MC Hammer The Vindication Interview w/ Davey D

This is one of the deepest and realest interviews you will ever hear as we sat down with MC Hammer for a candid no holds barred interview about all things Hip Hop. What he had to say was both eye opening and incredibly insightful.

Many of us within Hip Hop have severely underestimated MC Hammer and now we’re coming to see that he was light years ahead of the curve in terms of how one should approach business and even approach music. In pt1 we go over several key facets about Hammer’s career that he should be vindicated for including him being among the first rapper’s to spark endorsement deals.
He gives a serious breakdown about how folks made fun of him and wanted to ban him from Hip Hop only to turn around years later and seek these revenue streams now that they realize the music business can be extremely shady when it comes to getting paid. Hammer takes us deep by talking about how major record labels are now hijacking artists and attaching themselves to some of the lucrative endorsement deals that are being offered today.
We also talk about Hammer and his brother Louis Burrell being years ahead of artists in terms of getting clothing lines. Many did not know that the pair had a substantial stake in Troop Outfits. He and his brother were smart and actually opened up 30-40 Troop stores around the country and had the foresight to get them placed in popular locations and key malls. Just as the business was starting to really take off, Hammer and his brother found themselves the victims of what many consider corporate sabotage. Nasty rumors circulated around the country that Troop was owned by the Ku Klux Klan, when in fact Hammer, LL Cool J and Fat Joe were all owners. Outlets like MTV and urban radio did nothing to dispel those rumors and within a year of these nasty rumors Troop folded. Many speculate that it was rival clothing company like Addidas that was behind the rumors, but of course that was never proven. Many just speculated since they were the dominant urban clothing outfit at that time.

In this interview we spoke to Hammer about him being the first to put out Gospel Hip Hop on vinyl. Today we all praise Kanye West for the hit song ‘Jesus Walks’, but many overlook the fact that Hammer came on the scene using the moniker Holy Ghost Boy. His first song which was actually a demo cut passed around via cassette tape was a cut called ‘The Word’.

On his first LP ‘Feel My Power’ which was released independently in 1987-88, he had a dope hip hop gospel song called ‘Son of a King’. In our interview Hammer talks about his connection to the church and how he has struggled over the years with his own contradictions and spiritual beliefs. Also in this portion of our interview with MC Hammer, he gets deep about the connection between Hip Hop and spirituality.

We also have a lengthy discussion about the connection between Hip Hop and Funk. For those who don’t know, Hammer used to tour with a huge band that included the original horn section from Earth Wind & Fire. He goes into great detail about the history of west coast Hip Hop and how it emerged from the funk era. Hammer talks about how the Bay Area was the home of the Live Band and how every Black kid in the hood had a funk band. These bands were the equivalent to the early Hip Hop crews back East in terms of being the major platform for cultural expression by folks in the hood. Hammer talks at length about the early dance scene and the significant role it played in the development of west coast Hip Hop.

He talks about some of the early dance crews and dance styles. He also talks about how Michael Jackson used to come up to the Bay Area and get hipped to dance styles he would later incorporate in his shows. The most famous dance that Jackson got from the Bay Area was the robot.

Hammer also talks at length about New York City and why he did a song like ‘Turn this Mutha Out’. He talks about the irresponsibility of the Hip Hop press and how they tried to twist things for the general public. He talks about his friendship with Hip Hop pioneer Mele-Mel’. He also talks about the time he went up to the Latin Quarters by himself and got busy on stage right before Ultramagnetic performed. He noted that DJ Red Alert gave him a messed up introduction.

This concludes pt 1 of this interview..

Listen to pt 1 of this MC Hammer Interview on Breakdown FM

MC Hammer-The Vindication Interview pt2
East Oakland Street Life, Prisons, Police Helicopters, Cointelpro & Eazy E

In pt2 of our one on one with MC Hammer, he let’s us know about his connection to the streets. Folks outside the Bay Area saw the genie pants and the typewriter walk dance and figured Hammer was some sort of softy who could and should be dismissed. Folks in Oakland knew otherwise. Hammer was and is no joke. His old crew, the High Street Bank Boys were more than notorious. Hammer talks at length about the types of steps he took to pull his home boys away from street life and the challenges it presented. His actions by default became a full scale prison to work program. He explained how it was this sort of activity that eventually led to him going bankrupt.

Hammer spoke at length how the police along with some outside enemies tried to undermine his efforts and spread a nasty rumor about him buying OPD a police helicopter. He emphatically refutes the claim and talked about the type of corruptions that had gone on within the police department and how many officers were upset because he was providing opportunities for guys they wanted to see locked up.

We spoke at length about Cointelpro and how many of the other independent movements including Luke in Miami, James Prince in Houston and Eazy E in LA all saw themselves under fire at the same time. He spoke about the early attempts these young black entrepreneurs made to consolidate their resources and create a major distribution channel. It was at that point that the helicopter rumors surfaced and Luke came under fire for obscene material. James Prince and Rap-A-Lot records became the object of a federal investigation. Hammer gets deep with this aspect.. Lastly he talks about his close friendship with Eazy E and how the two had a lot in common because of their street background..

Listen to pt 2 of this MC Hammer Interview on Breakdown FM

 

MC Hammer-The Vindication Interview pt3
The Hustle-The Music Biz-The Hyphy Movement and 2Pac

In our final installment, we talk with MC Hammer about the city he reps and loves Oakland. He talks about the vibe of the city and the type of independent hustle-do for self mentality embraced by its residents Hammer also gives us a lot of insight about the music biz. Anybody trying to make it in the industry needs to hear what Hammer is saying with regards to this.. We also talk about the then current Hyphy Movement. Hammer gives a breakdown on this as well as updating us on his own new projects. We conclude our conversation with Hammer telling us about his friendship with 2Pac and they types of political ambitions the pair had planned out.

Listen to pt 3 of this MC Hammer Interview on Breakdown FM

KRS-One: Is He Potentially to Hip Hop What Marcus Garvey was to Pan-Africanism?

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KRS-One: Is He Potentially to Hip Hop What

Marcus Garvey was to Pan-Africanism?

 

By Bro. Tony Muhammad

Politrix2012@yahoo.com

 original article-May 07, 2006

 

tonymuhammedchitown-225Just hours prior to his lecture at Florida International University this past month, KRS-One and myself had a deep conversation about how controversial the topic of discussion for the evening was Hip Hop and the Art of Civilization Building.  We talked about the general feelings, beliefs and characteristics associated with being part of a culture.  We discussed how the concept of a cultural identity is by and large something invented, a process that comes into being as a result of social circumstances.  The word culture in root, means to cultivate as you would do to a tree or a plant with the purpose of making it grow and flourish.  At the lecture, which was opened up by a panel of scholars from various walks of life, all influenced greatly by Hip Hop culture, KRS-One mentioned how today Hip Hop is in every profession: teachers, lawyers, doctors, even FBI Agents.  He also mentioned how people of different religions throughout the world claim Hip Hop. 

 

From a layered perspective of what culture is, the concept of culture is much more complicated than merely claiming identification with one particular group of people.  Under this view, we can identify with different sets of people in different circumstances.  For instance, I myself am what is typically known as a Latino and I am able to relate to and identify with other people within this diverse group based on the language, customs, food and music we generally share.  In other circumstances, as a Muslim, I am able to relate and identify with others based on the Islamic traditions that they hold (i.e. prayer, fasting, social customs, religious holidays, etc.).  From a constructionist point of view of what ethnic identity and culture is, a culture includes the concept of having a common history, traditions, myths, art, music, literature (or oral traditions) and language (even merely in the form of sayings, catch phrases, or even what is generally regarded as slang).  According to Dr. Joane Nagel, cultural identification among a group of people could come about as a result of either it being imposed by others, self-realized as a result of political and social realities or simply chosen based on perception of meaning.  When analyzed carefully, Hip Hop includes all of these characteristics and the people who have entered into it in different ways throughout its history.

 

marcus-garvey-225Marcus Mosiah Garvey, the founder and leader of the Universal Negro Improvement Association (UNIA) in the early 20th century, was deemed controversial for arguing that peoples of African descent are in fact one people because they share a common racial condition and history.  Based on this, he developed a universal flag, newspaper, religion, national anthem and attempted government and economy under the banner of Pan-Africanism.  Garvey also organized world conferences which attracted and involved the participation of African peoples throughout the world who spoke different languages but identified with each other solely on the concept of being African.  Mind you, this was unheard of prior to this time and Garvey received both praise and scorn for it during his time.  Today, much of the cultural symbolisms and traditions that were birthed in the Garvey movement are found among African peoples throughout the world.  We even have an attempted unification of African countries, The African Union, which surely could not have been developed without the idea and belief that the peoples that live within the region have some form cultural connection to one another and should come together based on it.

 

 Is this much different from the path that KRS-One is headed towards?  He has already been both highly praised and scorned for introducing the concept I am Hip Hop.  Under the Temple of Hiphop, for the past 8 years, he has pushed the idea of celebrating Hip Hop Appreciation Week in mid-May.  He has even had the United Nations sanction Hip Hop as an official culture, developed what is known as The Hiphop Declaration of Peace and is currently in the final process of releasing the universally driven Gospel of Hiphop.  Just as Garvey, at one point of his life, became greatly frustrated with Blacks in the United States for being too focused on their own problems (rather than viewing the scope of their reality from an international perspective), KRS-One this year seeks to celebrate Hip Hop Appreciation Week in Europe to see if there is a difference of response to his calling.  Overall, to many of us of the Hip Hop generation in the past 20 years, KRS-One has many at times driven us to question our world views and identity within it a mental and spiritual exodus that Marcus Garvey inspired in a similar way almost a century ago.

 

krsone1smile-225Those who do not take KRS-One seriously in these endeavors typically just view him as an artist.  As you look deeper into KRS-One, you will see much more than this; a philosopher who expresses himself in the traditional ways of the West African griot breaking down history, science and universal principles backed by the popular music of the time.  Today, in our superimposed Western form of thinking we tend to separate and categorize (and sub-categorize) all of this and tend to limit each other based on one main thing that we do in our lives.

 

When we take Hip Hop a step further and say we are going to form a government and economy over it, this may not be possible at this particular time when the corporations of the world are defining for people generally what Hip Hop is supposed to be and what a typical Hip Hopper is supposed to look and act like.  When the ice of this age melts and the glits and glamour are gone, will we be able to distinguish between who the real community builders are from the trend followers?  With how diverse the Hip Hop community is and how certain members are so highly ego driven, would a political and economic system over it be successful?  How would we be able to deal with the concept of diversity itself, especially considering that racism itself continues to be a highly unresolved problem in this world?  What about dealing with issues in the community such as homosexuality, which is highly expressively unacceptable among many within Hip Hop?  How much of this can potentially become a mass movement rather than a spectator sport situation?  Truly, these questions need to be answered before we move forward in this increasingly complex and technological world.  Surely, we can not rely on just one man to answer them for us.  We must all do our part within the dialogue – The Reality!

 

Stay tuned to the Urban America Newspaper website, www.uannetwork.com, as to how you can get a copy of the historic KRS-One lecture at Florida International University on DVD in the following months.

 

Return to Davey D’s Hip Hop Corner

What Is Hip Hop? Grandmaster Flash’s Definition Of Hip Hop

Grandmaster Flash yellowGrandmaster Flash‘s Definition Of Hip Hop

As one of the pioneers of who was known for his ability to mix music I mixed anything from Billy Squire to Michael Jackson to Thin Lizzy to Sly And The Family Stone to Glen Miller to Tschochosky..

When I laid this foundation down.. the key was we could take almost anything musically just as long as it had a beat to it.. so that the rhymer who flowed over the top of it could syncopated.. For anybody to say that whatever they’re doing in Florida is not hip hop..or whatever they’re saying in LA is not hip hop.. Who are these people to say that?.. There were songs that Bambaataa played that to this day I still don’t know.. They were so funky.. Some of the ones I got the privilege to know..I was surprised…You take a song like ‘Apache‘ for example which was considered to be one of the hip hop main themes..Those were a bunch of white guys.. The Incredible Bongo Rock Band were white guys.. There was one person there who was Black.. He was King Erickson who was a percussionist…

For anybody to say ‘this is not hip hop’ or ‘that is not hip hop’ is wrong. That is not the way the formula was laid down.. It was for the people who were going to continue this to take anything…by all means necessary and string it along…

September 1996

What is Hip Hop?: Afrika Bambaataa’s Definition of Hip Hop

afrika-Bambaataa-GangAfrika Bambaataa’s Definition Of Hip Hop?

Hip Hop means the whole culture of the movement.. when you talk about rap..Rap is part of the hip hop culture..The emceeing..The djaying is part of the hip hop culture. The dressing the languages are all part of the hip hop culture.The break dancing the b-boys, b-girls ..how you act, walk, look, talk are all part of hip hop culture.. and the music is colorless.. Hip Hop music is made from Black, brown, yellow, red, white.. whatever music that gives you the grunt.. that funk.. that groove or that beat.. It’s all part of hip hop….

Are artist from the West Coast and Miami
considered Hip Hop?

Too Short, E-40 all the brothers and sisters that are making that hip hop and coming from the funk part of it are all hip hoppers.. The Electro Funk which is that Planet Rock sound which is now considered the Miami Bass sound is also hip hop.. The GoGo sound that you hear from Washington DC is also hip hop.. New Jack Swing that Teddy Riley is R&B and hip hop mixed together…So hip hop has progressed into different sounds and different avenues.. People also have to recognize from hip hop music..inparticular the electro funk came House music and Freestyle music with a lot of our Pueto Rican hip hoppers…

The freestyle music really comes from Planet Rock..If you look at all the freestyle records its based upon Planet Rock.. If you look at all the Miami Bass records it’s based upon Planet Rock.. It’s all based upon electro funk… which came from hip hop music…

Hip Hop has experimented with a lot of different styles of music and there’s a lot of people who have brought different changes over time with hip hop.. which have brought out all these funky records which everybody just started jumpin’ on like a catch phrase.. For example when ‘Planet Rock’ came out you had all of the electro funk records.. When you had Doug E Fresh with the show and ‘La Di Da Di’.. a lot of rappers went that way…When Eric B came out with ‘I Know U Got Soul’… all the way up to Run DMC and Wu-Tang. All these people brought changes within hip hop music… Unfortunately today a lot of the people who created hip hop..meaning the Black and Latinos do not control it no more…

Afrika Bambaataa
Sept 23 1996