It’s always a pleasure chopping it up w/ the very talented and engaging Shock G of Digital Underground. When it comes to music Shock is a quadruple threat.. He’s a dope emcee.. an incredible producer… He’s off the chain as a musician especially keyboards and when all is said an done he’s nice with the hands when it comes to drawing and painting..
We sat down with Shock the other day to talk about the upcoming 2Pac birthday celebration that Digital Underground will be headlining at Yoshi’s in San Francisco…They are teaming up with members of the original Black Panthers to also do fund raiser and raise awareness for political prisoners.
During our interview, Shock recounted how Digital started off being a Black Panther type group. They formed under the name Spice Regime with a game plan of focusing on Black social issues.. They even started to sport black berets similar to the Panthers.. As Shock noted, many other groups at that time were moving in a militant direction including a lil ole group from Hempstead, New York called Public Enemy.
Not wanting to be like the crowd, Shock said they switched focus and started highlighting their love for funk. They patterned themselves after Parliament/Funkadelic and emphasized humor. Shock explained that the addition of 2Pac to their ever-expanding crew provided the militant social awareness aspect which rounded out the group.
Shock G and Tupac
Shock talked at length and in great detail about his friendship with 2Pac. He noted that he has long been misunderstood. Many think Tupac was a wild, ride or die thug, when in reality he was well read and very committed to the struggle, Shock explained.
He said Pac took on a thug persona as a way to better connect with those he felt weren’t being reached.Shock G recounted how Pac once observed how many of the people who came to see groups like Public Enemy or KRS-One tended to be socially conscious. He felt that there were young Black males on the block not connecting to the message. Hence Pac positioned himself to be more aligned with them. He stated that the folks he wanted to reach wouldn’t respond unless they knew you were going through similar challenges.
Shock also explained how Pac was getting ready to move to Atlanta prior to joining Digital Underground to head an organization of youth Panthers.
Please click the link below to hear our entire Hard Knock Radio interview w/ Shock G
Listen to our HKR Intv w/ Shock G
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The Rolling Stone article, even though it acknowledges that the first effort to link Suge Knight with the murder of Biggie had some very serious problems with it spends not so much as a whole paragraph detailing how Brill’s Content and the second LA Times reporter poked wholes in the initial theory. Instead, Rolling Stone writer Randall Sullivan spends tens of thousands of words dropping seeds and speculating that Suge Knight, some LAPD officers and an individual named Amir Muhammad were involved in the murder of Biggie.
“One week after Russell Poole took over the Biggie Smalls murder investigation, the media learned that as many as a dozen law-enforcement officers had been on the scene when Smalls was shot to death. Six cops had been working for Smalls that night. The rapper was being shadowed as well by an assortment of undercover officers from the New York Police Department and the Federal Bureau of Alcohol, Tobacco and Firearms. The New York cops believed that the same man who shot Tupac Shakur at Quad Studios had killed by one of their off-duty officers and might still be working for either Puffy Combs or Biggie Smalls. The ATF officers were part of a federal task force investigating allegations that employees of Death Row Records were involved in money laundering and the sale of stolen weapons.”
Why would a supposedly enterprising reporter like Sullivan not work his investigation from the actual scene of the shooting? Why do we have so much information in his article about people at the party that Biggie attended before the shooting where “Muslim-looking” individuals and off-duty police officers connected to Death Row were seen, and so little information about the government agents and undercover NYPD officers following Biggie’s car when he was shot?
A basic reading of the story indicates that Sullivan directly or indirectly was fed information from people in the U.S. government who have been watching Death Row and Bad Boy Records and who work with the LAPD and NYPD. No one can reasonably refute that from the manner in which Sullivan quotes unnamed sources and weaves in information into his story that had to have been given to him by the government itself, or through others in touch with the FBI or Justice Department.
Many claim Biggie and company had been ‘flossin’ big time [steppin’ out]..by adorning fancy ‘gangster outfits’ and showing little concern for their safety in LA. Biggie and most of his entourage had been chillin’ in LA for the past couple of weeks laying down the groundwork for the promotion of his upcoming album. From the outside looking in, Biggie’s visible presence in LA indicated that everything was squashed and there’s was no longer any more bad blood between LA based Death Row and the New York based Bad Boy record companies who had embarked on a new and more peaceful direction for hip hop. A lot of this was reinforced by the recent ‘coming together’ of Snoop Dog and Sean Puffy Combs.. on the Steve Harvey Show. Folks simply felt it was all good…Industry insiders said such was not the case.The word on the streets was there were still a number of individuals angry at Biggie.. His high visible in Los Angeles was viewed by some as a smack in the face to 2Pac. People holding such sentiments may have been small in number…but they were nevertheless dangerous enough that Biggie should’ve been concerned and aware of his surroundings…
