Hard Knock Radio (HKR) Intv w/ West Coast Legend & Pioneer Sir Mix-A-Lot

Sir Mix a Lot

Sir Mix a Lot

Sir Mix-A-Lot aka the JR Ewing of Seattle does not always get his just do for his contributions to Hip Hop. For many he’s simply the guy who did the pop, fun-loving anthem ‘Baby Got Back’. The reality is Mix is pioneering figure in West Coast Hip Hop.. He was one of the first to come out and put Seattle on the map. His career was built on and independent label he co-founded called Nasty Mix.. His deejay at the time Nasty Nes was one of the first people in the country to do a Hip Hop radio show..He was one of the first to have his own TV series ‘The Watcher‘.

When Mix’s first single Square Dance Rap dropped, many immediately thought he was a new artist from LA or down south.. It was later discovered that Sir Mix A Lot was from Seattle and what appeared to be a gimmick type song was actually the first stone in a long career that has gone over 25 years..

In our Hard Knock Radio interview we talked with Sir Mix-A-Lot about what it took to make it in music and how he’s managed to keep himself on top. He offers up keen advice for artists just getting in the game. We talked to Mix-A-Lot about the way the industry is changing and what he finds exciting about it.

He talked about the success of Seattle’s latest star Macklemore and his relationship to the indy artist. They are good friends. Mix-A lot talked at length about the importance of being independent and what that meant when he started vs what it means now with respect to an artists like Macklemore. He gives a nice history lesson about how rap especially in the West Coast was always about being independent. He noted that there was no other way for folks to get on but to put out music on an indy label.

We talk to Mix-A-Lot about the story behind his landmark songs Posse on Broadway and Baby Got Back.. He says both were homages of sorts.. Posse on Broadway was tribute to all the cities that have a Broadway where folks gather to show off their rides and check out the scene. It was initially inspired when he visited Arizona and saw they had a Broadway similar to what was in Seattle..

Sir Mix-A-Lot In Baby Got Back, he said he wanted to have a fun and respectful way to let women know it was ok to have curves and show them off. he explained at the time of him doing the song, many women were being told to slim down and hide their curves, especially if they wanted to ‘make it’ in Hollywood or the world of modeling.. Sir Mix-A-Lot’s song changed the perception as he intended. He said his song has stood the test of time, because it had a bit more substance and wasn’t exploitative.

Lastly we talked about Mix-A-Lot’s other career and love which is high-tech.. Many don’t know that before he started rapping Mix-A-Lot was into high-tech on the hardware side and that he even had his own computer store. He noted that he’s always been good with his hands and his soldering iron game is  ‘sinister’.  He also noted that he makes frequent trips to the Bay Area and spends quite a bit of time in Silicon Valley. Currently Mix-A-Lot is working on a new venture that will help artists who wish to enhance their own music studios. He talks about that new project in our interview..

Mix A lot will be performing at Yoshi’s in San Francisco this weekend..

Sir Mix-A-Lot ‘Posse on Broadway

http://www.youtube.com/watch?v=SBPpy_SVV_0

Sir Mix -A-Lot ‘My Hooptie’

http://www.youtube.com/watch?v=l_F76ySzk48

Ice Cube..Tells New Jacks He’s Not Here to Make Them Famous

Ice Cube drops offers up words of wisdom to new jacks

I got alot of questions since my last blog. I’ll answer a few.

What’s up with these local MC’s in L.A. who keep disrespecting me? They’re just mad cause I don’t fuck with they wack-ass. They ain’t on my level, why should I waste my time. I don’t even remember ever meeting these clowns or even being in the same room with any of ’em. They can’t make a name for themselves so they need help from the O/G’s. I refuse the throw’em a life line. Fuck’em. It ain’t my job to make nobody famous. And for the record, I ain’t scared of no nigga. Especially, no rappers….seriously people.

Age-ism in rap? Age-ism is everywhere folks. In the work place, in sports and of course in hip-hop. We are a out with the OLD in with the NEW world. But as we go through life we realize NEWER ain’t always better. We find ourselves saying, “Back in the day, bah, bah, bah….” All young MC’s should route for old MC’s to have long careers. If you play us out, what kind of future do you have in hip-hop when you get 40?

Advice for young rappers: You gotta be hot on your block first, then your city, then your state, then your country, then the world. If you can’t make your block notice you. The world is a tall task.

Ice Cube continues… http://icecube.com/users/icecube/blogs/227401

Bragging and boasting: When I was coming up. Every rapper had a attitude like Kanye. Now when you say you the best and act like you the best. Niggas get their feeling hurt.

Battling: If you scared to test your skills up against any MC in the game. Quit right now. Become a fuckin’ ghost writer and go hide in the corner of the studio. Now they’re 2 ways to battle. Freestyle live: To me this is like a slam dunk contest. Or battle on wax: I call this the Finals. That’s Hip-Hop.

Question: Why don’t I produce up and coming rappers like I use to? I got burnt out. Niggas couldn’t take the baton and run wit it. I was sick of babysitting grown ass men and walking them through the industry. I felt like Dr. Frankinstein building uncontrollable monsters. How? If you DON’T make’em a star, they blame you.
If you DO make’em a star, they leave you. I got sick of that ungrateful shit.

Continued here: http://icecube.com/users/icecube/blogs/272061

Return to Davey D’s Hip Hop Corner