Bury the Never Ending Myth of Jackson as Child Molester

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As I’m reading this article by Earl Ofari Hutchinson, I had to add a few thoughts. When ever this topic gets brought up  I’ve always noted the most glaring omission to this whole ‘child molester’ myth. It’s quite simple-Show me the kids and show me the parents. The emphasis is on the plural ‘s’. Almost all experts on this topic have noted that a molester doesn’t stop at one victim, they have lots of them. Such would’ve been the case with Michael Jackson who routinely hosted hundreds if not thousands of kids at his Neverland Ranch.  There would’ve been more than the one or two victims who accused him.

This leads to my second point, show me the parents. Out of all the kids supposedly molested, not one parent ran off to get Mike? Not one? There was no parent who looked at their innocent 6,7, or 8 year old and said to themselves; ‘WTF? This 45 year old man violated my child? My seed? My loved one? ? Hell No-Michael Jackson gotta die?’ …

Think about that for a minute. What parent sits by and doesn’t try and snatch the head off the person who harmed their precious loved one? I know my parents would been in jail if anything like that happened. Hell moms was ready to call it a day when she heard about teachers acting foul toward me or my sister. Pops beat the crap out of man right there in Macy’s for pushing me out of the way and calling me a little nigger when I was about 7. He knocked this man over a Christmas tree and would not stop until pulled off. He kept pummeling the man and yelling ‘No one touches my kid-No one’  Could you imagine if I had been molested?

The natural reaction of any parent is to protect their kids and protect them at all costs. You never saw this with the parents of Michael Jackson’s so called victims. Sure there might be one or two parents who would be in denial. Sure, there might be one or two parents who would be greedy and take money to remain silent, but there would be at least one and all you need is one family that would not be having it. That one family would pull out all the stops to bring justice for their kid.

You touch my seed and no money in the world would prevent what I would be dishing out. Death, death serious pain and a long jail sentence would be the only solution if you dared touch my kid. After that was meted out, there would be no need for financial settlement cause I would sue in civil court and get all the money. If for some reason Jackson got off and was found innocent to such an egregious act that I as a parent knew he did, I would be that parent that showed up at every single event to kick up dust and bring attention to his wrong doings. I’d be that parent holding fliers, picket signs, calling up radio stations, going to award shows demanding him and his music be boycotted.  There would be no place on earth that MJ could not go and not have to deal with an upset, loving parent who wanted justice for their kid.

You never saw that with any of the two parents who claimed MJ molested their child. You never saw this with anyone. No outraged grandparents, aunts, uncles, cousins-no one. Hell where are the victims? Michael Jackson was first accused back in ’92, ’93 of molestation. In theory any young victim would be an adult at this time-No one saw or felt the need to speak out and raise hell knowing that the person who molested them was still hosting kids at his ranch? Compare the lack of reaction from  supposed victims’  of MJ with those who were victims by priests in the Catholic Church.  When charges were levied on one Cardinal, bishop or priests by one brave soul, a string of victims soon followed. They all came out the from hiding and spoke up. Where were MJ’s supposed victims?

I’ll tell you where they were? No where cause there wasn’t none. No outraged parents and family members, no traumatized victims who are now adults willing to step up and speak. No strong convincing evidence from an out of control Santa Barbara distric attorney who was hell bent on seeing MJ in jail?  Don Sneddon had 20+ years to find something to get MJ in jail and he couldn’t even with the full weight and resources of one of the wealthiest counties in America.

Michael Jackson a child molester? Negro please. Strange fella at times?  Yes. Child molester? Perhaps if you believe in the Easter Bunny or you were seeking a quick payoff.

-Davey D- 

Bury the Never Ending Myth of Jackson as Child Molester 

by Earl Ofari Hutchinson

http://www.huffingtonpost.com/earl-ofari-hutchinson/bury-the-never-ending-myt_b_228307.html

Earlofari-225Websites, blogs and chatrooms pulsed with garish cracks about it. Legions of commentators and news reporters snuck it in every chance they got. More than a few of Michael Jackson’s fervent admirers and supporters made a dismissive reference to it. Even President Barack Obama in a cautious acknowledgment of Jackson’s towering contributions to American music and artistry still made reference to the “tragedy” in Jackson’s life which was a subtle nod to it. And New York Congressman Pete King skipped the niceties and flatly said it.

The “it” is the never ending myth of Jackson the child molester. It still hangs as a damning indictment that feeds the gossip mills and gives an arsenal of ammunition to Jackson detractors. This is not a small point. In the coming weeks, there will be a push to bestow official commemorative monuments, honors on and a national stamp for Jackson. The taint of scandal could doom these efforts to permanently memorialize Jackson.

The child molester myth doesn’t rest on Jackson’s trial and clean acquittal on multiple child abuse charges in a Santa Maria courthouse in June 2005. Only the most rabid Jackson loathers still finger point to that to taint Jackson. The myth of Jackson as child abuser rests squarely on the charge by a 13 year old boy a decade before the trial and the multi-million dollar settlement out of court. The settlement, then and now, feeds the suspicion that Jackson must have done something unsavory and probably criminal, or else why settle?

Sixteen years later, though, the facts remain unchanged. The charge that Jackson molested the boy was brought by the boy’s father. In interviews the boy repeatedly denied the charges. This changed only after he was administered sodium amytal, an invasive, mind altering drug that medical experts have frowned on and courts have disregarded in witness testimony.

Prosecutors, police departments and investigators in Los Angeles and Santa Barbara spent millions of dollars, convened two grand juries and probed nearly 200 witnesses that included 30 children, who knew Jackson to try to substantiate the charge. Not a single corroborating witness was found. Nonetheless, a motley group of disgruntled Jackson’s former housekeepers, attendants and bodyguards still peddled the story to any media outlet willing to shell out the cash that Jackson had engaged in child sexual wrongdoing. Not one of the charges was confirmed. Typical was this exchange between one of Jackson’s attorneys and one of the accusing bodyguards under oath:

“So you don’t know anything about Mr. Jackson and [the boy], do you?” “All I know is from the sworn documents that other people have sworn to.”
“But other than what someone else may have said, you have no firsthand knowledge about Mr. Jackson and [the boy], do you?”

“That’s correct.”

“Have you spoken to a child who has ever told you that Mr. Jackson did anything improper with the child?”

“No.”

“Where did you get your impressions about Jackson’s behavior?”

“Just what I’ve been hearing in the media and what I’ve experienced with my own eyes.”

“Okay. That’s the point. You experienced nothing with your own eyes, did you?”

“That’s right, nothing.”

When asked at the time about the charges against Jackson, child behavior experts and psychiatrists nearly all agreed that he did not fit the profile of a pedophile. They agreed that the disorder is progressive and there are generally not one but a trail of victims.

The myth of Jackson as child molester never hinged on evidence or testimony to substantiate it, but solely on the settlement. Why then did Jackson agree to it?

No charge stirs more disgust, revulsion, and pricks more emotional hot buttons than the charge of child molestation. The accusation stamps the Scarlet letter of doubt, suspicion, shame and guilt on the accused. The accused can never fully expunge it. There is simply no defense against it. Under the hyper intense media glare and spotlight that Jackson remained under, the allegation no mater how bogus would have been endless fodder for the public gossip mill. This would have wreaked irreparable damage on Jackson’s ever shifting musical career and personal life.

A trial in Los Angeles in the racially charged backdrop of the Rodney King beating, the L.A. riots, and pulsating racial tensions in the mid-1990s would have been risky business. A trial in staid, upscale, and majority white, Santa Barbara County would have been even more risky.

Jackson and his attorneys knew that when it came to the charge of child molestation the presumption of innocence, or even actual innocence, is tossed out the window. Though Jackson did nothing wrong, a trial would have left him, his reputation and his career in shambles. The settlement was the only pragmatic, logical and legal way to end the sordid issue.

The settlement under extreme duress must not sully his name and place as an honored American icon. The myth of Jackson as child molester must finally be buried.

Earl Ofari Hutchinson is an author and political analyst. His weekly radio show, “The Hutchinson Report” can be heard on weekly in Los Angeles on KTYM Radio 1460 AM and nationally on blogtalkradio.com

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Michael Jackson’s Memorial:End of an Era-Close of a Chapter-Where Do We Go from Here?

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Michael Jackson’s Memorial: End of an Era-Close of a Chapter
Where Do We Go from Here?

by Davey D

DaveyD-MJmemorialYesterday’s memorial for Michael Jackson was surreal, emotional, healing, inspiring and a heartfelt sobering wake up call. I’m glad I fought my initial urge to stay home and made the 5 hour drive from the Bay Area down to the Staples Center in LA.  The long drive done in the middle of the night gave me time to reflect on all that had taken place over the past couple of weeks.

The days leading up to the memorial were filled with lots of articles, commentary and musical tributes. For many of us Michael Jackson and his various incarnations throughout the years were rediscovered. From his early hits like ‘ABC‘, ‘I Want You Back’ and ‘Going Back to Indiana’ to his latter songs off the Thriller’, Invincible’ and ‘History’ albums, all took on new meaning. The brilliance behind them were better appreciated. When re-listening to his older material we came to understand that he and his brothers were years ahead of their time.

Over the past couple of weeks we discovered just how much of a global phenomenon he was. We learned how he kicked down doors and broke color barriers within the music industry. We learned how he gave over 40% of his income to charities. These aspects and so many more surrounding his life were often overlooked while we focused on his eccentric behavior and controversies.

Michael Jackson over the past two weeks was a bigger than life figure and in our rediscovering him, many of us rediscovered some long forgotten aspects of ourselves. For many of us Michael was still alive.  He was still alive in spite of the incessant news stories about his death and the speculation as to what caused it.  With each music or video tribute, television special or retrospective walk down memory lane, MJ was still here. His energy was around. His spirit felt.  As I listened to his older material I found myself yearning for him to bust out with new material and resurrect a long-lost soulful sound from a bygone era. But alas he was gone.

Chuck D dropped lots in insight about Michael Jackson both on his Air America radio show and the History of Funk special

Chuck D dropped lots in insight about Michael Jackson both on his Air America radio show and the History of Funk special

Two days prior to me leaving for the Memorial I had done an in-depth radio show with Chuck D from Public Enemy and funk expert Professor Rickey Vincent– author of the book ‘History of Funk’.  It was a two-hour show chock full of never before inside facts about MJ and how he and his brothers were rooted in a much larger soul, blues and funk musical traditions within the Black community. We talked in-depth about where MJ and his brothers stood in relationship with their contemporaries at that time, George Clinton, Stevie Wonder, Marvin Gaye, Smokey Robinson, James Brown and so many others. We played many of his soulful and adventurous cuts from the mid 70s that were out of print and all but hidden from a mainstream press that seemingly only wanted to focus on ‘Thriller’ and ‘Off the Wall’.  This two hour History of Funk broadcast was the sound track to my 400 mile trek down to the memorial. And as the hours drew closer, the more alive and vibrant his music became-so much so that I literally forgot the reality at hand.  I anticipated an upbeat celebration and a chance to reconnect to old friends. We were coming together to celebrate Michael – not mourn him.

Here’s our conversation on All Day Play FM w/ Chuck D

Conversation All Day Play FM  w/ Rickey Vincent

MJ-Fans-300As I arrived at the Staples Center and got my tickets I was there amongst thousands. The mood was upbeat and somewhat festive. There were smiles and light-hearted jokes. The mood was one of excitement as we all knew we were going to a historic event. The fact that we were among thousands of people who loved and appreciated this man sans the outright disrespect the media punditry playerhaterism who are increasingly out of step  with their viewers and listeners added to the jovial mood.

_MichaelJacksonstage-223It wasn’t until I got inside a darkened Staples Center and saw the stage adorned with flowers and the memorializing picture montage that it started to sink in what was really going on. As the place filled up we all could spot various celebrities who generally would cause a stir, the mood had drastically changed. It was more somber and definitely quiet except for the folks in the VIP section that seemed to be more animated and engaged as they smiled, exchanged pounds and hugged each other like this was just another industry event. I recall making note and tweeting about that.

When Michael’s gold casket adorned with roses was carried in…Then it really hit. The mood changed even more as it sunk in for all of us.  This was not some sort of celebratory concert even with Stevie Wonder, Usher and Mariah Carey all singing. This was all about us saying goodbye…Not just to Michael but to an era and to part of ourselves. There was a lesson or lessons that needed to be gleaned and I found myself deep in thought and reflecting.

MJ-mariahcarey-300The Memorial itself could be best described as beautifully sad. We all saw the highlights, the first being Mariah Carey singing as she tried her best to hold back tears and keep her voice from cracking. We understood how difficult it was to sing  with the casket in front of her.  People in the audience had teared up when it was first brought in. If she didn’t care nor had no love, then this would’ve been just another gig. But singing in front of MJ’s casket knowing that he was forever gone was something else.  Everyone at the Memorial felt her and appreciated the singing -cracked voice and all.

Magic Johnson sharing his KFC chicken story was nice.  It humanized MJ for us. Him talking about being asked to be in the ‘Remember the Time’ video was appreciated as we recalled MJ using an all Black cast for this video depicting Ancient Egypt. We as Black folks appreciated it, but back in 1992, when this video first premiered on prime time TV, it angered a lot of white media pundits who questioned why Jackson would show Egyptians as their real color – Black.  Folks need to ponder the deeper meaning behind that for a minute.

http://www.youtube.com/watch?v=LeiFF0gvqcc

Stevie Wonder gave a heartfelt performance that brought us to tears

Stevie Wonder gave a heartfelt performance that brought us to tears

Stevie Wonder  and Usher moved us immensely as they sung their respective songs. Because I had done the History of Funk Show with Chuck D and Rickey Vincent, I had greater appreciation and understanding of what Stevie Wonder meant to MJ and the Jacksons when he took the stage.  I understood that Stevie was Motown’s first childhood star who at age 11 signed to Motown and was known as Lil’ Stevie – the Boy Genius. He was the one you saw rocking the harmonica as Gladys Knight, Smokey Robinson and others within Motown held it down.

I appreciated that as Stevie got older and made way for the new child star – Michael Jackson. Over the years, Stevie would write a number of songs that Michael covered.  From ‘My Cheri Amour’ to ‘I Don’t Know Why I Love You’ Wonder was an ever-present figure  who over the years played a crucial role in helping shape and inspire the genius we appreciate about Michael.

http://www.youtube.com/watch?v=aejQHbet5YY

I also understood that Stevie was arguably at the prime of his career winning Grammy after Grammy and dropping landmark albums like ‘Talking Book’, ‘Innervisions’  and ‘Songs in the Keys of Life’ as the Jacksons were emerging as pop sensations. With all this in mind, Stevie’s opening remarks about wishing he didn’t have to live to see the day we buried Michael along with his stellar performance of ‘Never Dreamed You’d Leave in Summer’ which was also covered by Michael took, on deeper meaning now that I had a historical and social context to put it in.

Usher’s heartfelt performance of Michael’s song ‘Gone Too Soon’ which had inspired dozens of video tributes found all upon Youtube including an incredible tribute done for the ill-fated BET Awards but was sadly never shown, was moving.

Brooke did her best to hold back tears while she talked about the great friendship she and Michael had.

Brooke did her best to hold back tears while she talked about the great friendship she and Michael had.

Brooke Shields’ speech was touching as was John Mayer’s performance. Many did not realize how close and long a friendship Shields and Michael had. It was touching and insightful. One had to respect Mayer for opting not to sing but to just play the riffs to the song ‘Human Nature’. He later noted that he could not do Michael justice.

Brother Jermaine Jackson singing Michael’s favorite song ‘Smile’ was sobering. We had heard early on that Jermaine was going to sing and it was met with excitement. Again when it finally sunk in that he was paying tribute to his fallen brother after Brooke Shields had referenced the song in her remarks, we were all moved.

Reverend Al Sharpton gave the speech of a lifetime as he encompassed many of the feelings many were feeling but simply could not articulate. He addressed the naysayers and MJ haters in splendid fashion when he reminded us how Michael through his music and videos brought people of all races together and helped erase many divisions especially when he kicked down the doors to segregated entities like MTV.  He reminded the audience that it was Michael who pushed and played trailblazing roles in charitable events like Live AID and We Are the World.

Sharpton noted that MJ’s bringing together of folks paved the way for the eventual election of President Obama. This drew loud applause. Sharpton spoke directly to Michael’s kids when he said; “There was nothing strange about your Daddy, it was strange what your daddy had to deal with.” This drew a thunderous standing ovation.

I knew right then, in spite 20 thousand people inside Staples beaming and rousing in agreement with Sharpton, that pundits would immediately be put in front of the TV cameras to discredit – and they were. The main talking points were; Michael Jackson was not an African-American icon, but an American icon and that Sharpton’s remarks were racist and would not be approved by Jackson. What’s funny about this was Jackson in later years came under attack for 3 or 4 things that drew the racial ire of some of Sharpton’s critics who say he plays the race card too much.

The first as I mentioned earlier was the ‘Remember the Time’ video where Michael caught flak for having African-Americans be cast as ancient Egyptians.

The second was Michael buying the Beatles catalogue. Him besting everyone including former friend Paul McCartney at the music industry’s publishing game, which over the years has left scores of Black artists destitute, may have been the spark that led to the onslaught of attacks MJ had to endured.

The third was him marrying Elvis Presley’s daughter, Priscilla Presley. That was too much for a whole lot of prejudice folks to bear. I recall the anger it caused to have the King of Pop who in spite of his so-called white appearance was still seen as a Black man marrying the daughter of the King of Rock-N-Roll. We all heard stories about Elvis’s daughter being called a “nigger lover”.

Prior to that, Michael caught racial heat for his very public friendship and relationship with Brooke Shields. Yes, the interracial dating thing even for the King of Pop was troubling for quite a few folks who want to insist that Michael be an “American icon” as long as he doesn’t marry their daughters. (The irony here is that Michael and Brooke never really dated they were just good friends, but even that was too much)

The fourth thing was Jackson going up to Harlem in June 2002 to Al Sharpton’s headquarters and speaking out about the blatant racism in the music industry. It was Jackson not Sharpton who referred to then lauded industry executive Tommy Mottola as racist and devilish. Sharpton tried to back pedal a bit on Jackson’s remarks and make it seem like a mistake in words, but it was just days later Michael went to England and underscored everything he said about Mottola and then some.

http://www.youtube.com/watch?v=tBv3GzD97FY

http://www.youtube.com/watch?v=2F3t2Gc0Qpo

The bottom line is Sharpton captured the moment during the memorial. Sharpton’s words were a breath of fresh air when you look at the racial overtones that had been placed on Jackson ranging from idiotic Congressmen like Peter King out of New York, to the so-called liberal icon Keith Oberman.

As each speaker took the stage and paid tribute, it hit home that the King of Pop was not only gone for good, but along with him an enduring, inspiring spirit calling on us to live up to life’s challenges and be our best at all times. It would be up to us to hold on to that spirit and do something with it. This realization was underscored when Martin Luther King III and his sister Bernice King spoke directly to the family and shared with them lessons they learned from their famous Civil Rights leader father. They recalled his famous Drum Major Instinct speech where he told us to be the best at what we do no matter how insignificant it may seem. They also shared with us MJ reaching out to their mother, Coretta Scott King  3 weeks before she passed which reminded us just how big a heart this man had.

Brother Marlon Jackson and Michael's daughter Paris reminded us that Michael was not just an icon but a beloved family member who will be missed

Brother Marlon Jackson and Michael’s daughter Paris reminded us that Michael was not just an icon but a beloved family member who will be missed

It all hit home when Marlon Jackson spoke about his love for his brother which was followed by daughter Paris whose voice and cries about her love for her father were heard all around the world.  There wasn’t a dry eye in the building when she spoke.

After the Jackson family said their last goodbyes, the casket was removed the finality of Michael Jackson being forever gone hit. I found myself thinking how Michael meant different things to different people. Some saw him as only an entertainer while others saw him as part of a larger culture rooted in age-old traditions. Some saw Michael as transcending race while other saw him as part of a race. Some saw Mike as a meal ticket to sell t-shirts, records, tickets etc while others recoiled at him being commoditized.

I myself saw a man who left behind a rich legacy and I was wondering if it would be a legacy we exploit and squander or if it would be something we cherish and build upon?  Were my frequent walks down memory lane over the past two weeks a reminder for me to learn about myself and my people, build upon that, spread the knowledge and use that understanding to dwell deeper and bring forth the important aspects of the heroes and sheroes who do for us everyday?  In other words, start loving and appreciating while people are still around and not when their dead?

It was then that it hit me that Michael’s music was no longer alive. Not in the way it was when I was coming down to LA. It was no longer alive because it was time for us to move forward and add richness to the legacy and not keep using it. In other words stop, looking for comfort within Michael and his music and start using our talents and resources to comfort and be a blessing to others.

Michael Joseph Jackson was a constant companion-a sound track of sorts to my life. He was a constant who was there at every momentous occasion I experienced. And now he was no more. He’s the end of an era, a chapter closed and the start of new beginning if I so choose.

Michael Jackson was an iconic bigger than life figure prior to the Memorial. After brother Marlon and daughter Paris spoke, it hit hard that he was a brother, father, son and beloved friend who will surely be missed.

There will never ever be another Michael Jackson and for that I’m sad. But his memorial said to me, “The ball is in your court.  Michael’s  work is done. It’s on you, it’s on us –each and everyone of us who sought comfort in his talents and persona, to carry on and impact this world and the communities around us by helping move them to new and better heights. Will the world stop and pay attention when we die?

RIP Michael Jackson..May we build upon the foundation you laid for us.

The Jackson clan wore white gloves in honor of Michael

The Jackson clan wore white gloves in honor of Michael

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Chuck D & Funk Expert Rickey Vincent Speak on the Music & Political Legacy of Michael Jackson & the Jackson 5

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logo-History-of-funk-Jackso

Listen to the History of Funk pt 1-retrospective look at Michael Jackson & the Jackson 5

1-Breakdown FM-History of Funk pt1-Michael jackson & the Jackson 5

2-Breakdown FM-History of Funk pt2-w/Chuck D How MJ influenced Hip Hop & Politics

 
Professor Rick Vincent-author of History of Funk drops a lot of insight about the musical legacy of Michael Jackson  and his brothers

Professor Rick Vincent-author of History of Funk drops a lot of insight about the musical legacy of Michael Jackson and his brothers

Michael Jackson and the Jackson 5 are considered steller musicians and entertainers who changed the game in major ways. Oftentimes when we speak of them they are presented as if they came out of nowhere and their musical prowess came out of a vacuum. We wanted to give people some deeper insight into their music and what it meant to Soul, Funk and the Black community.

We sat down with Professor Ricky Vincent aka the Uhuru Maggot, author of the landmark book The History of Funk. We sat down and walked through the history of MJ and the Jacksons and talked in depth about their influences ranging from James Brown to Stevie Wonder. We talked in depth about their roots including how MJ and his brothers grew up in Gary, Indiana. We talked about the important role Gary played in Black America, both in terms of having one of the country’s first African American mayors and the 1972 meeting by Black folks to set a nationwide agenda.

We talked about their father Joe Jackson and who he is and how he spent alot of childhood and teenage years in Oakland, California. Vincent talked about the vibrant blues scene that was in full gear when Joe jackson was around in West Oakland and how that may have been a foundation for his musical ambitions.

We spoke about Michael Jackson and his dancing history. We talked about his signature moves ‘The Robot’, The Moonwalk and locking and noted how these were popular dance styles well known in various hoods throughout California for years prior to Michael introducing them to the rest of the world.

We talked about the struggles the group had when MJ’s voice changed and how Motown executives wanted them to follow a particular pop formula while the group pushed to establish a new sound that was more soulful, funky and contemporary. Eventually the tension became so great that the group left Motown and joined Epic. Because Motown owned the name The Jackson 5, the group changed their name to The Jacksons. Complicating their situation even more was the fact that older brother Jermaine married Berry Gordy’s daughter hence he went on to stay at Motown and do a solo career.

We talk about the influence James Brown had on Michael and how he went out and pretty much adapted much of Brown’s delivery, showmanship and overall style. We explore the music from that time period in the mid 70s and note how the group found themselves under the gun as they tried to keep up with icons like Stevie Wonder, George Clinton, Sly Stone, BT Express and an array of ‘child groups like the Sylvers who had bursted on the scene and were hitting hard.

Ricky reminded us of how George Clinton and his p-funk mob were in Detroit recording songs and that their style and influence was definitely felt. because he was connecting with the hood, the Jacksons were forced to step it up and become alittle more raw with their music.

We end this segment by highlighting the various musical directions the group took.

Here’s the link to part1

Breakdown FM-History of Funk pt1-Michael jackson & the Jackson 5

———————————————————————————–

Chuck D spoke about Michael Jackson's political side and how he influenced his love for Hip Hop

Chuck D spoke about Michael Jackson's political side and how he influenced his love for Hip Hop

In pt 2 we are joined by Chuck D of Public Enemy where we have an indepth discussion about MJ and his politics and how Chuck was introduced to Hip Hop via Mike.

Chuck talks about the important role legendary songwriters Gamble & Huff played in pushing Mike and his brothers. Author Ricky Vincent talks about how the message in the music is part of a much larger tradition within Black music.

Chuck D also talks about how some of Michael Jackson’s records which were used as breakbeats influenced him and made him embrace Hip hop more. In particular is the vintage cut ‘Music’s Taking Over’. Chuck also talks about the sample they used from MJ in the song By The Time I get to Arizona.

Chuck also talks about the important influence Michael Jackson had in the realm of videos.

We play lots of Jackson’s political songs as well as the cuts that inspired Chuck D.

We conclude the interview by talking about MJs War with Sony Music and Tommy Mottola, his charitable works and the importance of being named the King of Pop.

Here’s the link to pt 2

Breakdown FM-History of Funk pt2-w/Chuck D How MJ influenced Hip Hop & Politics

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The Missing BET Awards-Michael Jackson Video Tribute That Was Never Shown

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So here’s  something that was eliminated from last sunday’s BET Awards. its a video tribute put together by Frank Williams. He is from Oakland and a long time fixture in the Hip Hop scene. He was one of the first brothers to write for the LA Times– He’s been a long time writer for the Source and has been putting in work for BET. He put this video montage together for MJ but it never aired… You see this and all you can do is shake your head in disbelief.. Why would they not show this 3 minute clip..

According to Frank, the video wasn’t shown because Don Cornelius stayed on stage talking too long and some pieces got scraped. I say they should’ve went overtime. In fact this incredible tribute should’ve  started off the show.

Here’s what Frank wrote as his intro..

I AM P. FRANK WILLIAMS, CO-PRODUCER OF THE BET AWARDS 09! (THIS IS NOT A JOKE!) THIS IS A BET AWARDS MICHAEL JACKSON TRIBUTE I PRODUCED THAT NEVER AIRED CALLED “GONE TOO SOON.” 

THANKS TO THE HUNDREDS OF PEOPLE WHO RESPONDED TO MICHAEL JACKSON GONE TOO SOON VIDEO TRIBUTE! I AM COMPLETELY OVERWHELMED BY YOUR LOVE AND ADMIRATION. PLEASE KNOW I DID THAT PIECE TO HONOR A LEGEND. AND GOOD NEWS: YOU MAY SEE IT ON TV AFTER ALL NEXT WEEK! KEEP YOUR FINGERS IN YOUR WHITE GLOVE CROSSED. RIP MJ!

Here’s the missing piece.

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Michael_Jackson_Ben_FrontBlog

Chuck D of Public Enemy Releases YouTube Video Tribute for Michael Jackson

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ChuckD-performing-150Lots of people have been weighing in on the passing of Michael Jackson. Even more have been weighing in on on what a proper tribute looks like in the aftermath of the BET Awards fiasco. One person who has stepped to the plate is music icon Chuck D of Public Enemy. he sent out this video the other day of his own tribute to Michael jackson. He explained that he took some time out and put this together on I Movie. It underscored my questions-Where was the simple video montage from BET?

Also included in this story is a video of Chuck D talking about the importance of music that was released during the Civil Rights struggle..

Enjoy and pass along…

Below is the video of Chuck D talking about the importance of  music during the Civil Rights Struggle.

 

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Greg Tate: Michael Jackson-The Man in Our Mirror

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Michael Jackson: The Man in Our Mirror

Black America’s eulogies for the King of Pop also let us resurrect his best self

By Greg Tate

Tuesday, June 30th 2009 at 2:03pm

http://www.villagevoice.com/2009-07-01/news/michael-jackson-the-man-in-our-mirror/1

writer Greg Tate reminds us its ok to bring back the Michael Jackson we remember best

writer Greg Tate reminds us its ok to bring back the Michael Jackson we remember best

What Black American culture—musical and otherwise—lacks for now isn’t talent or ambition, but the unmistakable presence of some kind of spiritual genius: the sense that something other than or even more than human is speaking through whatever fragile mortal vessel is burdened with repping for the divine, the magical, the supernatural, the ancestral. You can still feel it when you go hear Sonny Rollins, Ornette Coleman, Aretha Franklin, or Cecil Taylor, or when you read Toni Morrison—living Orishas who carry on a tradition whose true genius lies in making forms and notions as abstract, complex, and philosophical as soul, jazz, or the blues so deeply and universally felt. But such transcendence is rare now, given how desperate, soul-crushing, and immobilizing modern American life has become for the poorest strata of our folk, and how dissolute, dispersed, and distanced from that resource-poor, but culturally rich, heavyweight strata the rest of us are becoming. And, like Morrison cautioned a few years ago, where the culture is going now, not even the music may be enough to save us.

The yin and yang of it is simple: You don’t get the insatiable hunger (or the Black acculturation) that made James Brown, Jimi Hendrix, and Michael Jackson run, not walk, out the ‘hood without there being a ‘hood—the Olympic obstacle-course incubator of much musical Black genius as we know it. As George Clinton likes to say, “Without the humps, there’s no getting over.” (Next stop: hip-hop—and maybe the last stop, too, though who knows, maybe the next humbling god of the kulcha will be a starchitect or a superstring theorist, the Michael Jackson of D-branes, black P-branes, and dark-energy engineering.) Black Americans are inherently and even literally “damaged goods,” a people whose central struggle has been overcoming the non-person status we got stamped and stomped into us during slavery and post-Reconstruction and resonates even now, if you happen to be Black and poor enough. (As M-1 of dead prez wondered out loud, “What are we going to do to get all this poverty off of us?”) As a people, we have become past-masters of devising strategies for erasing the erasure. Dreaming up what’s still the most sublime visual representation of this process is what makes Jean-Michel Basquiat‘s work not just ingenious, but righteous and profound. His dreaming up the most self-flagellating erasure of self to stymie the erasure is what makes Michael Jackson’s story so numbing, so macabre, so absurdly Stephen King.

Michael_Jackson_Ben_FrontBlogThe scariest thing about the Motown legacy, as my father likes to argue, is that you could have gone into any Black American community at the time and found raw talents equal to any of the label’s polished fruit: the Temptations, Marvin Gaye, Diana Ross, Stevie Wonder, Smokey Robinson, or Holland-Dozier-Holland—all my love for the mighty D and its denizens notwithstanding. Berry Gordy just industrialized the process, the same as Harvard or the CIA has always done for the brightest prospective servants of the Evil Empire. The wisdom of Berry’s intervention is borne out by the fact that since Motown left Detroit, the city’s production of extraordinary musical talent can be measured in droplets: the Clark Sisters, Geri Allen, Jeff Mills, Derrick May, Kenny Garrett, J Dilla. But Michael himself is our best proof that Motown didn’t have a lock on the young, Black, and gifted pool, as he and his siblings were born in Gary, Indiana: a town otherwise only notable for electing our good brother Richard Hatcher to a 20-year mayoral term and for hosting the historic 1972 National Black Political Convention, a gathering where our most politically educated folk (the Black Panther Party excepted) chose to shun Shirley Chisholm‘s presidential run. Unlike Motown, no one could ever accuse my Black radical tradition of blithely practicing unity for the community. Or of possessing the vision and infrastructure required to pull a cat like Michael up from the abysmal basement of America and groom him for world domination.

Motown saved Michael from Gary, Indiana: no small feat. Michael and his family remain among the few Negroes of note to escape from the now century-old city, which today has a Black American population of 84 percent. These numbers would mean nothing if we were talking about a small Caribbean nation, but they tend to represent a sign of the apocalypse where urban America is concerned. The Gary of 2009 is considered the 17th most dangerous city in America, which may be an improvement. The real question of the hour is, How many other Black American men born in Gary in 1958 lived to see their 24th birthday in 1982, the year Thriller broke the world open louder than a cobalt bomb and remade Black American success in Michael’s before-and-after image? Where Black modernity is concerned, Michael is the real missing link: the “bridge of sighs” between the Way We Were and What We’ve Become in what Nelson George has astutely dubbed the “Post-Soul Era”—the only race-coded “post” neologism grounded in actual history and not puffery. Michael’s post-Motown life and career are a testament to all the cultural greatness that Motown and the chitlin circuit wrought, but also all the acute identity crises those entities helped set in motion in the same funky breath.

From Compton to Harlem, we’ve witnessed grown men broke-down crying in the ‘hood over Michael; some of my most hard-bitten, 24/7 militant Black friends, male and female alike, copped to bawling their eyes out for days after they got the news. It’s not hard to understand why: For just about anybody born in Black America after 1958—and this includes kids I’m hearing about who are as young as nine years old right now—Michael came to own a good chunk of our best childhood and adolescent memories. The absolute irony of all the jokes and speculation about Michael trying to turn into a European woman is that after James Brown, his music (and his dancing) represent the epitome—one of the mightiest peaks—of what we call Black Music. Fortunately for us, that suspect skin-lightening disease, bleaching away his Black-nuss via physical or psychological means, had no effect on the field-holler screams palpable in his voice, or the electromagnetism fueling his elegant and preternatural sense of rhythm, flexibility, and fluid motion. With just his vocal gifts and his body alone as vehicles, Michael came to rank as one of the great storytellers and soothsayers of the last 100 years.

Furthermore, unlike almost everyone in the Apollo Theater pantheon save George Clinton, Michael now seems as important to us an image-maker—an illusionist and a fantasist at that—as he was a musician/entertainer. And until Hype Williams came on the music-video scene in the mid ’90s, no one else insisted that the visuals supporting r&b and hip-hop be as memorable, eye-popping, and seductive as the music itself. Nor did anyone else spare no expense to ensure that they were. But Michael’s phantasmal, shape-shifting videos, upon reflection, were also, strangely enough, his way of socially and politically engaging the worlds of other real Blackfolk from places like South Central L.A., Bahia, East Africa, the prison system, Ancient Egypt. He did this sometimes in pursuit of mere spectacle (“Black and White”), sometimes as critical observer (“The Way You Make Me Feel”), sometimes as a cultural nationalist romantic (“Remember the Time”), even occasionally as a harsh American political commentator (“They Don’t Care About Us”). Looking at those clips again, as millions of us have done over this past weekend, is to realize how prophetic Michael was in dropping mad cash to leave behind a visual record of his work that was as state-of-the-art as his musical legacy. As if he knew that one day our musical history would be more valued for what can be seen as for what can be heard.

(Having said that, my official all-time-favorite Michael clip is the one of him on Oprah viciously beatboxing [his 808 kick sound could straight castrate even Rahzel’s!] and freestyling a new jam into creation—instantaneously connecting Michael in a syncopating heartbeat to those spiritual tributaries that Langston Hughes described, the ones “ancient as the world and older than the flow of human blood in human veins.” Bottom line: Anyone whose racial-litmus-test challenge to Michael came with a rhythm-and-blues battle royale event would have gotten their ass royally waxed.)

George Clinton thought the reason Michael constantly chipped away at his appearance was less about racial self-loathing than about the number-one problem superstars have, which is figuring out what to do when people get sick of looking at your face. His orgies of rhino- and other plasty’s were no more than an attempt to stay ahead of a fickle public’s fickleness. In the ’90s, at least until Eminem showed up, hip-hop would seem to have proven that major Black pop success in America didn’t require a whitening up, maybe much to Michael’s chagrin. Critical sidebar: I have always wanted to believe that Michael was actually one of the most secretly angry Black race-men on the planet. I thought that if he had been cast as the Iraqi nativist who beat the shit out of Marky Mark in Ridley and Russell’s Three Kings while screaming, “What is the problem with Michael Jackson? Your sick fucking country makes the Black man hate his self,” Wahlberg would have left the set that day looking like the Great Pumpkin. I have also come to wonder if a mid-life-crisis Michael was, in fact, capable and culpable of having staged his own pedophilic race-war revival of that bitterly angry role? Especially during those Jesus Juice–swilling sleepovers at his Neverland Plantation, again and again and again? I honestly hope to never discover that this was indeed the truth.

Whatever Michael’s alienation and distance from the Black America he came from—from the streets, in particular—he remained a devoted student of popular Black music, dance, and street style, giving to and taking from it in unparalleled ways. He let neither ears nor eyes nor footwork stray too far out of touch from the action, sonically, sartorially, or choreographically. But whatever he appropriated also came back transmogrified into something even more inspiring and ennobled than before. Like the best artists everywhere, he begged, borrowed, and stole from (and/or collaborated with) anybody he thought would make his own expression more visceral, modern, and exciting, from Spielberg to Akon to, yes, OK, smartass, cosmetic surgeons. In any event, once he went solo, Michael was, above all else, committed to his genius being felt as powerfully as whatever else in mass culture he caught masses of people feeling at the time. I suppose there is some divine symmetry to be found in Michael checking out when Barack Obama, the new King of Pop, is just settling in: Just count me among those who feel that, in Michael Jackson terms, the young orator from Hawaii is only up to about the Destiny tour.

michael-jackson_0_0_0x0_359x356Of course, Michael’s careerism had a steep downside, tripped onto a slippery slope, when he decided that his public and private life could be merged, orchestrated, and manipulated for publicity and mass consumption as masterfully as his albums and videos. I certainly began to feel this when word got out of him sleeping in a hyperbaric chamber or trying to buy the Elephant Man’s bones, and I became almost certain this was the case when he dangled his hooded baby son over a balcony for the paparazzi, to say nothing of his alleged darker impulses. At what point, we have to wonder, did the line blur for him between Dr. Jacko and Mr. Jackson, between Peter Pan fantasies and predatory behaviors? At what point did the Man in the Mirror turn into Dorian Gray? When did the Warholian creature that Michael created to deflect access to his inner life turn on him and virally rot him from the inside?

Real Soul Men eat self-destruction, chased by catastrophic forces from birth and then set upon by the hounds of hell the moment someone pays them cash-money for using the voice of God to sing about secular adult passion. If you can find a more freakish litany of figures who have suffered more freakishly disastrous demises and career denouements than the Black American Soul Man, I’ll pay you cash-money. Go down the line: Robert Johnson, Louis Jordan, Johnny Ace, Little Willie John, Frankie Lymon, Sam Cooke, James Carr, Otis Redding, Jimi Hendrix, Al Green, Teddy Pendergrass, Marvin Gaye, Curtis Mayfield. You name it, they have been smacked down by it: guns, planes, cars, drugs, grits, lighting rigs, shoe polish, asphyxiation by vomit, electrocution, enervation, incarceration, their own death-dealing preacher-daddy. A few, like Isaac Hayes, get to slowly rust before they grow old. A select few, like Sly, prove too slick and elusive for the tide of the River Styx, despite giddy years mocking death with self-sabotage and self-abuse.

Michael’s death was probably the most shocking celebrity curtain call of our time because he had stopped being vaguely mortal or human for us quite a while ago, had become such an implacably bizarre and abstracted tabloid creation, worlds removed from the various Michaels we had once loved so much. The unfortunate blessing of his departure is that we can now all go back to loving him as we first found him, without shame, despair, or complication. “Which Michael do you want back?” is the other real question of the hour: Over the years, we’ve seen him variously as our Hamlet, our Superman, our Peter Pan, our Icarus, our Fred Astaire, our Marcel Marceau, our Houdini, our Charlie Chaplin, our Scarecrow, our Peter Parker and Black Spider-Man, our Ziggy Stardust and Thin White Duke, our Little Richard redux, our Alien vs. Predator, our Elephant Man, our Great Gatsby, our Lon Chaney, our Ol’ Blue Eyes, our Elvis, our Frankenstein, our ET, our Mystique, our Dark Phoenix.

Celebrity idols are never more present than when they up and disappear, never ever saying goodbye, while affirming James Brown’s prophetic reasoning that “Money won’t change you/But time will take you out.” JB also told us, “I’ve got money, but now I need love.” And here we are. Sitting with the rise and fall and demise of Michael, and grappling with how, as dream hampton put it, “The loneliest man in the world could be one of the most beloved.” Now that some of us oldheads can have our Michael Jackson back, we feel liberated to be more gentle toward his spirit, releasing him from our outright rancor for scarring up whichever pre-trial, pre-chalk-complexion incarnation of him first tickled our fancies. Michael not being in the world as a Kabuki ghost makes it even easier to get through all those late-career movie-budget clips where he already looks headed for the out-door. Perhaps it’s a blessing in disguise both for him and for us that he finally got shoved through it.

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BET Missed the Mark Last Night w/ Their Michael Jackson Tribute

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daveyd-raider2Over the past week many of us have sat in seething anger as news show after news show and pundit after pundit have been granted large platforms and an abundance of air time to come and trash Michael Jackson. I’m not talking about raising a couple of controversial issues here and there, but some of the folks who have been dragged out the sewer with the express purpose of going all out not to just to smash on MJ, but to do so in such away that it would hurt us. It was like some diabolical mind sat in a room and said ‘Here’s how you can really totally demoralize Black folks-take their biggest icon and treat him like shit while the body is still warm’  Watching the coverage of Michael Jackson on many of these mainstream news outlets has me wondering if MJ did something personal to some of them. Simply put,  OJ Simpson got and gets better treatment.

Now if it was just a Michael thing most of us wouldn’t care. Most of us would keep it moving and call it a day,  but MJ’s music was the soundtrack for so many people around the world and for a variety of generations from the late 60s up to the 90s and beyond.  Jackson’s videos, music, concerts all had deep meaning-and because of that we hoped that the criticism would be toned down and the hatred would be put away for another day.

I’m old enough to remember when Beatles’s legend John Lennon was shot and I don’t recall such hatred and long winded conversations about his drug use or anything like that. Right wing nutcases who found him to be this anti-war subversive figure dialed down their rhetoric  and Lennon was allowed to be seen as this popular worldwide icon who impacted the lives of a generation of Baby Boomers.  People understood with the passing of Lennon was the passing of an important era for millions of people and so his memory was treated with respect and dignity.

When the King of Rock, Elvis Presely died the world was allowed to remember him as a handsome icon who touched lives all around the world, not as a overweight substance abuser who's life was filled with controversy

When the King of Rock, Elvis Presely died the world was allowed to remember him as a handsome icon who touched lives all around the world, not as a overweight substance abuser who's life was filled with controversy

When Elvis Presley the King of Rock died, even though he was a drug abuser and about 300 pounds over weight at the time of his death, the tributes paid to him were stupendous. He was seen as royalty and people rightfully recognized that his persona and music meant a lot to a grieving nation. People dialed back the critiques. The Elvis who symbolized an era and exemplified several generations of music lovers was much bigger then the Elvis who one could trash all day and so space to properly grieve was created.

No such respect has been given to Michael Joseph Jackson. And too be honest in today’s climate of ‘gotcha’ media one shouldn’t be surprised. We shouldn’t be shocked but for many the hurt is there and damage done. Its hard to avoid. There are many commentators and pundits who I will never respect again because they went there and gave no room for a nation to grieve and reflect on the meaning of man who meant so much to so so many over the past 3 decades. As I said earlier, these folks seemed to be a part of a much larger game plan where psychological warfare is at play.

Enter BET-Black Entertainment Television.

Last night (Sunday June 28th) , all eyes turned to the Viacom owned music TV network as many of us perhaps naively hoped that those running the ship would use their platforms and immense reach to correct the wrongs we saw within the mainstream. After all, Michael Jackson helped put Viacom (MTV) on the map. I just knew CEO Sumner Redstone would see to it that one of his properties which has become the worldwide symbol for pop culture and music would ‘do this right’.  All of wondered what sort of surprise Viacom/ BET would put forth.

Leading up to last night’s event the rumors were circulating. We heard Chris Brown was going to do a tribute with Usher as part of his comeback. We heard Justin Timberlake was coming in to do a special routine.  We heard Beyonce had changed her routine around. We heard some of the Jacksons themselves were going to be there. (We later saw father Joe Jackson and sister Janet Jackson who left us in tears when she finally took the stage) The word was BET was gonna deliver and deliver big and deliver like only BET can.

It would've been nice to have seen an iconic figure like Motown Records founder Berry Gordy on hand at the BET Awards last night to share some thoughts about Michael Jackson. If not in person why not via satellite?

It would've been nice to have seen an iconic figure like Motown Records founder Berry Gordy on hand at the BET Awards last night to share some thoughts about Michael Jackson. If not in person why not via satellite?

We already knew BET was scheduled to pay tribute to the O Jays and so one figured they were already in the zone.  Perhaps the O Jays themselves would set the tone having known MJ and coming from that important era in our history where music and social causes all merged together. Who better then the O Jays to say a few words and put a grieving nation at ease. We figured some icons from the Motown era would be on hand last night to say a few words-Diana Ross, Barry Gordy, Quincy Jones, Gladys Knight, Stevie Wonder, Harry Belafonte, Smokey Robinson etc would maybe come on board-not to perform, but to offer up their own insights and share in the tribute/ celebration for Michael Jackson. And if they couldn’t show up in person because everything was so sudden and so last minute then Viacom with its worldwide reach and set ups in every country on planet Earth could’ve sent a camera crew to Timbuktu if needed and get some insightful words from the aforementioned and beyond.

We thought every record industry executive from Clive Davis to Tommy Motolato the people who run the Grammies to Bono from U2 on down would’ve been on hand to say a few words and talk about how Michael Jackson saved their industry. We thought we would’ve heard more about the charities he so generously gave to over the years so folks would better understand that he was more than the white glove and moon walk.

We thought maybe BET would have a correspondent on hand in Gary, Indiana where MJ was from to give us a historical perspective of what that city meant, why they did a song called ‘Going Back to Indiana’, and how people are fairing there today. We thought maybe the Mayor of Gary,  Rudy Clay who is an outspoken gentleman who we had on our radio show during the primaries could speak to the issue. Or perhaps BET could’ve gotten former Mayor Richard  Hatcher to come out and stand alongside the current Mayor of Philadelphia, Mississippi James Young who was honored last night and together they could’ve loaned some context to the Civil Rights struggle past and present and where Michael Jackson and his ability to transcend race sat within it.. Imagine if something like that  went down last night.

With the whole world watching the BET Awards to see how Black folks would cover the passing of 'one of our own', it would've been ideal to have heard a poem or words of wisdom from Maya Angelou

With the whole world watching the BET Awards to see how Black folks would cover the passing of 'one of our own', it would've been ideal to have heard a poem or words of wisdom from Maya Angelou

We figured our best and brightest commentators would be on hand. Tavis Smiley, Michael Eric Dyson, Bill Cosby, Tom Joyner, Maya Angelou, Alice Walker, Julianne Malveux. We figured there would be some of our best would be on hand to stand tall and proud and let the entire world which was watching to see how we do. They could’ve set the record straight and established BET and Black America as the ‘go to place if you wanted to grieve, celebrate and talk in earnest about Michael Jackson.

We figured there’d be pictures, vintage footage  and a somber moment of silence for Michael Jackson. Did we have a moment of silence last night- I may have missed it? All I know is we wanted more for our ‘King’. This was our true king when it came to pop culture and music. As I mentioned so many of us were grieving, so many of us felt like we were being assaulted, so we really looked to  BET- Black Entertainment Television to rise to the occasion in ways we had never imagined.

Look, I been a part of big productions on numerous occasions and I know the hard work that goes into them.  Award shows are not put together overnight, the really good ones are being planned hours after the current one ends. Stephen Hill the man behind the scenes at BET was probably up to his ears putting together last night’s show as originally planned and believe me when you have a production like that you simply can’t change course midstream. It’s not easy. To the degree that he was able to carry that additional load as was acknowledged by BET President Debra Lee, he deserves his props.

With that being said we can’t forget that BET is part of Viacom..It’s the giant among giants. Debra Lee’s boss is Sumner Redstone and at their disposal they have more resources then most countries both 3rd World and Industrialized. Viacom has positioned itself to be the number one when it comes to Music Television-This is what they do. This is how they make their billions. So quite naturally we expected alot more.

Michael Jackson was not some beefing rapper from the streets who got shot over some petty nonsense. He wasn’t having a war of words with 50 Cent, Rick Ross, Suge Knight or some other artist. He wasn’t some Johnny come lately who had one or two hit songs and that’s it. He was Michael Jackson-worldwide icon and when he died in spite of controversary or what me and you may have thought about him, the music world needed to stop. All the stops needed to be pulled out.

When John Lennon died the world stopped. It came to a halt. I was in school and we suspended our lessons to talk about John Lennon.  When Elvis died the world stopped. All hands were on deck. People cancelled whatever they were doing and they flew to where ever they needed to go to to pay homage. When 2Pac and Notorious BIG died the music world stopped. We suspended our programming on the radio station for two days as family friends and whoever flew in to honor them.

 I recall a day after Biggie died our radio station owned by Evergreen/AM-FM and later Clear Channel did a a special simulcast with Emmisowned Hot 97 in New York City. We had on air personalities like Sway and the Breakfast Club and damn near our entire staff on one end and the Hot 97 crew on the other. Right there while we were on the air coast to coast grieving over Biggie, the folks from Hot 97 worked it out to do a nationwide program honoring Biggie and to bring attention to stoppingthe violence.  Everything was pushed full steam ahead. Two days later a nationwide co-ordinated broadcast took place.

I usually like Lil Wayne, but last night the profanity laced routine he and up and coming superstar Drake did was totally inappropriate for a show that said it was paying tribute to Michael Jackson. The pair needed to fall back on that one

I usually like Lil Wayne, but last night the profanity laced routine he and up and coming superstar Drake did was totally inappropriate for a show that said it was paying tribute to Michael Jackson. The pair needed to fall back on that one

My point in referencing that scenario is that with the death of Michael Jackson and all eyes on the BET Awards show owned by the biggest music network in the world and one of the biggest media companies in the world, this should’ve damn well expanded beyond BET. The call should’ve went out; ‘Stop what your doing-All hands on deck… the King of Pop died and proper tributes must be paid. If the show goes over an hour so be it.  If Lil Wayne and Drake can’t change up at the last minute and use their incredible talents to do something more fitting versuses the profanity laced bs routine they did last night about wanting to screw every girl in the world and have what appeared to be 12 year old girls on stage-then its time for them to fall the hell back. Save that nonsense for another date and time. Alicia Keyes kept mentioning the spirit in the room was enthralling and that everyone was feeling Michael’s presence. It was hard to tell on TV. We wanted more than a shout out to MJ after each song was sung. We wanted more, needed more, expected more from a network so powerful.

We understand people didn’t have time to prepare and hone things to perfection. We understand that that it was last minute, but the rule of thumb in show business has always been when in over your head keep it simple. Where was the film montage like they did for the O Jays?  To be honest that was all that was really needed.  Imagine if we were treated to a 15 minute film montage and then Janet came out to speak followed by Jamie Foxx andNeyo singing? That would’ve been butter- pure butter. Imagine if this was done with a nice set up away from the regularly scheduled routines which at times seemed mediocre and totally in approapraite if MJ was being honored?

If extra money was needed to get Stevie Wonder on via satellite from Milwaukee where him and John Legend where doing a concert last night then extra money needed to be spent. If Quincy Jones was in another part of the world then a camera crew needed to find him and put him on on so he could speak eloquently to the moment at hand. If the BET staff was overwhelmed as was mentioned numerous times throughout last nights broadcast then the rest of the Viacom team needed to be brought on to do the extra lifting. If they can spend time and money flying actor Sasha Cohen aka Bruno from a harness during an award show to land on Eminem to shove his balls into the rapper’s face and garner world wide attention they could’ve harnesses some meaningful tribute to uplift us. It was what the world that needed. We needed them to them to step up and be counted.

Tyrese teamed up w/ Johnny Gill & Trey Songz and killed it during their OJay Tribute, Tyrese lost me when he did this corny skit of from the movie Baby Boy which went on way too long and became a bit painful to watch.

Tyrese teamed up w/ Johnny Gill & Trey Lorenze and killed it during their OJay Tribute, Tyrese lost me when he did this corny skit of from the movie Baby Boy which went on way too long and became a bit painful to watch.

In closing I will tip my hat to the tribute that Johnny Gill, Tyrese and Trey Songz did for the O Jays that was an example of us really shining. Those guys should form a group and maybe try to see about doing something similar for MJ  in the future. That’s was how a tribute should be done.  Neyowas on fire and I’m sure with more time can do MJ justice and Jamie Foxx although he was over the top with plugging his concert was good. I liked the opening act with New Edition and while I understand they didn’t have the singing down to perfection they got busy on the dance routine-I wanted to see them do more in that vein.

A Few things to Ponder….

 

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White House Is Rather Mute on Jackson’s Death

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White House Is Rather Mute on Jackson’s Death

By Jeff Zeleny

President Obama spoke with his top aides on Friday morning about the death of Michael Jackson, but the White House chose not to release a statement of condolences that it commonly does upon the deaths of many prominent Americans or global figures.

“I talked to him about it this morning,” said Robert Gibbs, the president’s press secretary, speaking to reporters at the daily press briefing. “Obviously, Michael Jackson was a spectacular performer and a music icon. I think everybody remembers hearing the songs, watching him moonwalk on television during Motown’s 25th anniversary.”

“The president also said he had aspects of his life that were sad and tragic,” Mr. Gibbs said, adding that he did not believe either Mr. Obama or Michelle Obama had ever met Mr. Jackson.

And that seems to be the first – and the last – word from the White House on Mr. Jackson’s death. 

source: http://thecaucus.blogs.nytimes.com/2009/06/26/white-house-is-rather-mute-on-jacksons-death/

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President Obama has been strangley silent in the aftermath of Michael Jackson's death. We wonder is it because he is assessing public opinion about whether or not he should say something favorable about the 'King of Pop'.

President Obama has been strangley silent in the aftermath of Michael Jackson's death. We wonder is it because he is assessing public opinion about whether or not he should say something favorable about the 'King of Pop'.

25 Joints to Get U Thru the Day-Michael Jackson-My Forever Came Today

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25 Joints-My Forever Came Today
by Davey D

In the aftermath of the death of the best entertainer the world has ever known, we decided to go digging deep into our archives and present you with some gems that will bring a tear to your eye and yearning in your heart. Too many people are stuck on Thriller and Off the Wall and while they are indeed dope albums, there was a reason why Michael Jackson was such an engaging force prior to those releases. There was a reason why the King of Pop was loved all over the world and why musicians were always in awe of him..Michael Jackson had soul-serious soul. I’m talking they type of soul that sent chills down your spine and moved you to tears. We found some of those gems for this week’s 25 Joints..Starting w/ the classic ‘My Forever Came Today’ to ‘Maria’ to ‘Reflections’ to ‘Hum and Dance’ and ‘I am Love’ just to name a few.

Click Link Below to Listen to 25 Joints on Breakdown FM

Breakdown FM-25 Joints-Michael Jackson-
My Forever Came Today

Enjoy and RIP Michael Jackson

Here’s the playlist

01-My Forever Came Today

02-Looking through the Windows

03-Life of the Party

04-It’s Great to Be Here

05-Maria

06-Mama’s Pearl

07-We’re Almost There

08-Melodie

09-You Can Cry or My Shoulder

10-The Wall

11-Mama I Got a Brand New Thing

12-I’m am Love

13-Man of War

14-Reach In

15-Refelctions

16-Never Can Say Goodbye

17-I’ll Bet You

18-Hum and Daqnce

19-Dancing Machine

20-Music’s Taking Over

21-Young Kids

22-Sing a Simple Song

23-Ain’t No Sunshine

24-Greatest Show on Earth

25-Maybe Tomorrow

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Look at How Society Works-Remembering Michael Jackson

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Look at How Society Works

by Pen Harshaw

(originally published for Youthradio.org)
http://www.youthradio.org/news/a-little-black-boy-a-world-renown-iconlook-how-society-works
Michael_Jackson_Ben_FrontBlog… After all the jokes are cracked, and the dancing moves have been reenacted, and the voice has been mocked to the point of annoyance…. a subtle sober moment of clarity arises: damn yall, a little Black Boy was born into the worst Black community in America- and grew to be a world renown icon…
 
Michael Jackson passed on Thursday June 25th, 2009, at the age of 50. And the world mourned. Literally the world. People used social networking sites and mass text messages to spread the rumor turn truth. People relied on the technology of yesteryear as they turned to television and radio broadcast for confirmation of the fallen pop icon. And some people used the primitive method of walking through the street informing passing citizens. The world mourned.
 
I watched as people argued via facebook.com statuses: “what happened to MJ”… “he’s dead”… “he’s not dead, he’s in a comma- CNN said it.”… “TMZ says he died”… “don’t believe the media”
 
Some cracked jokes: ” this is bad, real bad-Mike Jackson!”, as a play off a popular Kanyae West lyric…
 
Some thought it was a joke:
person 1:”a, you heard Michael Jackson died?”
person 2 (sarcastically): “ha-ha, i heard that one before.”
 
 …and some looked past the jokes…. His long list unquestionable works of art is forever unified with his long list of questionable extra curricular activities, but the duality of his benevolent artistry and scandalous actuality are nullified when looking at what Michael Jackson meant to America.
 
The list of world renown African-American icons is short. The entertainers on that list is even more brief…
 
They said at the height of Muhammed Ali’s carreer, you could drop anywhere in the world, and people would recognize him. Through all of the alterations to his appearance, MJ was the same way. As the King of Pop music, his popularity could be quantified: over 125 million records sold worldwide (before death, I know the number has skyrocketed since then)…but still MJ, arguably the most known man in the world… admitted to being a lonely man…. this is nothing new, everyone knows its lonely at the top, and just that’s the way society works…
Man, if he was around now to see the worldwide video feeds of candle light vigils, or even able to look out the hospital window back in Los Angeles, where mass gatherings of supporters stayed even after the body had been moved to the coroners office- maybe the little Black boy who once portrayed a scarecrow “getting on down” the yellow brick road, in search of a heart, would have been less lonely before his heart stopped beating…. But you know how society works: you’re not paid your proper respects, until you’re paid your final respects…   
 
Many of us chose to look at him, bypassing the artistry, and casting our media slanted judgments. In death, the jokes still linger, but more disrespectful than the jokes will be society’s appreciation manifesting in the most capitalistic form: t-shirts will be sold at swap meets, his autographed paraphernalia will be an E-bay hot item, and every entertainer who’s career has taken a turn for the worse will be making a comeback… (somebody que Chris Brown…).Unreleased tracks will manifest, and the people that bought Mo-town from Barry Gordy will eat as if they were King’s… of Pop. And finally,  Rev. Jessie Jackson and Rev. Al Shartpon will speak. We almost wait for them to chime in, by now, we’ve grown to know: that’s the way society works.
 
In his greatest moments- that’s what Mike wanted us to do…. look at ourselves in relation to the greater society… and after a full life of childhood stardom, dancing like no other human being, performing and recording sounds that influenced the world over- he still managed to set societal precedents in death: its expected that his death would overshadow headline trades in the National Basketball Association. It’s acceptable that the news would lend more airtime to his passing, than domestic and international political scandals. But I looked at society in amazement: this little Black Boy from the worst Black neighborhood in America grew to a level where his death is bigger news than the death of a pretty white girl’s… damn, that’s not how society usually works….  

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