An Important Sobering Article: The Decline Of The Conscious MC-Can It Be Stopped?

The Decline Of The Conscious MC: Can It Be Stopped?

by Cedric Muhammad

“This is the way of an artist
a purging, a catharsis
the emerging of a market
a genre on my own…”

– “Water Walker” by Djezuz Djonez
(http://www.youtube.com/watch?v=LBXSIan1l8o)

Cedric Muhammad

As many AllHipHop.com readers know I have been promising to write about what I have loosely described as the death or demise of the conscious MC. Last week, I received the final bit of inspiration I needed to pull the trigger – a thoughtful email from a regular and very careful reader who always makes great points, challenging me. Here is what I received in reaction to “Movement Music: From Coke Rap To Community Development” (http://allhiphop.com/stories/editorial/archive/2010/07/27/22311557.aspx) from “V W”:

“Do you really believe that some artists i.e. Rick Ross are truly thinking on that level of intellect? Are they really trying to start a movement? Or is it just a marketing tactic to sell more records and ringtones? You can say I am “profiling” but Ross just doesn’t come across as that type. If Jay Electronica or Lupe did a track like “B.M.F.” I’d be more inclined to think so. Even his “Free Mason” track with Jay-Z didn’t sit well with me. I’m waiting on an article about that (wink wink).”

Here is my response to “VW” which is a great place to start my critique of what is wrong with the current corps of ‘conscious MCs’:

“I believe your e-mail indirectly frames the challenge quite well – the balance between an artist’s personal intellect and a marketing strategy. ‘Movement’ potentially is a catch-all for both.

A street artist doesn’t have to have intellect to accept a righteous movement. And a conscious artist doesn’t necessarily understand how to market a righteous movement.

I wonder why the street artist is held to a standard of EFFECTIVENESS that the conscious artist is not.”
This is the first of five reasons why the American-based conscious MC of today continues to be irrelevant, while continuing to long for the golden era – (loosely identified as 1986-1992).

No Movement Energy (Conscious Artists Hustle The Struggle Too). In my response to ‘VW” I was responding to an important and common criticism of the more street-oriented mainstream rappers for shouting out crime figures and gang leaders and glorifying negative or destructive behavior. In their eyes, Rick Ross is the latest artist to ride this practice into commercial success. But what I have always felt is that conscious artists are hustling hard too. They shout out influential leaders and revolutionary icons like Che Guevara, Patrice Lumumba, Brother Malcolm X, Minister Farrakhan, and Fidel Castro; and cite Teachings, Lessons, and quote books for their personal commercial benefit. Yet, just as I don’t see street rappers doing much in the streets – even the minimum good that real gangsters have done; neither do I see conscious MCs doing the good works or taking the real-life stances of the icons they celebrate on wax (or mp3). With the exception of Dead Prez and Immortal Technique – and David Banner in a different sense –

I have felt no movement energy from any of the artists who have emerged over the last 10-12 years who were categorized or style themselves as ‘political’ or conscious. And certainly nothing like X-Clan, Public Enemy, KRS-One, Big Daddy Kane, Eric B. & Rakim and Poor Righteous Teachers whom I believe all realized it was as important to inspire and make people feel the urgency of the moment, as it was to just share information. My point to “VW” was that you don’t start movements just based upon an artist’s intellectual development. The vast majority of conscious artists don’t have movement energy – while many street artists do – because they (conscious artists) don’t respect marketing nor do they respect the laws that govern the human mind which revolve around the use of language, symbolism, and how efficient the brain and mind must be in categorizing and classifying information and concepts. And because people really don’t think until they are forced too (see Volume 3 of my book on ‘search behavior’) it is possible to get an ‘ignorant ass street rapper’ to lead a conscious movement, not based upon intellect in terms of the books he or she has read, but because it is an act of creative self-preservation. Remember, the movement energy was so strong in the 80s that even Eminem was rocking African medallions! You weren’t even relevant if you didn’t have some form of pan-African sensibility (or could fake it).

David Banner

So this is more about marketing and understanding mass psychology than it is about making superficial judgments on face value of an artist’s personal level of positivity and negativity. And when the ‘conscious’ artist and activist understands that, she or he will understand the authority and credibility that groups like the Black Panthers once enjoyed and which – on a lesser level – the ‘gang’ approaches today on the street. But finally it is important to accept the fact that most artists no matter what they talk about on a track find it hard to accept a real leadership profile. In fact I have never met a rapper who wanted to be a leader as much as they wanted to be an artist. Not one. The closest was David Banner who I arranged to meet with his Congressman – Bennie Thompson, for a high-powered discussion on community development in his hometown of Jackson and his state of Mississippi. A conscious artist can sincerely desire to be a leader of a movement but unless they surround themselves with individuals who also want that for them and not just great ‘celebrity art’ it will not happen. Lyrical content is not enough. An artist must want to serve the people more than rise the ladder of celebrity status.

The I Have To Be The Smartest Person In The Room Syndrome (Ideology Matters More Than Strategy). If there were one major criticism that I would make of 95% of all conscious artists it is that they make music only for themselves or people who already think like them, or agree with them. Preaching to the choir is one of the best ways to limit your appeal leading to what I call ‘demographic death’ (have you ever noticed how all of the conscious artists in the Northeast are in their 30s and 40s and have no following among teenagers? They could all learn something from the example of Wise Intelligent and his latest ‘Djezuz Djonez’ project:http://www.djezuzdjonez.com/. Another talented artist to watch is the always witty and on message Jasiri Xhttp://www.youtube.com/user/jasirix).

Why did 50 Cent as opposed to a conscious rapper team up with Robert Greene to write a book?

Too many conscious rappers allow their ‘book knowledge’ to overpower their street knowledge, natural grasp of wisdom and common sense. That is why conscious artists aren’t very strategic (even though they shout out and quote great revolutionary warriors), while the more mainstream artists can be (why didn’t a political activist-artist rather than 50 Cent write a book with Robert Greene?). They allow ideological purity to become more important than effectiveness and influence. In my book I write about the Ideologue – a person who is loyal to principle and sincere but who literally can’t think on their feet, make any kind of necessary compromise in negotiation, and who mistakes a change in language with a deviation in core principles of belief or ‘dumbing down.’ In addition we all have insecurities and I find that many of us use book knowledge as a way to keep people from seeing our own imperfections, flaws, and shortcomings. In a sense, ‘being smart’ is a shield that keeps some of us from ‘being real.’ It also is the only way some of us would get attention, admiration or respect, we mistakenly feel. If conscious artists would develop their personalities or let more of it show, their popularity would increase.

And here, again we run into a problem because it appears that the ‘conscious’ audience actually demands that you remain unpopular in order to be authentic. It is crazy – the less people that claim you, the more ‘real’ you are in the eyes of the supposed ‘alternative,’ ‘underground,’ artistic fan base. Many in the underground rap community write to me to tell me I have failed to mention a particular artist they like (but which very few people have heard of). Many of these artists have been around for years and their following has not grown beyond the underground circuit. What I realize more and more each year is that the ‘underground’ wants to be just that – not in the mainstream (and that is fine if they can accept that means their audience will not grow beyond a critical mass) and because of that any ‘conscious’ artist who seeks their constant approval has to accept the marketing limitations that come with the endorsement and association.

A lot of left leaning conscious emcees like to quote Karl Marx but have never actually read him which does a grave disservice to their cause

It’s All Political Now (Eff The Science of Business). This is something I have been building on for years – the influence that mistaken or limited interpretations of Karl Marx (and the terminology he popularized) have had in causing many progressives and socialists to confuse historic and natural economic, business and trade and commercial activity with ‘capitalism.’ My personal litmus test for this continues – out of all of the great communist influenced opinion leaders of our generation in Hip-Hop that I have met or built with not one of them has really read the Das Kapital or Capital book series of Karl Marx. I don’t blame them, it is thousands of pages worth of material and my engagement of Volumes I and III has taken place over months and years, not days and weeks. But I’m sorry, with all due respect to the sincere Leftist – reading the history of the Cuban revolution, watching independently-produced documentaries, listening to progressive talk shows, and having a basic acquaintance with the terminology of the Communist Manifesto is great but it does not automatically make you an economic historian or anthropologist capable of explaining every aspect of reality and human cooperation through the lens of socialism. Entrepreneurial activity and economic pioneering (which is actually what produced Hip-Hop) is rooted in universal order and natural law and has nothing to do with any ‘isms’ – capitalism or socialism. This confusion actually causes conscious artists to disrespect their natural ally – economic understanding which would inform their lyrics and business moves.

As many of you know I have written about this in a controversial piece called ‘The “Consciousness” Of Wu-Tang Clan, Suge Knight and Jay-Z”(http://www.blackelectorate.com/articles.asp?ID=529). Rallies, elections and protests are important, but they don’t substitute for an economic blueprint.

‘They’ Did It To Me (‘So What That I Have No Swagger Or Progressive Business Team …I’m Not Hot Because The ‘Industry’ Is Against Me’). This is the factor that hurts the most to write. But I must be honest. Most conscious artists because they lack a full economic consciousness and disrespect the science of marketing too often blame the corporate industry establishment for their own shortcomings. Don’t get me wrong I know the 10% is real (no one over the last decade has written more about the hidden hand and COINTELPRO-like activity in rap than me), and that there is a ceiling that exists for artists willing to speak certain truths and associate with certain truth-tellers and revolutionaries but anything that you are a reaction to, in fact, controls you. And many conscious artists are ‘controlled’ or limited by their fascination and resentment of the success of ‘mainstream’ corporate America-approved artists.

Take a look at what I wrote about the music industry’s power pyramid and ‘caste system’ (http://www.cedricmuhammad.com/chris-lighty-is-not-a-sell-out-the-music-industry-caste-system-hip-hoppreneur-%E2%84%A2-commentary-november-4-2009/) where I explain that in certain ways conscious artists are unsuccessful not because anyone is stopping them but because their career planning betrays their lyrical content and they fail to build the kind of team infrastructure that will market them in a way that is in harmony and alignment with their marketplace brand-reputation-image as ‘political,’ ‘conscious,’ or ‘positive.’ It is the most backward thing to see so-called revolutionary artists who rail against the industry publicly trying to attract the kind of business team that the mainstream corporate-approved artist has. It is as if the conscious artist lives in a world that only exists in their head. They preach independence but won’t get a lawyer or business manager from outside of the music industry. They claim to have an ‘alternative’ image but won’t hire a publicist who does ‘non-industry’ things. They rap about Africa but have no real on the ground connection in Africa. The street and mainstream artist is partially more successful than the conscious one because their creative work; brand-image-reputation and team infrastructure are in better harmony and alignment.

They preach independence but won’t get a lawyer or business manager from outside of the music industry. They claim to have an ‘alternative’ image but won’t hire a publicist who does ‘non-industry’ things. They rap about Africa but have no real on the ground connection in Africa. The street and mainstream artist is partially more successful than the conscious one because their creative work; brand-image-reputation and team infrastructure are in better harmony and alignment.

Mos def

Made In America. (The U.S.-Based Conscious MC Lacks Music, Message or Model To Attract The World). On a musical level, of the major ‘conscious’ artists, Mos Def is the exception here. Keep your eyes on him as he continues to experiment with new sounds that will expand his appeal abroad. But for the most part, consciousness in rap, from a creative standpoint has become a religion that has not updated its sermons to be equal to the time. Its political message has not been updated. In other words, if I don’t live in America the conscious artist has very little to offer me that I can relate to. This reality is why the most interesting, progressive, radical and innovative political rap is coming from regions of the world outside of the U.S. – Central and South America, Palestine, and Africa – who claim to inherit the legacy of the conscious rap of America from the latter 80s and early 90s. And these artists aren’t just quoting political leaders like we do here – they are influencing them, even entire elections like in places like Senegal. In Palestine rap is resistance. And that’s the difference, much of the conscious rap here is non-threatening and really establishment-oriented, as much as it tries to act like it is not.

When American progressives hear an album like ‘Distant Relatives’ by Nas and Damian Marley they are ‘inspired’ and encouraged and brag about the album on an artistic level but it doesn’t inform or engage any existing movement that they or ‘conscious’ U.S.-based artists are at the vanguard of; while for those who are part of movements pertaining to real issues in Africa, like Brian Chitundu, the Interim National Youth Director, of The Citizens Democratic Party of Zambia [www.thecitizensdemocraticparty.com], ‘Distant Relatives’ is a soundtrack for the work they are already doing to change the political climate of a nation that Britain once colonized. In a sense the American-based political rap community is romanticizing over revolution more than they are doing revolutionary work. It is why I have said that I feel in fact America has colonized rap, and the rest of the world is now liberating it (http://www.cedricmuhammad.com/what%E2%80%99s-next-for-hip-hop-the-end-of-its-american-colonization/). Here the disconnect between the intellectual and scholar whom the American conscious rapper claims and the struggle that the conscious rapper abroad (and even the street rapper based here) lives is apparent. One of my favorite readers from Africa (who also studies entrepreneurship and anthropology) – ‘Dalitso’ – made this point in relation to what I wrote last week regarding Rick Ross:

“One of my biggest critiques with alot of “Hip Hop intellectuals” is they don’t understand that the [street] artist’s message (which like you show in your article) is a [threat or] source of concern for larger America. Just the same way public intellectuals are the voice of “educated society,” artists are the voice for us – the wretched of the earth. There is a difference between an artist struggling to get out the environment and a scholar struggling to graduate. They both rep their alma mater when they ‘graduate’ but neither can understand the other until they suspend their beliefs and critical listening to the realities that they have each endured to become who they are without condescending attitudes, that’s why few artist can cross over or few “hip hop intellectuals” can be taken seriously – neither has a monopoly of truth. But when knowledge from both sides of the spectrum can be pooled together it creates multiple avenues of addressing an issue and most importantly like Jazz its movement music.”

My personal experience shows me that many more of the youth, street artists, gang members and artists from overseas are open to ‘listening to realities’ without ‘condescending attitudes,’ than the American-based ‘conscious’ artists and intellectuals who act like they know it all, and can be very close-minded. And largely because of that attitude and willingness to learn new languages, these other artists are becoming more and more relevant and influential.

My personal experience shows me that many more of the youth, street artists, gang members and artists from overseas are open to ‘listening to realities’ without ‘condescending attitudes,’ than the American-based ‘conscious’ artists and intellectuals who act like they know it all, and can be very close-minded. And largely because of that attitude and willingness to learn new languages, these other artists are becoming more and more relevant and influential.

My experience is that the ‘conscious’ rapper despite their inability to build a mass following, rather than introspectively asking ‘what can I learn and do in order to be more effective?‘ very often arrogantly looks down upon those who may have less information than them (in terms of academic education, political history, and current events) but who are much more effective at reaching the masses through symbolism, music quality, personality, and the creation of caricatures and charachters.

What matters now, in 2010, is not that you are ‘conscious,’ ‘progressive,’ or ‘political’ in terms of knowledge but that you are relevant with a personality that can transcend language, borders, creed, class and color. When progressives criticize President Barack Obama purely on political policy grounds and remain confused as to why he is so popular and appealing around the world, even though he is the American Emperor, it is because they don’t understand that he is reaching people with a personality and cultural identity that is universal and cosmopolitan. It is the same thing that made Muhammad Ali popular and claimed by the world, and what makes Minister Farrakhan a respected international leader. They authentically – through cultural kinship, religion, or careful use of language represent an identity broader than their current place of residence. If political and ‘conscious’ artists would suspend their knee-jerk ideological criticism of the President long enough (again, this is one of their hang-ups – ideology matters more than strategy), they would see that the Personality of Barack Hussein Obama is what the conscious artist needs, from a marketing standpoint.

As I wrote in “Barack Obama: Diasporic Personality, Cultural Entrepreneur, American Emperor” (http://www.cedricmuhammad.com/%E2%80%9Cbarack-obama-diasporic-personality-cultural-entrepreneur-american-emperor%E2%80%9D-remarks-given-by-cedric-muhammad-at-the-george-mason-university-%E2%80%98fall-for-the-book%E2%80%99-fest/):

“He’s mobile, cosmopolitan, sophisticated and a risk-taker. He embraces change – both technological and demographic. He deftly moves in and out of different perspectives and civilizations, which by the way dovetails nicely with the Aloha Spirit (which he absorbed in Hawaii, where he did middle and high school). His socialization skills and ability to adapt to different cultures is uncanny. But this also makes him the ultimate challenge to rigid forms of identity (tribe, race, religion, ethnicity, political ideology, partisanship, and nationalism). He is foremost a universalist. He resists and pushes back any time he is pigeon-holed or stereotyped.”

Here again, Immortal Technique and Dead Prez stand out.

Immortal Technique

Immortal Technique – who is originally from Peru is as capable of building on the block in Harlem, as he is speaking at Saviours’ Day (which he did in 2008) as he is appearing on international channel Russia Today (giving an interview after the flotilla incident which brought Israel and Turkey at odds publicly:http://www.youtube.com/watch?v=L9WCrIWLKBY). And peep how Immortal does so while rocking his official T-shirt and a Yankees hat! His brand-image-reputation are in alignment.

And who but M1 of Dead Prez could be at the center of something as powerful as the Ni Wakati project (http://www.youtube.com/watch?v=WVW4cTnpa6I) produced by the brilliant Michael Wanguhu that brought together rappers from East Africa and America for a real on-the-ground connection and collaboration? Although Dead Prez are socialist in political ideology, they respect something that I believe is even more powerful – cultural kinship. And I hope we will never forget the leadership and ‘creative risk’ Dead Prez took in doing a song with Jay-Z (the artist the conscious rap community may love to hate more than any other). I was one of the few willing to publicly praise them for ‘Hell Yeah’ (Pimp The System) remix (http://www.blackelectorate.com/articles.asp?ID=1087) and I still rock the hot ‘Revolutionary But Gangsta’ T-shirt in support.

It will be Diasporic personalities who are political but also marketable, like Queen Yonasda and Ana Tijoux, that will make it hot – in both the states and abroad this decade (http://allhiphop.com/stories/editorial/archive/2010/05/11/22213013.aspx).

http://www.youtube.com/watch?v=g_9Y-4PaU2U

It is so sad to see, at times, how superficial the conscious rap community can be.
Their/our narrow-mindedness actually repels artists more than it attracts them or influences them to say and do better.

If the decline of the conscious-based MC in America is to be stopped it will begin not with blaming a platinum artist or ‘the system.’

It must start with an honest look in the mirror.

Cedric Muhammad is a business consultant, political strategist, and monetary economist. He’s a former GM of Wu-Tang Management and currently a Member of the African Union’s First Congress of African Economists. Cedric’s the Founder of the economic information service Africa PreBrief (http://africaprebrief.com/) and author of ‘The Entrepreneurial Secret’ (http://theEsecret.com/). He can be contacted via e-mail at: cedric(at)cmcap.com

original story: http://www.cedricmuhammad.com/the-decline-of-the-conscious-mc-can-it-be-stopped/

It’s NO LONGER Smart to be DUMB!

Interview w/ Immortal Technique about Haiti-6 Months Later He Calls It a Police State

Haiti marks six months since a massive earthquake shook the already poor nation. Billions of dollars have been donated to help the country rebuild but half a year later, the impoverished island nation still is dire straits. RT spoke to rapper and activist Immortal Technique, who recently spent time in Haiti. He argued that there is no long term vision in Haiti, referring to the nation as a military and police state run by the United States and the UN.

We are posting the interview, but we also encourage folks to read Immortal’s incredible insightful essay

http://hiphopandpolitics.wordpress.com/2010/07/01/immortal-technique-returns-from-haiti-heres-his-thoughts-observations/

http://www.youtube.com/watch?v=oy8qbwN0Ktg

Return to Davey D’s Hip Hop Corner

Immortal Technique Returns From Haiti-Here’s His Thoughts & Observations

I recently arrived home from Haiti.

While I was there I worked in a few aspects of the relief effort including a solidarity mission to aid the Earthquake survivors. In addition to all of this Myself, Cormega and Styles P participated in a show to support Haitian Hip Hop and rebuild the community. I would like to thank Arms Around Haiti and Hip Hop for Haiti for inviting me to be a part of this movement. While I was there I saw both devastation and rebuilding efforts. I also broke bread with people who had lost their entire family. Literally, everyone but them was deceased. Then there were those whose grief centered around losing a mother, father, brother, sister, son, or daughter as a direct result of what happened. It should make everyone reading this feel blessed to have anyone in his or her life. Think about that… Now think about it some more.

I saw so many different things as I walked through the slums and rode around Port-Au-Prince (as well as the area surrounding it.) I met mayors, townspeople, and the Arms around Haiti (Sobs staff) introduced me to several visionary Haitians with good ideas to rebuild the country that I am seriously considering investing my time into.

But one of the most powerful experiences came to me when I was holding this little baby girl who couldn’t have been more than a year old. She was crying because she was hungry, thirsty and tired. I picked her up and she hugged onto me with the newfound control her young muscles had recently provided her. She was one of the many orphans that I met while I was there, and as I held her I wondered what the future would hold for this little precious life. Her father would never hold her again and rock her back and forth to sleep while whispering stories to her. She might find good hearted and righteous people to one day adopt her, but her father, the man who created her would never tell her that he loved her or that she was special, save for the length of a dream or a subconscious memory. So I told her in French that I loved her, that she was beautiful and that she was special to me. I gave her all my water and her young face was immediately full of focus and comfort. After a few minutes of holding her, she fell into slumber. I gave her back to her to a 11-year old girl who had also lost her parents and was acting like a surrogate mother to most of the younger children.

Then I looked at my hands, they seemed like such strong hands before I went to Haiti. Strong like my will that is made of iron, and my resolve, which I consider unbreakable. But the strength of this young adolescent Matriarch and her newfound responsibility served as God’s gentle reminder and it humbled greatly as I realized what she carried on her shoulders. I am a Revolutionary but rather than just going to places around the world to bring people freedom, I seem to find it among them.

I felt great sadness leaving this place but I also felt anger at the things I saw. So I began to detail a few observations about Haiti and Revolutionary action associated with it in general. I wrote these things as I saw them or felt them but I waited until I was home for a few days so as to not elicit an emotional response but rather one of logic and understanding concerning the various things I saw.

The Spirit of Toussaint is Alive:

Francois-Dominique Toussaint

– Although the people have suffered here immensely, I still see their spirit still very strong, unbroken and defiant. Even though the sun floods the day with sweltering heat, the vast majority of people are working in some capacity. Many have their own small business or hustle and they take great pride in what they do. They find no shame in their work, however menial because, as it was told to me they felt blessed to have anyone to provide for. In the camps when dusk settles in, children play soccer with pieces of garbage tied up or maybe an old volleyball. They are survivalists as their history has taught them to be. The tent cities are home to usually 2 or 3 families per tent. Perhaps it is their past dealings with dictators sponsored by this nation, or by years of civil strife and a long Revolutionary history but they have become so resilient, so much so that they now serve as a personal inspiration to me of what mankind/original man can overcome.

All about the Benjamin’s, Mon Cheri:

Foreign Aid. That is a deceptive phrase. Many times the countries who, pledge money to a disaster-ridden nation are not giving that country money at all. They are really pledging the money to their corporation to rebuild the country at an inflated price set by the global conglomerate. It changes the very nature of what that means. Imagine if your house burnt down and I told the news and every local media outlet I was going to “donate” $100,000 to rebuild it. This is the catch the job really costs $20,000 to do. Yes, from the Capitalist pro business point of view I am providing a service that I deserve to be compensated for. But the characterization of what I am doing is purposefully altered so as to disguise the real motivation for “aiding” you. I’m not condemning the idea of foreign aid on a whole although there are aspects of it that create dependency and de facto vassals. But the system by which some of this “aid” is raised and distributed sometimes has little to do with anything resembling a humanitarian effort.

Let’s recap. I give you money, which you’re essentially giving back to me plus interest for doing something at twice the cost. I don’t give you fish anymore. That was Imperialism. This is Neo Liberalism, we teach you to fish, and collect 75% of the profit…forever. This system is actually the one that seems rational to first world powers now and is still implemented today all over the planet. Corporate Non Government Organizations (NGO’s) raise billions of dollars just to spend a fraction of that on the people who are actually affected and suffering. Then as if overpaying themselves wasn’t enough they act like they really did something. This system gives a bad name to real non-profit NGO’s and people that are selflessly doing something out of the kindness of their hearts. The Foreign Aid field is infested with corporate socialites and poverty pimps who troll around the mud with us dark people so you have something to talk about at your bourgeois industry parties. And where is the money going?

Waiting in Vain:

Haitian Camp

There is about 12 Billion dollars of Aid, waiting to be distributed, (conveniently earning interest for someone by the way) and since world agencies (take your pick) do not trust the shell of government left in Haiti, the situation has spiraled into a game of tit for tat in some instances. Corruption is not relegated to the surviving members of a fractured government. The customs area has thousands of pieces of clothing and non-perishable food that is simply sitting in store-rooms because customs is sometimes demanding $8,000 (US) to allow it into the country. You read it right, $8,000 American dollars to let a few boxes of supplies collected by people like you into the country. There are organizations such as the one I was there with, and Wyclef’s ‘Yele’ that use their longstanding connections with local power players and government officials to navigate around these bureaucracies, but it made me wonder how many good hearted people’s donations were just sitting there in some hangar collecting mold and dust. The supplies I handed out, the stuff I brought myself to give to people, the houses we put people in seemed like a good first step but now I wish more than anything to return and really make an impact having studied the situation. (* I remember after the Earthquake happened the mainstream media did a few stories criticizing smaller Aid Organizations on the ground and encourage people to direct their donation to the Major ones. Now I wonder if it was to promote efficiency or was it to safeguard their corporate partners monopoly?)

Children’s Story:

In Haiti, child trafficking is still going on, because it’s a lucrative business. It hasn’t stopped just because the news has stopped covering it, this right here is still happening. (http://www.cnn.com/2010/WORLD/americas/01/27/haiti.earthquake.orphans/index.html   http://gvnet.com/humantrafficking/Haiti.htm ) I have even heard rumors about aid workers trading food for sex with little girls and boys. I’m not repeating these charges to try and substantiate them in any way. Because I hope they’re a lie, or at worst an exaggeration of an isolated incident. Far be it for me to try and pass innuendo off as fact but when you hear something like that from dozens of people from different walks of life, it makes you think. The reality after the Earthquake was that many of these children were (and still are) stolen and shipped out immediately or taken over to the Dominican Republic whose government is also very corrupt and sold to every corner of the world. Sad to think that the nation that showed the world that a successful slave revolution was possible has it’s sons and daughters sold into slavery in 2010.

The Almighty UN:

When I was young I thought the UN was a powerful entity, like the Super friends from Saturday morning cartoons. I was fed the idea that they provided a solution to arguing nations and would be helpful in taking the side of the underdog, the oppressed and colonized. But as I grew I realized it was just a way of making it look like America and Britain were not acting alone and it rewarded participants who conscripted their troops there. They are a Right Wing punching bag but really that’s duplicitous because they have been used to justify our actions in Afghanistan and Iraq. As if it is full of equal partners who are committed to the mission. Truth is the UN peacekeepers are full of many soldiers who would otherwise be getting paid $100 a week to be a soldier in their own country. The UN security-council resolutions have no teeth without the US’s approval, and sometimes they go to a country (like Haiti) and get a paycheck for doing very little. As I keep having interactions with them, my opinion just keeps on worsening. I by no means had any of those young teenage illusions about them going into this trip, but this is my observation. There is no salvation for the 3rd world in this entity. Truthfully, the UN are a war (with a real country) away from being as much of a part of history as the Hanseatic League. As we speak. They act as the de-facto military rulers of Haiti, with the US leaning over them looking at possible candidates. I think in all honesty they want a Haitian Karzai of their very own so perhaps their weakness is deceptive on purpose and they are just the arm of a face that has not revealed itself yet. “Le temps est un grand maître, dit-on, le malheur est qu’il tue ses élèves.”

Jesus’s Power Broker:

Haiti is flooded with Christian missionaries. There were 40 of them on the plane with me headed to Port-Au-Prince. In case you don’t know what a missionary is kids, it’s not just a sexual position. (Although plenty of people have been fucked over the years.) It means someone who goes to other countries and tells people that their religion or native custom is savage and full of useless ceremonies to God’s & spirits that don’t exist. And while I know some of these people mean well, their very existence and purpose is in complete contradiction to what their religion actually teaches. Some are working to build schools and help out with social programs, but always with the agenda to prosthletize and solidify their religious control over the area. So no matter what their intentions are, they look like their peddling Jesus on a fishing pole with foreign aid wrapped in Bible paper on a hook. In the past they were dispatched to countries to make them as Christian as possible in a direct effort to bring them into the colonial power’s sphere of influence. You see Imperial powers could not win by military force, and so conversion directly aided in our subjugation and apparently still aids in our placation. As long as we let other people define God for us we will not only be the physical but also the spiritual prisoner of our oppressors vision.

Mission Impossible:

– Spain, Portugal, England, France and Italy, etc… did this “missionary work” all over Africa, Asia and Latin America. Many of you people reading this who are of the aforementioned faith have them to thank, not divine intervention for what you believe. I am not in any way shape or form trying to detract from the individuals who really have the message of Jesus Christ in their hearts. I honestly believe if we lived our lives by the teachings of Christ this world would be a better place. But there are too many frauds making money off of Yeshua these days. The crazy thing is, that as many Muslim and Jewish charities that are working in Haiti, I haven’t witnessed any effort by them to convert people to Judaism or Islam. What is it about this faith that we hold so dear in America that makes us so insecure about what other people believe in? You’re going to have to stop using the excuse you want to “save people” and just admit that you don’t feel comfortable around someone until they believe in what you believe, spiritually. What gives us the moral authority to go around the world and tell the indigenous people of every continent that their religion is a farce and the only real truth was compiled in Constantinople in 325 AD? Isn’t the most “Christian” thing in the world to give charity to the poor and suffering without asking for anything in return? (Least of all, the culmination of all their beliefs.)

Blood Roots:

As I walked through the tent cities full of families waiting for water and cooking whatever they could find for their collective I happened upon a long road. It led me through the scorching slums of the outer area of Port-Au-Prince. While I was walking these two young brothers who ere dressed in red asked me if I was a Blood. I looked at them both and I responded that I wasn’t and one of them then raised his eyebrow, “you Crip then?” He asked with a heavy Creole accent. I said that I was neither and I was more like a Black Panther. After all OG Black Panthers and people from the Indigenous movements have taught me a libraries worth of knowledge. The younger one asked me what a Black panther was. I searched my surrounding for an analogy and there just happened to be a small tree near by. So I walked them over to it. The tree had two branches littered with a few leaves. Holding one branch I said, “this one is the blood” and pointing to the other one I said, “this one is the Crip” and then putting his hand on the trunk close to the roots, I said “this one is the Black Panther”. “Ne de la Revolution” which means Born out of Revolution in my humble French. The young kid smiled at me and asked me more about the Black Panthers. I stood there speaking to him for a little while and then we saluted one another and went our separate ways. Although Haiti is twice as hood as any place in the US, they are such a young country full of children who must become adults before their time. If they are to succeed, someone must educate them to the fact that what people call Black history is in fact world history. I would be honored to be a part of that someday. Don’t worry I won’t NGO them for hundreds of G’s either. I’d settle for a room and some coffee in the morning.

La Revolucion de Latino America:

For those of us who are studying Latin American Revolution, Haiti is the prequel, the seemingly invincible power of France being challenged and overcome. The Napoleonic wars gave America a chance to breathe away from the eyes of Europe long enough to affirm itself. France’s assault on Spain weakened the European states enough for us to take the moment that we cherish as our time for ‘Revolucion’. The story of our Revolution doesn’t begin in the 1950’s but in the Indigenous revolts of the conquest era and the early 1800’s when a small island of enslaved Africans showed the world that it was possible. Estudiantes Latinos, estudia esta Revolucion, sus lecciones son unas de las mas importantes para apprender. Tienen te todo, de raza, de classe, de corrupcion, y por supuesto del sacrificio necessario para obtener la libertad.

In parting:

I learned something very reassuring about myself in Haiti, something I am proud to acknowledge and leave my people on a good note with. When I meet someone who is a better activist, or Revolutionary, (I’ll be happy to make that distinction later) when I see someone whose actions achieve more than mine, or who has a more complete perspective I become inspired. I don’t get bitter or jealous and think about trying to “out-revolutionary” them. That’s so pointless and yet it is something that I see sometimes in the movement, people who think that because another doesn’t adhere to the same ideology or the same faith that we must bring them down. I am a Revolutionary and I need no one’s permission to be. We were successful at breaking ground in Haiti, but my mission there is by no means complete, I wish to plan further actions with my friends at Arms Around Haiti and the staff at SOBS. I would like to thank Jube, Mario, Cormega, StylesP, Herbie, Clef, Yele, Arms Around Haiti, Parrish, BC, and my Haitian Soldiers there for making this trip possible I look forward to returning soon.

“Le travail éloigne de nous trois grands maux: l’ennui, le vice et le besoin.”

Peace & Respect,

Immortal Technique

Immortal Technique has arrived back into the US after being in Haiti for a few days to assist hands on in the relief efforts and for a show to support Haitian Hip Hop. Below is a letter from Immortal Technique describing his experience and views on the current situation. I’ve attached 2 photos that you may use. Please contact me immediately if you need any further information. Thank you.

Http://www.myspace.com/immortaltechnique

twitter.com/Immortaltech

Return to Davey D’s Hip Hop Corner

Fat Joe, Ice Cube, Immortal Technique & Alex Sanchez Talk about Black & Brown Unity

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In addressing the issue of Black/ Brown unity we caught up with popular rappers Fat Joe & Ice Cube and asked them to address the issue.. Fat Joe spoke at the Hip Hop summit in 2001 and explained the political importance of the two groups coming together…

Ice Cube spoke to the history of unity between Black and Brown peoples in California. He taks about how the Brown man helped the Black man escape slavery..Cube also weighs in on the immigration debate.

We caught up to Immortal Technique at the Malcolm X day parade in Harlem in may of 2006 and talked to him about Black and Brown Unity… He gave us a lot to think about in the areas of colonization and divide and conquer techniques used by those who have enslaved us or colonized us..
Former gang member turned peacemaker Alex Sanchez spoke at Laney College in Oakland during the Critical Resistence conference in 2007 about Black Brown unity and how we should beawre and ideally unify around the issue of immigration. He said we need to understyand the inhumane treatment many are experiencing and focus on this being a human rights issue.. He stressed that both communities need to be more educated about struggles we are going through…
Former gang member turned peacemaker Alex Sanchez talks about solutions for establishing Black/ Brown unity..He talks about the role people in peace and social justice movements must play and the language they must use and not use.. He also talks about regional tactics.. He notes Black-Brown relationships are different in California compared to places like NY and we need to not have a one size fits all strategy.. He also talks about how there are powerful forces within prison that have made unifying difficult because of politics from behind the walls..
We sat down with San Antonio based Professor Mario Salas and talked to him about ways in which Black and Brown communities have worked together. He talks about the Black Panthers and Brown Berets
 
 

25 Joints to Get u Thru the Day: Rise of the Brown Emcee pt 1&2

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25 Joints to get U thru the Day #14

Rise of the Brown Emcee pt 1 (Celebrating Latin Hip Hop)

Listen to pt1 by clicking the link below:

http://odeo.com/episodes/25247787-25-Joints-Rise-of-the-Latin-Emcee-pt1

A few months ago I sat on a panel at Harvard where we discussed the global impact of Hip Hop. There was lots of discussion about what folks are doing in Japan and Australia. We talked a bit about the major inroads made in places like Germany and France. Hip Hop on the continent of Africa was discussed. There was no denying just how widespread this culture born in the ravaged ghettos of the South Bronx had become.

During the discussion I noted that for us in the United States, while it was great to know about Hip Hop icons halfway across the world, in order to really appreciate the global reach of this culture perhaps we should start knowing about our Brown skinned neighbors next door and to the south of us in Mexico and throughout South America. I had always found it troubling that a professed Hip Hop head knew about artists in Canada but couldn’t name one from Mexico which has way more people.

I was always surprised that people knew about Snoop, Game and Dr Dre in Cali, but didn’t know about the equally large Hip Hop scene amongst Chicanos.

People know about Paul Wall, Chamillionaire and UGK in Texas, but many didn’t realize there has long been a Hip Hop exchange amongst Texans and heads in Monterey.

As Afrika Bambaataa likes to point out, those who hold up the mantlepiece of Hip Hop in corporate America have done us a disservice because they have segregated the music and in their quest to ‘do business’ they have distorted and omitted major parts that have been important to its build up. People like to say Hip Hop is worldwide in their radio station sales pitches but never reflect that variety and vibrancy on its day to day playlists.

When we talk about Hip Hop one of the key architects are those who see themselves as Latino. From day one our Brown brothers and sisters were on the ground floor plugging away and helping elevate the culture.-From grafitti to deejaying to dancing to emceeing Latinos have made an indeligible mark in Hip Hop that many have built upon. It may have been folks like Prince Whipper Whip of Fantastic Romantic 5 busting serious flows during Hip Hop’s pioneering days. It might have been DJ Charlie Chase or Disco Wiz holding it down on the turntables or pioneering figures like JoJo, Crazy Legs or Popmaster Fable wrecking shop on the dance floor.

On this special 2 part 25 Joints to Get U through the Day we decided to go digging in the crates and turn you on to some Hip Hop’s dopest emcees who just happen to come from the Brownside of town..

01-DJ Negro ‘Mega Mix’

02-Vicky MC ‘Victoria o Derrota’

03-Boca Floca ‘Mi Gente’

04-Rebel Diaz ‘Dem Dayz’

05-Immortal Technique ‘Internally Bleeding’

06-Cihualt Ce ‘Dreamah’

07-Nina Dioz ‘Cuando Cuando’

08-Brwn Bflo ‘My People, Mi Gente’

09-Rico Pabon ‘It Ain’t Real’

10-Fat Joe ‘I’m Trying to Tell ‘Em’

11-Rosa Clemente “Tired of Protesting’ (Justice System Flava’

12-Aztlan Nation ‘Serpent & Eagle’

13-Mexicano 777 ‘Arrepentido’

14-LSOB ‘Check It Out’

15-Tha Mexakanz ‘Confessions’

16-Apakalips ‘Mind Right’

17-Educated Chicana‘LA Immigrant Rally’ -Low Rider madness mix

18-Nina Dioz ‘Prefiero El Asfalto’

19-2Mex “Graffiti Kings’

20-Maria Isa w/ Lolita ‘Die Not Kill’

21-Jenro ‘Hate or Love It’

22-Deuce Eclipse ‘Last Hope’

23-Deuce Eclipse ‘Can’t Break Me Down’

24-Azeem ‘Latin Revenge’

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25 Joints to get U thru the Day #15

Rise of the Brown Emcee pt2 (the Indians Are Coming back)

Listen by clicking here:

http://odeo.com/episodes/25259306-25-joints-15-Rise-of-the-Brown-Emcee-pt2

We continue with our musical journey celebrating the Rise of today’s Brown emcees. We cover alot of ground especially with those who reflect Indegenous traditions in their music. Folks like Quese IMC, Omeca, 2Mex and Kiawiti hit the mark. We also celebrate those who have have crossed over into the mainstream but still kick flava like Omar Cruz, SPM and Malvadre to name a few.

Enjoy pt2

01-Quese IMC ‘Orrolope Muccusepen’

02-Olmeca, Victor E of EL Vuh ‘Toltec’

03-Filthee Immigrants ‘Libertad’ (Raul Salinas mix)

04-Majesty ‘Pain Music’

05-Immortal Technique w/ Maya Acuzema ‘Crimes of the Heart’

06-Mala Rodriguez ‘Titar Afila El Colmillo’

07-MIS (Mexican Institute of Sound) ‘HipHopno Pares’

08-Rebel Diaz ‘Golpe’

09-Bocafloca ‘Suenos Rotos’

10-La Krudas ‘Eres Bella Siendo Tu’

11-Orisha w/ Tony Touch ‘Represent’

12-Malvadre w/ Tony Touch & Sondoobie ‘Pachanga’

13-Kiawitl ‘Una California’

14-Chino XL, Sinfull & Pitbull ‘Latinos Stand Up’

15-Omar Cruz w/ Farnkie J ‘To the Top’

16-Jimmy Roses ‘Hug Real Tight’

17-JenRo ‘Internal Segregation’

18-B-Real & Malvadre ‘Tiempo Perdido’

19-SPM ‘Mexican Heaven’

20-Cihuatl Ce ‘Rise Above’

21-Mala Rodriguez ‘Tambelea’

22-Cihuatl Ce ‘La Otra Resistencia’

23- La Krudas ‘Vencer La Dificultad’

24-2Mex & Sick Jacken & Xololanxin ‘Doctors, Drums & Danger’

Return to Davey D’s Hip Hop Corner

An Open Letter to the Hip Hop Community About Immigration

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An Open Letter to the Hip Hop Community About Immigration

by Adisa Banjoko
original article-April 20 2006
 
Below is a speech I gave in Watsonville, CA on April 17th 2006. I was invited to come down and speak by the Watsonville Brown Berets. Fred Hampton Jr. of the P.O.C.C. and Immortal Technique also represented HARD that day.
               
It was an amazing display of racial, political, religious and Hip Hop unity. There were b-boy circles, tons of performers, spoken word poets and vocal performers. Mexican, Black, Asian, White, Arab and Native Americans all came together in peace. There was no violence and no threats of violence. I must commend the Berets on making everyone feel welcome, secure and for running an efficient schedule. I dont have the official numbers but I estimated about 700 people to have been in attendance.
 
With me representing the west, Fred Hampton Jr. representing the Midwest and Immortal Technique repping the east- it was an unprecedented display of nationwide unity on the issue of justice for immigrants and justice for the youth. I was honored to have been a part of this event. I hope more people do their homework and research on the Brown Berets, the Black Panthers and why unity between Black and Brown is so important in this these times. My speech was entitled Keys to the True Unification of Black and Brown Peoples. Big shout out to Anas, JR, Mike Perry, Tomas, Scape Martinez and my man Apakalips from the Universal Zulu Nation. The beauty and power of this day will live in my heart forever, inshallah. 
 
Peace,
Adisa Banjoko
 
As Salaam Alaikum,
 
My name is Adisa Banjoko. I am the author of Lyrical Swords Vol. 2: Westside Rebellion. It deals with Black and Brown unity. It deals with a lot of political and social issues that we face every day. I speak in a lot of places. Some times its prisons, sometimes its universities. Today I am honored to be here with the Brown Berets. I am honored to be here with the beautiful people of Watsonville.
 
I came today to talk about peace and unity. Peace and unity is something that we absolutely have to have in this moment, dealing with the Bush administration and the things we face today. The Black people of America cannot do it alone. The Latino people cannot do it alone. The Arab cannot do it alone. The Muslim, the Christian and the Jew cannot do it alone. The Buddhist cannot do it alone. We have to be unified in this moment.
 
Peace and unity are both byproducts of knowledge. Meaning that when I fist got into knowledge of self, as an African American, I was only focused on that. It took me a moment to learn about the beauty of the Mayan people, of the Aztec people, of Cesar Chavez and Delores Huerta.
 
I had to do that to be a true humanist. You have to read about humanity! If all I read about is me, and all I care about are the struggles of the Black man- then Im going to have a very small window [to see the spectrum of life through].
 
We have to take the time to defend one another. We cannot be afraid to defend one another. I am here defending you. Defending what you stand for. Defending your rights. This is your land. I wont pretend that its not. I stand here today as a descendent of slaves. I descendent of SLAVES.
 
I am Muslim. But the Dali Lama was here in the Bay Area just the other day with Hamza Yusuf from the Zaytuna Institute. They built upon the peaceful nature of both of these faiths. My faith has been demonized by the press.
 
 Since 911, many people from Saudi Arabia, many people from Pakistan, many people from Palestine, Iran and Yemen were harassed. They were sent to prison and abused by this Bush Administration. This was because of their faith, because of their race.
 
We must make America live up to its words on paper. Not just for my sake. Not just for your sake. Its for the sake of all people who walk on this soil. We deserve this justice. We are not asking for anything that is not already on paper. We are not asking for anything we dont already know that belongs to us here. It belongs to us here!
 
When you look at the ghettos across America, were very lucky to be on the west coast. Out integration levels are much higher than in other places like NY. The Blacks and Latinos dont always mesh [out there]. Thats tragic.
 
But thats why the Bay Area is so special. Thats why we have to seize this moment right now. Thats why we cannot hesitate to defend one another in this moment. My father is originally from New Orleans- from the Magnolia projects. My mother is originally from Monroe Louisiana.
 
But when my father came to the Bay in his youth, he grew up in the Mission District. As a young boy I was always around Delores Park. I was always around 24th and Mission. I was always around my Latino peoples.
 
I dont have another frame of reference for Latino peoples than my brothers. I have no other frame of reference. Its the first brotherhood I knew.  
 
Whether you are Mexican, Nicaraguan, Panamanian, Brazilian, Puerto Rican- we are all in the ghetto together! Oppressed by the same people. Struggling to get the same knowledge- that they hide from us in the schools. Struggling, to not be abused by the police. Struggling to find work and provide for our families, for our children and be safe.
 
Unity is the key. Arab unity. Black unity. Latino, Muslim, Christian, Buddhist Jew. The realest of us. THE REALEST OF US! We are all attacked by this administration. But there is another enemy.
 
Before I get to the other enemy I must mention that these people who attack usWho dont like events like thisThis is why todays event is so important. These people dont respect our history and they dont want our children to know it. They dont want your children to know their beautiful history- of Aztlan. They dont want my children to know the beautiful history of Africa.
 
But this other enemy- they are people within BOTH of our cultures. We have to work against the people who look like me- but they are against Black and Brown unity. We need to work against the people who look like YOU- but they are against Black and Brown unity. Because they can hurt this more than the Bush Administration, more than right wing republicans. More than any of them! We need to cleanse our own people, of the bigotry, and the fear [that causes distrust in our hearts].
 
I will take it on, on my side. But I need you to take it on, on your side so we can be truly united. I spoke just a few weeks ago at San Quentin Prison. I was on the exercise yard and I spoke to every group of people on the yard. Two minutes after I left there was a fight on the yard between Black and Brown. This is unacceptable.
 
I was just talking to them right before it happened. I said Yall need to be going back to the Brown Berets and yall need to be going back to the Panthers. Understand that I was speaking on the same soil where George Jackson and Jonathan Jackson were killed. We need to get back to that [ way of living together].
 
But a lot of the conflicts that do happen between Black and Brown happens because of drugs. It deals with crack, it deals with meth, it deals with ecstasy. It deals with things that dehumanize both of our people. Drugs have been used to destroy Black and Brown people.
 
We have to keep our children out of gangs. We have to be dedicated to that. We have to keep our children knowing that there is more beauty in knowing about Aztlan than knowing about the blunts. We have to let them know there is more beauty in then knowing about Africa, than knowing about crack, and thizzin and going dumb. We need to get smart in this moment.
 
We need to get smart in this moment! We need to fight in this moment! We cannot be afraid in this moment!
 
Cesar Chavez, Delores Huerta the Brown Berets the Black Panthers are better than any drug they can try and feed our children.
 
We have to be open enough to learn about other faiths. I do my best to read about other faiths all the time. I am a nonviolent man of God. I follow a Prophet of Peace. The Prophet Muhammad, peace be upon him. But I am not afraid to die for this. Im not afraid to die for anybody in this room. Im not afraid to die for the truth that Malcolm, that Martin that all of these freedom fighters before us- [loud applause roar]. If they did not do it, WE would not be here today. Lets be honest about that.
 
But yo, nothings going to hold me back, or block me. They gonna have to pop me to stop me. This is why Im here.
 
The corporate media machine does a great job of brainwashing our children. Of having our children wish that they were in jail. Of having our children on dope and violent against one another. They make it easy for them to fight against one another. We have to start taking the time privately and publicly to start squashing that.
 
An organization that I represent is called Project Islamic H.O.P.E. Its based in LA and led proudly by Najee Ali. If you go to www.islamichope.org you can see that hes working with the Mayor of Los Angeles to host a beautiful Black and Brown unity conference (June 3rd 2006).
 
I hope everybody goes to that. One day will not solve this. We have to make sure we are working tomorrow. We have to make sure we are working next month. We have to make sure that we are reading and reaching out.
 
I was just talking to my brother, Anas, on the way down. He said Look we have to utilize the internet. All of the organizers before us never had the ability to use the internet as a tool to organize. Just to find out our respective histories, let alone have direct contact. We have to use all levels of technology and all levels of online and offline strategies.
 
But you know brothers like Davey D promoted this event real hard. He was one of the ONLY people who went down to LA and supported yall in that march. Im sorry that more African American leaders from the old guard havent supported you. I dont know whats going on with them. I dont know what it says about their original intent that more of them did not step up and openly support you in Los Angeles.
 
But I am here. The young Muslim leadership is here. The young Black leadership is here. This is our time and I am with you. My people are with you. I promise you that. My man Apakalips from the Universal Zulu Nation is with you. Shamako Noble from the Hip Hop Congress is with you. Artists like Paris, T-Kash, Aya De Leon, Immortal Technique, Dilated Peoples, Nate Mezmer, Self Scientific. Follow those artists! Support those artists! They love you. They are rappin for you right now. You must support them.
 
Dont let your kids watch BET. Dont let your kids sit down in front of MTV. We have to be honest about this. Right now my man D Labrie from East Oakland is gonna spit this piece called Black & Brown. I told him I was doing this event, he kicked it to me over the phone and I had to have him come down and let you hear this. Thats my time. ALLAH U AKBAR! God is the greatest. May God bless ALL in this room so we can unite and fight every day.   
 
Adisa Banjokos next lecture is entitled Lyrical Warfare: Hip Hop,Religion and Politics in the New Century, at Dickinson College in Pennsylvania on Monday April 24th @ 7 PM. Rapper One Be Low will be ripping the mic at the close of the lecture. For more information email pr@lyricalswords.com .