The good, the bad and the ugly of celebrity worship

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The good, the bad and the ugly of celebrity worship

By Charlene Muhammad -Western Region Correspondent- |

Stardom is costly in a society where the well-known are worshipped

 http://www.finalcall.com/artman/publish/National_News_2/article_6537.shtml

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LOS ANGELES (FinalCall.com) – American society is obsessed with celebrities, whether it is Jay-Z and Beyonce, Ludacris, Chris Brown or Rhianna, rapper Kanye West and tennis star Serena Williams, or talk show host David Letterman.

Some popular culture analysts say the celebrity influence is strong because people get to relax, escape pressure and avoid the stresses of their everyday lives—at least for a moment.

But there is also an unhealthy pursuit of celebrity status and success that can take a huge toll on families, individuals, society and the stars themselves, say experts. Hip hop superstar West is not dead, despite a RIP (rest in peace) Internet hoax that began spreading on Oct. 20.

According to a post on billboard.com, the hoax was a set up as part of a Fox News web page that said the entertainer died in a bizarre crash in Los Angeles.

Celebrity obsession may have surfaced in a bizarre episode and wall to wall television coverage of reports about 11-year-old Falcon Heene of Colorado. CNN and others provided live coverage when it was said the boy may have been trapped in a moving flying saucer-shaped hot air balloon. Authorities accuse his parents of engaging in a hoax. Authorities say their hope was to gain status that might lead to a reality TV show. Parents Richard and Mayumi Heene, face possible criminal charges and may have to pay thousands in restitution for the cost of search and rescue operations to locate their son, who says he hid in a garage the whole time. According to news reports, Mrs. Heene told police the incident was a hoax.

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Richard and Mayumi Heene, with their children, are accused of engaging in the Balloon Boy hoax. A police affidavit says Mrs. Henne confessed to false report. Photo: MGN Online/telegraph.co.uk

“This is really society’s fault because we have placed so much importance on people who have fame and fortune until it’s given people a false sense of joy when they can even pretend to meet somebody, know somebody, talk to somebody, and it is really quite amazing,” said Dr. Gloria Morrow, a California-based psychologist.  

People are living vicariously through celebrities and have linked celebrity to fortune, she said. Children think they can do very little to gain a lot, but they only see the limelight, and not the discipline, fortitude and hard work that celebrities put in to become famous singers or athletes, she said.

“Then the saddest part of this is a lot of young people, and old ones, aspire to become famous because they don’t really feel important in who they are. When you have a healthy self-esteem, and you work hard and you happen to become famous, that’s a great thing. And you still have a sense of balance, but I think people who are not feeling good about themselves, or their financial situations are sometimes ashamed about not having enough money and believe that the way out is to become famous,” Dr. Morrow said.

Celebrity interest becomes troublesome when people give too much of their attention to music, sports and other forms of popular entertainment, said Dr. Marc Lamont Hill, an associate professor at Columbia University.

“We lose sight of some of the biggest struggles and some of the most pressing issues of the moment and that becomes immature, irresponsible, and ultimately, for oppressed people, it can become deadly,” Dr. Hill said.

By deadly, the educator means either promoting a false reality, which drives people to do, say or buy things outside of their means to get what celebrity idols have. Or it can divert oppressed people’s attention away from forces impacting their lives on a daily basis that produce the same pressures they are trying to escape.

“At the moment where we’re more concerned with David Letterman than ramping up troops in Afghanistan, we are actually buying into a false reality that actually has a material impact on people around the globe. More people watch American Idol than the evening news. More people read gossip blogs than scripture, so when you live in a moment where those are the realities, you’re really seeing something that’s very, very dangerous,” Dr. Hill told The Final Call. 

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Kanye West Photo: MGN Online

He was referring to the NBC late night talk show host, who admitted to having affairs with several staff members after a producer allegedly threatened to extort money from him.

Gossip TV and the 24-hour news cycle

Celebrity worship, coupled with the Internet and cable TV, have interfered with news cycles and have forced news media to vigorously compete for ratings, Dr. Hill continued. The news has always been slanted, but at least it was news, said Dr. Hill, who was a consultant on the Rupert Murdoch-owned Fox News Channel.

Now what passes for news can seem like a never ending deluge of gossip, paparazzi pics, rumors, sexual titillation and petty beefs overblown into major conflicts.

Over recent years, Dr. Hill continued, society has seen a 24-hour expansion of news, which sustains the public’s attention with arguing, fluff segments, sex and music—rather than intelligent, honest debate.

Instead of spending more time consuming news, information, and assessing the terrain that they are facing on every day, Black people spend more time engaged in that which is foolish and against nurturing their better selves, he said.

In order for the situation to reverse, Dr. Hill argued, people must own their own communications outlets, images, names and means of production. “That’s what makes Min. (Louis) Farrakhan so different. No one can tell him not to be Min. Farrakhan. No one can take away his platform, and I’m not critiquing other leaders because I’m in the same position. Fox News can pull the plug on me in five minutes. But you can’t take The Final Call, so it’s a whole different ball game when you own your own stuff and you manage your own platform, and there’s no intermediary between you and the people. That’s how you recover an image and maintain your legacy,” Dr. Hill asserted.

Fame as a force for good

Celebrity can also be a good thing. Entertainment and sports figures’ names and images have been used to encourage voting, raise funds for natural disaster victims, call for intervention in political and social conflicts, create and fund charities, youth programs, music and arts education, anti-violence campaigns and anti-AIDS efforts.

Rapper Ludacris, who supported Barack Obama for president and gave away cars through his foundation at an Atlanta-area dealership in September, appeared at the National Press Club in Washington, D.C., on Oct. 23 to promote community work.

Everyone can give back to communities, whether they are rich or poor, famous or not so famous, said Ludacris, whose foundation was having a dinner that night with Rep. Maxine Waters (D-Calif.) as an honoree. 

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Ludacris gave away 20 cars and greeted fans at an Atlanta area dealership, Sept. 5. The Ludacris Foundation is dedicated to helping youth and families in need. Photo: Ludacris Foundation

“I like to help kids who want to help themselves,” said Ludacris in an interview with CBS News. His foundation, which is headed by his mother, offers arts opportunities to middle and high school students.

His foundation spent $100,000 helping people displaced by Hurricane Katrina who landed in Atlanta. His song “Runaway Love,” from his 2006 album Release Therapy, helped the National Runaway Switchboard through a partnership. The song was about the perils of a young girl on the streets after leaving home. “Any song I put out, I want to make it a movement, not just a single,” he said of the hit tune.

Celebrity and the cost of human failure

Still, since celebrities provide an escape from reality, their failures, changes or conflicts can seem devastating and are fodder for major media coverage—as well as ratings or page views which translate into increased ad income and more magazine or newspaper sales.

When singer Chris Brown assaulted his girlfriend and singer Rhianna before the Grammy Awards show in February, he faced more than legal ramifications. He was sentenced to five years probation, but he also lost endorsement contracts, including celebrity clothing lines, Wrigley’s Doublemint gum, and Got Milk? ads.

When tennis great Serena Williams had an angry outburst against a line judge at the U.S. Open in September, she was fined $10,500 and threatened with suspension.

When British Sugababes singer Keisha was replaced by Jade Ewen, the replacement shutdown her Twitter page after she was deluged with nasty comments about taking over for the last original member of the popular group. Likewise group member Amelle Berrabah reportedly received death threats and “thousands of abusive letters and whilst her Twitter page has been overrun with them,” according to a report in The Sun.

Fan anger exploded with accusations that Keisha, who started the group when she was 13-years-old, had been forced out by her jealous band mates.

Accountability or idol worship?

The lives of celebrities, their successes and failures can engender strong reactions from fans and the same society that raised them to god-like status. Calls for crucifixion can quickly follow a fall from grace. Some argue as role models for youth and public representatives of their communities, the stars must be held accountable.

Others say too much status, influence and responsibility are placed on people who achieved fame and may be unaware of their potential to do good or bad on a large scale.

Few sign-up to become a standard bearer for their generation or industry—which is often demanded of them.

Richard “Professor Griff” Griffin, an activist and member of the revolutionary rap group Public Enemy, said people first have to define what society means in order to determine the real impact of celebrity worship.

“There are different aspects of different societies. For example, if you’re talking about the demographic of young Black males from the age of, I can honestly say, three-years-old up until the time they’re 16, 17, then … it probably hits them a lot harder simply because to us, as Black people, we only have three, four ways out of the ‘hood,” Professor Griff told The Final Call.

Citing now-deceased rapper Notorious B.I.G. to make it out of the hood, you have to either sell crack rock or have a wicked jump shot, he said.

“We dream of actually becoming that person. We actually buy into the whole idea of the fan-tasy. It’s put to us as a fantasy and it’s used, especially when the star football player comes to the youth camp, or comes to your home town and you get the t-shirt, autograph and get to take the picture. You buy into the whole fantasy, not that we can even afford it,” Professor Griff added.

According to Dave “Davey D” Cook, a California-based hip hop journalist, another reason people worship entertainers and athletes is forceful marketing, like any other business or product. People can no more separate their admiration for a singer or rapper than they can for a car or tennis shoe, he said. The zeal in product marketing, consumerism and desire are the same for goods and celebrities, Davey D maintained.

“You have folks who won’t go to school, who’ll get up at six in the morning on a Saturday, where no commercials are playing, to get the newest Nikes. You have folks that will live in the hood, and can barely pay their electricity that will find money and resources and find a way to get a loan to get a Beemer (BMW),” Davey D noted.

He is optimistic that confronting these realities and contradictions can produce a more honest discussion about how to make mothers, fathers, pastors, preachers and teachers more admirable and highly sought out in communities.

But for now, weighing rapper 50 Cent against a teacher is like weighing a Mercedes Benz against a teacher and people are going to want what they want, he said.

Professor Griff believes mainstream society never uses worship of celebrities for anything positive. But, on the flip side, he believes Black people in the music and film industry—with their financial means—can write scripts and cast roles that use the talents of Black actors and actresses in more uplifting ways.

Return to the Final Call

Return to Davey D’s Hip Hop Corner

Should Rap Artists Have a Morality Clause in Their Contracts?

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DaveyD-leather-225This is an interesting concept (having a morality clause) that has obviously grown out of the frustration that many  feel when they hear about a high paid recording artists acting out in public or is accused of committing a crime. The most recent incident being a stash of drugs found in the home of Jadakiss who at press time was not arrested or wanted by police. While a morality clause may have some effect in the NFL or NBA it is likely not to work in the music arena for a number of reasons. 

First, the NFL and NBA are institutions that long ago had the foresight to see that having a good image could be profitable.  As a result they’ve worked hard to control their public image by taking a number of steps ranging from disallowing TV networks to use their name or likeness to imposing dress codes on players when appearing in public.  Their theory is that the league is bigger and more important then one individual player.

This has never been the cased with the music industry. Here we’re talking about an institution that has never been shy about flirting with unsavory elements in our society, either as performers or as behind the scenes executives and employees. Such associations have added to the lore and often cited ethos -sex, drugs and rock-n-roll. In other words, the music industry has thrived off  of having a bad boy rebellious image. Sadly much of that drama filled image is crafted and planned out with the same precision and calculation as the NFL and NBA seek  to move away from trouble.

Second point,  professional sports leagues have a  small number of people who get paid lots of money with very few entry points for one to rebound if they blow their opportunity. Hence its easier to police a sports league compared to the music business which has a lot more entry points. In the  NFL or NBA  players can barred or suspended.  There is no music industry that you can bar one from. You might restrict airplay or stop someone from performing at a concert , but they can always go and do things on the indy tip and record or perform somewhere else.  Putting the word banned or suspended next to their name  will probably result in an artist enjoying more notoriety thus increasing their popularity.

The NFL and NBA is one big institution that controls all aspects of its business. It controls TV, radio, magazines etc. the Music Bizis a made up of a bunch of  individual parts that have symbiotic relationships to one another.  Its by choice we all work hand in hand, but we don’t have to especially if we have economic interests at stake. For example, if Interscope records decides to suspend 50 Cent, that has little bearing on what I  do as a radio programmer. I may still play his music, show his video or highlight him in magazine.  In addition, oftentimes its members of an artists’ entourage that kick up dust and cause drama hitting,  Who do you suspend there?

Third point, The Music Industry has built its business around shady behavior. Controversy and beef are major selling points. Artists going to jail and having brushes with the law have far too often enhanced their attraction and validated them or their record labels who seem to be determined  to garner ‘street cred’. In short bad behavior is rewarded.

Here’s a couple ofexamples.  A few years ago Jay-Z stabbed record executive Lance Un Rivera after it was revealed that he was bootlegging Jigga’s music.  Was Jay-Z suspended? Did he stop receiving airplay? Did MTV/BET tell him he was no longer welcome at their award shows?  Hell naw. The incident made him seem more ‘real’ in the eyes of fans and sadly in the eyes of radio and video executives who often live vicariously through these artists. Some of these folks felt they themselves got street cred from playing or being in good with Jay-Z and his Roc-A-Fella Fam.

Now imagine if any of us stabbed a collegue? It would be a wrap unless we were former Vice President Dick Cheney who shot his boy in the face during a hunting trip-but lets not digress. My point here is Jay-Z was seen as a hero, not by young impressionable children, but by grown ass men and women in their 30s, 40s, 50s and 60s who work in the music industry who make decisions to present or not present music and images to millions all over the world.

Another example involves The Game and his entourage a couple of years ago. They  came to a Washington DC radio station WYKS to do an interview and wound up and beating  down a popular DJ named X-Zulu. According to the story, they were angry when the DJ made what they felt was an off the cuff remark.  (according to reports he said the blue tooth headset one of Game’s people was wearing made them look like a Klingon from Star Trek fame). 

Radio One which owns WYKS was at first furious with Game and ceased playing his records. However, other stations around the country continued to play him without hesitation. Game later went back into the studio and recorded a new verse to his popular song ‘Hate it or Love It’ where he actually bragged about the incident which sent the deejay to the hospital. Many radio executives had no problem playing that song on their airwaves including Radio One. In fact WYKS eventually resumed playing Game.

The grumblings around the industry was that lots of money was put forth to make sure Game’s music was played and put in heavy rotation. When the station ceased playing his songs, the money (payola) was asked to be returned. Rather then do that the station opted to, play his music. Oh well, so much for morality clauses. If anything maybe its the executive in this industry that need morality clauses..

What I find fascinating about this is that record labels when needed can and do exert control over their artists. They control where artists can do interviews on major radio stations, what concerts they perform at and what magazine’s they grant interviews. This control is all tied into the type of promotion and managing of image that the labels feel they need to have in order to ensure a successful promotion of an album. If an artist doesn’t comply, the label doesn’t promote their record. Over the years I’ve seen labels shut down concerts, have station visits stopped and letters from their lawyers demanding we stop playing a record. Rarely have I seen them push to have us shut things down because an artist did something wrong to the community. I have seen this happen when record executives themselves got beaten up… Like I said a morality clause needs to be imposed upon record executives

something to ponder

-Davey D-

Goodell Effect not always good for NFL but may be good for rap music artist

by Ooh Papi

http://www.playahata.com/?p=7068

NFL logoRoger S.”The Hammer” Goodell is the Commissioner of the National Football League (NFL), he was chosen to succeed the retiring Paul Tagliabue in 2006. He is nicknamed “the hammer” because he has been very tough on most NFL players.

Most think he has been to tough at times in fact Terrell Owens said that NFL commissioner Roger Goodell has been unfair to suspended quarterback Michael Vick and that the union and more players need to speak out. In an interview with ESPN’s George Smith, Owens said he was surprised more players haven’t spoken up in support of Vick and that, “the commissioner needs to go sit in jail for 23 months” to see what it’s like to sit behind bars.”I think it’s unfortunate,” Owens said. “I think the way the commissioner has handled it, I think it’s unfair to Michael Vick. I think he’s done the time for what he’s done. I don’t think it’s really fair for him to be suspended four more games. That’s almost like kicking a dead horse in the ground.”

Remy Ma sghould've had a morality clause in her recording contract

Remy Ma sghould've had a morality clause in her recording contract

However his reputation for toughness has impressed many. In fact, his style may be making its way over to the Warner Music Group and other music labels. Attorney Lauren Raysor’s called a press conference today and asked record labels to put a“Goodell effect” into rappers contracts. For those who don’t know Raysor is the attorney who helped put Bronx rapper Remy Ma behind bars for shooting her client Makeda Barnes-Joseph.

Raysor propositioned that labels put a “morality clause” in their artists’ contracts, providing monetary incentive for artists to not engage in violent or criminal acts. She compared the music industry to the NFL, which enforces codes of conduct stricter than ever since the Republican raised Goodell took over.

Raysor made it clear she wasn’t trying to run amok on free speech / 1st Amendment rights or destroy gangsta rap lyrics and emphasized “It is your outside behavior we are talking about; we’re not talking about what you write.”

What Raysor wants to see become a contractual matter to prevent violence in hip hop is a contractual agreement from artist that will govern acts of contempt, scorn or ridicule that will tend to shock, insult or offend the community, or ridicule public morality or decency, or prejudice the company, producer, and others in the public or in the industry in general

Raysor is looking to meet with label execs in an effort put the morals clause into effect and if this dialogue is picked up in the blogosphere then it will surely be an anecdotal mark in the timeline of rap music’s evolution.

Return to Davey D’s Hip Hop Corner

Jay-Z Planning Sept. 11 ‘Blueprint 3’ Show, Talks ‘D.O.A.’

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Continuing a media blitz that started on Saturday night (June 6) with the release of his new single “D.O.A. (Death of Autotune),” Jay-Z appeared on New York’s Hot 97 for a candid conversation with longtime host Angie Martinez.
 
Jay-Z Planning Sept. 11 ‘Blueprint 3’ Show, Talks ‘D.O.A.’
By Tai Saint Louis

jay-z-folded-225Continuing a media blitz that started on Saturday night (June 6) with the release of his new single “D.O.A. (Death of Autotune),” Jay-Z appeared on New York’s Hot 97 for a candid conversation with longtime host Angie Martinez.

 During the chat, Jay confirmed that his eleventh solo album, The Blueprint 3 will be released on September 11 as rumored.

 “It’s the date the first one came out and it was a horrible date in our history,” he stated. “I have a wonderful idea for a show, proceeds are gonna go to charity. You know, just bring it full circle. I have a historic venue in mind, I’m gonna bring some artists out. It’s gonna be big.”

 The multi-platinum rapper, who ranked #32 on the latest Forbes list of top earning celebrities, also took time to address the controversy created by “D.O.A,” which was co-produced by autotune user Kanye West.

 Jay clarified that his gripe about the recording tool is simply with those artists who “use it as a crutch,” adding that autotune can be a great tool, when you have melodies behind it.

 During the show, a fan texted Martinez, asking if the song was a jab at Ron Browz and DJ Webstar for their collaborations with Jim Jones.

 Jay-Z dismissed the rumors and replied “so far away from my thought process. Really far away.”

 “It’s not me, the people are sick of it,” Jay-Z continued, before closing out the interview to the sound of his live performance at Hot 97’s Summer Jam 2009 on Sunday night (June 7).

 As for T-Pain’s appearance on stage during the impromptu performance, Jay said that it was not planned as many believed.

 Jay-Z took advantage of the interview to share his thoughts on the current state of Hip-Hop, speaking on his likes and dislikes and co-signing both newcomer Drake and Soulja Boy, who often comes under fire from Hip-Hop purists.

 One of the most poignant statements he made during this most recent interview, however, spoke to the quality of music itself.

“We can’t complain about the state of rap and where it’s going and the decline every year,” he concluded. “We have to look at ourselves first. I can understand why a lot of people get turned off of rap. You can talk about the machine, but you gotta be willing to clean yourself up first.”

Return to davey D’s Hip Hop Corner

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Everybody in Hiphop Hates Chris,-How Cristal Hustled Hip Hop

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Everybody in Hiphop Hates Chris, but so what?!
How Cristal hustled Hiphop

By: Hadji Williams
original article-June 22, 2006
After spitting its virtues for ten summers, Jay-Z and his hiphop minions are now boycotting Cristal, a hiphop staple after Frederic Rouzaud, the brands managing director made what many are calling elitist and racist comments against the hiphop communitys economic support of Cristal in a recent interview in The Economist magazine. (www.targetmarketnews.com)

What can we do? We cant forbid people from buying it. Im sure Dom Perignon or Krug would be delighted to have their business. Rouzaud said of hiphops pallets.

Well, as a 15 year marketing vet, Ive got a scoop for Marcys all-time great: Your boycotts too late, fam. In case you havent noticed, it works like this, folks: Hiphop, like the Blues, like most everything from the black community before gets mined for its cool cache. And this time, yall been strip-mined and pimped as corporate cheerleaders. And basically for free, no less.

Rouzaud never cut any brother a check for any of those mic checks. The nouveau rich and the not-so riche been chasing Cris and those uppity brands because Jig, Puff and every other bruh with some BDS and MTV said the bottle was hot. And it worked. Cristal is the 8th most popular brand in 2005 behind Mercedes, Nike, Bentley and Rolls Royce. Meanwhile most of the Hamptons, Hollywood and Wall Street are, as Mr. Rouzaud, put it curiously serene.

Fact is Rouzaud is shooting his mouth off now, because he knows Cristal doesnt need hiphops praises anymore. The Jigs up and theyve moved on. The whole black kid made good angle is played and upscale consumers arent feeling us anymore. You can only play dress-up for so long before the clock strikes. There’s a reason someone like David Beckham now carries more marketing muscle than any handful of ethnic celebs you can name. (Read KNOCK THE HUSTLE -I warned yall this was coming.)

Secondly, its called luxury for a reason, folks. Luxury always excludes. Luxury excludes by class, by price, and yes, by race. And I dont care how much money you got, IT stops being luxury once enough negroes cop it. Sorry, but its true.

But young heads are still sleeping: In the eyes of most marketers Hiphop (and black folks at large) are just disposable media outlets. Its all about reach, frequency and brand equity. Hov dont have the reach n frequency he used to; in fact, hiphop doesnt. (Hate if you want, you know Im right.)

Therefore most luxury brands are starting the slow steady exodus back to more exclusionary brand strategiespaler faces in their ads, more upscale and selective partnerships and cross-promotional opportunities. They want their swagger back.

See, I know this game. While my cats hustled on the streets, I got my grind on the suites too many brands to mention. Never Cristal, but I did help a certain, +A vodka get mad bullish few summers back. (Yep, that was me. See KNOCK THE HUSTLE.)

Anyway, once I got hooked up with some Euros who owned a hard cider brand called K. You know why they called me?

We know that in order to really push this in the states we need to get it in the black community. That’s what these Irish cats told us, point blank. Theyd never been to the US but they knew that much. They asked me for a list of hiphop stars, hot urban clubs, etc. Their plan was simple: Get slick brothers and sisters hyping it up knowing full-well everybody else would be on it in a couple years, if not sooner.

Unfortunately cats werent really feeling the hard cider so it never popped. But that’s how that part of the game works. We sit in rooms and politic and scheme. Sometimes checks get cut and next thing you know your favorite rap superhero is dipped in [INSERT BRAND HERE]. Rouzaud and his kind are no different. No matter what they say.

Now, Im not saying thats how/why Jay got with Cris. Im sure Hov was a Cris fan back when he was just hyping Jaz; just as Run was lacing up Adidas before their contract, and LL rocked Kangols while he was slicing up Kool Moe

Anyway, Mr. Rouzauds sentiments are an orchestrated shoutout to his base that hes putting the velvet ropes back around the Cristal. But hes not alone. While his my-clothes-arent-for-black-folks/Oprah-interview was a hoax, Tommy Hils announcement that the Hilfiger brand is moving out the urban arena and back to its upscale mainstream roots is quite legit. (Google the press releases for more info.)

You can’t slam a door on folks that are walking out on you. Most of the companies that have gotten cool and rich off of hiphop cosigning are cashing out and moving on. Some are looking to Hispanic consumers. Many are going for NASCAR Dads and Soccer mom sets. Others are chasing upscale anglo roots. Some are trying to revive the X-treme thing, etc. But make no mistake: The bachelor party’s over and hiphop just got ran thru by half the cats in the house. And now, theyre going home. So who cares if you dont want to put out anymore?

My advice to the hiphop community is this: Keep these companies names out of your mouth and dont ride for any INC until you know exactly who youre dealing with. Do your due diligence. Most of these folks have no regard for you, your community, your culture, or your art. Youre just a means to an end; and when push comes to shove, theyre mean and focused about getting their ends.

And to every crime nigga that rhyme: theyll touch your mic every time, cuz their minds are quicker. Much quicker.
——-

A 15-year vet of the marketing industry, Hadji Williams is author of KNOCK THE HUSTLE: How to save your job and your life from Corporate America. Email him: author@knockthehustle.com

Hip-Hop’s Betrayal of Black Women

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Hip-Hop’s Betrayal of Black Women

Jay-Z Meets the Beatles via Dangermouse…The Grey Album

Dangermous The Grey Album

DANGERMOUSE – ‘THE GREY ALBUM’
In November of 1968 The Beatles made music history with ‘The White Album’

In November 2003 Jay-Z presented ‘The Black Album’

Today, the world changes forever, as Danger Mouse presents….

‘The Grey Album’

Dangermouse

Dangermouse

The Grey Album is an experiment in music that uses the full vocal content of Jay-Z’s Black Album, recorded over new beats and production created using the Beatles White Album as the sole source material. Danger Mouse explains that “all the music on the Grey Album can be traced back to the White Album. Every single kick, snare, and chord is taken from the original Beatles recording”.

The resulting record is a unique hybrid of work from Danger Mouse, one of hip-hop’s fastest rising stars. This re-interpretation is already being touted as the one of the greatest remix albums of all time and is bound to be remembered as a ‘must have’ album of the year for collectors and critics alike. Given its underground street nature, it can only be found via select hip hop record stores and secret hand shakes.

In an incredible year so far for Danger Mouse, he has already received massive critical acclaim for his DM & Jemini Ghetto Pop Life debut on the Lex/Warp label (“remarkable debut” says SPIN…”an Instant Classic” says URB…”Spellbinding” says Q ]

Later this year, Danger Mouse will begin producing albums and tracks for an array of artists including Prince Po, MF Doom and Tha Alkaholiks.

At the time of writing neither Jay-Z nor The Beatles were available for comment.

For More information, please check out www.djdangermouse.com and www.waxploitation.com. Danger Mouse is available for productions, mash ups, remixes and the like.

Contact Frank Lee @ Waxploitation (frank@waxploitation.com)

http://www.youtube.com/watch?v=ERDTa-c8djY

Why Hip Hop Is Dead?

Lethal-wonder-finalHip Hop is dead. I don’t care what anyone says, it has absolutely seen its last days. There used to be a time that everyone would come out and relish in the fact that they had conquered new skills or discovered a new technique. Kids couldn’t wait to drop a new style of rhyming on their peers.

Hip Hop was about creativity and to a lesser degree having fun. Today all that has changed. All these big willie and wanna be gangster types have ruined it. I know everyone is afraid to say it, but I will be straight up and honestly say, hardcore gang bangers like Suge Knight and his Death Row affiliates along with Fake Ass Puffy and his Biggie Bad Boy collective of friends have played a major role in killing off hip hop. They help usher in the dope game and the whole gangster mentality that now plagues this music. It was bad enough that you had kids from all over the planet trying to be like NWA or the Ghetto Boys. But now the gangster crap they spoke on records has become a frightening reality in the real world of hip hop.When I go around my block, everyone I see aspires to be the next Gangster Don.

Everyone wants to be like a Suge Knight and intimidate people. Everyone wants to be like a Sean Puffy Combs and get paid lots of money with no real concern for the art form they are ruining. Now alongside the Suges and Puffys we have Master P and Jay Z, Fat Joe and Big Pun and Ice Cube and Mack 10 and Jermaine Dupris. These are the are the supposed top Dons in hip hop. They all look and act like gangsters. Some of them even have a few dollars in the pocket. Unfortunately it’s chump change compared to the real big willies of the world.

Master P congress-225I don’t see Fat Joe owning a skyscraper in Manhattan. Master P may be the big money shot caller right now, but his country ass still has to go through Priority Records to get distributed. That means the owner of Priority is the real money maker and not Master P. Suge for all his worth and intimidation tactics is still locked away in some jail cell in California. You would think that with all the crap his Death Row affiliates talked that they would have had the whole Justice System in check for real. I guess when it comes down to it Uncle Sam has the last word.

Ice Cube and Mack 10 change with the wind. One minute Cube is a Muslim talking all this Black Power and righteous shit. Now he’s back to calling women bitches and hos and pretending he’s a gangster. He wasn’t much of a gangster when that kid who is down with his former partner Kam rolled on his ass and snatched his gold chain. For all the money that guys like Puffy, Jay-Z and Jermaine Dupris have you would think they would own some sort of tv station. Perhaps a cable access station would do. None of these big ballers own a radio station or even a magazine. Not a one of them own the record companies that distribute their material.

It sickens me to see these kids run around yelling money ain’t a thing. Some one needs to tell those assholes Money Does Mean A Thing if you don’t own a goddamn thing. Instead of throwing away all those 20 dollar bills like they do in concert, maybe should be stacking those dead presidents so they could save up and buy some stuff that they could own.

You would think that after 25 years of existence that hip hop would own something other then a bad reputation of violent prone niggaz who pretend to be gangsters because they have a little bit of money in the pocket. Hip Hop is sadly misguided.

Mos def

Mos def

On the other side of the coin you have all these fake ass ‘underground’, backpack wearing kids. They pride themselves on being broke and keeping it real. But like their hip hop gangster counterparts they too lack creativity. I would have to say a guy like Mos Def and Kweli have managed to shine through, but look at all these other kids who have fallen off in a big way.

I don’t need to name names. All you have to do is look around and you see these kids living in the underground bragging about how they are true to hip hop, but they have yet to step up and redirect the misguided flow of this beast. Hip Hop is lost and you definitely will not find it in the underground. All you will see is some buster ass rappers who will yell about how they are all about keeping it real. They will be sporting dreads even though they aren’t Rastas. They’ll have backpacks with nothing in it. They’ll be chewing on a stick or smoking a blunt with a young impressionable white girl under their arm. The sad part is that young white girl will most likely have a lot more game then these underground cats. She’s just using them as a momentary pit stop for experience while these underground bustas run away from the challenge that is before them. That challenge is take control and change the negative direction of hip
hop.

Hip Hop is dead my friends. It’s been overrun by gangsters and dope dealers and other unscrupulous motherfuckers who care nothing about us, the culture or the music. Hip Hop is dead because a bunch of motherfuckers stayed underground with their head in the sand. Hip Hop is dead.

By Lethal Wonder

let me know what y’all think.. by hitting me at :Davey D

I will forward all mail to Lethal

Jay-Z, the Kids and All His ‘Niggas’ Blow Up on Chris Rock

jay-z-folded-225Maybe it’s me… Maybe I’m missing the point..but last night I had an experience that left me disturbed. I watched the wonderful PBS documentaryAfricans In America which chronicles the horrors of slavery. I watched the show and I came away proud knowing that a lot of my forefathers and foremothers did not go out like punks. They fought they resisted and they showed some amazing resilience which allowed us as a people to survive. I watched the show and left me with a lot to think about. It was deep..

So afterwards I switched the channel to catch the Chris Rock Show. I think
Chris is funny and I like the fact that he can get political. But last
night I really wanted to peep out the show cause Jay-Z was on and he’s only
done one show here in Northern Cali. He unfortunately came out here during
the height of the East West Coast drama and folks was trying to heat up on
him while he performed.. So I wanted to see how the man with the number one
album in the country would get down..

So Jay-Z hits the stage to perform his hit single ‘Hard Knock Life’ which
uses the chorus from the play ‘Annie’. He’s surrounded by about a dozen
beautiful young brothers and sisters. I’m saying to myself this is cute..
Jay-Z has the kids singing the hook to the song.. He does the song and I
notice that Jay-Z is not using profanity.. So I start to give him props.. I
expect the Chris Rock Show to get raunchy and raw.. I have no problem with
that.. But I was happy Jay-Z showed that respect and didn’t do the unedited
version of his song with all those little kids sitting on stage with him. I
felt he was being responsible. Then it struck like a searing knife..
My admiration quickly subsided and turned to anger when out of Jay-Z’s
mouth came the infamous ‘N’ word.. Over and over again he used word.. He
paid tribute to his ‘Nigga’ Notorious BIG.. He asked all his ‘Niggas’ to
put their hands up.. He gave big shout outs to all his Niggas.. He dropped
the word several more times in the song while all the beautiful kids who
looked like they couldn’t be older then 10 or 11 sat on stage swaying to
the beat of the music.

So here I am watching Jay-Z performing the number one song in the country
right now. He’s doing a clean version of the song while at the same time
letting the word ‘Nigga’ fly left and right. Yes, he used the word ‘nigga’,
the word that white and Asian kids feel comfortable using when referring to
each others and even to us. Not only are folks comfortable but now a lot of
people feel it’s their God given right to use the word Nigga. If you don’t
believe me.. you should check out all the letters I got and view some of
the responses people left on my website’s Hip Hop Message Board. Last week
I put up a set of rules to prevent spamming.. I asked people not to post
any porno pictures and to not do multiple posts. I also suggested to people
that they think twice before using the N word. I wrote that it’s an
offensive term for many people including myself. For many it’s the ultimate
disrespect in which lives were lost and blood was shed. I understand that a
lot of folks use the word as a term of endearment. But you never used the
word in mixed company.. And if you did it was usually placed in a certain
context and laced with political overtones.. i.e Richard Pryor. Well
needless to say I got emails from as far away as New Zealand from angry
folks who did not understand why I was trippin’. Can you imagine that.. I’m
accused of trippin’ for asking people to refrain from using the word
Nigga.

I got emails from white kids who tried to explain that they only use the
word when they’re rappin’ on the mic.. Others explained that they’re ‘down
with hip hop and the streets and their ‘close’ Black friends don’t mind. I
had brothers explain that they use the word ’cause that’s how they talk. ‘I
was raised that way and I ca