Man Behind Cult Flick The Warriors Passes

RIP Sol Yurick, the man who gave us the classic book The Warriors died in his Brooklyn home over the weekend from complications to lung cancer..He was 87. For those who are unfamiliar the book is a cult classic was written in 1965. The movie of the same name and adopted by Walter Hill came out in 1979.

Warriors was based upon a book Anabasis by Xenophon who a Greek solider. It tells the tale of the Greek Army stranded deep in enemy territory, where they are set and ultimately have to escape..However, many in Hip Hop upon seeing the movie drew parallels to the movie and the early influences of gangs on the then emerging Hip Hop scene. For example, the Gang Summit shown in the opening scene, was thought to be loosely based upon he historic Gang truce of 1971 (the Hoe Avenue Peace meeting) put together by the Ghetto Brothers. This was highlighted in the book Can’t Stop Won’t Stop by Jeff Chang. The large mostly Black gang depicted in book and movie the Gramcy Riffs which everyone bowed down to was thought to be the Black Spades.

The WarriorsYurick was familiar with NY street gangs because he had done intense research and wanted his book to shed light on the tribulations those who were poverty-stricken were going through. The movie which it was said he didn’t like sensationalized the gang aspect and made it cartoonish with all the crazy costumes folks were wearing.. Nevertheless, the movie struck a chord and was embraced by Hip Hop to this day.  Excerpts from the movie are frequently sampled or referenced by everyone from Lakim Shabazz to NWA to the MOP. A video game emerged from it and many feel intended or not Warriors is a Hip Hop’s unofficial first flick..

http://www.youtube.com/watch?v=bTUrWYv2vtU

http://www.youtube.com/watch?v=zL0ipXUD-uU

Some Random and Not So RandomThings I Remember from 2012

Davey-D-brown-frameAt the end of each year all of us have things we can and should reflect upon. We assess all that has happened and make promises to build upon successes, shed bad habits and bad energy and create better tomorrows..

In looking back at 2012 I would say it was a turbulent, very contentious years..It seemed like everything that went down was in your face and folks were pulling out all the stops to literally body you.. From voter suppression tactics to stand your ground laws to a war on women where sitting law makers  not only stated but tried to pass legislation that reflected a twisted belief that some rapes are legitimate while others are actually blessings… Yes, I’m looking at you Gov Mike Huckabee, Todd Akin and Richard Murdock.. Oh yeah I’m looking at you as well Congressman Paul Ryan..

In 2012 billionaires went all out to make life miserable if you weren’t in their circle, it just seemed like the pressure never let up.

And while 2012 was challenging, there were some shining moments, where folks fought back and triumphed. It showed up in the form of Biko Baker and League of Young Voters doing their historic Ignite Tour around Voter Education or Bakari Kitwana of Rap Sessions who gathered up scholars, activists and artists and did a similar tour.

It showed up in the form of Javier Gonzalez and the Soundstrike which put a serious dent in SB 1070 laws in Arizona. It showed up in the form of Jasiri X, Paradise Gray and One Hood who never let up providing a sound track for many of the struggles folks were undertaking in 2012.

http://www.youtube.com/watch?v=zZvkFdDli3U

It showed up in the form of Barbara Arwine of the Lawyers Committee on Civil Rights and political activist Angela Woodson out of Ohio who were on the front lines dealing with Voter Suppression.. You can check them out HERE.. It showed up in the form of folks who stood on voting lines for 6, 7 and 8 hours to cast their ballot while oppressive forces were doing their best to get them to leave and not partake at all.

Favianna Rodriguez

Favianna Rodriguez

It showed up in the form of artists Favianna Rodriguez and activists like the Dreamers who were part of the big Undocubus Tour where folks toured the country and challenged the systemic deportations. They put in mad work and at the end of the day had both political parties and the staunchest of enemies changing their tune about immigration.. Now everyone wants to find a way to get comprehensive immigration reform on the books.

It showed in the form of Rebel Diaz and their Bronx based collective who traveled the country, spoke truth to power and showed the true meaning and power of cooperative economics. The fact that they own their own building/ community center in the middle of the South Bronx is testament to their hard word.

It showed up in the form of graf writers Refa 1 who brought us AeroSoul 3 where he gathered pioneering Black and Brown graf artists to Oakland to not only share their crafts but to talk about ways to raise consciousness and why it was important to connect the dots between Khemet and Aztlan..

http://www.youtube.com/watch?v=PWJCK6rep74

Gabby speaksIt showed in the form of Serena Williams and Gabby Douglass taking Gold Medals in the London Olympics and dealing with horrific negative feedback because of how they danced or wore their hair..The disrespect that gymnastic champ Gabby Douglass endured over her hair was outlandish, but she handled it with class and dignity and kept it moving. Her 90 million dollar endorsement deal from Wheaties was also nice..

It showed in the form of Jill Stein and Cheri Hunkula who stayed the course and push valiantly the virtues and un-compromised positions of a 3rd party (the Greens). It was more than just them being in a 3rd party.. It was watching them put their principles to practice…I would encourage folks to peep the interview we did with them at the democratic National Convention

It showed up in the form of brave folks from the Occupy Movement to Medea Benjamin and Code Pink activists who shun strong light on the Drone Warfare that were are currently engaged in.. It showed up in the form of 30 thousand people who marched against the Stop and Frisk Practices in New York City.. Y’all remember the Silent March?

Elon James White

Elon James White

It showed up in the form of folks taking their time to create innovative broadcasts as way to fight the stranglehold of corporate media..Elon James white‘s daily This Week In Blackness is one example.. Weyland Southon and author Adam Mansbach‘s weekly Father Figure show which airs on KPFA is another.

We be remissed not to shout out Skyyhook Radio which has been innovative, woman owned and runs 24/7..and Chuck D‘s Cant Stop Won’t Stop Hip Hop Show and Occupy the Hood’s radio show. We also have scholar Marc Anthony Neal‘s Left of Black TV show along with Bruce Dixon and Glen Ford‘s Black Agenda Radio.

On the mainstream front we had Melissa Harris Perry‘s show on MSNBC and Roland Martin‘s Washington Watch on TVone .  We also had Marc Lamont Hill and Alyonna on Huffington Post Live. That’s just to name a few of the many.

It showed up in the form of folks who endured 16 mass shootings, from Colorado to Oakland to Newtown and still managed to push forward, keep their humanity and fight to bring about a better way and a brighter tomorrow…I could go on and on..Here’s a few more things that stood out in 2012…

BrotherAli-Flag-1Album of the Year… It was a toss up between Nas‘ ‘Life is Good‘, Kendrick LamarGood Kid Maad CityKiller MikeRAP MusicPublic EnemyMost of My Heroes Don’t Appear on No Stamps‘  and  Brother AliMourning in America and Dreaming in Color

winner: Brother Ali...

http://www.youtube.com/watch?v=dKHsGh-y8d8

Song of the Year…There were too many joints to name that moved me in 2012 everyone from Nas to Asap Rocky to E-40 to Melina Jones had bangers. depending on my mood, dictated what I was rocking with.. 3 Songs seemed to keep me in step all years… Public Enemy w/ Brother AliStand UpKiller MikeAnywhere But Here‘ and Rebel DiazRevolution

winner: Rebel Diaz

http://www.youtube.com/watch?v=byL3o3VMUKk

don-corneliusThe Death of Soul Train Host and Founder Don Cornelius...He was one of many people we lost in 2012 including the seemingly immortal Dick Clark and Mike Wallace from 60 Minutes. All of us grew up on those 3 gentlemen. Even though we knew they were aging we never thought they’d pass.

In the case of Don Cornelius it was troubling because he committed suicide. I don’t think we ever really sat down and dealt with what that really was about..We just kinda swept it under the rug…8 months later we were all forced to confront it again with the sudden passing of former Jungle Brother, music mogul and founder of Violator Entertainment Chris Lighty. His passing shook us  and made many of us reflect on mental health which is sadly a taboo subject in many of our circles.

One of the things that stood out for me around the time of Lighty’s passing was this powerful essay by Hip Hop activist Rosa Clemente titled Depression, Hip Hop and the Death of Chris Lighty

With respect to Don we paid tribute with a great interview from Chuck D of Public Enemy  who reminded us of his greatness. You peep that HERE

paul mooney, Dick Gregory davey DComedians Dick Gregory and Paul Mooney Link Up…Earlier this year I started doing a weekly spot OLM News w/ Davey D on Free Speech TV... I interviewed lots of folks but the highlight was when I got comedian Paul Mooney who is a frequent guest on my daily radio show and comedian Dick Gregory who is also no stranger to my outlet on the air at the same time.

According to them it was the first time it had ever happened and it wasn’t totally planned. They just happened to be in town at the same time. I was scheduled to do separate interviews with them.. Mooney was running a late, Gregory needed to move his time up and boom magic happened. Out of this landmark show the two set up a successful tour together.. Enjoy the conversation below

http://www.youtube.com/watch?v=noSgVmr-PaY

Trayvon Martin

Trayvon Martin

The killing of 17-year-old Trayvon Martin set things off in a big way during 2012.. It was one of many deaths that would come to Black folks at the hands of the police.. From Rekia Boyd to Ramarley Graham to Alan Bluford to Jordan Davis, the list of folks who fell victim to police terrorism was long.. It was enough to prompt an explosive report from the Malcolm X Grassroots Movement in early July that documented all the the Black people who had been killed by police. Initially it worked out to every 40 hours a Black person died at the hands of the police…  After it was updated it came down to Every 36 Hours..You can read that report HERE.

The most tragic thing about this report was it was embraced all over the world except at home including amongst our own Black intelligentsia who seemed hell-bent on keeping a lid on this so as not to disrupt a contentious presidential election that may have impacted Barack Obama..

http://www.youtube.com/watch?v=YKaJoEyYXyI

http://www.youtube.com/watch?v=WcmUAG210oM

I don’t think she and her legacy was ever fully appreciated.. Already we are seeing and hearing younger generation attribute her signature song At last to Beyoncé who sung it at President Obama’s Inauguration ..We were thankful Pittsburgh rapper Jasiri X and producers Agent of Change had a tribute song for here called Etta and ran down her amazing legacy

http://www.youtube.com/watch?v=lpGApCcn0yI

Atlanta based rap star Killer Mike was a high point for 2012..I feel he as an artist and his album were totally underplayed. What stood out for me with Killer Mike was how he went in on President Reagan and completely took a part the revisionist image that had been carefully crafted for him over the years…You can check out our insightful interview HERE

http://www.youtube.com/watch?v=JPyjJ1MMUzQ

Tooshort-225Bay Area rapper Too Short got into some hot water in 2012 when he was complimented by rap star 2 Chainz who called him a father figure.. Short took that compliment to another level at the urging of XXL editor Vanessa Satten by penning what was supposed to be a satirical advice column for kids. His advice included telling little boys how to take it to the hole and force sex upon ‘little girls’.. needless to say this caused a lot of outrage..

A coalition of women within the Hip Hop industry formed the 44% Coalition to bring attention to the alarming statistic that shows 44% of the women who are sexually assaulted are under 18. The women called for the firing of Satten and a boycott of Too Short..  As the debate heated up Too Short reached out and had an impassioned conversation with coalition member and writer dream hampton about misogyny… You can read that interview HERE.

From there Too Short agreed to be apart of a well attended town hall meeting at Oakland City Hall… Unfortunately while Short was well received by the audience, local media outlets never bothered to stay for the talk and instead ran unflattering hit pieces that had very little to do with the intense conversation that took place that evening. You can read about that HERE

http://www.youtube.com/watch?v=tAl_6HJmvJg

Jimmy Castor who gave us the b-boy anthem ‘It’s Just begun‘ along with fun funk songs like Troglodytes (Cave Man) and  Bertha Butt Boogie..Although him and his band The Castor Bunch were funk legends, they were also cornerstones to Hip Hop.. many a bboy move was done to his signature song…

http://www.youtube.com/watch?v=OWl01JD-CtQ

Chuck-Brown-Blue2Chuck Brown..The Godfather of Go Go Music Passes 

We were sorry to see so many music and entertainment outlets overlook him when he passed as well as in their end of year tributes. Chuck was a giant among giants. His musicianship was exceptional. The GoGo sound was essential in continuing DC’s long music legacy as well as helping shape Hip Hop’s evolution. Here’s our tribute to him who always kept it 100% and in the pocket. Looking Back, Remembering Chuck Brown and the Go Go Sound He Pioneered

http://www.youtube.com/watch?v=WQwQvMZYpsc

lupefiascosource-225

http://www.youtube.com/watch?v=C3m3t_PxiUI

We Lost MCA from the legendary group Beastie Boys after he endured along battle with cancer…We paid tribute to him and had an insightful interview w/ author Dan Charnas of the Big Payback about MCA’s legacy

Here’s our tribute mix to him courtesy of DJ Sloepoke out of LA who did him true justice

We lost the iconic Whitney Houston in 2012 Her funeral which was viewed by folks all over the world was moving and much needed considering all the drama surrounding her death. It was something to behold..

We lost actor Michael Clark Duncan.. His passing caught many of us off guard, because we had no idea he was sick until we got word he had a heart attack and his finance former Reality TV star Omarrosa helped revive him.. We didn’t hear anything more for what seemed like a few weeks and then we got word the popular actor had passed at age 52.

We lost George Jefferson (actor Sherman Hemsley) We lost Moesha star Yvette Wilson. We also lost music legend Donna Summer

Drake-225“Woke up this morning and got hit w/ this foolishness from the bottle thrower named Drake.. He’s just told the Jewish press he’s the ‘first person to successfully rap and sing’ I was ike WTF? This is why Hip Hop history should be required b4 putting out a record.. Can we start with Angie Stone of Sequence.. she raps and sings better.. Maybe Drake forgot 8x Grammy winner Lauryn Hill? Cee-Lo, Mos Def, hell Black Thought kills it in both genres? Did dude forget Queen Latifah, Force MDs, Devin the Dude? Hell, Teena Marie, Blondie and Tom Tom Club blow Drake out the water doing both.. First time I heard singing and rapping was in 78-79 when GMF and the Furious 4 came to Bx Science and harmonized routines.. Later I heard Crash Crew and of course we had Cold Crush who killed it everytime on the singing/ rap tip y’all remember this from back in the days?? http://www.youtube.com/watch?v=PCTjA9zapLc&feature=related.. Damn Drake even ja Rule and 50 Cent kill u on the sing rap tip..LOL

kreayshawn fail

Feature: Rapsody’s Idea of Beautiful

rapsody_BGIRLIn this era of Hip-Hop, where the Hip-Hop blogosphere is brimming with articles about the shit that Chief Keef does or does not like, videos of DMX’s surprisingly accurate covers of Christmas carols, and analysis of the twitter beef between 50 Cent and French Montana, it seems almost refreshing when an artist emerges with no other motive than to make good music. No ulterior motives, no gimmicks, just good Hip-Hop.

I think that Phonte might have said it best on the Little Brother song Not Enough, rapping “When we’re on stage, the people they all front / dope beats, dope rhymes, what more do y’all want?” Sadly, it seems that the answer to this question is ‘lots.’ With the rare exceptions of dudes like Kendrick Lamar, Big Krit, or Joey Bada$$, the masses rarely seem to give people a chance until there’s a video of them on WorldStar snatching someone’s chain, or unless they have some other gimmick to attach their brand to. Juxtaposed against this subculture of ironic appreciation, the rise of rapper Rapsody, a contemporary to these aforementioned artists, seems particularly interesting.

Similar to Little Brother, Rapsody, whose love for Hip-Hop culture is anything but ironic, is a North Carolina native whose career and sound have been heavily shaped by legendary producer 9th Wonder. This love of the culture is apparent just one minute into her album The Idea of Beautiful. “I care about ‘em too much to not say nothin” Rapsody says on the song “Motivation,” an undertone of urgency in her voice. Beginning with a beautifully honest spoken word piece, the song’s lush soundscape sets the tone for the rest of the album.

True to the 9th Wonder influence, the album is filled with soulful, boom-bap beats; a callback to better times yet somehow still wholly modern. When I spoke to Rapsody on the phone earlier today, she explained “I grew up heavily influenced by that 90s era and a lot of that was boom-bap. I was a big fan of people like Mos Def, The Fugees, Little Brother, and that whole sound.  I like a wide range of beats, but the soulful beats really, really do something for me. They inspire me more.

You can’t beat the soul.” When examining Rapsody’s lyrical content, these influences become rather apparent. Drawing on the lyrical dexterity of a dude like Mos Def, she often raps with the sincerity of a Big Pooh, incorporating an undercurrent of consciousness similar to that of Lauryn Hill’s. Rapsody is no slouch on the mic.

https://soundcloud.com/jamlaarmy/rapsody-nonfiction-ft-raheem

Despite being a beast lyrically, she explained to me that she’s always looking to grow and improve, stating that “Any and everybody I’m around, I try to learn something. And I try to grab and ask questions.” This is true whether she’s working in the studio with 9th Wonder, recording songs with Kendrick Lamar, or rocking the stage with Mac Miller as the opening act on his tour. When I suggested to her that perhaps these other artists are learning from her too, she humbly laughed off the idea and simply said “I hope so.”

This sense of humility is greatly evident in even the shortest of conversations with Rapsody and it is something that makes its way into her music. Overwhelmingly, this helps make the message that Rapsody is trying to convey much more poignant. Heartfelt songs like “Precious Wings,” for example, are so intimate that it is almost like Rapsody is giving a listener a peek into her personal diary. Completely comfortable being herself on the microphone, it’s remarkable how Rapsody has been able to find such a unique voice so early in her career when other artists have had to struggle for years to find a similar level of truth. She discussed the importance of this in my interview with her.

When I asked her if she’s ever felt pressure to try and keep up with some of the other incredible emcees 9th Wonder has worked with, she said “I definitely felt that pressure at first because, I mean, it’s 9th Wonder and you want to do the best you can. But now, I realized that I have to be comfortable in my own skin and I have to occupy my own lane.” She further discussed this idea when I asked her about what she does to differentiate herself from all the other music out there. She said “it’s a branding thing, to be honest. You kind of have to be patient enough to let your brand grow and reach the masses. Especially as a new artist, you might not get a lot of clicks on your music at first but if you really focus on branding yourself the right way and making good music, that’s the basis of it.” If this is indeed the case, Rapsody is definitely on the right path.

Having the right team surrounding her seems to help the process too. Whether it’s the incredibly dope group Kooley High, with whom Rapsody got her start, or the people surrounding her on her record label Jamla, it seems that all of the creative energies around Rapsody help to make her a better artist. When I asked her about her creative process, for example, she explained that “It’s always different. Some days, me and 9th might have had a conversation the day before where he told me to talk about a particular thing. Or, sometimes something in the beat will bring a certain emotion out. It might even be subconscious and I’ll just start writing.” It is this sense of closeness between her and her collaborators that probably helps to explain the cohesiveness of her album and how every song blends seamlessly into the next. There’s definitely something to say about keeping it in the family.

And now comes the part that everyone is waiting for; the gender part of the article. Because it would be impossible to acknowledge the fact that Rapsody is a woman in Hip-Hop without devoting a significant amount of thought and analysis to it. Of course, this is said in an effort to be satirical. During our interview, I asked Rapsody what she thought about this hyper-emphasis on gender in Hip-Hop and she had this to say; “I definitely think it puts us in a box. And that’s why I hate doing female panels. It’s okay to have a panel with all females on it. But then what happens is that all the questions become about being a female emcee. It’s just so limiting and it puts you in a box and it separates you so much. That’s what I hate about it and why I hate the term ‘female emcee.’ It’s used to separate you from everybody else. It’s just like ‘white rapper’ or ‘backpacker.’ It’s just another term used to separate and divide.” The thoughtfulness of this answer was something that struck me greatly. A wise answer from a rapper who is wise beyond her years, and miles ahead of her peers.

If inertia is any indication, Rapsody’s career trajectory seems to be indicating a future filled with many more successes to come. If you are still unfamiliar with her music, I suggest you make yourself aware immediately.

Check out Rapsody on Twitter.

source:  http://boi-1da.net/2012/12/19/artist-profile-rapsody/

 

Some Memorable Hip Hop Songs That Address the Issue of Gun Violence

stop the violenceWith much of our attention focused on the gun debate, Newtown, Ct and NRA (National Rifle Association) head Wayne Lapierre talking about how music, movies and video games have caused gun violence, many of us are also talking and asking hard questions.

Earlier today I was asking myself which rap artists would seize the moment and put out compelling music around the gun debate issue.. When I asked this publicly I got a lot of cynical responses, noting that rappers work for an industry that is violent prone and would discourage such efforts.. I don’t buy it. Folks in Hip Hop from day one have long spoke out against violence.

From the days of Afrika Bambaataa doing community center dances in Bronx River projects to promote peace in the early 70s to The Hip Hop Peace Summit w/ the Nation of Islam in the 1997 to Oakland rapper T-Kash running a marathon a couple of years ago to bring an end to gun violence.

In between we had KRS-One launching a Stop the Violence Movement with the Urban League which was accentuated with his landmark song Stop the Violence. In 2001 KRS went to the United Nations to unveil recently the Hip Hop Declaration of Peace.

We had songs like Self Destruction which was a famed posse cut led by KRS-One featuring everyone from MC Lyte to Kool Moe Dee to Ms Melody, D-Nice, Public Enemy, Justice and Stetsasonic speaking to gun violence.

That cut was followed up with the West Coast All-stars We’re All in the Same Gang. That song which featured everyone from NWA to Digital Underground to Tone Loc to JJ Fad was the underscore the efforts that were afoot to bring about a Gang Truce in LA.. In fact during the launch of the song, rival gang members appeared on the Arsenio Hall show to shake hands and call for peace in the hood.

Not too long ago (2005) Snoop Dogg revisited the We’re All in the Same Gang concept by bringing the West Coast Hip Hop community for a Unity Summit..

KRSOne-bfresh2

KRS-One

Three years ago, KRS-One got the Hip Hop industry including Nelly, Redman, Method Man, Styles P, Rah Diggah, Busta Rhymes to name a few, to revisit the Self Destruction project ..There were several songs done to address violence in the hood including the title track  Self Construction.

There are plenty of artists who have always and will continue to speak on issues of the day including gun violence. They may not be covered in the mainstream and many pundits may either be unaware or purposely chose to overlook their efforts, but it doesn’t mean they’ve been silent…It’s up to us to highlight them. Whether it’s the Hip Hop Chess Federation with Adisa Banjoko or artists like DLabrie of Hip Hop Congress, Queen Deehlah of the Silence the Violence Movement or Refa 1 of Aerosoul Movement all doing peace efforts in the Bay Area or artists like Wise Intelligent,  Hakim Green of Channel Live doing peace efforts in New Jersey or artists like I Self Devine, Toki Wright and Brother Ali of the Rhymesayers sparking peace in the Twin Cities to Jasiri X, Paradise Gray of X-Clan and the folks in Pittsburgh’s One Hood . There’s a lot of folks doing good things..

man-with-gunOne of the best and most timeless songs dealing with gun violence comes from Oakland rapper Frank J.. He was a member of a crew called Legion of Une  (Union City) which later became 187 Fac.. The song Brotha Put the Gun Away, was Frank J recounted all his friends who died and how he decided to put the gun away. He talks about real life incidents that took place in Oakland and around the Bay Area including losing his brother.. It’s a powerful song..the lyrics are searing.. I wish more folks would do songs like this..

http://www.youtube.com/watch?v=GGJJGFzl7jM

Another incredible and profound song comes from Organized Konfusion..Pharoah Monch and Prince Po drop lyrics that describe the path of a stray bullet..

These lyrics are haunting and all too true is far too many instances
Let the trigger finger put the pressure to the mechanism
Which gives a response, for the automatic *bang*
Clip to release projectiles in single
file forcing me to ignite then travel
through the barrel, headed for the light
At the end of a tunnel, with no specific target in sight
Slow the flow like H2O water
Visualize, the scene of a homicide, a slaughter
No remorse for the course I take when you pull it
The result’s a stray bullet
Niggaz who knew hit the ground runnin and stay down
Except for the kids who played on the playground
Cause for some little girl she’ll never see
more than six years of life, trif-le-ing
When she fell from the seesaw
But umm wait, my course isn’t over
Fled out of the other side of her head towards
a red, Range, Rover, then I ricochet
Fast past a brother’s ass, oh damn, what that nigga say
“Aww fuck it”, next target’s Margaret’s face *bang*
and I struck it

courtesy of OHHLA

http://www.youtube.com/watch?v=TNcS5Wl2qlo

We should also note as was pointed out by long time writer Spencer Abbott.. that Stray Bullet was the first of 3 songs dealing with this topic..Pharoah Monch takes it to higher levels with these other two songs When The Gun Draws and climaxed with “Damage“.

https://www.youtube.com/watch?v=JZ6-FYAngvc

https://www.youtube.com/watch?v=2h4jOId8eSg

public Enemy ptAnother cut that deals with Gun Violence comes from Public Enemy… Its called Whatcha Gonna Do.. The song is incredible where Chuck D talks about how we keep shooting each other.. Some of the lyrics are as follows:

Talkin dat drive by shit
Everybody talkin dat gangsta shit

Talkin dat drive by thang
Everybody talking dat gangsta swang

Slaves to the rhythm of the master
Buck boom buck another
Neighborhood disaster
(Drummer hit me one)

A gun iz a gun iz
A muther fuckin gun
But an organized side
Keep a sellout niga on the run

What you gonna do to get paid
Step on the rest of the hood
Till the drug raid

See you runnin like roaches
Black gangstas need track coaches

The white law set you up raw
When you have his trust in killin us..

courtesy of OHHLA

The video which was rarely seen depicts a re-enactment of an attempt to shoot a fictional Black president near the grassy knoll ala JFK.. Great video, but the lyrics stand by themselves and speak to issues of self-hatred and gun violence..

http://www.youtube.com/watch?v=RhKqsIe283c

Anothers songto consider and perhaps the most potent is NasI Gave You Power

https://www.youtube.com/watch?v=pJf2q_w7L_8

Jasiri X: They Not Real Gangstas ( A Few Thoughts About Rick Ross)

Jasiri X Know thyselfAt this point, even his fans know that rapper Rick Ross is far from the image he manufactures for his songs and videos. Slate Magazine even went as far to label the success of Rick Ross, in the face of his correction officer past, as the end of street credibility being necessary to Hip-Hop fans. So the news that Rick Ross canceled his tour due to threats from Gangster Disciplesposted online, shouldn’t come as a shock to anyone.

In fact, The Real Rick Ross, who lost his lawsuit against the rapper for using his name and image, was recently granted an appeal and has a trial date set for January.  According to The Real Rick Ross, the rapper Rick Ross, “doesn’t have the right people around him to explain the streets.” Freeway Rick Ross told AllHipHop.com. “You need to say that it wasn’t intentional or nothing like that. It’s ok to apologize and make things right with a real agreement out of respect.”

But what about the Gangster Disciples? Hakim Green, formerly of the rap group Channel Live, made a excellent point about the Gangster Disciples unity against Rick Ross, “How, just how, is it that gang members can unite and organize against fat ass Rick Ross, but can’t, won’t, don’t organize against police brutality, unemployment, drugs in the hood, poverty, racism, abuse or anything that would actually make a difference in our communities?”

Want to know what Real Gangstas are doing?

Claiming to ‘Fix’ the Debt, but really pushing for more tax breaks so their corporations, at the expense of taxpayers, can make billions

Pushing through “Right to Work” laws so their corporations, at the expense of unions, can make billions

Using “slave” labor so their corporations, at the expense of prisoners, can make billions

http://www.youtube.com/watch?feature=player_embedded&v=CySzoJFkTA8

Here’s a video laying out who the Real Gangstas are here that we need to be concerned with..

http://www.youtube.com/watch?feature=player_embedded&v=41s1oWM9vOQ

source: http://www.blackyouthproject.com/2012/12/they-not-real-gangstas/

Congratulations to Public Enemy -Newest inductees to Rock-n-Roll Hall of Fame

Congratulation to one of the greatest musical acts of all-times..Public Enemy.. The were just inducted into the Rock-N-Roll hall of Fame.. Its an honor the well deserve.. They are the 4th Hip Hop group, behind, Grandmaster Flash and the Furious 5, Run DMC and the Beastie Boys..

One of the strengths that I think goes beyond the group’s massive category of records, is their endurance.. They been at this for over 25 years and are nearing 100 global tours..PE has transcended music..they same way they transcended the borders of this country.. Props to them..

Chuck D noted on twitter;  Any achievement by PE is to be shared across HipHop and its real fans.The songs are 1thing but our strength has been our meaning & performance

Peep out their latest song..

What is Hip Hop?: A Historical Definition of Rap pt2 (Street Hustlers to Revolutionary Poets)

Davey-D-purple-frameThis is part 2 of an article we penned called  The Historical Definition of Rap pt1. In that piece we talked about how the term Rap had been around long before DJ Kool Herc and his sister Cindy Campbell threw that first landmark Back to School party August 11 1973 in the community center at 1520 Sedgwick Ave in the Bronx.

Many are not aware that when Herc and his partners Coke La Rock and later Clark Kent rocked the mic, they used the words ‘rhyming’ and ’emceeing’ to describe their vocal expressions. The word Rap became attached to Hip Hop in 1979 with the release of Rapper’s Delight by the Sugar Hill Gang.

Prior to ’79, the word Rap was attached to a variety of other vocal activities most notably slick, persuasive talk from street hustlers, pimps and players. Rapping was all about mesmerizing and dazzling folks with words with an end goal of convincing one to give up everything from money to property to sexual favors. if you were said to have ‘a good rap’, then it meant you had the gift of gab which in many circles was revered and respected.

Dolemite

Dolemite

With respect to the act of rapping, many seem to think that saying rhymes in a syncopated fashion over music is unique to Hip Hop. That’s a mistake. To not see Rap as something that is rooted in deeper histories, is to short change Hip Hop culture. Simply put Rap is part of a continuum. Every generation within Black America can point to an activity or music style that included rap-like vocal expressions. They range from little girls doing double dutch jump rope to young kids doing engine engine number nine type rhymes to determine who would be it when playing tag.

We’ve seen expressions that we associate with rap today show up in the form of popular artists like Rudy Ray More aka Dolemite who did tons of movies where he did routines like his signature Signified Monkey .

We saw it surface with singer song writer Clarence Reid aka Blowfly who did x rated songs like Sesame Street and Rapp Dirty which was released in 1980 but according to him was written in 1965.

Both More and Reid come from a generation where street talk that encompassed rhyme was not unusual. Sometimes called signifying, testifying or playing the dozens, such expressions are key foundations and precursors to Rap.

We saw Rap expression show up in songs like Here Comes the Judge released in 1968 by comedian Pigmeat Markham. Although not called ‘rap’ it clearly could stand alongside anything we hear today.

http://www.youtube.com/watch?v=DvMBxlu62c0

We saw rap with Louis Jordan and his group Tympany Five and their landmark cut The Meeting which was released in 1962

In the same vein as Pigmeat is actor Lincoln Perry better known as Stepin Fetchit. The controversial character who many felt kept alive nasty stereotypes of Black people being lazy and shiftless was during his heyday in the 1940s,  the most successful Black actor in all of Hollywood. In this memorable scene from the 1945 musical Big Timers we see Perry hit up the piano and rap, decades before what we know as Hip Hop emerged..

http://www.youtube.com/watch?v=5qALvc-MIDY

Last Poets

Last Poets

We saw Rap expressions manifest itself in the form of revolutionary acts like the Last Poets, Gil Scott Heron and the Watts Prophets who are considered the grandfathers and godfathers to  modern-day rap. These acts emerged on the scene in the late 60s early 70s with the express purpose of providing sound tracks for the various Black liberation struggles taken place all over the country…Songs like When the Revolution ComesThe Revolution Will Not Be Televised and Tenements respectively exemplified the type of vibe they were kicking on the eve of Hip Hop’s birth.

Over the years not only have many of the songs from these acts have been sampled, but some of these acts have from time to time been featured in songs with popular artists. For example the Last Poets are featured on Common‘s song The Corner and NasYou Can’t Stop Us Now‘ which borrows the baseline from a classic  Temptations cut ‘Message to a Blackman

The Last Poets rap influence is shown on cuts like the White Man’s Got a God Complex which was featured on the ‘This is Madness‘ album (1971). It was remade 20 years later by groups like Public Enemy and Def Jef. Below is the PE version which keeps alot of original cadence in tact.

The Def Jef version of  God Complexx, shows not only the influence of the Last Poets but also Gil Scott-Heron as he uses the beat from Revolution Will Not Be Televised.

Ironically groups like NWA who were perceived as having an anti-revolutionary message sampled the Last Poets ‘Die Nigga‘ off their album ‘The Original Last Poets Right On‘ (1970) and made them known to younger generations with songs like ‘Real Niggaz Don’t Die‘ off the ‘Efil4zaggin’ (1991)

https://www.youtube.com/watch?v=6jy6Nebd_e0

GilScottheronGil Scott-Heron is often called the Godfather to Rap. It was a title he shunned, stating he preferred to be known as a bluesologist. Nevertheless, Heron was a towering figure whose signature song Revolution Will Not be Televised was redone by too many Hip Hop artists to name. Cuts like B-Movie and ReRon which were released in 1980 and 1984 respectively demonstrated his Heron’s rapping ability.

He was also one of the first artists from the 60s/ Black Power generation to jump on a song with than modern day rap artists..The anti-Apartheid song Let Me See Your ID  (1985) which features, Run DMC, Kurtis Blow and Mele-Mel to name a few was monumental. The content and purpose of the song was incredible, but also although unintended it contrasted the generational differences in rap styles.

Watts Prophets Rapping BlackThe Watts Prophets have not only been heralded as important figures in the emergence of West Coast rap, but  in 1970 they released an album called ‘Rappin’ Black in a White World’. Many consider that to be the first to use the word ‘Rap’ to describe a  recording that featured rhyming, This groundbreaking album proceeds   ‘Rapper’s Delight‘ by almost 10 years. They also featured a woman vocalist named Dee Dee McNeil who isn’t often named when speaking of the Watts prophets

https://www.youtube.com/watch?v=hHxM71rcQus

One artist who is in the same vein as these revolutionary poets but not as well-known is Stax Record recording artist John KaSandra nick named ‘Funky Philosopher‘. He did a bunch of black conscious songs in the early 70s including one that is many ways a head of its time for the emerging Hip Hop rap scene at the time..  ‘(What’s Under) The Natural Do’ (1970) is an incredible song that talks about Black power  and how folks are gonna have to do more than just wear an Afro hairstyle in order to uplift the community.

http://www.youtube.com/watch?v=tQow4jYVM9I

One can’t talk about the Last Poets, Gil Scott Heron and Watts Prophets and their influence on Rap without talking about the Black Arts Movement which proceeded them and exerted profound influence. BAM  introduced a style of spoken word that was hard-hitting, uncompromising and often recited over Bebop and Jazz. BAM co-founder Amiri Baraka than known as Leroy Jones illustrates that style with his famous piece Black Art.

Baraka’s ‘rap’ along with the spoken word and slang executed by others within the Black Arts Movement were such that it was hard for folks outside the scene to pick up and appreciate.It was for the Bebop crowd who coincidently called themselves ‘Hip’. It was deliberate in challenging the mainstream and being anti-establishment. It’s deliberately uncomfortable Many like to draw parallels to Hip Hop.

http://www.youtube.com/watch?v=Dh2P-tlEH_w

BAM member Sonia Sanchez gives a brief history of that time period and how their spoken word paved the way for modern-day raps heard within Hip Hop. Sonia Sanchez: From Black Arts to Hip Hop

http://www.youtube.com/watch?v=JtRffMdbB0Y

Members of BAM

Members of BAM

Just for added understanding, one may wanna peep this brief documentary on bebop which was the precursor to the Black Arts Movement. Again here you will be able to draw some strong parallel to Hip Hop, especially when you consider that Bebopers called themselves coined the term ‘Hip’ which is how they referred to themselves. Peep  Bebop Jazz the Evolution of Culture Through Music.

These are just a few highlights of the many artists and expressions that are akin to rap to be in our midst before the birth of Hip Hop..Look out for pt 3 which deals with the influence of Black Radio deejays on what we know as Rap..

written by Davey D

Rollingstone Magazine Fails by Having Only 4 Women featured on its 50 Greatest Hip Hop Song List

Missy elliotThis is the time of year a lot of publications put out End of Year and Best of All Time lists. They’re fun to read as they can take you down memory lane or give you some new perspective on things… At this point in time, you understand there will be a certain bias and there may be one or two names tossed in a list to get people talking. You try to take these things with a grain of salt..

The other day Rollingstone Magazine put out a The 50 Greatest Hip Hop Songs of All-Times. It’s a list that was compiled from a panel of 33 artists, journalists and industry experts. You have luminaries like Def jam co-founder Rick Rubin, former Source editor James Bernard and legendary A&R Dante Ross. Also in the mix were artists like Busta Rhymes, Q-Tip, Nas, Questlove, Boots Riley of the Coup  and Chuck D of Public Enemy just to name a few..You can peep the entire list of judges HERE

You can peep the entire List of 50 songs HERE

When the list came out I went from panel to panel and and what stood out was the glaring omission of women. In fact we don’t have a female artists being ranked for the first 38 entries. That came in the form of Missy Elliot and her song Get Ur Freak On…Personally I thought Missy who definitely deserves a spot has better songs.

The next entries are Lauryn Hill‘s ‘Lost One’s (45) and Salt-N-Pepa‘s ‘Push It’ (46) . The Greatest Hits list list rounds off at entry 47 where have Funky 4 Plus one More. The ‘one more’ of course is pioneering female emcee Sha Rock..

MCLytehat-150Initially I wasn’t gonna weigh in on this, but damn in 2012 and you would think at this point in time folks would know better and do better. Its time to expand our mind and make room for other voices, mainly women in our collective thinking. I don’t know what the process was when RS did the final editing, but no one at that magazine looked at that list and asked ‘Where’s MC Lyte’s ‘Cha Cha Cha‘ or ‘Cappuccino‘? Did anyone at RS bother to check out her site Hip Hop Sisters?

No one at RS or on that panel gave a second thought about Queen Latifah‘s ‘Ladies’ First‘ which featured Monie Love and its impact? No one thought about UNITY…No one? Really? Cmon now..

None of the folks at the panel gave a thought about the 33 songs that were released around the whole Roxanne Roxanne saga? Some of those songs were landmark.  They gave birth to artists like; Sparky D, Roxanne Shante and the Real Roxanne.. None of those women were good enough to be included? There was no room for an artist like YoYo? No Lady of Rage‘s Afro Puffs? No love for Mystic’s ‘The Life’? No choice cuts from Foxy Brown, Eve or Lil Kim made the list?? How is our collective thinking so narrow in 2012?

Luther Campbell of the 2Live Crew was among the panel of experts  that Rollingstone assembled. Did he or anyone mention Anquette‘s Janet Reno? Luke in the past has been very clear to talk about how that song which was done by his cousin helped Reno win an election for DA against a lawyer named Jack Thompson. Luke explained that Thompson became enraged as a result of this and wound up coming after 2Live crew for having obscene material. The case against 2Live crew went all the way to the Supreme Ct.. If one record be the source of all that, should it not be on the RS list?

LaurynHillside

Lauryn Hill

With respect to Lauryn Hill who won more Grammys than many of the artists featured and the experts assembled should’ve been further up the list, like in the top 15 or 20. I would’ve picked Doo Whop (That Thing) which charted on Billboard as number 1 or Everything is Everything..

Considering Rollingstone’s glaring omissions I guess it would be too much to expect them to have even considered a Jean Grae, Bahamadia, Rah Digga, Conscious Daughters or Medusa?

All I can say at this point is to Rollingstone and its panel of experts which included only 2 or 3 women at the most. that was big miss to only have 3 or 4 females on that list of 50 Greatest songs. It was a big miss and just plain wack.. For those who need more info on women making moves.. Here’s playlist I put together earlier this year.

http://www.youtube.com/playlist?list=PL4DA130E1819B4915

http://www.youtube.com/watch?v=qhW_ph0ipp8

http://www.youtube.com/watch?v=f8cHxydDb7o

Niggery: When Will The Buffoonery & Coonery End? by Global Hip Hop Battles

Think Hip HopGlobal Hip Hop Battles, is committed to raising people’s consciousness, by sharing information through our post. Our goal is to empower and challenge the youth, to think far beyond their borders; that are often surrounded with an influx of negative images and messages.

We’ve made it no secret in the past, that we believe hip hop culture and the media, has become one-sided; with respect to messages and images being portrayed.

If you take a look at hip hop and the media twenty-years-ago, you can see there was more balance, in regards to the images and messages being displayed.

Music of this era included artist such as Queen Latifah, and Public Enemy, and Big Daddy Kane, just to name a few.

While, television at the time included shows like The Cosby Show, A Different World, Living Single, and BET’s Teen Summit to name a few.

And while these artist and television shows, were different with respect to their music and programs, they seemed to always be dedicated to making sure they worked to raise peoples consciousness; especially young people.

Fast forward to 2012, and we’re living in a time where the messages and images don’t seem as positive. Instead, the majority of the images and messages seem to be anything, but empowering.

It seems as though we’re living in an era, where mass media floods the market, with a barrage of negative stereotypical images; that work against helping to build and repair urban society.

For example, television shows like Love and Hip Hop Atlanta,as well as several websites, seem to fuel this stereotype, by portraying Black men and women in a very negative light. They seem to perpetuate the pimp and ho’s mentality, by glorifying these images.

Now we’re not saying that television shows and websites  shouldn’t have the right to promote what they desire, we’re simply saying there needs to be more balance, with respect to the images we see. Often times, those negative images have the potential to cloud people’s judgement.

For example, when speaking with a friend, who’s a Black woman, and a business owner, she explained that people expect her to behave like the woman on these reality shows, when brokering business deals. She also indicated that she has to spend time reaffirming herself to potential clients, in order to be taken seriously,during business transactions.

The current cultural climate seems to have accepted this behavior as being normal, which seems to have caused  the respect level for Black men and women, to depreciate greatly.

In addition, many of the current hip hop artist, aren’t helping the matter, using the term bitches and ho’s loosely, and glorifying the pimp culture; to the degree that it’s become apart of the everyday vernacular.

20 years ago, it wasn’t culturally accepted to be a “bitch,”  “pimp,” or a “ho” In fact, many of the artist made the choice to stay away from those stereotypes, to offer an alternative in hopes of empowering Black men and women.

big-Daddy-Kane-ponder-300A prime example is from hip hop legend Big Daddy Kane. During TV One’s Unsung series, Big Daddy Kane said that he wasn’t raised to call women bitches and ho’s, “that’s not the way I was raised, my moms didn’t raise me that way” said Kane.

Therefore, his music encompassed his morals and he refused to waiver. He took responsibility and seemed to approach his position, as an artist with a sense of purpose.

Queen Latifah also made it clear in her 1993 song “Unity” where she spoke out against being disrespected. This seems to have worked to make women demand respect, during times where they felt disrespected.

Somewhere over the past 20 years, however these messages of empowerment, and respect were exchanged for disrespect, and degradation of the Black community.

The portrayal of men and women in hip hop and the media, is just one facet of the issues, another problem seems to be with lack of uplifting and informative messages; both on television and in the music.

While there are a handful of artist, who do concentrate on bringing empowering messages to people. They seem to often be over-shadowed by the negative messages and images.

The iconic hip hop group Public Enemy, spoke out against the injustices plaguing urban communities in songs like “Fight the Power;” which served to raise awareness about these issues.

In 2012, most of these issues remain to be the same, yet few seem bold enough to speak up. Instead, the culture seems to be saturated with messages that only further work to dis-empower people.

An example on television, is BET’s Teen Summit; which was on the air during the 1990′s. Teen Summit, took real Black teenagers, and gave them a forum to address issues including sex, violence in communities, applying to college, and money matters to name a few.

Cosby showIn addition, sitcoms like “The Cosby Show,”  ” A Different World,”  “Living Single,” worked to empower people. For example, many of us who grew up watching “A Different World,” were inspired to attend colleges and universities, as a result. That’s the power great programing can have on people, if  it’s offered.

In 2012, BET does not offer a program that’s dedicated to addressing issues young people face, and giving them information aimed at empowering them. In addition, there are few sitcoms on television, due to the influx of often reckless reality shows.

Now as we stated earlier, we understand that there’s a time and place for everyone and everything, what we are simply saying is, there needs to be better balance with respect to images and messages; if we want to properly move into the future.

Young people are impressionable, and if they are only exposed to poor images, then that’s what they’ll become. We owe it to our communities and ourselves to bring more balanced images to the forefront, and help to empower the youth.

Let’s all make a conscious choice to bring balance to our culture. If you know better, then do better!

Google is gearing up for a debate on hip hop titled versus debate. It’s scheduled to air live online, and will feature the legendary KRS-One, ?uestlove, and Rev. Jesse Jackson, to name a few. In the debate/discussion they will ask the following questions:

Is hip-hop the authentic voice of the oppressed that turns anger into poetry and political action? Or is it a glorification of all that holds back oppressed minorities and hinders them from mainstream assimilation?

source: http://www.globalhiphopbattles.com/news/niggery-when-will-the-buffoonery-coonery-end/

KRS-One and NYOil Drop 2 Seperate Videos Addressing Hurricane Sandy..Very Dope

Hip Hop continues to deliver in the wake of hurricane Sandy.. Here’s two different videos.. One is from KRS-One who breaks down all that is needed in a disaster.. The video is nice, the information is spot on.. I hope people take heed… Thanks Blastmaster for keeping 100 always..

http://www.youtube.com/watch?v=-WfnbFUmoic

The other video is from NYOil aka Kool Kim who lives on Staten Island which was hit pretty hard.. He touches on the decades old racial tension that has long existed , but shows how folks should and can see the humanity in others.. This video called Conflicted is powerful as NYOil talks about going to the South Shore of Staten Island to help those in need.

http://www.youtube.com/watch?v=PYJj7tsMJCA