M1 of dead prez Teams up w/ Nas to Pay Tribute to Denmark Vessey

Loving this new jam called ‘Genocide Highway’ from M1 of dead prez and Nas that pays tribute to Denmark Vesey, who led a slave revolt and became free on November 9th, 1799. This is a dope cut and I get the sense that we have more of these types of songs coming down the pipe.. Props to M1 and Nas as well as Beatnick & K-Salaam on the beat, the hook and the scratch.

http://www.youtube.com/watch?v=rOCECLrBRNE

Nas

19 Years Ago the World Was Introduced to Wu-Tang Clan..’The 36 Chambers’

19 years ago today…one of the greatest Hip Hop albums of all-time was dropped Enter Wu-Tang the 36 Chambers and the world was introduced to an incredible group, that many initially thought was Chinese.. When we first heard the lead joint Protect Your Neck and heard them claiming they were from Shaolin and was going by the name Wu-Tang Clan many of us outside of New York were marveling at how Hip Hop had expanded and some raw Asian cats were repping hard on the mic..

Later we discovered the who the group was and their depth of talent and remained impressed. We loved how artists like Rza and Gza who had previous stints as solo artists  or in groups like Grave Diggaz under the names Prince Rakeem and the Genius respectively, had remade themselves and resurfaced as cornerstones of this new 9 member crew..that would flip Hip Hop upside its head. Many of us were left awestruck to see how Staten Island, the so-called forgotten borough had become the epic center for Hip Hop nearly overnight..Its been almost 20 years and many of us still have not fully come to know and appreciate all that is and has been Wu-Tang..

This is what writer  Christopher Muhammad who reminded us about today had to say..

This day 19 years ago one of the greatest Hip Hop albums of all time by arguably the best rap group of all time was released November 9, 1993 on Loud Records and distributed through RCA Records. The album’s title originates from the martial arts film The 36th Chamber of Shaolin (1978). The group’s de facto leader RZA, also known as Prince Rakeem, produced the album entirely, utilizing heavy, eerie beats and a sound largely based on martial-arts movie clips and soul music samples.

The distinctive sound of Enter the Wu-Tang (36 Chambers) created a blueprint for hardcore hip hop during the 1990s and helped return New York City hip hop to national prominence. Its sound also became hugely influential in modern hip hop production, while the group members’ explicit, humorous, and free-associative lyrics have served as a template for many subsequent hip hop records. Serving as a landmark record in the era of hip hop known as the East Coast Renaissance, its influence helped lead the way for several other East Coast hip hop artists, including Nas, The Notorious B.I.G., Mobb Deep, and Jay-Z.

Despite its raw, underground sound, the album had surprising chart success, peaking at number 41 on the US Billboard 200 chart. By 1995, it was certified platinum by the Recording Industry Association of America for shipments of one million copies in the United States. Initially receiving positive reviews from most music critics, Enter the Wu-Tang (36 Chambers) has been regarded by music writers as one of the most significant albums of the 1990s, as well as one of the greatest hip hop albums of all-time. In 2003, the album was ranked number 386 on Rolling Stone magazine’s list of the 500 greatest albums of all time.

Salute to RZA, GZA, Method Man, Raekwon, Ghostface Killah, Inspectah Deck, U-God, Masta Killa,and the late Ol’ Dirty Bastard

http://www.youtube.com/watch?v=GCZrz8siv4Q

http://www.youtube.com/watch?v=bjZRAvsZf1g

The Revolution Has Come… Rebel Diaz Speak Truth in Times of Turmoil

I’m so proud of Hip Hop right now… Ice Cube,  Brother Ali, Boots from the Coup, dead Prez, Jasiri X and Invincible have all dropped material in the past few weeks that has uplifted the community and inspired us to fight for better tomorrows.. Adding to that list is Rebel Diaz who skillfully sampled and flipped the chant from the Black Panthers..’The Revolution Has Come‘ and added their own 2012 twist..

It was just recently we lead rapper Rodstarz on our Hard Knock Radio show to give us crucial updates as to how things were faring under Hurricane Sandy. The day after the storm hit Rod explained to our listeners how poor folks were getting mistreated and how Mayor Michael Bloomberg had shut off power to housing projects days before the storm came..

He talked about how folks in his community had to organize themselves and make sure the elderly were taken care of because the city wasn’t going to do it..The day we did that interview there was some criticism from punditary types who lived nowhere near Rodstarz’ South Bronx neighborhood, but insisted that he was wrong with his info..They were citing press releases from Bloomberg as their source to counter Rod’s arguments.

Now that the dust is settling and the waters are receding, we see that all over NY in poor communities, there’s been neglect in the recovery efforts and was Rod was accurate and on point to the fullest with his assessment and breakdown of the situation.

Him and Rebel Diaz are and true to the spirit of ones who loves their people and seeks justice..This is a song underscores that sentiment and should not be slept on.. Turn it up and let it be the sound track to your day to day struggle for freedom..

http://www.youtube.com/watch?v=byL3o3VMUKk

http://www.youtube.com/watch?v=byL3o3VMUKk

Historic Cypher on the Border.. Rappers Come Togther to Make a Profound Statement

This is what Hip Hop is ideally about..People coming together, building community and making a strong statement in the name of humanity..

With global trade destroying communities and families world-wide by slashing wages and moving factories to the next hungry communities migration of people has become both a necessity and an inevitability. The US/Mexico border has become a human rights crisis as US border vigilance has become both militarized and also funneled migrants into the unforgiving Arizona desert.

Hip Hop Artists Jasiri X, Invincible, and Paradise Gray of the mighty, mighty X Clan join local artists Amy Juan, Shinning Soul, and Dirty Verbs to rock DJ Sloe Poke‘s border spin for the first ever “Border Cypher.”

https://www.youtube.com/watch?v=tNT9rUhDoYc

For more info follow us on twitter @thesoundstrike @culturestrike or at www.thesoundstrike.info or www.culturestrike.net.

Video by Jason Michael Aragon. Audio by Javier Gonzalez. Great audio work, really, really great audio work. LOL

 

 

RIP Hip Hop Spray Can Art Pioneer Tracy 168 (Friends and Family Say this is a Hoax)

***UPDATE*** We been getting word from friends and family who are close to Michael Tracy that his death has not been confirmed and reports of his death are cruel hoax. Fellow graph writer Copes2 says Tracy is alive and well and has been on Facebook.. His family is not so sure and are still trying to confirm whats going on and his current whereabouts.. Hopefully he’s alive and well… That’ll be major good news..we’ll keep you posted…In the meantime we encourage folks to learn about Tracy 168..

Davey D 10-31-12

This morning I saw the FB status of  Grandmaster Caz alerting us that Hip Hop lost a pioneering legend.. Michael Tracy aka Tracy 168. For many in today’s world of Hip Hop, Tracy is not known. Within the world of spray can art, he’s iconic and was very much relevant after being on the scene for 4 decades. He’s one that was on the scene before there was a term called Hip Hop and even before folks were spinning records and rocking the mic..He was featured in the movie Style Wars

Tracy, a Bronx native is considered by many an architect of the Wildstyle technique. He was seen as an artist’s, artist who was recently profiled in fellow artist Justin Bua‘s book Hip Hop Legends. Tracy 168 will forever have a seat at the Hip Hop Table of Greats…. RIP Tracy 168

http://www.youtube.com/watch?v=x3i-cp7CPx0

http://www.youtube.com/watch?v=S8Y3Tak0WSk

http://www.youtube.com/watch?v=a62vkrigkOw

Remembering Jam Master Jay in the Midst of Chaos.. 10 Years Later

Ten years ago today we lost one of Hip Hop’s dopest deejays and true pioneers, Jason Mizell aka Jam master Jay of the legendary group Run DMC He was shot in killed in his studio in Queens. Like so many who have been murdered , not just in Hip Hop but in our own community, his murder is still unsolved.. I republishing the piece I wrote the day after his death 10 years ago. Its sadly still relevant today..Please read, reflect and improve.. RIP Jam Master Jay…..(Jan 21 1965- Oct 30-2002)

Jay’s like King Midas, as I was told,
everything that he touched turned to gold.
He’s the greatest of the great, get it straight he’s great.
Claim fame cause his name is known in every state.
His name is Jay to see him play will make you say:
“God damn, that DJ made my day!”

-Run DMC… ‘Peter Piper’-

I’m not sure what exactly can be said at this time…All sorts of emotions are whirling inside my head and to be honest its hard to believe Jam Master Jay [Jason Mizell] is dead…Dude was 37 years old, had a wife and 3 kids.. I believe his oldest son is 15.. And if you ever met Jay, you knew he was a cool cat.. He didn’t bring a gangsta persona to the table. He wasn’t the type of cat who needed a bunch of body guards when he walked down the street. As far as I knew he wasn’t living foul, causing drama or somehow instigating any sort of ‘rap feud’ which are all but too frequent..

Jam Master Jay was a cool cat and it’s for that reason I don’t wanna do what we always seem to do when we encounter violent death….I don’t wanna simply ‘keep it moving’ and act like him being killed is no big deal..It is a big deal. I don’t wanna put a good face forward and stick the emotions of yet another violent death of another brotha in the back of my mind. There’s been one too many deaths and I no longer have room in the back of my mind. I don’t wanna fall back on old tired clich s and say things like ‘death is a part of life’ or ‘when it’s your time to go its your time to go’. That don’t cut it for me anymore. I don’t wanna act like this doesn’t bother me cause it really does. . I don’t wanna give into this unwritten code among us as Black men to not be phased by violent deaths because it’s an all too common occurrence..

I don’t wanna hold a candle, pour liquor on a curb or go on the radio station and play all my Run DMC records and rebroadcast all my old Run DMC interviews. I don’t want Jay’s death to be reduced to yet another tribute. It seems like in the past two or three years we’ve been doing a hell of a lot of tributes. In the past couple of year alone we’ve lost Big Pun and DJ Screw out of Houston to heart attacks. Too Poetic of the Grave Diggaz passed from cancer, but he courageously recorded his last album while he had the disease. We lost Aaliyah to a plane crash and Left Eye of TLC to a car crash. We lost San Francisco pioneering rapper Cougnut and San Jose’s D-Mac who died together in a car crash just days before the Sept 11th attacks. Days after the attack we lost Boogie Knight of the group The Boogie Boys. Many of us are still grieving from last moth’s the sudden death of Money Ray of the Cold Crush Brothers. He was diagnosed with cancer in August and died 5 weeks later.

And, Yo, I gotta be honest, I’m still recovering from the emotional upheaval of the sniper killings which just ended last week… I’m still asking questions with regards to Kenneth Bridges-co-founder of Matah. Why did this community activist and community leader have to be killed? Why was it another brother to be the one to take him out? I’m still trying to get over the haunting images of the distraught mother of the 35 year bus driver who was the last sniper victim. I’m still trying to process those heart breaking images….I’m still asking why?

I’m still asking why there are 94 murders in Oakland? And I’m really bothered by the fact that damn near everyone I knows someone who has been killed in the past few years.. And I’m still asking why we seem to take death so lightly? Why do we see life as so expandable? I keep asking myself what happened to the promises and commitments we all made when we came together in ’95 during the Million Man March? We promised to uplift and affirm life. What has happened since then? Why is loss of life no longer a big deal anymore? Why is Black life so cheap? What are we doing to ourselves and why? What’s going on? Will we ever get it together? Will we as Black people ever get it together…Will we ever get it together? I keep thinking about a song that poet D-Knowledge did a couple of years ago where he asks ‘Does Anyone Still Die of Old Age’?

I don’t know if we’ve been able to fully grieve and process all this death. Many of us are still left with unanswered questions as to why? Why did this have to happen? It seems like as soon as we start the
process we’re hit with another sudden death which means we wind up shoving a lot of feelings and emotions in the back of our minds, doing another tribute and moving on. This time around I don’t just wanna do
another tribute.. There’s just too many tributes to the point that it’s becoming routine and that’s bothersome for me… Jay’s death and for that matter anyone’s death should not be routine…

Maybe I’m feeling this way because I’m realizing that in many respects, I still never really got over the deaths of 2Pac and Biggie and Jay’s death is making me realize that.. There’s really been no closure despite all the VHI documentaries, articles, movie etc. This morning I was talking to my boy Pharrel over at Roc-A-Fella records
and he pointed out something that really hit home.. He told me.. ‘I hope they catch the guy who did this.. I hope they catch him because there have been way too many unsolved murders in Hip Hop’.

I kept thinking about that and all these names that ran through my mind..Scott La Rock, Freaky Tah of Lost Boyz, East Palo Alto’s Charizma, JoJo from Bored Stiff, Ray Luv‘s Dee jay DJ CAE, The Mac out of Vallejo, DJ Quick’s partner Mausberg, Pac’s homie, Yaki Kadafi, Oakland’s Seagram, 2 Pac and Biggie… The list goes on…There’s a whole lot of unsolved murders in rap and I don’t care what anyone says, that lack of closure has an effect.

And while one can easily make the case that there’s a lot of unsolved murders in our community in general, one would hope that we would be able to get to the bottom of some of these high profile slayings…The fact that we never seem to solve the murders of some of these artists the same way we don’t seem to be able to solve the murders of ‘Pookie’ or ‘Ray Ray’ from up the block, underscores the notion that in many circles the loss of Black life is no big deal…It don’t matter whether you’re a high profile artist or a d-boy on the local corner in the hood. It’s like we’re expected to die a quick and early death. And even sadder is the perceived circumstances of our deaths are all the same. In other words since last night, I’ve been fielding a lot of calls from local reporters who seem bent on making this connection to JMJ’s death with the deaths of 2Pac, East-West coast feuds and on going beefs in rap like Ja Rule vs DMX and Nas vs Jay-Z. This is not the Jam Master Jay I know.

It’s like cats are trying to make the case that perhaps Jay lead a crazy lifestyle that somehow invited the violence that befell him..I don’t wanna put JMJ in that category. Almost all the newscast and stories I’ve heard end with reporters trying to make that connection..”Jay Master Jay like 2Pac and the Notorious BIG’ is in a long line of rap stars who have died violently in a violent rap world“. Heck CNN has a poll on their website as we speak..asking who has the most musical influence 2Pac, Biggie or JMJ.. As innocent as it may seem to some, there’s something about that poll and the overall approach and questions raised that don’t sit well with me.

I don’t wanna say Jam Master Jay and 2Pac in the same breath. I don’t wanna compare him to Biggie. I don’t wanna say JMJ is in a long line of rap stars who died violently…Jay deserves his own space in our minds and hearts. We all need to take time out and reflect on Jay the musician, the pioneer, the man, the father, the husband, the friend, the associate and not categorize and compartmentalize him. I don’t wanna see him reduced to another violent casualty in a ‘violent rap world’ as one TV reporter described it.

Before asking questions about Hip Hop and violence let’s began by asking ‘Did you know Jam Master Jay?’ ‘How are you coping with this sudden loss of life?’ Are you sad? Are you angry? How will you deal with it and what changes will you try to bring about? ‘What type of man did you know JMJ to be?’ What did he mean to the community? What did he mean to his family?’ .. Words cannot express the hurt, sadness and anger I feel for this loss…

Please take time to hug those you love.. It should be obvious by now..no one is promised tomorrow.. Please take time to say a prayer for Jay’s three kids and the wife he left behind Pray for the rest of his family and friends. One can only imagine what they must be going through. Pray that God gives them strength to get through the pain of his death..Pray that they be comforted..Lastly take time to reflect and allow yourself to grieve. Allow yourself to heal.. We’ve been hit with a lot of stuff over the past few years..

Your truly
Davey D

10/31/2002

Below is a nice lecture JMJ gave to folks in Sidney, Australia talking about the important role deejays played..

http://www.youtube.com/watch?v=gt5GhseONiY

 

A Few Thoughts on Nas, dream hampton, Ghost Writing & Hip Hop Losing its Integrity

The controversy around writer dream hampton (she spells her name in lower case) sending out a tweet where she asserted rappers Stic.man of dead prez and Jay Electronica were ‘ghost writers‘ for Nas is interesting on several levels. First, a lot of folks saw the tweet or heard about it and immediately jumped up to defend the Queensbridge emcee claiming that him having a ghostwriter is an assault to the ‘integrity of Hip Hop’ and that dream is somehow a bad journalist who should be tossed under a bus. I’ll let folks marinate on that for moment..

For those who aren’t up on what happened, here’s the tweet that dream sent out a few days ago…People went ape shyt over this..

“I think Jay writes what he believes. Nas’ “Nigger” album was largely written by Stic of dead prez and Jay Electronica @JusAire…”@dreamhampton

I found the angry reaction curious because what Dream tweeted wasn’t uncommon knowledge. Back when Nas was working on the Untitled album, there was lots of banter, speculation and hope that because he was working with dead prez, they might pen some tracks for him..Many felt such a move would give Nas sharper and harder hitting political content in his songs.

Ain’t nothing wrong with that when you consider over the years we’ve seen percussionist Duke Bootee do this for Grandmaster Flash & Mele-Mel with the landmark song The Message. We recently saw  Bay Area rapper Paris do this for Chuck D of Public Enemy on the album  ‘Rebirth of a Nation‘. No one would ever deny Chuck or Mel’s writing abilities or political prowess…In the case of Nas and Sticman, whether what resulted was co-writing, producing where hooks, ideas and a few bars were provided, scoring of tracks to model for Nas or ghostwriting in the technical sense where full songs were penned minus public credit, none of that seemed shocking, out of the ordinary or a bad thing. There’s a long tradition from  Billy Holiday’s Strange Fruit penned by Abel Meeropol to Stevie Wonder penning songs for Marvin Gaye, Smokey Robinson & even Michael Jackson to Ice Cube and DOC penning songs for Eazy E and NWA to Prince penning songs for everyone from Chaka Khan to Sheila E to Rhymefest penning Jesus Walks for Kanye West.. Hip Hop and music in general has not lost its integrity because of it.

Over the years, I been in enough recording sessions with artists big and small to see first hand how the process plays out..People share ideas, verses get traded, shifted around, reassigned, some are written and then rewritten, some are imposed etc.. How things get publicly credited and monies divided up in the end is one aspect..but for the most part, the end game has been to put out the absolute best product. The bottom line is no matter what folks like to believe, not everything recorded is written by the one spitting verses. That applies to folks who some might consider the very best and it applies to some who are relatively unknown.

We see similar process in beat production. Not everyone who is deemed ‘the producer‘ works the drum machine and craft the melodies. By now its common knowledge that revered producer Dr Dre is not in the studio coming up with every single drum track, it doesn’t mean he’s not capable nor would anyone deny is skill as a producer?

On a side note, we also know that over the years everyone from Eminem to Jay-Z have penned raps for Dre.. Have we stopped liking him because it or do we give him dap for doing great records and using the best talent around him..

When you’re making records and you have money invested, in particular major label money, it becomes a team effort. It’s very collaborative where lots of folks have a hand in it. I don’t think the recording process as I’ve seen/ experienced takes away from the writing prowess of an artist, especially someone of the stature of Nas. If anything, one getting co-writers etc is a smart move especially if you’re trying to bring fresh perspectives or push boundaries musically or subject wise.

With all that being said, at the end of the day both Jay Electronica and Stic.man have denied ghostwriting for Nas and unless we were there in the studio with them, we’ll have to take their word for it… Sticman has been particularly humble in terms of expressing his long time admiration for Nas and further explains their recording process in a recent Vibe Magazine interview.

From where I sit, I think folks instead of getting upset at the possibility that they ghostwrote for Nas, they should’ve seen such a move as monumental.  Stic and Jay working with Nas, that’s a powerful team. People are acting like these guys are some Johnny-come-lately slouches or some no-name rookies to scoff at..They are not.. They are top shelf artists. If someone like Stic is penning songs, whether it’s for Nas or the guy down the street, its worth a listen especially if it’s on the political tip. Very few do it better.

dream hampton

With respect to dream hampton sending out a tweet which was directed to someone whether right or wrong is not an indictment on journalism-its a tweet. Yes it came from popular person who is a journalist, but a quick look at Dream’s twitter time line, will quickly reveal everything she tweets is not a news story. Far from it.. She shares many opinions, debates folks,  shares speculations and gets snarky at times.. Who hasn’t on twitter? It’s barbershop/ beauty shop talk..Media types should not be mining twitter for news stories unless they tend to do due diligence, put things in context and journalistically follow-up.

dream’s penning of Jay-Z‘s Decoded, her brilliant columns and insightful articles over the past 15 years covering everything from rape to Too Short and sexism to her film on Black August all go out the window over a tweet?? Really?

If folks are really concerned about the Hip Hop journalism and faulty information being passed along to the masses, before going at dream hampton how about we go after those multi-million dollar corporate radio giants that run commercial sponsored gossip/ entertainment reports on the daily. Seems like I’ve heard more foul stuff said about Nas and his failed marriage to singer Kelis and his child support payments on those outlets then I ever seen Dream tweet or write. How many of those stories were accurate?  Was Nas really a dead beat dad? How many ran to the bank on those stories without checking to see if it was true or not?  Was Hip Hop’s integrity destroyed over those claims or only when it was asserted that Nas may have had some stellar artists pen songs for him?

The harsh and sometimes threatening response to dream was over the top and to be quite honest, cowardly. Was this really because she suggested Nas had ghost writers or because she was a woman? I didn’t see a whole lot of folks getting froggy a few years back when Suge Knight made unsavory remarks about Nas appearing on the song Thug Mansion on 2Pac’s album.. Where was all the ‘you’re a bitch’ and ‘you’re groupie’ rhetoric then?  Are we silent when it folks making remarks who are not afraid to talk greasy and mix it up physically with those who are opposed?

Seems like it was just a few short weeks ago when many were coming down on Nas for defending actress Gwyneth Paltrow and giving her a pass tweeting the N word.. Quite a few folks went in on Nas after he claimed Paltrow was a ‘real nigger’, some accused him of falling off and selling out. Some said they’d never listen to a Nas album again..Where was all the tough talk in response to those critiques? This is not to say that folks can’t get at dream hampton and express disappointment or disagreement over her remarks..She is not above criticism. I’m simply suggesting that all of us can come at things a different way.. We can be passionate without threatening, vicious and over-the-top demeaning on the misogynist tip.

For those who feel passionate about Nas and feel he needs to get more shine, here’s something to consider..I checked the recent issues of Billboard, their August 25th Rap Charts and their August 25th Top 50 R&B/ Hip Hop Charts, and you know what was missing?  A song from Nas. The man just put out a brilliant album and thus far it seems to be shunned for a whole lot of mediocre stuff..

We should be upset more radio stations aren’t rocking cuts off Nas’ new album Good Life

Outside of Hot 97 in New York and a handful of station here there, most stations according to their playlist ain’t rocking Nas at all..Many feel Nas is a stellar lyricist who helps raise consciousness, so how is that Nas is news worthy enough to be gossiped about when his marriage fails and he’s deemed a dead beat dad, but now worthy enough to be played on some of those same outlets? That’s where people’s anger should be directed..

Let’s not make excuses for these public airwaves to not have songs like Nas’ Daughters being heard 8-10 times a day. We should be angry that young impressionable minds that tune in, are not being exposed to a song that gives encouragement for men to step up and be present for their kids. Why can’t these outlets show any love for the incredible joint he recently did with Knaan called ‘Nothing to Lose? Was there no songs off the dope album ‘Good Life’ to expose to the masses?

If folks are gonna ride for Nas, ride for him on some real impactful stuff..Like I said earlier, sure folks can call out dream for being wrong, but how about calling those folks out who really influence and shape minds? If we concerned about the integrity of Hip Hop, get mad and shut those outlets down.. Call those owners and program directors who talk to millions of people at every given moment to do right by Hip Hop if that’s really the issue..Lets’ push to make sure Nas is performing at the next Grammy or BET Award vs someone who has a fraction of his talent.. There’s simply no comparison between dream hampton’s tweet and the powerful forces at work day in and day out systematically undermine Nas and Hip Hop. Let’s get mad at that..

Something to Ponder..

Davey D

Rise Up Hip Hop Nation: 2012: A Year of Reckoning, Awakening, or Both?

One of my favorite people to build with is Professor Tina Bell Wright of Hip Hop Congress.. Her insights and political predictions are often eerily accurate and she always leaves one with lots to think about. Her mantra; ‘They don’t care about you’ is one that she says far and wide as a reminder for folks to how this system and those in power truly feel and how we must respond.. She hasn’t penned an essay in a while, but this latest one, which is actually a series of notes she plans to use for an upcoming panel discussion on Race and the 2012 Election is a keeper. It’s not a short read, but very, very necessary.. Please take some time to read it..It’s a sobering breakdown of many of social and political forces at play leading up to November and how and why the 2012 contest matters, but not in the traditional ways we’ve come to expect Will we keep counting on an ‘uncaring’ system to save us?  Its one of the realest articles I’ve read in a while.. Major props

-Davey D-

“2012: A Year of Reckoning, Awakening, or Both? — Examining White Supremacy, Corporate Fascism and the Generational Shift Defining the Political Landscape.” 

by Professor Tina Bell Wright

As you can probably tell from the title of my paper, I have a number of topics I hope to tie together. The plan is to pull together many ideas into one big theme (which is): this election matters, but not in the way it is usually framed. I don’t think this election matters politically at all, because politics as this system is now set up tells us nothing really. At best, it reflects the will of the highest bidder, or the frame of corporate media, or the effectiveness of the latest legislative tactics to manage or suppress voting (via voter ID laws or redistricting for example). Those that actually do vote do so with great skepticism, and a large percentage don’t even participate in the process at all. While the outcome of this election will not offer very different results (in terms of governance), it will illuminate two very different trajectories for this country (culturally)…and that matters greatly. That is what I want to focus on in this paper.

The Racialization of a Nation

Self inflicted wounds may be the most difficult to heal, psychologically at least. Since its inception, the United States has lived with a self inflicted wound that has defined every aspect of this society, most importantly, the distribution and control of all economic and political resources.  The racialization of this nation (or the color line as W.E.B. DuBois called it) continues to plague this country (and the globe more broadly) and the election of the first biracial president did nothing to change that reality.

But what elections won’t address, time eventually will in one way or another. As students of history, we are able to examine the effects of time and see that while it may be hard to see and feel change in the here and now, change does happen nevertheless. Historical factors are changing right before our eyes – namely the decline of the US Empire and shifting demographics. The results will define this country’s trajectory for the foreseeable future and could foster a progressive movement of the likes we have not seen in a generation. But backlash has thwarted progressive movements before, and it will this time again if the power of narrative building and cultural strategies are not properly understood

Culture Matters

After the 2010 election when the Tea Party swept into power, Colorlines.com published an interview w/ hip hop scholar Jeff Chang. The title of the article was “It’s Bigger than Politics, the Real Shift is Cultural”.

See: http://colorlines.com/archives/2010/11/jeff_chang_interview.html

Jeff Chang

In this interview, Chang argued that the culture wars were back, and basically a backlash to the election of Obama.

He also stated that culture always moves before politics.  He said:”culture impacts and often precedes political change….Or put in another way, political change is the final manifestation of cultural shifts that have already occurred.” 

Chang argues that the right understands the importance of culture and narrative building much better than progressives in either electoral or movement politics.

He states: “Sadly most progressives—whether they work in electoral politics or movement politics—have not yet figured culture into their theory of change. Unlike the right, they have no cultural strategy…..One thing progressives need to do is to understand the importance of expressing our hopes and dreams in narratives. Progressives misunderstand culture. The right is clear about it—Beck, Brietbart, and O’Reilly were long in the creation; they are the products of a four-decade long conservative movement building initiative. We need to build up an infrastructure that includes cultural strategy. We focus on facts and figures, but stories are what move the country. Culture is where ideas are introduced, values are inculcated, and emotions are attached to concrete change. It is where the national imagination gets moved. So we need cultural strategy.”

My work on hip hop and mobilization has brought me to the same conclusion.

I teach a course titled Sociology of Media and Popular Culture: Examining Hip Hop. In it, we discuss the theoretical foundation of media studies and the importance of examining media on three levels: production “the who” (who owns/produces media), content “the what” (what we get/see in media) and context “the how” (refers to the audience interpretation of media/ how audience understands media messages). That third level of analysis explains how one message can be understood very differently depending on the audience’s interpretation of it…which is a function of the (cultural – all encompassing) lens through which they view messages.

Applying the same multi-level analysis to this panel’s topic of Race and the 2012 Election, we realize that much of modern political analysis focuses on content – the “what”: elections, policies, etc.

For those that think critically, including sociologists, moving beyond the “what” level to examine “who” is in control is critical to understanding how the status quo power structure remains so entrenched. Much of our sociological analyses focus on the producers of our social woes – the corporate elite (1%), imperialists, corporate media, fascist governments, white supremacists, racists, democrats, republicans, Obama, Romney and so on.

Social structure we call it. It can change, but not easily, and definitely not overnight.  What we have not developed as well is our third level of analysis…our third eye if you will. And as they say, context is everything.  Power brokers (producers) and their power (content) may not change overnight, but how they are perceived and received can change everything. This is where a cultural strategy must come in.

The Emperor Has No Clothes

2012 is tagged the year of great transformation…apocalyptic even.  For many, the world we know ends, and if we are lucky a new and improved one begins. If we are not so lucky, it just ends or nothing changes. Interestingly enough, the fall of the US empire was not an apocalyptic event, but instead the result of a self inflicted wound that has been years in the making. Globalization and corporate fascism have weakened the nation state and the United States has itself to thank (or blame) depending on your perspective. Multinational corporations now trump the power of many nation-states …market supremacy has replaced white supremacy as the #1 global organizing principle. Everyone is in a race to the bottom which is now within reach for even middle class Americans. The concentration of wealth is in the hands of a smaller and smaller percentage every day.

The Dawn of OccupyHegemony Ends, Fascism Begins

While fewer and fewer control the world’s resources, the world has become more open in other ways, specifically due to technology. Disney was right: It’s a small world after all. 🙂 Technology has forever changed the power to control information. Propaganda is still a viable tool via media framing, but with technology, information comes quickly and much more freely via a number of sources.  The status quo power structure will have to take more drastic means to maintain its control; hence more infractions on civil liberties, police state tactics, etc.

Power via acceptance of dominant narratives is slowly eroding…people are waking up and losing faith in so-called leadership, especially politicians.

The more people challenge the system, the more police state tactics are employed. People now know better and must be physically controlled where mental control was all that was needed before. People are being beaten more because they are fighting back more.

Instead of building our own back door in compliance of a system never for us, police are forced to guard the front door with heavy artillery (see Carter G. Woodson’s Miseducation of the Negro). While it may not feel like it, this is progress. Military power is still power – a force to reckoned with to be sure…but with military power comes constant warfare – that type of power is always in danger of a coup…or a revolution…or friendly fire..a self inflicted wound that can fester and undermine its own prowess.  Hegemonic power, on the other hand, remains emboldened as long as all believe in the system as such.  Hegemonic power is not challenged if it is accepted as legitimate and right.

Shifting Demographics – Fear of a Black/Brown/Yellow/Red Planet

Census data shows us that fewer white babies are born today than babies of color. Whether the spike in hate groups and the recent mass shootings linked to white supremacists are manifestations of “white angst” over this reality or not can be debated, but much of the cultural strategy on the right seems to be a direct reaction to the shifting demographics. Nativist movements like the tea party exploit white fear to maintain a system of white supremacy in a country getting browner everyday.

So where does all this lead us with the 2012 election around the corner? Before we look ahead, let’s first look back and see how we got here.

2008 and the Election of Obama

When studies of the 2008 election were conducted, many focused on the demographic make up of the electorate…i.e. the youth vote, the black vote, the Latino vote, etc.  Three factors definitely contributed to Obama’s election in 2008. I think only the third will be a factor in 2012.

Factor #1: George W. Bush

According to some polls, many view GW Bush as one of the worst presidents in history; his two unfounded and unfunded wars and the heist of the US treasury left the mass majority ready for a DRASTIC change. Or to use the best anecdotal evidence I can cite, when asked by a pollster who he would vote for, one man from WVA or Kentucky said “I’m voting for the nigger.”

Factor #2: History

This probably was the most important factor. Most, including me placed a vote for history. This factor brought many people to the polls that would not normally go…and to be certain, many, especially young people of color will not come out again in 2012 in the same numbers.

Factor #3: The New Cultural Majority – Demographic make up of the electorate

The youth vote, the Latino vote and the black vote definitely helped Obama win the presidency. I was listening to talk radio the other day and I heard this white man admit that he even has grown tired of rich white men running everything. The New Cultural Majority represents a generational and demographic shift of this nation. In broad terms, it is less religious, more tolerant, less homophobic, and more open to diversity. The New Cultural Majority is not necessarily political, but leans more left than right, especially on social issues. George W. Bush and History will not be factors in this election. The question remains: will the New Cultural Majority show up in 2012?

Race and the 2012 Election: Cultural Strategies

Since Obama’s election in 2008, the right has relaunched their cultural strategy. With social media, the left is able to react quicker to many of the short term battles the right has waged. As well, demographic shifts and technology make it more difficult for one narrative to take hold and be the only story people get. This bolds well for short term battles, mostly the social issues. As well, with the new cultural majority, the demographic arc bends toward justice, but with ongoing economic uncertainty (with no end in sight), people’s fears can and will be exploited. Those that build the most compelling narrative will seize the nation’s imagination.

THE RIGHT: PRIVATIZE, PRIVATIZE, PRIVATIZE

The right’s cultural strategy involves both short term and long term objectives. The short term strategy consists of taking advantage of the 2010 gains at the local and state levels as well as tapping into white angst via nativist movements like the tea party. From it we have gotten a number of battles:1. Anti-immigration legislation, SB 1070 including even crazy talk about repealing the 14th amendment, 2. Ethnic study bans, revisionist history textbooks etc.2. Anti-gay legislation against same sex marriage etc…or even long lines at Chick Fil A to show support for “family values”3. All sorts of anti-abortion and anti-contraception legislation…probably the most targeted war on women since the women’s movement4. Anti-Muslim hysteria – Mosque protests in NY and TN, look up OC Hate video on YouTube, bans on Sharia law passed here and other nonsense5. Voter ID laws to suppress votes of students (youth vote), people of color (particularly black vote) and elderly (Medicare vote)

But given the generational shift, especially on social issues, the right has also embraced a LONG term cultural strategy…and that is best described by Ron’s Paul’s Revolution…Libertarianism…buzz words of anti-government, individual freedom, rugged individualism, free market capitalism, and privatization of all things.

This is a long tem strategy that keeps resources in the hands of few but promotes universal ideals that can transcend race, gender, sexual orientation, and age (generations).

In this LONG TERM strategy, the privatization of all publically controlled and resourced entities is promoted. Folks may not be ready to talk about privatizing Medicare, but Education is definitely the next major battlefield. Coming from California I have a first hand view of the war (see footnote; I have more to say on this but will leave to discussion and hopefully will have time). Again, privatization offers the right a way to control resources (and bodies) despite demographic changes.

Because the New Cultural Majority is younger and more progressive (socially at least), the window of opportunity to implement this long term strategy is closing quickly and they realize it. If there seems to be some fervor on the right to roll back civil rights or push through unpopular legislation, it is for a reason. Time is of the essence. But it is equally of the essence for progressives of the LEFT as well if we want to make sure our narrative is the one that takes hold.

THE LEFT: ORGANIZE, ORGANIZE, ORGANIZE

Succinctly stated, the left cannot depend on the weakening of the nation-state and shifting demographics alone to foster progressive social change. Demographic shift or not, white supremacy can and will manifest itself for generations to come via resource distribution and control. The LONG TERM war, the end of racialization of resources and the real healing of the wound that continues to plague this country will only be healed through changing attitudes, context, narrative building and cultural work.

The SHORT TERM strategy must include a focus on local community building and promotion of sustainable cultures. Our focus should be on localization – satisfying our basic needs within the bounds of our local environment.  But we must develop a coherent LONG TERM cultural strategy as well. If we do not, and the right is able to successfully privatize education, and subsequently Medicare and social security, game over. Or as I recommend to my students, have an exit strategy in place. You will find me in Ocho Rios 🙂

So in my view, this country heads in one of two directions on November 7, 2012.

TWO TRAJECTORIES:

Occupy v. Ron Paul’s Revolution

Democratic Socialism v. Rugged Individualism (Libertarianism)

brother’s keeper v. survival of the fittest

Saul Alinsky v. Ayn Rand

While the future is not clear, a few things are: The next generation will be more diverse; social issues will become less relevant with this next generation and hegemonic ideals that shape today’s political landscape will continue to be challenged…in other words, the younger generation is beginning to be a cultural force in politics. Does that mean the end of racialization of all aspects of this society? the end of white supremacy and corporate fascism? Not anytime soon but given the mass rejection of the political system by both sides of the spectrum, there is room for movement politics to take hold and a clear cultural strategy is required to move the movement in a progressive direction.

While demographics seem favorable for progressive change, backlash is always a powerful counterforce. The most important question = Which narrative will dominate the national imagination? If progressives do not clearly embrace a cultural strategy, I promise you the right will swoop in and push to privatize education, and instead of hailing Saul Alinsky as the example to follow to build strong people based power, and in it a more perfect union, one nation indivisible with liberty and justice for all, we will be looking at Ayn Rand as the founding mother of the United States, 2.0 version…forget the union, you’re on your own, man, woman, senior, and child.

Added Footnotes.

1. Public Education: Ground Zero in Cultural War

The Privatization of Education: About Control, not Profit

In countries considered “poor”, i.e. most countries in the world, education is a luxury. In actuality, only about 7% of the global population receives a college education (college degree) and the majority of those people are in what are labeled the “developed” world (read richer nations).  Well, while education was never really treated as a right in the United States, the electorate is now being molded to accept education as a luxury that only the most affluent of the society will be able to afford (like the rest of the world). While the push toward privatization has taken on many phases (faces) over the last few years (from charter schools to anti-union measures), the next phase (face) is probably the most deceptive: student success initiatives. Budget pressures and student success task force reports provide the cover for the most dramatic changes to the public education system we will see pass through the state legislators to date. Students who are not already excellent academically or who are not economically able to afford increasing costs will be pushed out…and expeditiously. While public schools are still public, affected constituent groups (students, parents, and educators) must educate themselves on the changing laws and organize vehemently to hold THEIR public institutions accountable to the communities they serve. Education is one of the only paths of upward mobility in class based structures that define our society.  The more access to education a society’s members have, the less rigid its class system…the less access to education, the more rigid the class system. The privatization of education in a globalized system is meant to control who has access to education…the elite, and only the elite.

 Plan B: The Privatization of Prisons: About Control…and Profit

So what does a once educated country do when it stops educating a large majority of its population? Very few countries can boast a “middle class” of the sorts that once defined the United States. But with access to education disappearing, that middle class disappears also. Now what? Plan B. The prison industry has proven to be most lucrative. It should be obvious to all that middle class Americans would never be able to accept competing for slave wages in a global economy, and seeing that steep of a decline in standard of living, a forced alternative was hatched. Legal slave wages under the guise of the prison industry complex. Call it indoctrination into the global economy. Private entities can own prisons and corporations can utilize prison labor – from manufacturing products to telemarketing. Cheap labor once outsourced finds its way back to US shores. Those we are now locking out of education, can now be locked up into private prisons as bodies to fill new buildings and cheap laborers to make products.

2. Building a Sustainable Culture

In preparation for this panel, an alternet.org article was sent out via ABSdiscourse listserv titled: The 2012 Elections Have Little to Do With Obama’s Record … Which Is Why We Are Voting For Him…As always, it sparked some serious commentary, particularly about our tendency to fall into the trap of “voting for the lesser of two evils”. Most of the comments I read that expressed that sentiment, but I believe this comment offered not only good insight, but a viable path to progressive change.

 http://www.alternet.org/election-2012/2012-elections-have-little-do-obamas-record-which-why-we-are-voting-him?paging=off

Collapse

I suggest that you are optimistic about working within the political arena. I just can’t imagine any of the key players not complying with the wishes of those who finance their elections. Those that have stormed the WH (Chris Hedges, Bill McKibben) got some press and jail time but not sure there will be any movement in domestic or international policies as a result.

 What is my answer? Good question. For me, there are really only a few ways out and voting in meaningless elections isn’t one of them.

One is revolution. It’s a nasty and brutish with an outcome that is very difficult to predict. Revolutions can be hijacked just as easily as the electoral process (e.g., Libya). It would be my last choice.

Another is global economic collapse, somewhat likely given that all empires, like this one, have a tendency to overreach and eventually do themselves in. That will also be nasty with a big price to pay by all of us who have been drawn into the industrial culture where we depend on money and jobs for the basics of life (food, water and shelter). Most of us in the developed world are very vulnerable to collapse. One benefit of a near-term collapse, however, is the planet might not be totally ransacked leaving something to work with. Again, there are no guarantees that whoever rebuilds will have learned the lessons of the past. This would be my second choice.

Lastly, we can spend what time we have left creating a sustainable culture that, in the end, will undermine the mindless, heartless neoliberalism propelling us towards the brink. There will not be any single solution. Like nature, the solution needs to fit the ecological circumstances of the niches we live in. Among movements today, this is referred to as localization — satisfying our basic needs within the bounds of our local environment. It’s the antithesis of our globalized economy. It is the way our natural world works and we have clearly demonstrated we can’t improve on that. It is time to reestablish enduring relationships with our fellow humans and with the natural world. The risks of hijack are minimal and this would be my first choice.

3. See also:

http://riseuphiphopnation.blogspot.com/2009/12/disunited-states-of-america-red-white.html

http://riseuphiphopnation.blogspot.com/2010/08/white-supremacy-from-bacon-to-obama-are.html

http://riseuphiphopnation.blogspot.com/2009/08/miseducation-of-nation-unveiling.html

written by Professor Tina Bell Wright

August 11th 1973 Hip Hop Had its First Party-An Intv w/ kool Herc & His Sister Cindy

 

Click HERE to listen to pt of our interview w/ Kool Herc

In celebration of the 39th anniversary of Hip Hop’s First party-August 11th 1973 ,we sat down with the father of Hip Hop music and culture the legendary Kool Herc.

He gave us an in-depth run down of Hip Hop in the early days. He speaks about the early party scene and talks about how he and sister Cindy made history when they threw a back to school party at 1520 Sedgwick Ave in the Bronx.

He talks about how he used to be a graffiti artist and how his sister had his back and shielded him from the wrath of his strict father who would’ve whupped that butt if he knew his son was defacing New York City property.

Kool Herc also lets us know that Hip Hop did not start in the South Bronx as is often erroneously reported. Herc never lived in the South Bronx, he lived in the West bronx which is a totally different area.

In this interview Kool Herc talks about his Jamaican background. He talks about how he grew up in the same township as Bob Marley and he explains how and why Jamaican culture is an important root within Hip Hop.

One important aspect of Jamaican culture Herc speaks to us about is the sound system. In this interview he talks about the type of equipment he used and why he named it the Herculords.

What was really fascinating in this sit down, was hearing Herc go into detail about the different clubs and parties he threw. He describes the clientele which ranged from some of New York’s most notorious sharp dressing mob type gangstas to high school kids from the projects around the way.

Herc gives us a run down of his playlist and talks about his approach for keeping the crowd satisfied. He speaks about his early deejay battles most notably with Pete DJ Jones. He also talks about the importance of funk music and bands like the Incredible Bongo Band.

Herc concludes this first segment by talking about Hip Hop’s early emcees including his own crew member Coke La Rock. Herc also talks about his other crew members including Timmy Tim.

He talks about the role DJ Hollywood played in Hip Hop. He also gives major praise to Mele-Mel and his brother Kid Creole for inventing the style of rap we all embrace to this day.

http://www.youtube.com/watch?v=AJkojOSppUE

We caught up w/ Cindy Campbell who we consider to be the first lady of Hip Hop. We talked to her about the work she’s done on behalf of her brother Hip Hop pioneer DJ Kool Herc. We talk to her about what took place August 11 1973 at 1520 Sedgwick Ave which was home to the first Hip Hop party.

Cindy explains that the party started out as a fundraiser for her to get some school clothes. She talked about how they actually had Old E 800 and Colt 45 being sold there and how it was a 25 cent for women and 50 cent for guys.. They made 500 bucks

She also explained how she herself brought slow jam records for her brother to spin..

Cindy also talks about other deals she’s done for her brother including how she talked Harry Belafonte into making sure Herc’s character was positive in the movie Beat Street.

http://www.youtube.com/watch?v=7SMVGLEr6nA

 

Big Daddy Kane.. Setting It Off & Still Getting the Job Done (Breakdown FM Intv)

Got a chance to build with Hip Hop legend Big Daddy Kane who is on his way to San Francisco this weekend to perform at Yoshi’s Jazz Club.You have to marvel at a guy who’s been putting in work since 1986, when Kane first hit the scene as a member of the Juice Crew and still manages to keep himself and his music relevant 26 years later…

In our interview we talked about his longevity in Hip Hop.. Kane explained it was always his intention to stand the test of time. He noted he never approached his music or any of his performances in a lackluster way. It was always about leaving a lasting impression and having folks one day wanting to mimic everything from his rhyme flow to his overall steeze.

I asked Kane why he never took his music career into acting the same way many of his peers had. Kane was often dubbed the leading man of rap aka Dark Gable, a play upon the famed actor Clark Gable. He also was dubbed Blackanova a play upon Casanova. Kane said he was open to doing more acting, he just hadn’t been offered good roles. At the same time he noted he hadn’t pursued things as hard as he could. Nowadays he’s open and wants to step into the acting arena and really give things a try..Thus far kane has appeared in movies like; Posse, Meteor Man, Dead Heist, Brown Sugar and Gunmen.

In terms of music, Kane explained, that he’s been working with singer Showtyme, who we know for the work he does w/ Pharoah Monch.. They have assembled alive band are currently working on an album. Kane didn’t say when it would drop, but noted they were putting down the finishing touches.

We also talked about the art of freestyling vs writing a good song. Kane explained that a true emcee takes time to create pictures and those pictures get perfected when you write. There’s no getting around it. He noted that the term freestyling initially meant to rap without form, meaning that you may touch upon a variety of subjects in song. he explained that song like Raw was him freestyling. The term ‘coming off the dome’ meant spitting rhymes on the spot. He said its a good when doing a show and you forget a lyric and have to change up for a few bars, but ultimately an emcee takes time to craft vivid pictures. Coming off the dome doesn’t allow that with any sort of regularity

We concluded our interview by talking about Kane’s favorite song.. He went into detail explaining why Set It Off was his best work. He noted he was trying to mimic James Brown‘s sex machine..

Kane will be appearing at Yoshi’s in SF this Saturday August 11th … for more info click this link

http://www.yoshis.com/sanfrancisco/jazzclub/artist/show/2771

Listen to the Breakdown FM Intv w/ Big Daddy Kane