Chicago Rapper Rhymefest puts his Hat in the Arena-He’s Running for Alderman

Its official Rhymefest is running for Alderman in Chicago's 20th Ward-Click HERE to listen to our Breakdown FM Interview

Can a Grammy award-winning artist who co-wrote the hit song ‘Jesus Walks’ for Kanye West have success in the political arena of one of the roughest cities to run for office? This is what Che Smith better known as Rhymefest will find out during the 2011 election cycle.

Today (Thursday Sept 21 2010) Rhymefest will hold a press conference in Chicago to officially announce his bid for Alderman in the 20th ward which includes parts of Chicago’s Southside, Englewood and Woodlawn. The area has a number of nagging problems ranging from crumbling schools to violence.  He  noted its one of the most violent neighborhoods in the city and is in need of serious healing, solutions,  fresh perspectives and new leadership that is on the same page as  the residents.

During our Breakdown FM interview Rhymefest noted that Chicago has long been a political town where things are rough and tumble and very  much in your face.  Say what you will about New York, the reality about ‘The Chi’ is if you make it there politically speaking, you make it anywhere.

He continued by noting  Chicago is a city that historically has prided itself on having strong organization. The way the city has long operated was not by who you are?, but instead who are you down with? and what do you all do?

http://www.youtube.com/watch?v=Lb0kccG-la8&feature=player_embedded

He said one of the challenges that has faced folks residing in the 20th ward and in many places throughout society is that there is now a lot of disorganized leaders, ministers and politicians which has resulted in disorganized communities. Rhymefest wants to change that. He noted that over the past few years there have been some high-profile incidents of corruption which has contributed to the disenchantment that many have with  ‘disorganized’ leadership. He said some of the long time leaders who have lost their way in doing so have created opportunities for new blood and new approaches to enter into the arena and be more accountable.

Rhymefest wants to bring about increased cooperation and open up the democratic process as Alderman

Fest noted that his bid should not be seen as someone  trying to get into office on name recognition or celebrity status. He explained in great detail during our recent interview the types of steps he intends to take to move his community forward. He has a concept called AIM.. which stands for address, implement and maximize. He said with each problem confronting the community he and his team plan to Address them.. Implement solution s and Maximize resources.

Rhymefest believes that many of the solutions facing the 20th Ward lie within the residents.  What needs to happen is opportunities for them to be part of the governing process should be made available and people should have a richer sense of ownership and better opportunities to weigh in on key issues.

In our interview Rhymefest lays out the plans he has to make this happen. He wants the community to be run like a Co-op.  On key issues that involve spending and allocation of resources, he wants the community to be able to vote on it versus having someone go in and get caught up cuddling with special interests and outside forces.  His job as alderman is to facilitate and implement the solutions the community puts forth.

Come 2011 the Windy City will garner the national spotlight not only because Rhymefest is in the race, but also  former White House Chief of Staff Rahm Emanuel is vying for Mayor’s seat now vacated by long time incumbent Richard Daley who recently stepped down…This should be a contest full of fireworks because Rahm is a take s no prisoners type of guy who recently held a fundraiser in Hollywood and will no doubt use his influence to have lot of big name people come into Chicago to stomp for him.

Rhymefest’s announcement has caused quite a stir with many within the music industry wanting to come out and stomp for him. The line up and camaraderie he has amongst Chicago’s Hip Hop community is formidable.  From Lupe Fiasco to Kanye West and beyond, iIf Che is able to inspire his folks politically the way he does with his music the Windy City is gonna be on fiya.

Below is a link to pt1 of our interview. Take a close listen because Rhymefest lays out a lot of info about what he plans on doing and why. We will post up pt2 on Friday.

http://www.swift.fm/mrdaveyd/song/73205/ pt1

Return to Davey D’s Hip Hop Corner

As we Commemorate the Anniversary of 2Pac’s Death-Who Speaks for the ‘Have Nots’ in 2010?

Every year around this time many of us within Hip Hop take some time out and reflect on the life and times of Tupac Amaru Shakur as commemorate the anniversary of his tragic death Sept 13 1996. With each passing year its interesting to note that as a younger generation grows older, icons like 2Pac don’t seem to mean as much. For example, I’m not sure I heard anyone shout him out during the MTV VMAs..  Not sure if people took time to acknowledge him during the red carpet interviews or if anyone bothered to ask their thoughts.  Did anyone ask ‘What do you think 2Pac would be doing if he was here?’  ‘What do you think 2Pac would say about our current economic situation?’  “What would Pac have said about that preacher wanting to burn Qu’rans or all the hoopla made at Ground Zero about that Mosque/ Community center?  What would he have said about the looming sentencing trial for the cop who killed Oscar Grant or the riots that have taken place in LA after cops shot an immigrant? What would Pac have said about all those homes being destroyed and people killed during the tragic fire in San Bruno which we are now finding was because of negligence by PG&E?  Considering that’s an area where a lot of people of color live, do you think Pac would’ve been screaming on that? Such speculative question gets asked because it’s all but absent from those who are privileged to have access to a mic.

Pac like so much of our history has been made disposable and I’m not quite sure what to make of it. Is it our fault as elders for not bringing him up enough and keeping his and the memory of other past icons alive? Have we grown so that we now see him through a different lens and maybe don’t hold him up as high anymore? Did we put too much on him?

In looking back I think what folks admired so much about 2Pac was that he gave voice to an underclass of people. He gave voice to the those who we call the ‘Have Nots‘. What’s ironic is that in 2010 we have more ‘Have Nots then ever before, but instead of kicking up dust and challenging those in power about the injustice of such conditions, we now have folks looking for answers in corporate lackeys masquerading as rap stars or corporate backed pundits who know of Pac but would never dare embrace his fearlessness and boldness in seeking change. Still others look for the Glenn Beck, the Tea Party Movement and maybe Congressman Ron Paul to give them voice.

When Pac died at age 25 he was just beginning to find his voice and there’s no telling where he would be in 2010. There’s no telling how he would’ve ultimately have used his platforms and popularity and how things would be different as a result..The young Black male who he claimed to have spoken for would be older now and we would hope that he would be speaking and doing things to change the wretched conditions so many find themselves in.. Alas we can only speculate, but we should not underestimate the differences one man or woman can make.

Moving forward we understand that every generation has their heroes and sheros.. I’m from the public Enemy era, the folks who were my interns back in the days came up under Pac.. Many of them have maintained that fiery spirit 13 years later..My question today is who inspires that in today’s generation? Who is speaking truth to power and kicking up dust? Or have we retired that as a viable method to get things done?

As I was watching what appeared to be a very lack luster VMAs last night I kept asking myself where are the fire-works? Who’s the person that’s gonna leave us with something to talk about for years to come? The closet we came was when Drake yelled out Free Lil Wayne. Many were hoping we’d have that moment with Kanye West who came out wearing a red suit that drew comparisons to late comedian Richard Pryor on Sunset Strip. He’s always one to be counted on to say something provocative. His performance was mesmerizing. But we didn’t get much from Kanye other than him rapping about what a jerk he was .. Instead it was singer Taylor Swift who was famously interrupted by Kanye during last years awards, kicking up dust by doing a song where she took aim at him.

As Kanye closed the show I kept wondering if this generation of Have Nots had someone speaking for them on these national stages.

Written by Davey D

Brenda’s Got a Baby

http://www.youtube.com/watch?v=Wl54ABY8VgY

Trapped

http://www.youtube.com/watch?v=VCEmTaWSPTk

Interview w/ Arsenio Hall

http://www.youtube.com/watch?v=5gtFtYNDzY0&feature=related

Interview w/ Vibe magazine

http://www.youtube.com/watch?v=JQexa5GFlw4

Interview w/ Davey D

http://www.youtube.com/watch?v=pylx2HLzrwY

1992 Speech Atlanta..Malcolm X Grassroots Movement

http://www.youtube.com/watch?v=LQ4FvfM9Ftk

Return to Davey D’s Hip Hop Corner

A Look Back at Hurricane Katrina-The Sights & Sounds w/ Public Enemy, Kanye West vs George Bush & DJ Chela

Another take on the classic PE cut “I” that originally featured on THERE’S A POISON GOIN’ ON. Inspired by a trip to New Orleans in 2007, Chuck wanted to create a new version of the song and shoot a video as he explored the ruins of the lower 9th ward.

http://www.youtube.com/watch?v=suzg1tRa9kM

Public Enemy

Below are the audio archives from our last two Hard Knock radio Shows that focus the plight of Katrina survivors and their trials and tribulations..

Our guests on this show are New Orleans natives Rev Lennox Yearwood of the Hip Hop Caucus who was in New Orleans leading a march for poor people.. Our other guest is author Jordan Flaherty who wrote an incredible book called Floodlines. In his book he starts off by giving in depth accurate accounts of what really took place in the days after the Katrina. he dispels many of the myths about violence, rapes and lotting in the superdome. He points out who the real ‘First Responders‘ were during that time period. Click the Link below to hear the show..

http://www.kpfa.org/archive/id/63583

Below is our Hard Knock Radio show with katrinba survivors… Spoken word artist Safari Ra and Black Dot Cafe owner Marcel Diallo. Safari relives the horric moments when his house was flooded and how he and his family stood on rooftops for several days desperately seeking help. We talk to him about what took place in the aftermath and what the climate was really like. He noted that the community in the 9th Ward came together. There wasnt all this drama that mainstream media lied about.

Marcel Diallo is a long time property owner who lost his home on the 9th Ward. he explains what its been like to recover and rebuild. He talks about all the red tape and all the drama that many have had to endure. Its haeratwrenching and frustrating..

http://www.kpfa.org/archive/id/63558

Below is an audio mix that speaks for itself.. 5 years ago.. Monday August 29 2005 Black America got her own 9-11. She was hit with an act of terrorism in New Orleans that was just as devastating if not more than what took place when those Twin Towers were felled by planes… Yes, you read that correctly.. Most people mistakenly believe that the city of New Orleans was destroyed by Hurricane Katrina. Lets make sure folks understand this once and for all… Much of neighboring Mississippi was destroyed by HurricaneKatrina which hit the state with its full level 5 impact.

Click HERE to Listen to Audio Mix

http://www.swift.fm/mrdaveyd/song/60030/

DJ Chela’s Katrina Mix Testisfy ’05

Here’s an incredible collage of sounds..A *testimonial* to the struggle and devastating injustice experienced by the people of New Orleans in the aftermath of Hurricane Katrina. With spoken clips from Kanye West, David Banner, Rosa Clemente, New Orleans residents, Al Sharpton, Ray Nagin, George W Bush, and news journalists. From Dj Chela‘s 2006 mixtape “High Treason” hosted by M1 of dead prez.

Click HERE to Listen to DJ Chela's Hurricane Katrina Mix

http://soundcloud.com/djchela/testify05

Return to Davey D’s Hip Hop’s Corner

Kanye West Drops Some Gems and a Freestyle at Facebook HQ

Showing the power of social media, Kanye West debuts some of his new material from his upcoming album ‘Chain Heavy’ this evening at Facebook headquarters in Palo Alto..which is located here in the Bay Area.

http://www.youtube.com/watch?v=2Umjy314sQQ

http://www.youtube.com/watch?v=3CBpVW5Mm-k

Return to Davey D’s Hip Hop Corner

Comedian Paul Mooney Goes In on Beyonce & Taylor Swift-Praises Kanye West

This is pt3 of our interview w/ comedian Paul Mooney.. Here he talks about his new book.. ‘Black is the New White’. He also praises Kanye West and goes hard on Beyonce and Taylor Swift. He also talks about who should be the next Black president .. Mooney is on fire…

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The good, the bad and the ugly of celebrity worship

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The good, the bad and the ugly of celebrity worship

By Charlene Muhammad -Western Region Correspondent- |

Stardom is costly in a society where the well-known are worshipped

 http://www.finalcall.com/artman/publish/National_News_2/article_6537.shtml

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LOS ANGELES (FinalCall.com) – American society is obsessed with celebrities, whether it is Jay-Z and Beyonce, Ludacris, Chris Brown or Rhianna, rapper Kanye West and tennis star Serena Williams, or talk show host David Letterman.

Some popular culture analysts say the celebrity influence is strong because people get to relax, escape pressure and avoid the stresses of their everyday lives—at least for a moment.

But there is also an unhealthy pursuit of celebrity status and success that can take a huge toll on families, individuals, society and the stars themselves, say experts. Hip hop superstar West is not dead, despite a RIP (rest in peace) Internet hoax that began spreading on Oct. 20.

According to a post on billboard.com, the hoax was a set up as part of a Fox News web page that said the entertainer died in a bizarre crash in Los Angeles.

Celebrity obsession may have surfaced in a bizarre episode and wall to wall television coverage of reports about 11-year-old Falcon Heene of Colorado. CNN and others provided live coverage when it was said the boy may have been trapped in a moving flying saucer-shaped hot air balloon. Authorities accuse his parents of engaging in a hoax. Authorities say their hope was to gain status that might lead to a reality TV show. Parents Richard and Mayumi Heene, face possible criminal charges and may have to pay thousands in restitution for the cost of search and rescue operations to locate their son, who says he hid in a garage the whole time. According to news reports, Mrs. Heene told police the incident was a hoax.

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Richard and Mayumi Heene, with their children, are accused of engaging in the Balloon Boy hoax. A police affidavit says Mrs. Henne confessed to false report. Photo: MGN Online/telegraph.co.uk

“This is really society’s fault because we have placed so much importance on people who have fame and fortune until it’s given people a false sense of joy when they can even pretend to meet somebody, know somebody, talk to somebody, and it is really quite amazing,” said Dr. Gloria Morrow, a California-based psychologist.  

People are living vicariously through celebrities and have linked celebrity to fortune, she said. Children think they can do very little to gain a lot, but they only see the limelight, and not the discipline, fortitude and hard work that celebrities put in to become famous singers or athletes, she said.

“Then the saddest part of this is a lot of young people, and old ones, aspire to become famous because they don’t really feel important in who they are. When you have a healthy self-esteem, and you work hard and you happen to become famous, that’s a great thing. And you still have a sense of balance, but I think people who are not feeling good about themselves, or their financial situations are sometimes ashamed about not having enough money and believe that the way out is to become famous,” Dr. Morrow said.

Celebrity interest becomes troublesome when people give too much of their attention to music, sports and other forms of popular entertainment, said Dr. Marc Lamont Hill, an associate professor at Columbia University.

“We lose sight of some of the biggest struggles and some of the most pressing issues of the moment and that becomes immature, irresponsible, and ultimately, for oppressed people, it can become deadly,” Dr. Hill said.

By deadly, the educator means either promoting a false reality, which drives people to do, say or buy things outside of their means to get what celebrity idols have. Or it can divert oppressed people’s attention away from forces impacting their lives on a daily basis that produce the same pressures they are trying to escape.

“At the moment where we’re more concerned with David Letterman than ramping up troops in Afghanistan, we are actually buying into a false reality that actually has a material impact on people around the globe. More people watch American Idol than the evening news. More people read gossip blogs than scripture, so when you live in a moment where those are the realities, you’re really seeing something that’s very, very dangerous,” Dr. Hill told The Final Call. 

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Kanye West Photo: MGN Online

He was referring to the NBC late night talk show host, who admitted to having affairs with several staff members after a producer allegedly threatened to extort money from him.

Gossip TV and the 24-hour news cycle

Celebrity worship, coupled with the Internet and cable TV, have interfered with news cycles and have forced news media to vigorously compete for ratings, Dr. Hill continued. The news has always been slanted, but at least it was news, said Dr. Hill, who was a consultant on the Rupert Murdoch-owned Fox News Channel.

Now what passes for news can seem like a never ending deluge of gossip, paparazzi pics, rumors, sexual titillation and petty beefs overblown into major conflicts.

Over recent years, Dr. Hill continued, society has seen a 24-hour expansion of news, which sustains the public’s attention with arguing, fluff segments, sex and music—rather than intelligent, honest debate.

Instead of spending more time consuming news, information, and assessing the terrain that they are facing on every day, Black people spend more time engaged in that which is foolish and against nurturing their better selves, he said.

In order for the situation to reverse, Dr. Hill argued, people must own their own communications outlets, images, names and means of production. “That’s what makes Min. (Louis) Farrakhan so different. No one can tell him not to be Min. Farrakhan. No one can take away his platform, and I’m not critiquing other leaders because I’m in the same position. Fox News can pull the plug on me in five minutes. But you can’t take The Final Call, so it’s a whole different ball game when you own your own stuff and you manage your own platform, and there’s no intermediary between you and the people. That’s how you recover an image and maintain your legacy,” Dr. Hill asserted.

Fame as a force for good

Celebrity can also be a good thing. Entertainment and sports figures’ names and images have been used to encourage voting, raise funds for natural disaster victims, call for intervention in political and social conflicts, create and fund charities, youth programs, music and arts education, anti-violence campaigns and anti-AIDS efforts.

Rapper Ludacris, who supported Barack Obama for president and gave away cars through his foundation at an Atlanta-area dealership in September, appeared at the National Press Club in Washington, D.C., on Oct. 23 to promote community work.

Everyone can give back to communities, whether they are rich or poor, famous or not so famous, said Ludacris, whose foundation was having a dinner that night with Rep. Maxine Waters (D-Calif.) as an honoree. 

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Ludacris gave away 20 cars and greeted fans at an Atlanta area dealership, Sept. 5. The Ludacris Foundation is dedicated to helping youth and families in need. Photo: Ludacris Foundation

“I like to help kids who want to help themselves,” said Ludacris in an interview with CBS News. His foundation, which is headed by his mother, offers arts opportunities to middle and high school students.

His foundation spent $100,000 helping people displaced by Hurricane Katrina who landed in Atlanta. His song “Runaway Love,” from his 2006 album Release Therapy, helped the National Runaway Switchboard through a partnership. The song was about the perils of a young girl on the streets after leaving home. “Any song I put out, I want to make it a movement, not just a single,” he said of the hit tune.

Celebrity and the cost of human failure

Still, since celebrities provide an escape from reality, their failures, changes or conflicts can seem devastating and are fodder for major media coverage—as well as ratings or page views which translate into increased ad income and more magazine or newspaper sales.

When singer Chris Brown assaulted his girlfriend and singer Rhianna before the Grammy Awards show in February, he faced more than legal ramifications. He was sentenced to five years probation, but he also lost endorsement contracts, including celebrity clothing lines, Wrigley’s Doublemint gum, and Got Milk? ads.

When tennis great Serena Williams had an angry outburst against a line judge at the U.S. Open in September, she was fined $10,500 and threatened with suspension.

When British Sugababes singer Keisha was replaced by Jade Ewen, the replacement shutdown her Twitter page after she was deluged with nasty comments about taking over for the last original member of the popular group. Likewise group member Amelle Berrabah reportedly received death threats and “thousands of abusive letters and whilst her Twitter page has been overrun with them,” according to a report in The Sun.

Fan anger exploded with accusations that Keisha, who started the group when she was 13-years-old, had been forced out by her jealous band mates.

Accountability or idol worship?

The lives of celebrities, their successes and failures can engender strong reactions from fans and the same society that raised them to god-like status. Calls for crucifixion can quickly follow a fall from grace. Some argue as role models for youth and public representatives of their communities, the stars must be held accountable.

Others say too much status, influence and responsibility are placed on people who achieved fame and may be unaware of their potential to do good or bad on a large scale.

Few sign-up to become a standard bearer for their generation or industry—which is often demanded of them.

Richard “Professor Griff” Griffin, an activist and member of the revolutionary rap group Public Enemy, said people first have to define what society means in order to determine the real impact of celebrity worship.

“There are different aspects of different societies. For example, if you’re talking about the demographic of young Black males from the age of, I can honestly say, three-years-old up until the time they’re 16, 17, then … it probably hits them a lot harder simply because to us, as Black people, we only have three, four ways out of the ‘hood,” Professor Griff told The Final Call.

Citing now-deceased rapper Notorious B.I.G. to make it out of the hood, you have to either sell crack rock or have a wicked jump shot, he said.

“We dream of actually becoming that person. We actually buy into the whole idea of the fan-tasy. It’s put to us as a fantasy and it’s used, especially when the star football player comes to the youth camp, or comes to your home town and you get the t-shirt, autograph and get to take the picture. You buy into the whole fantasy, not that we can even afford it,” Professor Griff added.

According to Dave “Davey D” Cook, a California-based hip hop journalist, another reason people worship entertainers and athletes is forceful marketing, like any other business or product. People can no more separate their admiration for a singer or rapper than they can for a car or tennis shoe, he said. The zeal in product marketing, consumerism and desire are the same for goods and celebrities, Davey D maintained.

“You have folks who won’t go to school, who’ll get up at six in the morning on a Saturday, where no commercials are playing, to get the newest Nikes. You have folks that will live in the hood, and can barely pay their electricity that will find money and resources and find a way to get a loan to get a Beemer (BMW),” Davey D noted.

He is optimistic that confronting these realities and contradictions can produce a more honest discussion about how to make mothers, fathers, pastors, preachers and teachers more admirable and highly sought out in communities.

But for now, weighing rapper 50 Cent against a teacher is like weighing a Mercedes Benz against a teacher and people are going to want what they want, he said.

Professor Griff believes mainstream society never uses worship of celebrities for anything positive. But, on the flip side, he believes Black people in the music and film industry—with their financial means—can write scripts and cast roles that use the talents of Black actors and actresses in more uplifting ways.

Return to the Final Call

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Kanye: If Taylor Swift was Keyshia Cole

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Kanye: If Taylor Swift was Keyshia Cole

by Paul Porter

Keyisha Cole

Keyisha Cole

Kanye West blew it big time on the VMA’s Sunday night. I am sure he never thought that his cognac induced state would put a bullseye around his neck. Yes, your actions were arrogant and in poor taste, but the reaction opens the wider door on race in America. How we react and report on blacks and whites in this country has been on display through a narrow lens. If Taylor Smith was Keyshia Cole the uproar, hate mail, death threats and media coverage would never seen the light of day.

Because in this country a black man can rise to stardom screaming lyrics of misogyny and hate on a women as long as that woman is black. If you did the same exact thing stealing Keyshia Cole’s moment only black folk would be talking about it. The larger worm has been unveiled with a slick delivery that often eases around the obvious issue..Van Jones is a green jobs communist. Joe Wilson raised a million dollars for yelling ‘You lie’ at the President. And Glenn Beck is a patriot. And when your black your a nig**.

Kanye West and “Nigger” reached the top of the charts on Twitter and his website is flooded with hate mail and death threats. Nobody wants to look at race for what it is. Race is boiling over and unfortunately only the haters are ready to talk about it.

Kanye was wrong, but the millions of folks that are spitting the “N” word have a much larger problem than Kayne’s arrogant ego. Next time you interrupt someone make sure it’s a black woman.

Paul Porter

 

President Obama Calls kanye West a Jackass-Wow

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BarackObama-175This Kanye scenario has one twisted turn after another.. So now its come to light that President Obama called Mr West a jackass.. mmmm I don’t know whether to laugh or cry.. Somebody lemme know if president Obama called Glenn Beck, Rush Limabaugh, preachers praying for his death, racist neo nazi types, etc.. Has he called any of them jack asses??

Now I gotta wonder is Kanye gonna get a public apology?

-Davey D-

http://www.huffingtonpost.com/2009/09/14/obama-kanye-is-a-jackass_n_286623.html

During a CNBC interview on Monday, President Obama called hip-hop artist Kanye West a “jackass” over his behavior at the MTV Video Music Awards. (Watch video of Kanye at the VMAs here.)

Obama’s colorful remark was actually made in an off-the-record portion of the interview that was tweeted — and then deleted — by ABC News reporter Terry Moran.

“Pres. Obama just called Kanye West a ‘jackass’ for his outburst at VMAs when Taylor Swift won. Now THAT’S presidential,” Moran wrote.

Politico’s Michael Calderone has ABC’s statement apologizing for Moran’s journalistic breach.

Return to Davey D’s Hip Hop Corner

Kanye West & That Pesky Gay Question!

Archived Article:

Kanye West & That Pesky Gay Question!
written by Khalil Amani
Jan 2009

Hey Kanye! This is your old crazy-ass gay uncle! Remember me?

Well, I’m not really your uncle and I’m not really gay, but I thought that would get your attention! It’s time for some real talk about gayness. That shyt really irks you, doesn’t it?

For years, some people thought that Prince was gay. Who knew that one day he’d go on record and say that homosexuality was wrong (based on his own warped understanding of being a “Jehopeless Witness”)-Prince condemning homosexuality? Who knew? WTF? (Lol)

But prior to Prince being religiously brainwashed, you never heard him ranting to the public that he wasn’t gay! Prince didn’t give a fuck about what us little ol’ peasants thought about his wearing eyeliner, mascara, high heels, and booty-cheek pants! Prince was our androgynous sex freak who brought the bomb songs into our bedrooms! (e.g. Do Me Baby, Adore, International Lover, The Beautiful Ones, Purple Rain) We gave Prince a ghetto-pass for being himself and never apologizing for his eccentricities.

Prince is one of the musical great ones!

Now look at you Kanye West-stuck in a genre of music (rap) that doesn’t take kindly to gayness. You’re desperately trying to straddle the fence between uber-macho maleness and eclectic/experimentational… musical impresario with a lemon twist of conscious gay rights advocacy. Two juxtaposing worlds! You admit that you get your fashion sensibilities from gay dudes (shhhhh!), but you’re quick to let the world know that you’re not gay! (Okay, wink, wink) That’s how heads are looking at you!

So you wanna be left alone so you can be “great?” Well you’re going about it all wrong! Why do you feel the need to answer to us mere mortals? Let’s see…you’ve got millions of dollars, famous as a motherfucker, got hella women on your jock, on top of the rap game, doing Louis Vuitton shoe deals and stuff, but you’re worried and upset over people writing false shyt about you and your sexuality? You’re upset that 50 Cent continues to diss you? Musically speaking, 50 Cent has already “Before I Self-Destructed,” so count his opinion amongst the haters of your work. (Ever seen the Titanic? GGGG-UNIT!)

You’re starting to look mighty gay bro.! (As straight heads like to say!)

Why do you think you’re getting so much attention? Because you’re the shyt! That’s why! Remember what Steve Harvey recently said (as it relates to Katt Williams calling him out); “A stray dog don’t bark at parked cars!” If you weren’t ’bout it, ’bout it’ no one would be checking for you! You’d be some D-List entertainer on a reality show trying to make a comeback! But this is what the price of fame at its height brings-unwarranted, unsolicited attention-email hackers and Internet geeks whose sole purpose in life is to live vicariously through you! Go read the book Sula, by Toni Morrison. There are people out here that would absolutely shrivel up and die if they had no one to talk about, degrade, castigate, diss and hate on. (Like Byron Crawford/Bol and some of those XXL bloggers) This is the reason for their existence and you, Kanye, are their “Elixir of Life!” (Medical cure-all)

And some of these hip-hop sites and bloggers would like to make you a rapping pariah (outcast) because they don’t like your music. Shamelessly, some bloggers are trying to direct hip-hop and shape public opinion as to what is and isn’t hip-hop.

It would mean the world to them to say, “We at Hateration.com ended Kanye West’s career… hate, hate, hate!”

Enjoy the fame and all that comes with fame while you can, because there’s a graveyard filled with the bones of has-been rappers who think they have a second chance at rap supremacy (Can you say Jaz-O?)

Like me, you’ve opened the floodgates of doubt by acknowledging your gay-niceties. Like me, you want the world to know that you’re straight as an arrow. But unlike me, you haven’t found out that it really doesn’t matter. Hip-hop heads are hell-bent on believing what they want! The more you protest your straightness, the more heads are apt to believe that you have some gay tendencies!

So I’m gonna tell you what your mama would’ve told you (your mama and my mama are in heaven, looking down on their sons)-“Do you and forget the haters! Do you and stop trying to prove that you’re not gay! Do you and let people speculate all they want!” Word to our mothers!

The “great” ones don’t answer to the masses! The great ones are above public ridicule! Go read the “Prince Manual on Royalty” and get a clue! Mofos wanna believe you’re into bi-sexual porn-great! I know you’ve got your own website/blog, but dispelling idiotic rumors is best left up to your public relations people. Stop stooping to answer the ignorance of the peasantry! Take a page out of the “Rick Ross Book of Silence” and let the peasantry have their say. Be about greatness! Stop stooping to answer the ignorance of the peasantry! Be about greatness! Stop letting that pesky gay question fuck with you!

In your recent Vibe interview you said, “I don’t believe in a religion that has something against gay people. …I was taught to hate gays. And I don’t really believe in any of that. …I break every rule and mentality of hip-hop, of black culture, of American culture.” (February 2009 Issue) That’s very progressive of you to not believe in religious bigotry and homophobia. Have you been reading my book? (“Hip-Hop Homophobes…”)

This is what I teach and I beat all hell out of the idea that a “god” has anything to do with man’s condemnation of homosexuals. I don’t give a damn if it is in your Bible! A “god” DID NOT write the Bible! Ignorant, homophobic, and misogynistic men wrong the Bible and forged God’s signature. This is what the laity (common folk) doesn’t know or understand. They read the Bible and believe every word to be God’s hand writing! Evidentially, you, Kanye have read up on Bible compilation and history. For how can one, after all of our religious brainwashing against homosexuality, come to that conclusion, if not by study and inquiry?

Kanye! You say you are here to “break every rule and mentality of hip-hop, of black culture, of American culture.” Do you wanna really shake up hip-hop? Do you wanna do something super-progressive? Are you willing to put what others think of your sexuality aside? Would you like to introduce the world to a genre of rap that has been lurking on the periphery of the mainstream rap world? Wanna do the most innovative thing for rap since the advent of gangsta rap?

Here’s a “rule and mentality” that hasn’t been broken: Sign the first outwardly gay or lesbian rapper to your label! (G.O.O.D.) (I can hear a rat pissin’ on cotton!) They ain’t lookin’ for a seven-figure signing bonus (although nobody’s turning down money!). They are looking to be heard!

You don’t know any gay or lesbian rappers? Well let me help you! There’s a gay rapper from the “Middle East” (North Carolina) named TwiZza who’s a beast on the mic! There’s a gay cat out of Los Angeles-Last Offence, with the lyrical dexterity of your favorite rapper. How about FELONi?-One of the realest lesbian MC’s reppin’ Detroit. Or my lil man Nano, reppin’ the Bay area or a young gay rapper named Bry’NT from New York or my niggas .. and Sonny Lewis, two of the grimiest wordsmiths reppin’ Brooklyn. Not to mention the “Face of Gay Hip-Hop,” my dog Deadlee! (I can name 100 other gay/lesbian rappers!)

So what it do Kanye? Signing a gay rapper is a win-win for hip-hop and humanity! It’s time to move from rhetoric to action! You are the biggest voice in hip-hop that advocates against homophobia. Why not “put your money where your mouth is?” God has equipped you with the knowledge, strength, and foresight to kick in the door of the last bastion of human ignorance-homophobia! If hip-hop heads wanna say you’re gay, then answer back with Redman’s words-“I’ll be dat!” Are you ready to be eternally etched into hip-hop history?

“I’m not gay although I wish I were to piss off homophobes.”

Kurt Cobain-Dead Grunge Rock Star.

Author Khalil Amani describes himself as spiritual adviser to Gay Hip Hop and Kanye West

Return to Davey D’s Hip Hop Corner

Too Many Groupies on the Radio

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In lieu of our last article on Hip Hop Radio falling off in NY and LA Here’s a follow up article that was actually penned a while back from DJ Mark Skillz who’s an old school head who’s voice you can hear on various radio stations and TV commercials around the country including Breakdown FM… I thought this would give us some more food for thought… Holla back..
 
Too Many Groupies on the Radio
By Mark Skillz

original article-June 15, 2006
markskillzson-225Have you listened to hip hop radio lately? Or should I say what passes for hip hop radio. Like anything else in our culture the standards for urban radio have been lowered.

Instead of deejays on air being conversational they shout. The art of one to one conversation style radio is lost in hip hop. Maybe station managers think that blacks and Latinos dont want to be talked to intelligently. Or does keeping it real mean that you have to sound like you perceive your audience to be? For instance, take a station like KMEL, the on-air deejays recently, not only sound like theyre from the street but also like they are broadcasting live from a street corner.

Now, there is nothing wrong with being from the street, however, in our culture Im talking about African-American culture, historically, when a person is given the opportunity to communicate with our people, weve always strived to present a positive image. But for some reason, when people think of hip hop they automatically lower the standards of excellence.

Black people are not monolithic beings. We dont speak with one voice and one mind. Neither are all hip hoppers monolithic beings. We range in age and taste. Some of us prefer Mos Def and Talib Kweli, while others prefer Lil Flip. With preferences in tastes so vast youd think that the people who market music to us would realize that and would have more than one kind of on air personality talking to us.

When I was coming up, deejays like Frankie Crocker, Nick Harper, Greg Mack, Jeff Fox and many others sounded like intelligent people. They might not have been rocket scientists but never the less, these men sounded intelligent enough to communicate ideas to a mass audience without dumbing down to them. For some reason, people think that being a part of the hip hop culture or even black culture for that matter, means that you have to dumb things down to relate to people.

For instance, on the 70s sitcom Sanford and Son, whenever the Sanfords came in contact with the police it was always Officer Smitty (a brother) and some white cop, the white cop would speak in cop talk meaning he would say things like Hello Mr. Sanford we received a call about a domestic disturbance somewhere on these premises, and we came to ascertain the facts.

It is at that point that Fred and Lamont would look at each other bewildered, as if they couldnt understand what the white cop had said. They would then look at Officer Smitty for his interpretation Fred we got a call about a fight around here, do you know anything about it?

Like they were too dumb to understand what the white guy was saying, as if the words were too big for them to know. Now this kind of white-speak-black man-dont understand kinda thing exists today but on different levels.

What else do I mean by talking down? Well, when a grown man, is talking to teen-agers instead of raising the bar for what and whom they should strive to be like, he communicates with them on their level. Hearing thirty and forty year olds saying What’s crackalatin 20 times a day is embarrassing. Its the equivalent of that 50 year- old uncle, at the barbecue, trying to talk the latest slang and worse, trying to do the latest dance. Thats what’s happening on radio now.

One night I was listening to KMEL and I happened to turn it on in the middle of an interview, now this interview went on for like 10-15 minutes, and in all that time, never once did this guy say who he was, or who the artist was he was interviewing. However, what he did get across was that this artist had a fat platinum chain on and how much he wanted to have one as well. And also this guy enjoys hanging out with him poppin collars at the Beehive and checkin out breezies. Now what the hell does all that mean to a listener?

After 15 minutes of this crap when this artist was walking out the door I finally figured out he was talking to none other than Kanye West. Oh snap! I thought, damn I can think of a bunch of questions Id like to ask Kanye my damn self like; What was the Chi-town hip hop scene like when you were coming up? What influence did house music have on your style? The Nation of Islam is real strong out there, what influence did they have on you if any? The gang scene out there, how did you avoid that trap, when gang culture goes back 40 years plus out there? Did you start off rapping over house records? What Chi-town radio did you listen to, that influenced you to go the soulful hip hop route?

The art of the interview, the art of conversation, all of that is lost in current hip hop radio. Why is that? It’s because we’ve lost our culture to a bunch of groupies. Not just here in the Bay Area, but all over the country. Radio stations like record companies have people working there who are just happy to be down. They are content with the status quo, if you tell them that there is something wrong with hip hop radio, they look at you like your crazy. As far theyre concerned everything is all good and then some, because theyre going to concerts and theyre chilling backstage with their favorite rap stars.

gregmack-225Greg Mack, the pioneering LA dee-jay that was on KDAY back in the 80s and 90s, the man that any-artist-that-wanted-his-record broken in LA had to see. When he interviewed an artist, like, Big Daddy Kane, for instance, he asked Kane questions like; So Big Daddy, where did you first start performing? What year was it? Who were some of the people that you looked up to while you were coming up? What’s this whole thing with the Juice Crew and BDP, the reason I ask is because you seem to be respected by both sides so, what’s your take on things? How do you think it can be resolved?

See, now that was from a KDAY interview I heard in 1988. Never once did Greg Mack ask him how many hoes did he have waiting for him back at the hotel or in the limousine like you hear so often today in hip hop radio.

The groupie culture is one that loves to be seen in the places to be seen and to give the impression that they are down. But really ask yourself, do you care if some idiot on the radio was chillin in the club with some football or basketball player? What does the stations event that they are constantly promoting every 15 minutes have to do with your school closing down because the state has no money for teachers salaries and books for students?

Lets really go back, to WBLS and Mr. Magic, the man who was the first person to play rap records on the radio. I used to think that Mr. Magic was a big fan of the Force MCs, because they were on his show a lot, but to his credit he wasnt riding their dicks, he asked them good questions like; So fellas, you just won the battle out in New Jersey, how much rehearsal time did you put in for it? Ok, name some of your favorite doo-wop groups.

In defense of the deejays, I have to say, that they are only carrying out orders from up top. If station management didnt want that style of presentation they wouldve long since gotten rid of them. These are young brothers and sisters trying to make it, trying to find their way in a very competitive field. Managers are the ones that set the tone, so ultimately they are responsible. You’d think someone older with more experience would want to lead them better but not so. Dont get me wrong, there are some talented brothers and sisters on the radio today, and quite a few of them have real potential in the years to come.

So whats changed? What has changed in urban radio from the Frankie Crocker, Greg Mack era to now? Yes, hip hop music is more dominant today, but what about the quality of talent? Does a hip hop deejay have to sound like he just rolled out of the gutter? To a certain degree I can understand why urban radio programmers want their deejays to sound street, it makes them more relatable to a ghetto audience. But arent they doing the audience they serve a dis-service by going that route? Do the station managers know that they are reinforcing negative racial stereotypes of the inner-city audiences that they are catering to?

Yes, hip hop culture is far more influential today than it was when Frankie Crocker and Mr. Magic ruled the airwaves, but does that mean that radio has to appeal to the lowest common denominator? No.

Black people have always talked slang. As far back as the 50s, the first black radio jocks were rappers – people like Jocko Henderson and many others. Within that style they entertained and informed the community, later, people like Frankie Crocker took to the airwaves and just talked to people in a conversational style. There was no need to talk jive on air anymore.

Do station managers know that by reinforcing these stereotypes that they are helping to keep black and Latino youth forever ignorant?

Why is it I can turn on a rock station, and hear guys on there with a sense of humor and who aren’t talking down to their audience? But mostly I dont hear anyone yelling on rock radio. Except on the records. Is hip hop that low of a culture that standards have to be lower for us than anybody else?

Hip hop radio is now notorious for being shout out and request radio, instead of being informative as well as entertaining.

Now, the whole shout out style comes from the mix tape scene, which works really well in clubs and car systems, but radio should have a different standard. Dont get it twisted, I like the mix tape dee-jays, but there needs to be a balance between that and regular radio. I dont need to hear DJ Clue or Whoo Kidd, or even Kid Capri reading liners and doing interviews let them rock the party

Because I’m down for positive changes in our culture, heres what I think station owners can do to help change this situationStation managers talk with your dee-jays, talk to them about being conversational, talk to them about them being role models in our communities, talk to them about preparing for an interview, you know, stuff like researching the artist, so that you can ask different kinds of questions so that fans and non-fans can walk away with more thanDamn look at all that ice in that medallion!

And remember mediocrity is only realized in the presence of excellence.