Breakdown FM-Rick Rock & the Federation Going Beyond Hyphy

Rick Rock & the Federation Going Beyond Hyphy

by Davey D

original article: April 03 2006

Listen to Rick Rock and Federation Interview on Breakdown FM

Last week the Bay Area was treated to good news when E-40’s new album My Ghetto Report Card debuted on the Billboard charts at number one. His new single Tell Me When to Go is a bonafide hit that is lighting up radio station and night clubs from here to New York, throughout the South and even spots overseas are checking out the buzz and everybody is asking What does it mean to be Hyphy?

There is no doubt the Bay is on fire. Currently there are bidding wars amongst major labels for acts like Mista F.A.B. and Rick Rock and the Federation. T-Kash who is signed to Pariss Guerilla Funk label is finding that his new politically charged album Turf War Syndrome is one of the most sought after and heavily added on the college radio circuit. If thats not enough the Paris produced Public Enemy album Rebirth of a Nation came in at number 33 on the Billboard charts which is great for a small indie label. Lastly we have super producer Rick Rock and his group the Federation who are currently enjoying major radio play in cities like New York with their new smash 18 Dummies. Now with that being said and done the 64 thousand dollar question is Will the Bay Areas Hyphy Movement catch on and become a nationwide thing that sticks?

According to super producer Rick Rock aka the King of Slaps who along with his group The Federation put out the first Hyphy record 5 years ago, The Bay will become a nationwide stop only if people make a firm commitment to step their business game up and do good music. He emphasized the point that while Hyphy is the in thing right now, its going to take more than a bunch of songs that have the words Hyphy and other related lingo in the hooks to keep the momentum going. He elaborated by pointing out that the Hyphy Movement has gotten the music industrys attention and helped opened a lot of doors, but Bay artists will have to stretch out and constantly challenge themselves.

You have to keep putting paint where it aint, Rick Rock said. You have to come with something different. It does no good to drive down the street and hear the same Hyphy record with all different artists. Its what I call the Das EFX Syndrome. Rock was referring to the rap group Das EFX who came out with a unique triple time rhyme style that got widely mimicked to the point it hurt their careers.

Rock noted that his group is trying to stay ahead of the curve by taking innovative steps and pushing the musical envelop. Case in point, he dipped into his rock-n-roll roots and teamed up with drummer Travis Barker to do a song. Rick noted that he has always been a rock fan and the beats he creates is influenced by bands like Metallica who he considers one of the best groups of all-time.

Rock explained that Barker had heard some of the Bay Areas Hyphy songs and felt that it was natural cousin to in terms of energy and drive you hear in hardcore rock. He was anxious to get down with the Federation cats and the rest they say is history. To hear lead rappers Goldie Gold, Stress and Doonie Baby spitting on fiery lyrics over Barkers drums and Ricks amped up hyphy oriented music is something that will undoubtedly change the game once its released.

Its these types of steps that are going to help keep the Bay Areas profile elevated. Its also going to take folks who are hungry for the spotlight to sit back and stop hating on one another. Regional infighting based upon who is getting recognized is what has crippled the Bay and other burgeoning regions in the past. These were points that were emphasized by Federation members Doonie Baby and Goldie Gold. They noted that theres enough room for everybody to eat and share the spotlight.

Rock who also noted this point said its time for a lot of folks to sit down and have close door meeting to 1-Get a clearer understanding of what to expect with all this increased industry attention. 2-Learn how to better handle the business expectations major labels and other outlets will have of local artists entering into the game .3- How to operate in a hater free environment. In other words as the Bay tightens up on its business and beats it will be national factor that enjoys the spotlight for years to come.

Listen to Rick Rock and Federation Interview on Breakdown FM

Return to Davey D’s Hip Hop Corner

The Promised Land – Reflections on Dr. Martin Luther King Jr. and the Hip Hop Nation

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original article January 2006

The Promised Land – Reflections on Dr. Martin Luther King Jr. and the Hip Hop Nation

by KRS ONE

krsone1smile-225PEACE AND MUCH LOVE TO ALL GENERATIONS OF HIP HOP KULTURE! We are truly a blessed nation! In these times of war, mass unemployment and social unrest let US become the changes that we would like to see in the world. We are an international culture of new people on the earth. So let US be the civilization that we expect others to be. Together (as a Hip Hop Nation) we truly have a great opportunity to establish peace, love, unity and safely having fun with our Hip Hop activity in the world. And NOT with our “hip-hop” activities in the world, but with our collective unified “Hip Hop” activity in the world we have an opportunity to establish a “True World Order”.

Yeah, I know that there are some that shall (and have already) unjustly criticize our efforts toward peace from “behind the screens”. But civilization building is NOT for everyone, nor can everyone even comprehend the importance of such an attempt. Nevertheless, such an attempt must be made for our own security as adults and as parents as well as for the security of our children and their children’s children’s children. No criticism, debate or unjust slander can ever move US from the fulfillment of our ancestor’s dreams.

Our Hip Hop preservation movement is NOT just about the preservation of Hip Hop as Breakin, Emceein, Graffiti Art, Deejayin, Beatboxin, Street Fashion, Street Language, Street Knowledge and Street Entrepreneurialism it is also and more importantly about continuing our ancestors dreams/visions of true freedom, justice and equality amongst ALL people; this is the world’s true order. WE MUST NEVER FORGET THE STRUGGLE! Our ancestors as well as our children and the future of Hip Hop are depending upon US! TODAY! Either, you ignore this fact or you engage this fact; either way, the choices that you make and the effects of such choices shall come to pass in YOUR own life and prove the character of who YOU really are.

There is never a reason, nor is there ever time, to criticize or debate the movements of others when you are busy working at the realization of your own movement. Its funny to me how some people have so much to say about KRS ONE and his attempts to establish Hip Hop as an international community of peace, love, unity and having fun yet they have made little or no progress at all in that which they espouse as the solution to the social ills of our time. My message is clear; “Rap is something we do, Hip Hop is something we live!” Therefore, how shall we live as Hiphoppas? Sure, we can sit around and brag about the greatness of our ancestors and recount their victories of the past, but when shall we rise to our own victories in the present?

How long shall we reminisce over the glory days of the Civil Rights Movement without continuing the struggles and maintaining the victories of such a movement today? How long shall we romanticize the fact that our ancestors were civilization builders without even attempting to build any such civilization for ourselves today? All of this is a disgrace to the very greatness of our elders and ancestors! By talking about our ancestor’s greatness and not continuing in the footsteps of such greatness do we not betray the very greatness that we are speaking of? It’s better to remain ignorant of your ancestor’s achievements than to know of your ancestor’s achievements and do nothing to continue their legacy! Is this not a traitor to their very ideas? A traitor to the movement? Is this not a true sell-out?

Say whatever you like about KRS ONE (good, bad or indifferent) but one thing is for sure, no amount of criticism shall ever remove or shake him from the continuation of what his ancestors and elders lived and died for. Call me whatever you like; from “a true prophet” to “a false prophet” none of it matters when compared to the real struggle of our people to gain their rightful place at the table of peace and prosperity. And who are “our” people? This begins our reflection on the “Promised Land”.

Ya know, as I see it, the world is not terrorized by religious fanaticism; it is more terrorized by religious apathy. Too many people in the world today are not taking their religion or spiritual practice seriously. Too many people have simply lost their faith. And why? Scandals? Inconsistencies? Poverty? Sickness? All of or some of these may be the cause of such mass faithlessness but from what I see, people loose their faith when they are distant from the knowledge of their God. They don’t really know if their God truly exists or not, and within such distance created by doubt people forget what God really looks and sounds like. So when God appears to them in the form of a man or woman (or other animal), the logic of the World tells them that such an appearance is just a person espousing some really good ideas. “Oh, he was a great man” or “oh, she was a great woman” but never do they assume that they were in the presence of their “lord” and “savior”. And this, I think is the main reason why many people are faithless today; they’re forever waiting on a savior that has already appeared!

Too many people are waiting for their savior to appear in the way that their oppressors have determined when a true savior will always be at odds with an oppressive government that chooses to enslave its own people and contradict its own laws. In fact, this is the reason for a savior; to free humanity from the restraints of ignorance and oppression. Too many people have been indoctrinated in the Jesus story without really knowing anything about the life of the Christ. This is why when their savior appears they don’t recognize him/her; they’re to busy looking for Jesus. Throughout most of recorded history men and women of God alike have appeared to their people with divine solutions and remedies to rid their people of their oppression. But in ignorance, the People themselves reject their OWN savior and even assist in his assassination. As Jesus pointed out; “thou killest the prophets and stonest them which are sent to thee” (Matthew 23: 37).

A savior is a person who saves or rescues. No bells, no whistles, no hype! Just a person who saves others. “Savior: a person who rescues another from harm, danger, or loss (American Heritage Dictionary). A “lord” (throughout history) is a person who has authority, control or power over others. “Lord: a man of renowned power and authority (American Heritage Dictionary). And yes, there are other definitions to “lord” however, when it comes to a spiritual teacher or “savior” this is what someone’s “lord” would be. A “lord” is your master, your chief; the one that you submit to, the one that you deeply respect. Different from “The Lord” which is usually ascribed to Jesus the Christ, “a lord” is someone that you have entrusted your life to. They lead you.

On January 15 th 1929, my “lord” and “savior” Michael King was born. He would adopt the name Martin Luther (named after the German theologian who challenged the doctrine of the Roman Catholic Church in the 16th century which resulted in the establishment of the Protestant churches) and after attending Moore House College in Atlanta, Crozer Theological Seminary in Pennsylvania and then Boston University were he received his doctorate, Martin Luther King Jr. became Dr. Martin Luther King Jr. He is my “lord” because I give him such authority over my life. He is my King! I respect him. I believe in him! He is my “savior” because the only reason I am freely doing what I am doing and freely going wherever I wish to go is because of him and his sacrifices. In all honesty, I could NOT be KRS ONE in the way that I am if it were not for Dr. Martin Luther King Jr.! He saved me from White racism! He liberated me from self-destruction! He stood up for me when I could not stand up for myself. And to him I am forever grateful.

His strength has given me strength. His courage has given me courage. His faith has given me faith. His vision has given me vision. In truth, I am living HIS dream! I don’t need to look at a 2000 year old Christian history for instruction when I can simply follow the instructions of MY lord and savior Dr. Martin Luther King Jr. who laid his life down in 1968 so that I could live more comfortably today in 2006. Those who have benefited by Dr. King’s sacrifices yet prefer to honor Jesus as their lord and savior will be shocked when Jesus returns to them saying, “I never knew you.” For it was Jesus who said, “This is my commandment, that ye love one another, as I have loved you. Greater love hath no man than this, that a man lay down his life for his friends” (John 15:12-13).

mlkWe can talk all day about revolution and “what we gotta do” but if WE are not willing to exalt to sainthood those who lay down their lives for OUR freedom and comfort then we are truly lost! When are WE going to honor OUR own “lords” and “saviors?” Is this not the beginning of any effective revolution? Why put your faith in the sacrifices of foreign messiahs, saints and saviors when your own father has given HIS life for the advancement of YOUR well-being TODAY? Dr. Martin Luther King Jr. IS THE CHRIST! He is the “savior” of all who believe in him and his words. And as Hiphoppas, we must pay very close attention to the instructions of OUR savior if we are to grow and develop as a truly righteous nation ourselves.

In his famous “I Have A Dream” decree Dr. King said; “In the process of gaining our rightful place we must not be guilty of wrongful deeds. Let us not seek to satisfy our thirst for freedom by drinking from the cup of bitterness and hatred. We must forever conduct our struggle on the high plain of dignity and discipline. We must not allow our creative protest to degenerate into physical violence. Again and again we must rise to the majestic heights of meeting physical force with Soul Force!”

This is the essence of any true Hip Hop movement. In fact, it is our belief that Hip Hop is the fulfillment of Dr. King’s “I Have A Dream” speech. When studied closely one can see that Dr. King’s words were directed to his four children and all those of the younger generation of his time. When he said, “I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin but by the content of their character”, most people assumed that the only nation Dr. King could have been talking about was the United States of America. That one day IT would live up to its creed of “all men” being “created equal” with the “unalienable rights” of “life, liberty” and the “pursuit of happiness”. Indeed Dr. King was talking about America as a nation, but it is clear that he was NOT talking about the America that he was protesting against. He saw a radically different America than even the one that exists today! In fact, after Dr. King’s assassination in 1968 things got worse!

Dr. King’s vision of true racial unity and equal citizenship under the Law never fully materialized for the people of the United States. As much as Americans love to hear about integration and the vision of ONE America with many shades and colors, in real life Americans are more segregated as a nation today than ever before. Despite the enormous advances made by Dr. Martin Luther King Jr. and Thurgood Marshall toward a totally integrated American school system (for example) today, schools that bear their names are known to be the most segregated schools in the United States!

You can limit your analysis of Dr. King’s “I Have A Dream” decree to just being the protest speech of the day if you like. But if you were one of the Black or White children that his speech was referring to then Dr. King’s Word is to be understood in the realm of prophesy, prediction and instruction not just (as the average American mind remembers it) as protest words for his time. On the contrary, Dr. King was not even speaking for his time; he was speaking for OUR TIME! Most of what he said in that famous decree was said in future tense. Dr. King said; “one day right there in Alabama, little Black boys and Black girls will be able to join hands with little White boys and White girls as sisters and brothers”.

Most people because of their own prejudices refer to the phrase “as brothers and sisters” figuratively. They doubt that “little Black boys and girls” and “little White boys and girls” can actually be real “brothers and sisters!” And they doubt this because for Black children and White children to become real blood brothers and sisters this means the creation of a new race, a new sect of people. And this concept goes way beyond what most people can actually handle today. As prophesy, Dr. King’s “I Have A Dream” speech calls a new nation into existence. And because he was speaking to the future of those youths (us) born between 1960 and 1970 (generation X) who became the pioneers of modern Hip Hop and instinctively created the alternative multicultural, multiracial, omni-faithed community that Dr. King predicted, it is safe to say that WE are the true citizens of the nation Dr. Martin Luther King Jr. dreamed about. HIP HOP IS THE PROMISED LAND!

No where else on earth is there an international culture that is home to all races, classes, ethnicities and religious beliefs other than Hip Hop. No where else on earth is a person truly judged by the “content of their character” rather than by the “color of their skin” than within Hip Hop. Dr. King said, ” One day on red hills of Georgia, sons of former slaves and sons of former slave owners will be able to sit down together at the table of brotherhood”. Nowhere has this happened in the world on a mainstream level except within the community of Hip Hop. As pimped-out, thugged-out and drugged-out as we appear to be, Hip Hop is NOT a racist culture. Our existence as a Hip Hop community fulfills Dr. King’s prophecy philosophically and historically. Within our Hip Hop community a person gains money, power and respect through a display of high skill in one or more of Hip Hop’s unique elements. Here, you are truly judged by the content of your character (your attributes, your abilities, your reputation, who you associate with) not by your race or ethnic origin. Hip Hop is beyond all that.

But just like the original vision of Hip Hop being about peace, love, unity and having fun was betrayed by the very people that it was designed to help, so was Dr. King’s dream also betrayed. Dr. King not only saved Black folks from years of segregation and forgave America and showed America true unconditional love but he also gave America a way out of sin and laid out the foundations for a truly civilized nation. In response, Black folks booed him, President Johnson would call him a “nigger preacher”, the N.A.A.C.P. disowned him and in the end White folks killed him! DAMN!

martinlutherkingpoint-225As a result, “The Dream” of Dr. King fell upon the ground and both Blacks and Whites trampled over it! Even those of his own “Southern Christian Leadership Conference” sought after the success of their own careers rather than continue the realization of “The Dream”. And let me say right here, that I am not be overly critical of anyone’s efforts. But after Dr. Martin Luther King Jr.’s death it seems that everything went back to the way it was. People from Dr. king’s own camp seem to have forgotten the “Dream”. Proof of this is the simple fact that many Americans especially Black Americans don’t even know who Dr. King is or what he was really all about. Is this the fault of “the White Man” or is this the fault Dr. King’s own Black People?

Why do WE allow illegal drugs to be sold on those streets named after Dr. Martin Luther King Jr.? Why doesn’t every Black home have a picture or a word of Dr. King hanging upon its walls? Why have Black scholars allowed Black children to learn of Dr. King as a man who “let the dogs bite him” as opposed to teaching them the deeper meanings and benefits to not using violence as a way to solve problems? Why aren’t ALL children taught about the strengths of non-violent passive resistance? Why are we more interested in Dr. King’s sex life than we are the realization of his “Dream?”

Even further, why hasn’t Dr. King’s final campaign for the relief of poverty and the redistribution of wealth for poor Black people not followed through on after his death? When Dr. King said in his famous last decree on April 3 rd 1968 at a Masonic Temple/Church in Memphis Tennessee; “And also in the human rights revolution, if something isn’t done, and in a hurry, to bring the colored peoples of the world out of their long years of poverty, their long years of hurt and neglect, the whole world is doomed” did any one really hear him. Or is it just a coincidence that long years of “poverty” and “neglect” is also being said to be the cause of terrorism today?

Why is it that the only part of this last decree before his assassination that anyone gets to here is the very end of the decree where he says; “. I’ve been to the mountain top. And I don’t mind. Like anybody I would like to live a long life. Longevity has its place. But I want you to know tonight, that we, as a People, will get to the Promised Land. I may not get there with you. But I want you to know that we as a People will get to the Promised Land”. Why haven’t we frequently heard the other parts of that famous decree where Dr. king also said; we are asking you not to buy Coca-Cola in Memphis. .not to buy Sealtest Milk. Tell them not to buy .Wonder Bread. .We are choosing these companies because they haven’t been fair in their hiring policies. .I call upon you to take your money out of the banks .we want a bank-in movement in Memphis”. Why we ain’t hearing these messages frequently. What if every MLK day we as a People withdrew our dollar from the companies Dr. King mentions as well as from those companies that advertise on B.E.T. and M.T.V. and on local radio stations that promote crime, lust, deceit and everything that Dr. King stood against and died for. What if we really listened to our lord and savior Martin the Christ? The true M.C.!

For if we really studied the Word of our savior we would also hear him saying to the Black Church in his same April 3 rd decree; “so often, preachers are not concerned about anything but themselves! And I’m always happy to see a relevant ministry. It’s all right to talk about ‘long white robes over yonder,’ in all of its symbolism. But ultimately people want some suits and dresses and shoes to wear down here. It’s all right to talk about ‘streets flowing with milk and honey,’ but God has commanded us to be concerned about the slums down here, and his children who can’t eat three square meals a day. It’s all right to talk about the new Jerusalem, but one day, God’s preacher must talk about the NEW York, the NEW Atlanta, the NEW Philadelphia, the New Los Angeles, the NEW Memphis Tennessee. This is what WE have to do.”

So why we ain’t doin’ it! Well, that answer also rests within that same April 3 rd 1968 decree. Dr. King, referring to Luke 10: 25-37 talked about the “Good Samaritan” and how we must “.develop a kind of dangerous unselfishness.” Pointing out how a priest and a Levite passed a beaten and robbed man on the road and how a Samaritan stopped to help, Dr. King made this point: “And so the first question that the Levite asked was, ‘if I stop to help this man, what will happen to me?’ But then the good Samaritan came by. And he reversed the question: ‘if I do not stop to help this man, what will happen to him? That’s the question before you tonight (referring to the sanitation workers then on strike in Memphis). If I stop to help the sanitation workers, what will happen to all of the hours that I usually spend in my office everyday and every week as a pastor?’ the question is not, ‘if I stop to help this man in need what will happen to me? If I do not stop to help the sanitation workers, what will happen to them?’ That’s the question!”

And that’s the answer, “dangerous unselfishness” we must develop this character again. People are “.not concerned with anything except themselves” and this is how crack cocaine can be sold on Dr. Martin Luther King Blvd and the police as well as Black leadership seem to be powerless to such blatantly illegal activity. As a Hip Hop nation we must not disgrace the blood of our ancestors and elders. As Dr. King said in Chicago; “We must make it clear, WE are going to live in dignity and honor, that WE are supposed to live there because WE are GOD’S CHILDREN and if WE are GOD’S CHILDREN he loves us (Hiphoppas) like he loves ALL of his children!”

This is Hip Hop! And either we are going to interpret Dr. King’s Word literally for OUR instruction today or we are going to interpret Dr. King’s words as historical protest poetry placed more in the realm of entertainment than in the realm of true nationalism.

Dr. Martin Luther King’s Jr.’s birthday is celebrated as a Federal holiday every third Monday in January. This year it rises on January 16 th 2006. This is an official Hip Hop holiday. Let us raise the awareness of OUR “lord” and “savior” Martin the Christ in the minds of OUR children. So, in recognition of MLK Day on January 16 th 2006.

Let us fast from spending money on things we really don’t need.
Let us tend to the needs of the poor; wherever and whoever they may be.
Let us watch any of the documentaries on Dr. King with our families.
Let us repent and stop disrespecting Dr. Martin Luther King Blvd.
Let us support all museums and community centers bearing Dr. King’s name.

Let us abstain from illegal drug use as well as alcohol and junk foods.
Let us show mercy, love, care and forgiveness toward one another.
Let us honor our parents, elders and ancestors.
Let us share ideas, food, etc with someone from a different race or ethnicity.

LET US BEGIN TO ACT LIKE THE NATION THAT DR. KING SAW IN HIS DREAM!

To be continued.

Visit The Teacha KRS-ONE and The Temple of Hip Hop at www.templeofhiphop.org

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Breakdown FM: Mike Shinoda & Fort Minor Step Into the Hip Hop Arena

Mike Shinoda and his group Fort Minor did a song paying tribute to those Japanese -Americans interned at War Re-Location CampsWe caught up with Mike Shinoda who many of you know as the lead rapper for the group Linkin Park. He has embarked on a new project which allows him to completely focus on Hip Hop called Fort Minor and their new album called ‘Rising Tides‘.

Shinoda deliberately downplays his name in connection to this project even though this is his idea and concept. He says this is being done so that fans will focus on and judge the project strictly on the merits of its music. In fact, he went so far as to scratch out his face on much of the artwork. He also noted that he wanted not dilute what they he does as a member of Linkin Park. Ideally people needed to see Fort Minor as a separate project even though Mike is the lead rapper and he works with the group’s deejay Mr. Hahn.

Shinoda starts off the interview by reminding us of his long connection to Hip Hop. He notes that he was doing Hip Hop long before he became a member of Linkin Park. In fact he was kicking up dust with the members of the underground rap group Styles of Beyond who he recently signed to his label and are prominently featured in the Fort Minor project.

Shinoda also talks about growing up and being taught how to play piano. He says he later went on to transfer that skill set to sampling and producing. He notes that over the years he and fellow band member Mr. Hahn have developed a technique for producing Hip Hop songs which includes the pair making their own samples which they press onto vinyl and now CD and replay back. He notes this approach gives them the sound and style they want while at the same time saves them lots of money on sample clearances.

Shinoda talks about the reason he decided to do this Hip Hop album minus Linkin Park. For many, this seemed a bit strange considering that the group did a Hip Hop oriented remix album for their landmark album ‘Animation’.

Shinoda explained that the group is not in anyway broken up; however he felt that there were a number of ideas that he had related to Hip Hop that simply would not be appropriate for Linkin Park. He said he would never want to do songs that would not include input from all the members and some of the songs on the ‘Rising Tide’ album are just too personal. It would be unfair to ask everyone to comment or pitch in.

Shinoda cites the song ‘Kenji‘ which brings to light his Japanese heritage and his family’s history. Many of us were not aware that Shinoda’s grandparents were forced to spend several years in California internment camps during World War II. They way he breaks things down in this track is absolutely incredible and it is easily one of the most political oriented songs I have heard in a long time.

Shinoda talks about other songs on the album including ‘Cigarettes‘ which he describes as a long metaphor for the way Hip Hop music and culture is mass marketed. He also notes that ‘Cigarettes’ is the favorite song of Jay-Z who is the executive producer.

In our interview Shinoda talks about his close relationship with Jay-Z. They became super tight during the ‘Collision Course‘ mash up album in which they mixed rock and rap. He says that he gave Jay-Z the option to come on the ‘Rising Tides’ album, but the role he really needed him to play was to give him a ‘yeah’ or ‘nay’ on song selections.

Shinoda wrote and produced all of the songs and used live instruments on many of them. He’s a perfectionist and hence needed the fresh ears and honest opinion of someone like a Jay-Z who could tell him what was ready to go and what needed more work.

During our interview we went into depth about the importance of having socially relevant messages in the music. This is what you will hear on Fort Minor’s album. He says that he has noticed that people really want something different. They are seeking music with meaning that does not sound like the run of the mill cookie cut projects that are currently flooding the market. He calls what Fort Minor does ‘Organic Hip Hop’, because of the subject matter and live instrumentation. He also includes groups like The Roots and Kanye West as examples of rap groups that have moved in that direction.

Shinoda concludes this interview by talking about the diversity of fans that the group has and basically how far Hip Hop has reached. He also talks about his approach toward emceeing and what it was like being in the studio with Jay-Z who he confirms does go into the booth with a pen or pad.

You can listen or download this interview by going here:

 

Straight Outta Beirut-Hip Hop in Full Effect w/ Clotaire K

Listen to our Interview w/ Clotaire K on Breakdown FM:

Breakdown FM-ClotaireK-05

Clotaire K

For most of us the city of Beirut has an interesting connection to Hip Hop in the sense that it often mentioned in rap songs as a way to describe toughness or indicate how violent prone a particular neighborhood is..¦What’€™s so crazy is that hardly any of the rappers in the US who raise up the name of Beirut have ever traveled there and have very little knowledge of the people or its Hip Hop scene. Sadly, most don’€™t even know what country Beirut is in-which is Lebanon for those who don’€™t know.

Recently I got a chance to visit Lebanon and get the 4-11 on the politics that have come to shape this country and its music scene. First, let me say this, Beirut is an incredibly beautiful city. Before I came there I thought it was gonna be nothing but bombed out buildings and folks running around in fatigues ready to bring the drama. There are definitely those areas. And yes, you do see soldiers in the streets carrying machine guns, but other then that, the place is on fire. It’s not what you think.

At the height of Beirut’€™s infamous wars less then 5% of the city was impacted. Since those dark days, everything has been pretty much rebuilt. The nightlife is off the hook with clubs getting packed around 3am and closing at 7 the next morning. Everybody is dressed with all the latest styles and are amazingly beautiful especially the women. And as I was told prior to arriving, that once I set foot in Beirut, I would not want to leave. That prediction was right. Beirut is easily the Miami Beach or Los Angles of the Middle East-Nuff said.

We sat down with well known local rapper Clotaire K who gave us the breakdown of Beirut’s burgeoning Hip Hop scene. Clotaire K has made major inroads with a slamming album called ‘Lebanese’€™ which has a lot politically charged lyrics rapped over boomin’€™ beats.

He noted that he a long with many other middle east rappers have a love for old school Hip Hop from the US, but Southern France is where he spent most of his days. It is also Hip Hop’€™s epicenter in that part of the world. Clotaire who spits many of his rhymes in French felt it was vitally important to also include music and references reflecting his native Lebanon. The mixture is music that will not only make your head bob, but also let anyone who thinks Hip Hop begins and ends in New York or in the US, that it’€™s a new day and time.

Clotaire K explained that most people in Lebanon are influenced by mainstream US culture which is imported via TV and videos. Hence rappers like Eminem have huge following amongst the general public. During our interview Clotaire pointed out the irony of Eminem mentioning Beirut in his raps followed by gun shots, yet for all his tough talk has not set foot in the country. Clotaire K noted that if he showed up he would get lots of love from the people.

Clotaire K also spoke about touring and how he’€™s focused a lot of his efforts in countries throughout South America, Africa and the Middle East. When I last spoke to Clotaire K he had just embarked on a two week tour throughout Egypt. He noted that it was a shame that more US artists have not blessed these places with their presence and while he understand it’s not always easy to touch down in far off lands, US rap artists have left an impression of being paranoid.

Clotaire also noted that for many, Hip Hop is seen as truthful expression that is easily accessible and has allowed people to make important political statements in an overtly politicized region. With regards to him, he says that he was influenced by Public Enemy and has great love for Bay Area rapper Paris who he feels has never been given his full props.

During our interview Clotaire K gives a full rundown about the very tricky and volatile political situation that involves Syria, Palestine and of course Israel. He notes that since the city has been rebuilt, there has been huge separation between rich and poor and that while Lebanon has evolved to this trendy destination spot for the rich and famous, the stark reality is that 95% of the population is poor. Gentrification out of the downtown area seems to be the order of the day and that these are the types of conditions that lead to conflict as well as anger being reflected in the music.

You can holler at Clotaire K by visiting his website http://www.clotairek.com/ or drop him an email at clotairek@clotairek.com

Below are links to our Breakdown FM intv on YouTube

Lastly.. when I met Clotaire K I was apart of the Freemuse Music conference on censorship.. in october 2005… Below is a link to the report they issued on their findings from that year..

http://www.freemuse.org/sw11193.asp

Breakdown FM: E-40 the Ambassador of the Bay Speaks His Mind

This is classic Breakdown FM interview we did with E-40 a few years ago…He gives a great run down of the Bay Area Hip Hop scene, We also talked to him about his new businesses which include a burger franchise and new nightclub in San Jose..

E-40 also gives some great history on the Bay and the origins of what he calls mob music. He also talks about the challenges of garnering national recognition and the perception of the west coast. he also talks about the art of emceeing, freestyling and recent collaborations.

Click the Links Below to Listen to E-40

E-40 Interview pt1

E-40 Interview pt2

Below are excerpts of the this E-40  interview

 

E-40 pt1: owning a franchise, opening a new nightclub

E-40 pt2: national recognition, staying ahead of the game

E-40 pt3: origins of mob music, working w/ Lil jon working w/ jive records

E-40 pt4: creativity, slang terms, battling, freestyles, collaborations

E-40 pt5: The Bay Area scene, E-40 new radio show,  perceptions of west coast artists

E-40 pt6: update on e-40 and the family

E-40 pt7: players ball

FNV: King Sun Gets Served / M-1 vs Minister Ben over Voting

hip-hop-newsSo here we are in New York gearing up for all the activities surrounding next week’s GOP Convention. Lots of people are planning to descend upon New York from all over the country to show their displeasure to George Bush and his policies. There are estimates of up to one million people rolling into the Big Apple.

The powers that be are doing everything in their power to shut things down. Their weapon of choice is thus far to deny everybody a permit to protest. The other weapon is law enforcement has been going around undercover, infiltrating groups and gathering intelligence all in the name of fighting terrorism. It’s gotten to the point where law enforcement types from other cities are now in NY helping familiarize the NYPD and others on activists and protest groups from their respective cities..

While all this is going on and the struggle continues for a permit to be granted to accommodate all these people, a lot of New Yorkers especially within Hip Hop are leaving town. The first casualty is Russell Simmon‘s Hip Hop Summit Action Network. They were one of the few organizations to actually get a permit and even fronted the initial seed money… But they will be pulling out although they left the permits and money intact. Yesterday they issues a statement as to why.

Russell Simmons

Russell Simmons

Personally I think folks are being forced to bow out. The climate is such that all the stops are being pulled out to shut @#%$ down…This would include detaining folks at airports, looking for old warrants, jamming people up for past activities etc… Considering that Russell was one of the first to call for a demonstration to suddenly pull out suggests that there’s something more to the story. The fact that so many cats that were planning on being in town are now leaving for Miami and Vegas seems more then coincidental…

Many of the artists Simmons has access to are now leaving for Miami for the MTV video awards. Others are bouncing to Vegas for the Magic Convention. If that’s not enough on the day of the big protests many of the pioneers and old school cats are headed up town to the Bronx for the annual tribute to Hip Hop pioneer the late Disco King Mario…That’s expected top draw thousands.

Its hard to make sense of what’s going on, but everywhere I’ve been, the vibe seems to be ‘I’m leaving town and getting the heck out.. Its not so much that people think something bad is gonna happen, it just seems to be both confusing and hectic.. so a lot of folks are leaving the Big Apple as the Republicans and protest groups come in…

In the backdrop of all this have been a number of well attended events put on by the good folks over at Allhiphop.com. Last night (Wed) they had an unsigned artist show case that was off the hook.. Saigon who has made a lot of noise with his political song ‘Kiss the Babies’ held it down as host while a who of NY’s underground came through and got busy. Groups like Unos Dos, Mims, Stimuli and many more rolled through SOB’s to do their thing. Many of the artists had some sort of political commentary in their songs..

KING SUN GETS SERVED

King Sun

King Sun

The highlight of the event took place outside SOBs when the legendary King Sun came through and started flipping rhymes for the dozens of cameras filming the event. I’m not sure what happened but King Sun decided to turn his attention to a small bespectled white boy who said he was an emcee. King Sun wanted to drop some gems and let the kid know that he was a GOD and there were lessons for this young kid to learn. So King Sun in front of a few dozen people started rocking some choice rhymes… Moments later the little white kid had everyone hooting and hollering and making phone calls to friends who held up their phones so they could share in the witnessing of King Sun getting his ass seriously lyrically served.

Yep, you read it right here the white kid who broke him down was a cat name AM Boogie, a native New Yorker who would not let up on his relentless punch lines. His rhymes ranged from him thanking King Sun for comparing him to fellow white rapper Eminem.. because as he pointed out ‘We’re both nicer than you’. It was that line that had folks pulling out their tape recorders, telephone and cameras..

Other choice lines included AM Boogie talking about how he could walk a tight rope between the gaps of King Sun’s teeth. What knocked King Sun out the ring was when AM Boogie acknowledging that King Sun was a God and that AM was a short white boy serving Sun in front of all his brothers…He concluded the rhyme by talking about how he always screws King Sun’s girl…

There was no coming back after that..King Sun showed the kid some love, gave him a hug and a pound and promised he would be back with some harder stuff and that it wasn’t gonna be his night.. AM Boogie went on to battle a few other cats,and disposed of them quite quickly. Everyone was still buzzing because to see Sun get served was a rarity… The Battle made everyone night.. Don’t get me wrong Sun came with some heat…. But this other cat AM Boogie was on a mission to topple the 7 foot giant..

Hip Hop and Censorship

M1

M1

The other highlight of the week took place on Tuesday night when Allhiphop drew more then 700 people to SOBs for a social lounge discussion on Hip Hop and Politics. It was great to see a line out the door with folks from all over New York coming through to peep the discussion. The panelists included Ms Info of Hot 97..Some of y’all may know her as Minya Oh a well known Hip Hop writer for Vibe and other Hip Hop publications, Joe Budden, M-1 from dead prez, Minister Ben of the Hip Hop Summit Action Network, Amanda Diva from VH1 and the editor of Vibe Magazine..

The panelist started off with a discussion about censorship. Most were of the opinion that artists should not be censored because it would open the door to other types of censorship that would be hard to reverse. However, Ms Info raised a good point about Hip Hop defending indefensible lyrics and behavior from artists who want to use lines like Lil Jon’s ‘skeet skeet skeet’ (cumming over someone’s face).

Minister Ben and M-1 asserted that we need to exercise personal responsibility and the community itself plays a role in what they are willing to accept or not accept…He also opted that he was featured on Jim Jone’s newly released album and that it did have lyrics that one could question. He noted that part of our collective responsibility was not to be so quick to listen to outside forces that insist on setting standards for our community, but don’t know the community. He broke it down by saying we should not follow the ways of descendants of former slave owners who have long censored Black folks here in America. He spoke about the importance of us trying to understand why and an artist goes in the direction he does and dealing with the artists on that level. In short, there may be a lot more to them then you think..

M-1 also pointed out that some of these outlets are quick to censor artists when they have something political to say, but remain complicit when they say foul things. He noted the solution was to not bother chasing down radio and video play because those are mediums we don’t own or control. He noted that these outlets would ultimately define who we are as a people and that the best thing any artists could do would be to build directly with the community. Once that happens censorship would not be as much as an issue.

Joe Budden addressed the controversy that swirled around his song where he talked about kicking a pregnant woman in the stomach on the remix to Usher’s song Confessions. He noted that what he said was misinterpreted and that he was describing what some brothers who felt they had their back up against the wall would actually think. He noted that he himself would never dream of doing anything so foul, but as an artist he wanted to play a character and let you hear what that character who he admitted was irresponsible and foul was thinking. He also noted that the song despite the protests was very popular.

To Vote or Not to Vote: Dead Prez vs Minister Ben

Ben Chavis

Ben Chavis

The discussion quickly moved to a topic that really set off fireworks. This was on the issue of voting and politics. It was pointed out that there was a lot of activity going on designed to register people, but at the same time popular artists like Nas, Talib Kweli and Slick Rick have gone on record to tell people not to vote..

Minister Ben set it off by talking about the work he and the Hip Hop Summit Action Network had been doing. He noted that he was on a mission to get folks political involved and one way to do was getting them registered to vote. He pointed out that there were many within in Hip Hop who were afraid to step up and seize power and by not getting involved was a punk move..

M-1 countered by noting that he was one of those artists who encourages folks not to vote. He pointed out that voting in this corrupt system would not bring about any significant change and that ultimately we had more important work to do in the community then run around voting… He also said that he didn’t want to appear to be in opposition to Minister Ben and his work. He said he supported the efforts and if one felt like voting was the way to go then he would not stand in their way, but at the end of day when they discovered voting doesn’t work, he and his organization would still be in the hood ready to work with them to bring about change..M-1’s remarks drew lots of applause

Ms Info and Joe Budden were of the opinion that voting is what is needed. Joe Budden pointed that no matter what happens either Kerry or Bush are gonna be in office and that we should be in record to make a statement.. He noted that there were other issues connected to voting.. not just Kerry and Bush.. He concluded by noting that he didn’t see too much difference in the two..except that one would screw you with Vaseline while the other wouldn’t..

Ms Info pointed out that right now the only currency elected officials are dealing with is the vote.. so until that changes we’re gonna have to get out there and try and push the envelop. Like Joe Budden she agreed that we’re gonna have some one in the white house making laws no matter what we do so we can at least try to get on the record and be heard…

Minister Ben came back and noted that the vote was not the only thing for us to do. He said the vote had to be connected to a larger plan of action. This is just a small step that leads to many. He noted that when he was younger he was of the same mindset of M-1. He spoke about how he spent most of the 1970s in prison for fighting to bring about social change. Over the years he learned to use every weapon including the vote. He also told the crowd if they wanted more wars in Iraq, less healthcare services in the hood and relief from a variety of other ailments then ‘Don’t Vote.. He pointed out that its not just about Bush and Kerry.. Its about all the local election where we need to vote. He pointed out a few laws that were on the books around the country that people could vote on to help end mandatory minimums prison sentencing.

He said when he was in jail there was nothing romantic or cool about it. Prison was not a place to ‘go find yourself’ and all he wanted to do was get out. It was heartbreaking to hear folks say right on and not vote to help bring about change that would help get him and others out. He agreed with m-1 that it is crucial to do work in the community and to build up institutions.. but we need to vote to make sure our hard earned money and tax dollars are brought back to the community so we make that happen.. Ben’s remarks drew loud applause.

In the end Ben and M-1 came to the conclusion that they both wanted social justice and true freedom for the community and in many ways they were saying the same thing. They just had different methods in how to go about doing things.. The discussion despite the messed up microphones was riveting and left folks with a lot to think about..

Props to Allhiphop for pulling together this forum…

 

Seattle’s The Stranger Publishes A Racist Hip Hop Article

Davey D Archived articleWell known Seattle DJ- B-Mello alerted us to this incredibly racist article that recently appeared in ‘The Stranger’ which is supposed to be a weekly ‘Progressive‘ Newspaper. According to B-Mello the regular Hip Hop Columnist, Samuel L. Chesneau was let go from the newspaper after he missed his deadline. He wrote a weekly column called ‘The Truth’. Apparently he was on tour managing a group. From the looks of the article, The Stranger decided to bring in a substitute columnist and Stranger editor Dan Savage who calls himself a ‘cocksucking, musical theater’ fan.

My guess is that the substitute column was written poorly with the attempt to recruit new writers and alert readers just how bad Hip Hop will be treated without a qualified writer. For example, he writes about his experience in listening to a DJ Spinna CD where someone is Beatboxing and how it sounds like a fart. This ‘faked’ clueless approach to Hip Hop music is somewhat understandable although lame, gets the point across. The newspaper needs a Hip Hop writer. What wasn’t excusable was Savage referring to a colleague as ‘Scholar Nigger’.

Apparently there’s a guy on The Stranger’s staff named Charles Mudede who goes around the office calling himself ‘Scholar Nigger’. This in turn led to Savage feeling comfortable enough to refer to him throughout the article by that name.

It’s bad enough that we have folks running around that think its ok..to use the ‘N’ word in mixed company. That’s an ongoing debate within the African American community. It gets compounded when it shows up in public discourse because now when folks start to object and point out how offended they are, the person using the term-in this case Stranger editor Dan Savage can smugly refer back to his colleague Charles Mudede who likes to call himself that. I’m not sure if Mr Mudede is African American or not, the term is still offensive.

Lastly what makes this incident even harder to deal with is that the formal spelling of the ‘N’ word is used. Most people who insist on blissfully using the word like to make the claim that when they use the word they are spelling it N-I-G-G-A as opposed to N-I-G-G-E-R. I’ve been on dozens of panels and discussions where rap artists and others insist that there’s a difference in the use of the word. The NIGGA spelling is supposed to be the Hip HOp, more friendly-terms of endearment spelling while the NIGGER spelling is the racist term. I have no idea who came up with this rule. I don’t agree with it at all, but nevertheless, that theory goes out the window with respect to this article in the Stranger.

This guy Mudede refers to himself as NIGGER and the editor Dan Savage references him with that particular spelling. Hence no matter how you slice it and no matter who many mind games we play with using this word as a term of endearment and pointing out its dual meanings-Savage and The Stranger crossed the line. Shame on this Mudede cat who allows himself to be referred to as a Scholar Nigger

Here’s the offensive article..
———————–

THE LIE
The Hiphop Tipped Over
www.thestranger.com/current/hiphop.html

Editor’s Note: The Stranger is currently without a hiphop columnist. Until we find a new one, Stranger editor–and cocksucking musical theater fan–Dan Savage will be filling in.
“I’m fascinated by rap and by hiphop,” Democratic presidential hopeful John Kerry recently told an MTV reporter. “I think there’s a lot of poetry in it. There’s a lot of anger, a lot of social energy in it. And I think you’d better listen to it pretty carefully, ’cause it’s important.”

I have to admit that Kerry’s comments cut me to the quick. Was I less hip than a U.S. senator who appears to have been born with a silver stick in his ass? The only hiphop performance I’d ever seen was that rapping granny in The Wedding Singer. Worried that I was missing out on an important art forum infused with poetry, anger, and energy, I asked Charles Mudede, Stranger staffer and self-confessed “scholar nigger,” to make a CD for me featuring a selection of hiphop tunes.

The first song was DJ Spinna’s “Hold.” It opens with what sounded like a fart–not one of those moist buttock-flappers that you might hear on The Howard Stern Show, but a tight, dry toot, the kind of fart your mother might cut in church. I asked Charles about what this fart sound was and he said it’s the “beat,” created by a “human beatboxer,” and not flatulence. Who knew? Then came Lifesavas’ “Me,” which was almost… music. The song opens with an actual, identifiable musical instrument: Someone is playing the piano! Then, unfortunately, the song proper started, a different human beatbox started farting away, and the piano was almost drowned out.

Oh, hey, we’re running out of space. My final duty as your hiphop columnist is to mention some “fat” shows coming up this week. Lifesavas will be performing with their pianist–I hope–at Chop Suey on Thursday, May 13. In fact, let’s hope only the pianist shows up. Friday, Cool Nutz performs at Premier. I didn’t listen to his CD, but I read through Cool Nutz’s press materials and all I have to say is that this man has a very high opinion of his own talent. He is, he tells us, “the epitome of creativity.” (It rhymes but is it true?) And Tuesday, May 18, John Kerry and other hiphop fans will pour into Chop Suey to see DJ Spinna play a free show, complete with pre-recorded fart effects.

Editor’s note again: You see what we’re left with here? Our old hiphop columnist ran off to be in an Eminem cover band, and Dan “I can write about anything in a half hour or less” Savage forces us to let him fill in. Do you have a strong voice in your writing and think you know more about local/national hiphop and can write better than both our editor and Charles “scholar nigger” Mudede? Mail in a cover letter about yourself and clips of your writing to Savage Knows @#%$ About Hiphop, c/o The Stranger, 1535 11th Ave, third floor, Seattle, WA 98122. Now. Please.

Did the Beastie Boys Dis Eminem?

Beastie-Boys-ruby-red

Beastie Boys Dis Eminem
Posted by Robert
Rap News Direct Staff
5/7/2004 6:37:50 PM

It’s clear that almost anything can set Eminem’s short fuse ablaze
and cause the rapper to retaliate in his music. Once reserved for
serious feuds in underground hip-hop, Slim Shady has carried the
tradition of on-record dissing with him into the pop world, leaving
artists (most of whom can’t rhyme their reply) confused by severe
insults hurled their way over petty squabbles or small
misunderstandings with the rapper. To date, so many high-profile
artists and celebrities have been dissed by Em that they could get
together and record a “We Are The World”-style benefit song for
themselves. Over the last five years Moby, Christina Aguilera,
Jermaine Dupri, *NSYNC’s Chris Kirkpatrick, Everlast, Britney
Spears, Benzino, Pet Shop Boys, Canibus, Limp Bizkit, Dilated
Peoples, Pamela Lee (twice), P. Diddy, Insane Clown Posse, Norah
Jones, Ja Rule and Christopher Reeve (three times) have all found
themselves on Eminem’s lyrical @#%$ list.

So as Shady nears the end of the recording process of his fourth LP,
one has to wonder — who will he dis next? The Olsen Twins? Big Boi
from Outkast? Christopher Reeve, just for something new? For those
placing bets with their friends, Chart may be able to give you a hot
tip on three potential candidates for Eminem’s next dis campaign:
the Beastie Boys.

We caught up with Beastie Boys last week in New York City. The night
before, they appeared on MTV premiering a clip of their ridiculous
new video for “Ch-Check It Out,” the first single from their long-
anticipated sixth album To The 5 Boroughs, set for release in mid-
June. Later that night, Eminem and his band D12 also performed.
Somewhere during the evening, Em stopped by the Beastie Boys’
dressing room to show respect to the white rappers who paved the way
for him. There was a mix-up, which, for the Beastie Boys, could turn
out to be deadly.

“It was actually funny, `cause there was a little misunderstanding
when he came to the dressing room,” explains the group’s MCA (a.k.a.
Adam Yauch). “Because we’d been joking around, saying that we should
have called our album Still Doin’ It, Huh? and we kept on saying
that. And so, when Eminem came into our dressing room, he was
like, `Yo, what’s up, just wanted to say what’s up to everybody‚’
and we shook his hand and stuff. And then he said to us,
like, `Still doin’ it, man, still doin’ it.’ And we all just burst
out laughing. He kind of looked puzzled and walked out.”

“Nah, I don’t think he… it wasn’t that big of a deal,” says Mike D
(a.k.a. Mike Diamond).

“I wonder if he told his group,” MCA ponders.

“He must have a sense of humour…” Diamond speculates.

Marshall, if you’re reading this, before you go record an album’s
worth of anti-Beastie Boys songs, please know that it was just a
misunderstanding. Nothing more. Beastie Boys respect you. Really.

Says Mike D, “He definitely has his own way — the way he switches
his flows up. Very versatile MC.”

The Roots Launch Record Label

The Roots Launch Record Label

By Gail Mitchell

The Roots

The Roots

LOS ANGELES (Billboard) – Hip-hop act the Roots has formed a label, Okayplayer Records, in partnership with Decon, a multimedia design/entertainment company, Billboard.biz reports.

The label derives its name from the Grammy-nominated group’s popular Web site, Okayplayer.com. The Roots previously operated the Motive imprint through MCA.

Roots drummer Ahmir “?uestlove” Thompson will executive-produce the label’s inaugural release, a compilation featuring the Roots, Skillz, Jean Grae, Madlib, Aceyalone, Little Brother and Dilated Peoples.

The album also will include two unsigned acts; Okayplayer Records is accepting submissions until Feb. 13, with details available through the Web site. The album is slated for release this summer.

“There is an array of untapped talent out there, especially from the people who are members of the Okayplayer.com community,” Thompson said in a statement. “The Roots have always been a magnet for talented artists. This deal is important to us because we can now provide a vehicle for bringing deserving artists to the forefront.”

The group currently is recording a new album, “The Tipping Point,” for release on Geffen. It’s the follow-up to 2002’s “Phrenology,” which is nominated for the best rap album Grammy.

Reuters/Billboard

Howard Dean Speech Set to Hip Hop Beats

Howard Dean, Hip-Hop Star
Fri Jan 23, 4:35 PM ET Add Entertainment – E! Online to My Yahoo!

By Joal Ryan

howard-deanHoward Dean (news – web sites)’s gaffe was Jonathan Barlow’s muse.

When Dean, the Democratic presidential hopeful, rolled up his shirt sleeves, rattled off the names of the 50 states and unleashed a throaty howl after going down to defeat Monday night in the Iowa caucuses, Barlow, the St. Louis graduate student, said he just knew: “I had to do something.”

And so Barlow put Dean’s much-mocked tirade to a hip-hop beat with horns and upright bass, and an Internet star was born.

Since he posted the 15-second clip on his blog at BarlowFarms.com on Tuesday afternoon, Barlow’s tripped-out Dean rant, dubbed the “I have a scream” speech, has been snapped up by media outlets from MSNBC to VH1, and likely blared from a computer speaker near you.

It’s not the only Dean rap out there–Right magazine’s online offering, “Dean Goes Nuts Remix,” proved so popular, the publication took it down because of traffic concerns.

“I think everyone of my generation…who saw the speech, whether they’re a Dean supporter or not, thought it was hilarious,” the 29-year-old Barlow said Friday.

Barlow said his remix was inspired by the work of comedian Robert Smigel, whose “TV Funhouse” contributions to Saturday Night Live have long used actual audio clips with which to hang the mighty and oft-quoted.

It also follows in the fine political-slash-Internet tradition of, say, editing together Ronald Reagan speeches until it sounds as if the former president and the “Just Say No” first lady Nancy Reagan are bemoaning a national marijuana shortage, and copping to heroin addiction.

“Anybody can do this in your basement,” Barlow said.

The religious history scholar’s own efforts were assisted by the Drudge Report, which posted the raw audio of Dean’s raw growl, headlined “YAAAAAAAAAAAAAARRRRHHHHHH!!!!!!!!!’,” on Tuesday morning. It’s that clip that Barlow funkified.

“I wanted it to be fast and funny and energetic,” Barlow said. “…I thought my small group of friends would think it’s funny.”

Barlow’s small group of friends proved so vast, and overall criticism of Dean’s lack-of-concession speech so great, that by Thursday night, the former Vermont governor was on CBS’ Late Show with David Letterman in damage-control mode, offering up a Top 10 list on “Ways I, Howard Dean, Can Turn Things Around.” (Number one: “Oh, I don’t know–maybe fewer crazy, red-faced rants?”)

Barlow, for one, said he wasn’t out to get Dean, the onetime Democratic frontrunner. Then again, he wasn’t looking to vote for him either.

Said Barlow: “I’m a supporter of George W. Bush.”

No doubt there’s a song somewhere in there, too.

http://www.youtube.com/watch?v=jBGR2I6pFYk