I am coming to you as a ‘sister’ of the human family we all belong to. WE are connected! AND you my brother, I am tired of hearing negative things about you and now I am mad at how you are treating yourself. So please do not take this wrong or feel I am coming at you to scold or beat you up with my words. I am coming to you because I CARE and LOVE YOU!

What brought me to the point of writing this open letter was after reading ALLHIPHOP.com Hip-Hop Rumors on your new song, “U.O.E.N.O.” (you ain’t even know it) titled: YOWZA! New Rick Ross Lyric Will Upset Smart Women! So yeah I’m a little upset and rightfully so as the lyric you wrote about refers to ‘date rape’ and is exactly how I lost my virginity; someone STOLE it at the age of 14 before entering in high school. I take responsibility for being at a party I had no business being at but I want you to know how scary this now 41-year-old woman felt to wake up to blood on the sheets with an aching pain and empty feeling, that your heart is sunken where you feel you lost something. Well I did, I lost the right to choose whom I wanted to share that special moment with because I was knocked out and taken advantage of. See William, your lyric doesn’t educate it only further glamorize what fools like that man did to me 27 years ago. I happen to believe in karma and I know that man got his without me having to lift a finger.

You can read the rest of this letter at http://allhiphop.com/2013/03/25/open-letter-to-rick-ross-from-a-music-industry-vet/

To further demonstrate the extent Rape Culture has encroached upon us, here’s a panel discussion  we did last year for Free Speech TV dealing with the topic..

https://www.youtube.com/watch?v=H_-YfUKVGKY

 

 

Hip-Hop’s Ascension Officially Begins

Jasiri Ascension BACK

Tomorrow my first official album drops called “Ascension” on itunes and everywhere. Peep my video for “The Wheel” where I go UFO hunting and get chased by the FBI, and check my promo single “Mandela”

“I was patient like Mandela in prison/ cell sittin but never fell victim cause you can’t jail wisdom”

 

500 Female Emcees Everyone Should Know (Davey D’s Ultimate List )

maria IsaBelow is a list of 500 Female Emcees  and the first thing that everyone reading this should know is that the list is not complete. To be honest there’s more than 500 names, much more, but still the list is not complete nor will it ever be. There are too many places and spaces that I have never been nor have the incredible artists like Aisha Fukashima the Raptivist, Mad-lines, Aima the Dreamer, Raw G, Ximbo, Invincible and D’Labrie who over the past year contributed greatly to this list.

The list is not complete even as we have other wonderful lists like;  the Illest Female Rappers, Women of Hip Hop, Female Rappers TumblirThe Female Rappers Network or more recently Patrick McNease‘s  Ultimate Female Emcee List. If we really think about it, we don’t want this or any list to be complete. There will always be more emcees to add as long as this culture call Hip Hop is alive,  well and is global. If the list stops growing Hip Hop stops growing..

With that being said, the reason why the list came about in the first place was out of frustration and a realization that many within this industry , in particular my male brethren needed to be enlightened.

It was a frustration that many of my women friends within Hip Hop were having when they would hear some pompous music critic or ‘industry expert’ say some ignorant crap like; ‘all women sound the same‘ or ‘these women need to put out hit songs‘,  women need to grind harder and promote themselves better or ‘there aren’t a lot of quality women emcees out there‘. All those statements are gross generalizations and reflect a laziness on the part of those making the claim or extreme bias.

The frustration many were feeling was one that would come after hearing announcement after announcement for some huge mega-Cochella-Sumer-Jam-Rock-the-Bells-Spring-Bling type concert that would feature 20 plus acts and only one woman would be on the bill. It was frustration that was felt after pointing out such egregious oversights only to be ignored and ridiculed.

female-emcees-psoterlightIt was the frustration of hearing promoters doing smaller shows claiming that women won’t attract an audience  and hence would not be a sound business move even to have one open up a show.

It was frustration of going to a club featuring a popular deejay lauded for being a Hip Hop icon with a reputation for ‘digging in the crates’ and turning audiences onto new music from far off lands and forgotten times only to discover that they rarely dig in crates and ‘discover’ a dope female emcee…

And don’t get it twisted, this refusal to share space has been going on a for a while and many women have expressed frustration the ones I know have not been sitting around waiting for miracles to occur. Many have started doing their own shows and put on vibrant events..From Invincible out of Detroit who I saw do several all women showcases at SXSW and have them packed with lines out the door to Aisha the Raptivist who has traveled the world and and done her own tours to Raw G who promotes here in the Bay Area locally and always brings out incredible women emcees like Alika from Argentina Dunay Surez from Cuba or Ximbo from Mexico, folks are steady grinding and making moves

Where I think folks are getting short changed are in male dominated spaces where female voices, POV and approaches toward Hip Hop are not readily present. Its a cipher that’s incomplete and that has got to change.
The list below was ideally to serve as a guide of sorts to anyone who had this female emcee blind spot.

Its a guide for  started yapping about there ain’t no good female emcees hence they couldn’t rock any during a deejay set or mixshow.. Out of all the emcees featured on this list there are are some hard hitters out there they can not and will not be denied.

The list below is guide for promoters who say there’s no market out there for women emcees. A quick look at some of the folks on this list crushes that assertion down to its very last compound. No matter what city. No matter what country, there are emcees listed for you to check out.. From Brooklyn to Oakland to Russia to new Zealand to Pakistan and beyond..

Sa-RocThe list is a guide for academic types who can speak at length about male artists over various eras in Hip Hop but when it comes time to referencing women, they only know MC Lyte, Queen Latifah and Nicki Minaj.. This list is for them to check out and help exapnd their hip hop vocabulary. Try referencing dynamic artists like; Sa-Roc, Stahhr, Rocky Rivera, Shadia Mansour, Keny Arkana, Cihuatl Ce, Kellee Maize or Farrah Burns. Rock their songs, play their videos, examine their lyrics

The way the list works  is each name is linked to a video and in a few cases to a sound cloud page.. Some of the names are linked to 3 Dope Song series page or a 500 Female Emcee page. In putting this list together it was noted  that one song or video often didn’t do artists justice.  They are much more complex.  As you will note I included in the list some singers who and spoke word artists whose presence and influence in Hip Hop can not be denied. They can’t be easily categorized.

It’s hoped that folks will peep the music, read about the artists click on the links associated with them and start digitally digging in the crates. Not everyone is gonna be great. Not everyone is gonna have a masterpiece of a song or album, but many will and as lovers and protectors of this culture we all should be pushing ourselves to do a better job bringing forth ‘new finds’ vs having it be dictated to us by corporate interests and their mouth pieces.

-Davey D-

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Posse Cuts

Da Ladies in the House

10 white Female Rappers

Compton Female Cypher

Team Backpack Female Cypher

Team Backpack female Cypher #2

Rocky Rivera, Plane Jane, Oh Blimey, Raven Sorina ‘Girlz Rmx

Reebok Female Cypher

Illest Female Rappers

Phuturehype 2006

Hip Sista Hop Radio

Women of Hip Hop

Hip Hop History 101: Jitu of Ten Tray Explains the Origins of Hip Hop in Chicago

chicago_sunsetskylineNowadays it’s hard to turn on the radio and not hear music from one of Chicago’s many music superstars. Kanye WestLupe Fiasco, Common, Rhymefest, Twista, Da Brat, Shawnna, Doe or Die and Crucial Conflict  seem to have firmly positioned themselves over the years as household names within the mainstream..In recent days many have come to know Chicago rappers via the exploits of Chief Keef.

If you dig a little deeper and check out Hip Hop’s underground, you’ll discover that very few people are willing to roll up and do battle with esteemed Chi-town lyricists like M’Rald and of course Juice. On the political front acts like Rebel Diaz and Lah Tere have proven to be no joke..Others like DJ Third Rail, DJ Illanoize, and the late DJ Pinkhouse to name a few have not only made names for themselves as deejays not to be toyed with but also provided important platform for local artists.

Yes, the Chi seems to have established itself in the world of Hip Hop, but it wasn’t always like that. In fact much of the Chi-Town’s success is a direct result of organized effort by it’s pioneering Hip Hop community that grew frustrated from being locked out by the industry that saw Chicago, more as a consumer market as a opposed to a place where stars are born.

Many within the music industry were only willing to embrace the nation’s third largest city as the Mecca for House Music and somehow managed to disconnect that music form from Hip Hop when in many ways the two are intertwined, especially along the lines of deejay culture.

cashusd-225The battle to establish ‘Tha Chi’ within Hip Hop was about as brutal as its political landscape. Unsung heroes like Dr Groove, Lord Cashus D, DA Smart, Black Allies, Sugar Ray Dinky, George Daniels, World wide Posse, God Squad, The Chi Rock Nation, Ill State Assassins, and the late DJ Pink House all played crucial roles in organizing, pushing the envelop and seeing to it that the Windy City get its respect. They used to roll up on nightclubs, radio stations and even label executives demanding to be recognized. Many will forget that back in the late 80s there was a movement called the New World Order which brought many of Chicago’s Hip Hop community together as they fought for change and respect.

Sadly despite those heroic efforts of the past, today, many local artists who are not signed to a major record label or coming out of Kanye or Common’s camp find that many outlets like radio and even nightclubs are closed to them. This is now spurning up a new generation of Chi-Town Hip Hoppers to start organizing to bring about change.

Jitu of Ten Tray 8.40.21 PMDuring the recently held National Hip Hop Political Convention (2006) we sat down with one of Chicago’s premier pioneering emcees, Jitu the Juggernaut of the group Ten Tray. For those who are unfamiliar ten Tray was the first group to be signed to major label. Back in 91, Jitu the lead rapper was and to this day remains an activist who saw the power of Hip Hop and decided to use his talents to spark political thought and hopefully change.

In our interview he gave a serious rundown of the city’s history. He also cleared up a lot of perceptions. For example, he talked about Hip Hop first emerging in the Chi around the late 70s. He talked about how Afrika Bambaataa’s Universal Zulu Nation set up a chapter under pioneer Lord Cashus D in ‘78.

Jitu broke down the important connection between Hip Hop and House. He reminds us that House is a Black music genre that at least in the Chi was enjoyed by cats that lived in the hood. He talked about the Hip House movement that came about in the late 80s with key players like Fast Eddie, Tyree, JMD and the late Kool Rock Steady being not only household names in the Chicago, but in many ways ambassadors for the city around the world. Jitu goes into depth about the important role Kool Rock played.

He also talked about how the House music deejays forced everyone to step up their deejay skillz and that it was not unusual to have b-boys and b-girls at House music parties and events. He also drew parallels to how the lack of public school after school programs and music classes forced many to turn to deejaying as a way to express themselves musically. A good part of House music was born out of that void.

Jitu also talked about The Chi’s early graf scene with pioneers like Warp One.

What really stood out in our conversation was Jitu talking about the early club and open mic scene. He talked about how the now defunct El Rukins street gang (originally the Blackstone Rangers) had a building on the Southside complete with an auditorium where they would hold weekly emcee battles.

Jitu freestyling8.44.02 PMJitu details the influence Chicago’s highly organized, legendary street gangs have had the scene. He also talks about how other groups like the Nation of Islam and the legacy of the Black Panthers which had its largest and most organized chapter in the Chi have also had influence on folks as they were coming up and into Hip Hop.

Lastly Jitu goes into detail about the politics and the layout of the city. He talks about the differing cultures that exist on the historic Southside, the Westside and the Northside of the city. He also runs down a report card of sorts about some of Chicago’s famous people and organizations and the role they played or ‘have not’ played in terms of elevating Hip Hop.

Jitu finds himself back on the scene after coming out of retirement and ready to drop a new album called ‘Necessary Ingredients’ which is being backed by the Universal Zulu Nation.

Here is our 2006 Interview which first aired on Breakdown FM..

We also posted this interview on Youtube..

http://www.youtube.com/watch?v=6WnAZFgCBAY

Below is a brief timeline of Jitu and his career courtesy of decentexposure.com http://www.decentx.com/artist.asp?id=472

Jito tha jugganotJitu is an African name, given to him in 1995 meaning “A giant among men.” Jitu is a youth program coordinator and community organizer on the south side of Chicago. He swarmed the game in 2002, entering battles and open mics. Leaving crowds in a state of disbelief, Jitu has humbled emcees all over the country, blending a once in a lifetime voice with an expansive vocabulary and ferocious delivery. On the underground, many call him the best they have ever heard! A short look at his accomplishments: • 1986-Winner of “Battle of Chicago Rappers” at El Rukn Fort

• 1989-2nd Place-“Battle of Chicago Rappers”

• 1989-Formed “New World Order” along with Cashus D of the Universal Zulu Nation, to organize rappers, dancers, singers and dj’s in Chicago. Was the largest such organization in the country with over 200 members.

• 1989-Organized, with Dr. Groove (Source Magazine) and DA Smart, a massive hip-hop community protest of the opening of “Sarafina” at the Regal Theatre for refusing to recognize DA after he won a national talent competition with his rap, “Black People ain’t Prejudiced, They Just Mad.” They recognized DA as the winner of the contest.

• 1991-With group Ten Tray, signed to Smash Polygram records to become the first rap act in Chicago on a major label.

• 1992-Appeared on Rap City, The Box and Yo! MTV Raps.

• 1992-Album, “Realm of Darkness” recognized as album of the month in Rapmasters magazine.

• 1992-Song, “Ain’t Nothin’ Like a Sister” was number one song in Las Vegas region and other west coast markets for 4-9 weeks.

• 2003-Winner-“Battle of the Iron Mic”

• 2003-4 Time Champion-Emcee Battle @ Wild Hare

• 2003-Winner-1st Annual Kool Mix Emcee Battle

• 2003-3 Time Champion-Microphone War @ Subterranean

• 2004-Represented Chicago in national BRAINSTORM rap battle in Seattle (semi-finalist)

• 2004-2nd Place-Rhyme Spitters emcee battle and documentary (see enclosed DVD…we got shafted!)

• Joined and helped develop veteran hip-hop alliance, “FIGHT CLUB”

• 2005-Begin work on album, “NECESSARY INGREDIENTS.”

On this album, entitled NECESSARY INGREDIENTS, Jitu brings pure, unbridled passion and energy with ridiculous beats provided by the likes of Harvy Allbangers, Tony Baines, Joe Blaque, Ty Hill and Issues. Jitu blends real street cuts and bruises, consciousness, passion and skillz to deliver the gz-noods on this project. This album is a holy book for emcees, as Jitu blends subject matter, lyrics, delivery, flow, energy, breath control to give you what we believe, is ONE OF THE BEST ALBUMS IN THE HISTORY OF HIP-HOP.

Contact Information: Jitu tha Jugganott 4356 S. Lake Park, Suite 1N (yeah, right!) Chicago, IL 60653 (773) 317-6343 jitubrown@yahoo.com (Respect the Art of Emceeing!)

Hip Hop 101: Every City Has a History-Here’s Early LA Hip Hop

Rich Cason & FormulaV

When it comes to Hip Hop every city has its own pioneers and their own unique special history.. Some of it was influenced by what was going on in New York, a lot of it was homegrown and came to light once things started to bubble up from NY in the early 80s.. In other words, in places like LA and the Bay Area there was already a thriving street dance scene where people were tutting, popping and roboting which had nothing to do with New York.. Funk and later Uptempo dance records were the gems that galvanized people..

Below are some of the first records I recall hearing out of LA back in the early days of LA rap, which I should add was different from the Bay which has its own unique history.. What I liked about LA’s history was many of the artists started off as DJs.. People like Arabian Prince, DJ Unknown, Egyptian Lover, Chris The Glove Taylor, Tony G, Joe Cooley , Julio G, Uncle Jamms Army etc..

It’s important to note that LA Hip Hop history is by no means the totality of West Coast Hip Hop History.. There were simultaneous scenes going on in the Bay Area 400 miles away and in Seattle which is good 1000k miles away during those early days. Each had their own unique origins, pioneers and influences..The sounds were also very different at least in terms of early records.. This is not to say folks in the Bay or Seattle weren’t jamming to early Ice T, Uncle Jamm’s Army or KDAY which because of its AM signal could be heard up and down the coast, but the early sounds coming out of LA represented a vibe, mindset and overall attitude that was unique to that city..

In the video below you see Chris the Glove who produced the cut Wreckless and featured Ice T is shown in this 1983 video along with Egyptian Lover demonstrating deejaying..

http://www.youtube.com/watch?v=hj8hPyIAKfU

EgyptianLoverA lot of the music in LA’s early Hip Hop days was classified as electrofunk and is often associated with the sound Afrika Bambaataa established with his song Planet Rock. However, when speaking with the early DJs from LA, they say they were already into that sound way before hearing Planet Rock.

Egyptian Lover explained that he was influenced by early Prince and Kraftwerk.. and that he had been deejaying in a crew since the mid 70s.. Folks in LA will recall how Egypt who was part of Uncle Jamms Army used to do huge parties at the LA Coliseum where they would work 4 turn tables at a time which was pretty major back at that time..

Here’s an interview we did with Egypt on Breakdown FM where he breaks all this down:

Below is a more in depth interview done in two parts where Egypt gives a lot more details as to his career and the early LA scene..

http://www.youtube.com/watch?v=85xqcGgc4a4

http://www.youtube.com/watch?v=6tSheNRTs-c

Uncle Jamm’s Army ‘Naughty Boy’

http://www.youtube.com/watch?v=U3IGJAVtMZQ

Other pioneering figures had already been playing in bands and were producers.. Rich Cason is a one such pioneer. You can’t talk about LA Hip Hop without proppin him up.. He’s a key foundation… The first records I heard from LA that I associated with Hip Hop was Killer Groove by Formula V, Gigiolo Rapp and Bad Times by Captain Rapp were all produced by Cason. His legacy goes way back to the 60s. In fact his group Formula V had been putting out records since 1973.

Killer Groove by Formula V w/ producer Rich Cason

Captain Rapp Bad Times..

Captain Rapp Gigolo Rapp

Arabian Prince

Arabian Prince who was an original member of NWA is another pioneering figure in LA Hip Hop who was deejaying in a crew since the 70s. He started out as a DJ and later went on to produce. He’s unique in the sense that he was a pioneering figure in Hip Hop’s electro-funk movement as well as pioneering figure in Hip Hop’s gangsta rap movement. A quick look at his track record will show you that he produced landmark tracks for everyone ranging from JJ Fad to Bobby Jimmy and the Critters as well as NWA. Here’s an interview he did with him on Breakdown FM

Tons of things have been written about the World Class Wrecking Crew which was home to Dr Dre… They had a bunch of hit songs and Dre helped elevate the deejay game before he went on to start producing..

Wrecking Crew w/ Dr Dre Surgery

Here are some other early cuts I recall from back in the days..Now please keep in mind this is just a taste of a city that is steeped with stories.. No, we haven’t touched on the dance scene and influence. We haven’t talked about KDAY and the Mixmasters which go back to ’83 and 84.. We haven’t touched on the Good Life or any of that.. This is just a sample.. A great place to go to get some good info on early west coast is my folks from germany who run www.westcoastpioneers.com

Ice T the Coldest Rap Ever.. produced by Jimmy Jam and Terry Lewis 1983

http://www.youtube.com/watch?v=MDo1DqolHOg

Ice T and Chris ‘the Glove’ Taylor‘ Reckless

http://www.youtube.com/watch?v=6Mc3pTmiCHI

LA Dream Team ‘Rockberry’

http://www.youtube.com/watch?v=KElKcfgzN5I

Ice T 6 in the Morning..

http://www.youtube.com/watch?v=ka0yBdZh46E

As I noted 1580 KDAY was the station that set it off with the Mixmasters..Below is an old aircheck from 86 but there was dope mixes on the radio for years prior not just on KDAY but also KACE and KJLH

http://www.youtube.com/watch?v=80-d8vreH4Q

Return to Davey D’s Hip Hop Corner

Hip Hop History 101: Grandwizard Theodore Explains the Orgins of the Scratch and Beyond

Grand wizzard Theodore fingerThis is an important conversation where Hip Hop pioneer Grand Wizzard Theodore speaks for himself and explains the origins of the Scratch.. Up to that point, many had come to believe that Theodore was trained by Grandmaster Flash who started off in a crew called the L-Brothers (L=Livingston which is Theodore’s last name). I recall interviewing Flash back in 1996 at length and he broke all this down..noting that Theodore was his student..

I ran into Theodore a few months later and he was livid and said that the story was absolutely not true.. Back then he explained as he does in the interview below, how he came into his own.. GM Flash to my knowledge hasn’t retracted the story, so those two will have to sort it out..

Here’s a excerpts from a 2005 interview w/ Troy Smith of Tha Foundation

http://www.thafoundation.com/gwtheodore.htm

TS: I read in an article that Gene originally didn’t want you to DJ, you ended up having to sneak it to do it. Flash put you on to it. Flash showed you how to do it?

GWT: Gene and Flash were down together and people were trying to say that Flash taught me. I taught myself how to DJ. Nobody taught  me how to DJ. The only thing Flash taught me was, you know, there are so many different mixers out there..you have to know how to turn the mixer on, turn the mixer off..,this is this cross fader, for that turntable, this cross fader for that turntable..these are the ear phones.. that’s about it. He never sat me down and said, “O.K. This is how you mix these two records together.  It was nothing, never like that. All the skills that I have I taught myself. Nobody taught me all the skills that I have. That is why my style is like no other. If anything, Flash taught me – this is the left turntable, this is the right turntable, this is the mixer, this is that for the mixer, and this is that for the mixer – but I pretty much knew all that already, just by watching.

TS: Your brothers were already doing this before Flash even came to your house, didn’t Flash stay at your house for a minute as well?

GWT: Flash was down from day one with Gene. Flash couldn’t keep the equipment at his house, so the equipment was at my mom’s house. Flash was able to come any time he wanted to DJ. If he came and he stayed till 3 or 4 o’clock in the morning, he had a room were he could just stretch out. My moms was like,”You can come and go as you please.”

Below Theodore speaks for himself..

http://www.youtube.com/watch?v=4-JBa6w0OHI

Theodore shows off his patented Needle drop technique

https://www.youtube.com/watch?v=3D6JooB-yVg

A classic cut that captures the essence of Theodore from back in the days

https://www.youtube.com/watch?v=Oz-ViANjpoY

Grand Wizard Theodore oldThe other unintended story that needed to be put to rest was Theodore spilling beer on a turntable and inventing the scratch while wiping the record clean.. This came about after a humorous Heineken commercial aired a few years back depicting that. It was part of a series of commercials the beer company did where they fictionalized how the accidents around the beer created the Peace sign, the Lighter, the scratch etc.. Unfortunately because there had been so much historical distortion around the legacy of Theodore, many didn’t find the humor in the commercial resulting in an open letter and protest to the beer company.

https://www.youtube.com/watch?v=GxlAhd36D-U

Meet Sweden’s Dancehall Producer, Creator of Vybz Kartel’s Hit “Summer Time”

Meet Sweden’s Dancehall Producer, Creator of Vybz Kartel’s Hit “Summer Time”Whether you’re in Jamaica, Canada or Japan, when the piano chords of Vybz Kartel’s“Summertime” chime in, it tingles your warmth senses and immediately transports the listeners into party mode. One would never expect that the catchy Dancehall anthem, recorded by one of Jamaica’s premiere artist, was birthed from a studio in Sweden, over 5000 miles away.

As one of the biggest hits in 2011, along with Popcaan’s “Ravin”, the “Summertime”Riddim, infectiously entered the party season, dominating charts local and internationally as well as receiving a nomination at the 2011 Soul Train Awards for “Best Caribbean Performance”. In Jamaica alone, “Summertime” and “Ravin” saw accolades from Youth View Awards, Jamaica Star, OutaRoad.com and Jamaica Observer.

All this popularity and yet, the producer, remains an enigma, a foreigner to the shores of Jamaica, but an architect in riddim creation.

His name is Andreas Nilson, and he is the force behind Adde Instrumentals. Composing such riddims as Summer Wave, Corner Shop (with JR Blender), BBQ, Happy Daze, Sweet Sounds (with So Shifty), building riddims for singles like Vybz Kartel’s “Bike Back” “Bubble Hard” and Mr. Vegas “God On My Side”Adde Instrumentals has contributed gingerly to the sound of Dancehall within the last few years.

From childhood, Adde was destined for music, receiving his first piece of equipment (a synth/sampler) at the age of seven. By highschool, Adde was producing tracks and deejaying receiving his Audio Engineering Diploma in 2005.

Adde InstrumentalInfluenced by many genres of music, Adde’s early productions range from RnB and Hip Hop to Pop and House, with a passion for Dancehall always present. As his strengths in production grew, so did the diversity of his creations. While parring with a few local Dancehall acts, Adde began his dance with riddim production, and it instantly grew into success.

Those first dancehall riddims later became the backdrops for Vybz Kartel’s “Bike Back”and “Open Up”, although it was instant connection for Kartel lyrics and Adde’sinstrumentals, the process didn’t go so smoothly. Adde explains, “With all the scamming going on, when I received my first contact from Vybz Kartel, I thought it was a joke. He even sent me a rough demo of “Bike Back” but the vocals were so distorted I STILL thought it was a joke. It wasn’t until Kartel sent me a video message to prove it was him. After that, well you listen to the results!!!”

Having “Summertime” become such a huge success, Adde Instrumentals has been working feverishly to keep up with the fast pace of Dancehall. Currently composing the“Bad Gal” riddim for Hapilos Productions with such talent as Chino, Di Genius, Demarco, RDX and Stylo GAdde Instrumentals has a busy year planned for 2013, as he conquers infusing authentic sounds into a foreign land.

Connect with Adde Instrumentals on Twitter @AddeProd on Facebook /AddeMusic

Source:http://thatish.com/2013/03/14/swedensdancehallproducer/

 

Rebel Diaz Arts Collective Launch Fundraising Campaign As They Rebound From Eviction

Peace World….Good Morning and Good Day….
Many of you have asked us how you can help The RDACBX after our collective and space was violently evicted..well we have finally launched our IndieGoGo Campaign in which we are seeking to raise $50,000 to recover from our losses and trying to get into a new space…….check out the campaign here and please donate what you can and please spread the word!!!!!…

http://www.indiegogo.com/projects/i-am-rdac-bx?show_todos=true

RDACBX

Below RDAC BX is speaking about the violent eviction they endured

http://www.youtube.com/watch?v=LuQeAJCCDYA

This is one of my favorite songs and oldie but goodie from Rebel Diaz shot in Chile..

http://www.youtube.com/watch?v=CSNbzyivba4

A new shining star in the world of music-Meet Bryan King, the next great Hip Hop artist

Bryan KingIf you are an avid hip hop music fan, you should not miss out on listening to Bryan King’s work. Bryan King is one of the most prominent new Hip Hop artists in the world and is slowly taking the world by storm with his innovative music. He is not just a Hip Hop artist, but, he also produces music. He is a student and has achieved enormous success at a very young age. He currently resides in Malibu, California but his career took off first when he was studying abroad in Shanghai.

In between 2010 and 2011, while studying abroad in Shanghai, his talent was recognized and Bryan King was signed by Black Box Records. This was highly prestigious accomplishment as Black Box Records was the first hip-hop record label out of China. Thus, Bryan King became a pioneer of sorts. But, unfortunately, after shooting two music videos for MTV Asia in Singapore and recording half of an album, the deal ended due to contractual complications. Yet, King found huge recognition as a Hip Hop artist in China and Singapore and his music videos became very popular. King is fluent in Chinese and is just 21 yrs old. One of the videos King shot in Singapore featured Stumik of Raekwon’s Icewater label. The song, called ‘Overseas’, also featured a French rapper named ‘Proff’.’ He has been rapping for about 6 years in all now, and has been producing music for about 4 years. King’s exemplary success at such a young age is an inspiration for many.

King has had some excellent collaborations with other artists. After coming back to America in 2011, Bryan King was introduced to rapper & producer Scottie Spits. Spits was based out of Las Vegas. King spent about 6 months experimenting at Spits’ studio in an attempt to find his sound. During this period, he recorded about 30 songs at this studio, with several produced by and featuring him. He has worked with several prominent artists throughout his career, most recently, an hip hop artist on Pitbull’s label named Jamie Drastik. King is soon to collaborate with many other prominent figures in the music scene of USA.

In late 2009, he worked with Public Enemy’s Professor Griff. Before the meeting, a mutual friend mentioned to Griff that Bryan King was an up and coming hip hop artist and Griff sent him some of his productions. King wrote some tracks and went into his home studio to record. They collaborated and had planned on completing a project together but his basement unfortunately blew up from what was expected to be a pipe leak, and the project was discontinued. This project is all set to resume soon and is being eagerly awaited by the fans of both artists. King’s music is fresh and packs a solid punch. It stands out from the rest of the hip hop projects and is a whole new kind of sound. Some of his most popular new tracks are Hello, Monster free download Animacide, Party Life, X-Plode, Comin’ With Me, etc. You should definitely check these out.

http://www.reverbnation.com/bryanking
https://twitter.com/aBKdef
http://www.youtube.com/user/enpassantproductions?feature=mhee
http://Bryan-King.com