Dennis accused the 7 term congressman of being culturally insensitive and a borderline racist. He noted that it was unfair for the Congressman to try and ban word ‘nigger’  which he claims is a universally used and accepted term in African American dialect especially if its pronounced and spelled with the letter ‘A’ at the end and not the letters ‘Er’

 

“It’s an important part of Black and Hip Hop culture”,  Dennis said. “Today its actually a good thing to call someone a ‘nigga’ because it means you are a friend. It’s the community turning a positive into a negative. That should be celebrated, not criminalized. To disallow the N word’s usage via the airwaves could prove to be economically disastrous because Black and urban Rap listeners would tune away in droves”.

 

Simon pointed out the recent decline in ratings by Los Angeles based urban radio stations  which once dominated the LA radio market as Top 5 positions are now not even in the Top 10. He argued that these stations in anticipation of this bill voluntarily restricted the use of N word on their airwaves and now the ratings have dropped precipitiously.

 

Despite the broadcast industry’s compelling arguments all signs indicate that Congressman Desour will push to make the use of the ‘N’ word in both recordings and broadcast as part of the Hate Crime provisions. In other words, use of the N word in a criminal context within a song can get you slapped with a hate crime which carries mandatory punishments.

 

Famed author, photographer and Hip Hop pioneer, Ernie Paniccioli’s of the newly formed The Universal Federation for the Preservation of Hip Hop Culture reacted to the legislation placed before Congress; “From what I read,  this bill seems far reaching. Many of us who love, respect and strive to protect this culture we call Hip Hop are in total favor of cleaning up the airwaves and making sure our house is in order. Many of us do not approve or support the use of the ‘N’ word in public space, however, we are not in favor of only criminalizing the artist while allowing his oppressive colonialist of a master who runs the record label to be given a pass.”

 

Long time Hip Hop journalist and radio host Davey D said; ” I’m concerned that while this bill is an attempt to clean up the airwaves, and the music industry in general, it will most likely be used selectively against Hip Hop artists and may even be twisted to go after artists like Dead Prez or The Coup who say harsh things about the political system.”

 

To support these first two provisions of his bill,  Congressman Desour referenced a newly released report that was put together by law enforcement officials who oversea the Hip Hop Task Force that is currently based in New York City and the main focal point of a soon to be released motion picture. The task force’s exhaustive two year study concluded that there is a direct correlation in the rise of gang activity, drug dealing and other violent crimes with the high visibility and ultimate rewarding and endorsement of rap artists who have a criminal path.

 

“When young people witness artists like Snoop Dogg, Youngster Jeezy, Nas and other gangster rappers being coddled by the music industry it sends out the wrong message”, said HHTF spokesman Lynn Franks. “It leaves young people with the impression that the only way you can be successful in the music industry is to first be a career criminal”

 

Franks went on to point out that the HHTF discovered that many record labels were secretly orchestrating and encouraging their artists to engage in criminal acts and behavior as a way to spark controversy which in turn would lead to increased record sales. The report discovered that if an artist actually served jail time, then their album sales would shoot through the roof, because of the heavy promotion and endorsement by both the record labels and broadcasters who used their incarceration as a key selling point.

 

Franks also noted that many gangster rappers were communicating secret messages to fellow gang members and criminal enterprises around the country in recordings using coded street lingo, by adapting certain nicknames or wearing particular clothing and fashions.

 

During a press conference Franks asserted; “One popular artist from Atlanta named Youngster Jeezy calls himself ‘The Snowman’. His name and his lyrics are really street lingo advocating for people to steal cars. There’s been a huge spike is grand theft auto throughout Jeezy’s native Atlanta since he started releasing albums”.

 

Currently the HHTF is trying to build a case against Jeezy saying that his lyrics were premeditated.

 

 Franks went on; “There are two popular rappers out of Houston we been studying. Gangster rappers Paul Jones and Mike Wall has recorded numerous songs where they encourage to purchase false teeth filled with diamonds and other expensive  jewels that they nickname ‘grills’

 

Our study concludes that Wall and Jones and many of these other rap guys who are wearing these so called grills are actually smuggling diamonds filled while smiling for cameras. When these rappers describe the jewels they have in their mouth, they are actually sending secret messages to fellow diamond smugglers about the type of stash they are delivering”

 

Franks also pointed the hit song ‘Tell Me When to Go’ by popular artist E-40. “Here you have a young man who is blatantly advocating that young men and women participate in perverted sexual activities. When he instructs listeners at the end of his song to ‘Ghost ride the Whip’ . This is Bay Area street slang for bondage and S&M of the most dangerous type. Using whips while participating in sex acts is not only quite dangerous and can cause serious injury, but it’s also a violation of the law in 37 states. Because Mr 40 has such a young audience he can be in big trouble with the law where bondage sex is illegal”.