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Breakdown FM: The Historic Immigration March in Downtown LA

March 27, 2006 By

Breakdown FM: The Historic Immigration March in Downtown LA

We Didn’t Cross the Border-the Border Crossed Us!

by davey D

original article: Monday, March 27, 2006 

Listen to this historic event here;

http://odeo.com/audio/964057/view

Don’t believe the hype I was in downtown Los Angeles on Saturday when the historic march to protest the racist anti-immigration bill HR 4437 took place. For those who don’t know, this bill would make illegal immigrants felons as well as anybody, including family members who help them in any sort of way.

This means that if you have a cousin living in Mexico who comes over here and his paper work ain’t right, even if you didn’t know, you could face jail time. This means if you unknowingly hire somebody to haul away trash you could be in trouble. This is not about giving the government the power to build a wall at the border. This is much deeper then that.

As for the march, the mainstream news media claim there were 500 thousand people on who showed up. Keep in mind, this is after they tried to hate on the march and say only a few thousand were going to show up the night before. Trust me more than a million people showed up Anyone who was there could attest to that. All the blocks around the courthouse for as far as the eye could see was a sea of people. It was wall to wall. The rally started at 10 am. Folks showed up in masse around 6 am and it stayed packed with people until 3 or 4 that afternoon.

Also it was a beautiful thing. The vibe in the air and the overall energy was infectious as you saw everyone from church goers to gang bangers all fighting to keep this oppressive bill from passing. There was an enormous amount of young people. Many came with their families. Its been a while since I been to a rally or march where I saw Grandmas, parents, young adults and little kids all in attendance.

I talked to cats who were all tatted up carrying signs that said ‘Stolen Land Defeat HR 4437‘ and college cats carrying signs that read ‘Where was George Washington’s Green card’ carrying signs You could feel the spirit of resistance in the air. People are waking up and ready to hold people accountable for being so mean spirited

Also as you listen to the audio clips just don’t think this immigration thing is only gonna effect Brown folks. I guess the media doesn’t like to show what we all have in common, but bear in mind there’s a whole lot of Black folks like Haitians who this bill is designed to smash on if passed..

Listen to the audio clips and call your Senator to urge them to vote against this bill..

http://odeo.com/audio/964057/view

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Filed Under: Breakdown FM Interviews, Hip Hop Articles 2006, March '06 Articles, Political articles Tagged With: , , , , , ,

Breakdown FM-Ghostface Killah: Mature, Focused and Elevating Hip Hop

March 26, 2006 By

Ghostface Killah: Mature, Focused and Elevating Hip Hop

By Davey D

original article: March 26 2006

We sat down with Wu member Ghostface Killah and had an enlightening conversation about the current state of Hip Hop, the role he now needs to play as a rapper and as a Black man trying to uplift the community and his new album ‘Fishscales’.

Ghostface talks about the big changes he’s made in his life including giving up weed and becoming diabetic. He talks about how he’s become more mature and focused and how he has made a committment to reach out beyond the usual crime and murder raps that put him on the map.

His new album definitely has songs in that vein, but he’s clearly pushed the envelope with great results. During our interview Ghostface goes into depth about the types of maturity level he wants Hip Hop to reach and how we all have to be aware of the impact we are having on kids. He also talks about the types of steps we need to take in terms of uplifting women and holding up our responsibilities in order to make sure they have an easier road especially when it comes to raising kids..

Listen to the interview on Breakdown FM

Download and listen to Breakdown FM Intv

Download and listen to Breakdown FM Intv

Download Breakdown FM-intv w/ Ghostface Killah 06

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http://www.youtube.com/watch?v=3zUDcdH3OI4

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Filed Under: Breakdown FM Interviews, Hip Hop Articles 2006, March '06 Articles Tagged With: , , , , , , ,

Breakdown FM-Professor X was Vanglorious

March 18, 2006 By

In Remembrance of Professor X

original article-March 18 2006
Check out this special Tribute Mix we did in Memory of the Late Professor X .
Special Shout out to Paradise the Architect of X-Clan

odeo.com/audio/904888/view

By now folks may have heard the news about the sudden passing of Professor X of X-Clan.. I got off the phone with Brother J who was the lead rapper of this legendary group who delivered the sad news. We believe he died from spinal menegitas.. Tonight there will be a special tribute to Professor X on Divine Forces Radio 90.7 KPFK starting at 10pm if you are in Los Angeles. Brother J will be on as well as Paris..

 The passing of Professor X is sad indeed.. For those who are unfamiliar with Professor X please read the statement released by Afrika Bambaataa… X was the guy who coined the phrase “Van Glorious This is Protected by the Red, The Black and The Green“…What’s so sad and crazy is that nowadays when you talk about Professor X to today’s younger Hip Hop audience, they immediately think of the guy from the comic X-men..

Professor X aka Lumumba Carson was a good cat..who will be missed…

Davey D

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Professor X Was Vanglorious
by Wendy Day

I received an email from Afrika Bambaataa and Yoda today saying that Professor X had passed. I rushed over to allhiphop.com to see what happened to him. They confirmed Lumumba Carson passed from Meningitis. I am devastated.

In 1992, I started Rap Coalition out of pure disgust after seeing how my favorite rappers were treated– specifically, Eric B and Rakim, and X-Clan. In the late 80s and early 90s, these were my favorite rappers.

Lamumba Carson was great because he stood for something. He had something to say and he said it. He was the son of New York based (now deceased) activist Sonny Carson (how difficult it must be to be the son of someone so driven, focused, and important to humanity). Lumumba always rose to the occasion.

I always avoided meeting Professor X and Brother J (who, together, comprised X-Clan and heavily promoted the organization Black Watch), out of fear that they may not be what their image portrayed. At that point, I had met so many of my rap heroes and been disappointed in the past because of the diachotomy between image and reality (a painful lesson for someone devoting a career and life to helping her heroes for free).

I found that J and Lumumba were serious about what they were accomplishing. And while I found Professor X to be human with all the human frailties (thank God!), over the years I have found both of them to be exactly who they portrayed themselves to be–strong Black men, loving and caring for a race of people often too tired to fight for themselves. They were not hypocrites like soooo many others.

Like most rappers, and certainly like the majority of rappers from their generation, they did not make much money from their art form. In fact, they had the further degradation of watching others become wealthy on what they built, and on their art form (a BIG @#%$ you to Lou Maglia and 4th and Broadway).

I just spoke with Lumumba for the first time last year. I had received an email that was making fun of him because he listed himself on eBay, and was auctioning off “a day with Professor X” to the highest bidder. How he must be struggling financially to do something like that, I thought to myself. I became the highest bidder. The fact that I could barely afford to pay my rent at the time did not enter my mind. I was determined to buy a day with Professor X.

He ended the auction before the final deadline (doesn’t matter, I would have won regardless) because of the hateful emails circulating on the web about him putting himself up for auction. I was disgusted by the reaction. It was a f*cking lunch date with Professor X. Had it been Justin Timberlake for a charity, no one would have said @#%$. But a hungry man was not supposed to eat this way, I guess.

Somehow others who have made a career from (read: pimped) Hip Hop had the right to say what was acceptable or not for one of the Legends. All of a sudden, people making money critiquing what others create had the power to say what was the proper way for Professor X to make income. It pissed me off beyond words. I received disrespectful, opinionated emails from self-appointed authorities asking me why I supported such a gimmick. I got emails from fake-ass Hip Hop “journalists” spewing negativity and condescention without having all of the facts. I was disgusted with our community for not supporting Professor X and everyone else like him who needed our support and got jeers instead.

Lumumba called me. He knew who I was. He was excited that I had been bidding on his post. I had the opportunity to tell him what he meant to me. I told him how he influenced me to go down the path I am on without ever having met me. Now THAT’S power. He shared with me some of his industry expereinces and his hopes and dreams.

The price for Lumumba was high on eBay. Not high financially, but high in negative reaction, high in lack of support, and high in the realization that this unforgiving industry has no love for those who have come before when the @#%$ VH-1 cameras aren’t running. I think my last bid was under $100. I would have bid $1,000.

We quietly disrespect our artists for not being Billionaires, and then we disrespect them if we perceive them to “sell out” (read: earn a living). They can’t win. We bemoan artists today for selling misogyny, crime, violence, and materialism, but we didn’t support the ones who had a positive message once they were no longer perceived to be “hot!”

And God forbid they try to earn a buck on eBay selling the opportunity to spend time with them before they pass.

I wanted to spend a day with Lumumba. He would not take my money. We spoke at length about the industry and Afrocentricity. We discussed his father and his legacy. We discussed a lot. It was the first, and last, time we spoke.

I never got my day with Professor X. But what I did get was far more priceless. I got the real Professor X, and he is and was what he always said he was. He was REAL. And he loved people. Especially Black people. He will sorely be missed!

Please understand if the next time you see me I am stomping in my big black boots.

http://www.wendyday.com

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Filed Under: Breakdown FM Interviews, Essential Hip Hop Articles, Hip Hop Articles 2006, March '06 Articles Tagged With: , , , , , , , , , , , ,

To the East Blackwards-The Story of X-Clan

March 1, 2006 By
dbanner1newparis
The story of  X-Clan
To The East, Blackwards
(1990, 4th & Bway)
by Brian Coleman
March 16 2006

 xclan

When a young New Yorker named Lumumba Carson became immersed in the hip-hop world of the mid-’80s to help bring the sound to even more of the masses, his family wasn’t happy about it. But it had nothing to do with fears that he was staying up too late, out partying. Lumumba’s situation was a different one, since his father was Brooklyn-based black nationalist leader Sonny Carson.

 The pro-black side of my world thought I was stumbling from my mission in life,’ says Lumumba, aka Professor X, today. ‘I wasn’t being appreciated by them. I was torn between two lives.’ Elder Sonny eventually came to realize the power of hip-hop in spreading black nationalist thought, after his son formed X-Clan, who released their funky, intelligent and powerful debut in 1990. Their Blackwatch crew (with Isis, Unique & Dashan, Queen Mother Rage and others) came before the X-Clan, and it was much more than a fan club. X explains: ‘I always watched how music groups became successful and I knew that fanbase was very important. My idea was to make our fan club base into a movement.’

The seeds for the four-member X-Clan ‘ rapper Brother J, DJ Sugar Shaft and producers/elders Professor X and Grand Architect Paradise ‘ were planted when X and Paradise met in the mid-’80s, introduced by Russell Simmons’ right-hand-woman Heidi Smith. At the time Paradise was working a computer job in Rush Management’s first offices on Broadway, and X was interviewing Rush clients there for a radio station in Detroit, also road-managing Whodini.

Eventually Paradise began managing the famed Latin Quarter club in midtown Manhattan and the two friends started a management company called Scratch Me Management, working with artists like Stetsasonic, King Sun, Just Ice and Positive K. Their touch spread over much of the New York hip-hop world during the years 1985 to 1987. ‘We were very serious when we did X-Clan,’ says Paradise. ‘We were really trying to do something new, after being instrumental in the careers of so many other cats. Back then we knew everybody in hip-hop, but once we focused on X-Clan we kind of became reclusive, because we wanted it to work.’

In 1985 Paradise and X had met two young men who would complete X-Clan as a foursome, although they didn’t know it at the time. ‘I first met Sugar Shaft at the Latin Quarter, and Brother J was his best friend,’ recalls Paradise. ‘But back then we hadn’t ever even heard J rap. His affiliation with us was just as one of the young brothers in the [black nationalist] Movement.’ Sugar Shaft was a DJ on the rise back in the early days, and a member of Red Alert’s Violators crew. Brother J soaked in the teaching of elder Black Nationalists and also continued to perfect his MC skills. But J’s skills got pushed to the side for a year or more, because of the fact that X and Paradise were working with so many other top-level MCs at the time. In 1987, Paradise recalls taking J and Shaft to Ced-Gee’s ‘Ultra Lab’ home studio in the Bronx, where they cut a demo for a song called ‘It’s a Black Thing.‘ With the beginning of Blackwatch, put in motion with Unique & Dashan’s debut album Black To The Future in early ’89, their plan to start X-Clan was about to hatch.

After many passes through the A & R maze of Island Records and its hip-hop subsidiary 4th & Bway, X-Clan were signed for a single deal, directly by Island founder Chris Blackwell. Releasing the powerful double a-sided single ‘Raise The Flag’ and ‘Heed The Word of the Brother’ in 1989, the group became actively involved in the much-publicized ‘Day of Outrage and Mourning’ to protest the killing of Yusuf Hawkins in Brooklyn’s Bensonhurt neighborhood in August of that year. 4th & Bway knew they had a firebrand group on their hands, in certain ways akin to the controversial and popular Public Enemy, and they signed them for a full album. To The East, Blackwards was recorded in one month’s time and put on a full-steam-ahead promo track by the label.

Perfectly described by the opening track’s title, ‘Funkin’ Lesson,’ the album mixed bouncing old-school funk samples with pro-black words of wisdom, perfectly and powerfully expressed by the muscularly-voiced Brother J. Professor X offers this distinction for those who grouped X-Clan and Public Enemy, two different sides of the same struggle, in the same boat: ‘Public Enemy should always be protected, so don’t misunderstand me. But their message, what it was and how it was delivered, just seemed so complicated. We felt that blackness was easier than that. If you were a brother or sister in Brownsville, it was right up under your nose. You only needed to talk to your grandmother to know how proud you were supposed to be and who you were.’

 Although it didn’t contain any crossover smash singles to push it into sales nirvana, the album put X-Clan at the front of the list of groups addressing black struggles in cities around the world, and for that they are still respected today. Professor X says, looking back: ‘I didn’t think the album would explode like that, right away. I had planned on a two-year development process, over probably two albums. But all we needed was one. Everything that happened back then was much more than we could have ever dreamed of.’X and Paradise lovingly drive their 1959 pink Caddy past selected tracks from their debut:

Funkin’ Lesson

Paradise: We definitely combined our message with some funky music. But that’s a pretty obvious thing, since people don’t respond to @#%$ if it ain’t hot, whether there’s a message or not. We were all about walking the walk, not just talkin’. We just really wanted to be funky and put the lesson in the funk. That’s what the song was about. We were trying to redefine something, and have more culture in the music.

Professor X: I was a funk-head from back in the day. That was my contribution to our earliest music. The George Clinton vibe we brought. I mean, who would have thought that the funk explosion in hip-hop started from a group in New York! At heart we were just some funky niggas, trying to connect anything we were saying politically, to funky music. It was just natural for us. It all fell into line, we all clicked into that George Clinton spirit.

Grand Verbalizer, What Time Is It’

X: The ‘crossroads’ I mention in that song, and in other places on the album, was very important to us. We wanted to give recognition to all those who didn’t know where they were at in life. It was the point in their lives where they were trying to get clear. We were drawing a picture where you were at so you could make decisions. And decisions start at the crossroads, and you’re protected there.

Tribal Jam

Paradise: A lot of people take Brother J for granted as a rapper. A lot of the things that he said were things that we or our elders lived personally. Everything we wrote came from the cultural experience of black people. It was all real. And we used the music to build a strong movement.

A Day Of Outrage, Operation Snatchback

X: The Day of Outrage was the day when the Brooklyn Bridge was taken by 20,000 or 30,000 people, with Reverend Al Sharpton. That song is about how we were there [in Bensonhurst], fighting for the right of recognition. We were also deeply involved in the protests in Crown Heights, later on [in 1991].

Verbal Milk

X: Ah yes, the Pink Cadillac! I mention that on that track, don’t I’ We wanted to tell people to celebrate themselves. When I think of a Pink Cadillac I think of my uncles, who were from South Carolina. Those guys had a Caddy every year. It meant something to them. We were talking about a 1959 pink Caddy because it represented a point in time. Once the elders saw that we were talking about that, they knew that we recognized the transition between a certain kind of negro into a certain kind of black man. We wanted to celebrate the Caddy, too, because we had a little pimp in our crown. We got style from that. It was a metaphor. We wanted to celebrate things that some black people wanted to hide. Corn bread, grits. In every video of ours, Sugar Shaft is eating something. Chicken or watermelon. We love that food and there’s no reason to be ashamed of it, in fact totally the opposite!

Shaft’s Big Score

Paradise: Shaft [who passed away in the mid-’90s] was my best friend. He was quiet and funny and an incredible DJ. Very quite and peaceful. A couple times when I was down he even bought pampers for my kids. Food, whatever. He was amazingly generous and we all really miss him.

X: Each person in the group was a piece of madness, that you’d never believe could get along with the other three [laughs very loudly]. You’d never think we could be in a room together. And that’s why it was magic together, too. Sugar Shaft had such an energy! We had to buy him new Technics turntables every two weeks because he destroyed them, just doing his cuts. They would literally be no good to anybody after he was through. He would sweat so much when he cut, too. He just had so much inward energy. He also cut with his left hand, so he’d have to cross one arm over the other. I think that Shaft’s influence is where the bounce in our music came from. We miss him. That particular track, which features Shaft’s DJ skills, was a very hard track to do, because back then there was no automation. We had to do it over many times to get the punches in there correctly. We heard Terminator X’s tracks and we wanted to counter them, on that level. Because we respected him so much. We all motivated each other in that way.

Raise The Flag

Paradise: That song was actually originally signed to Warlock Records, before 4th & Bway. They loved that demo we did so much that they gave us money right there on the spot with no contract. So we took that money and used it to record an album for the group Uneek & Dashan who we were managing at the time. Warlock ended up signing them and Isis, too, and then we went to 4th & Bway after paying Warlock back. Basically, once we started recording the first 6-7 tracks for X-Clan, we didn’t think that Warlock could do enough with it. We needed something bigger. That was the first studio song that we did. I got that sample from a neighbor of mine in Crown Heights. She heard Run-DMC blaring through my walls and instead of yelling, she wanted to hear more about them, and borrowed the album from me. Then one I day I heard that Roy Ayers ‘Red, Black and Green’ song blaring through * her * walls. She had a crazy loud system that put mine to shame. She was a jazz lover more than hip-hop. So I banged on her door and asked her what the hell that music was.

 X: That was our first single, the song we got signed to 4th & Bway for. When the single came out in 1989 it didn’t do good in New York, even though we had stuff like my father [Sonny Carson] putting us on a float during the David Dinkins campaign [for mayor of New York]. After two or three months there was nothing going on with the record. And we went to do a show in Detroit, with I think Kwame and Special Ed, in front of like 5,000 people. It was a talent show, I think. We went out on stage after those guys finished and the place went CRAZY, which was big news to us. So much so that they had to bring in the police to calm things down. I don’t even think that 4th and Bway knew we was that big in Detroit.

 

 Heed The Word Of The Brother

X: We had ‘Raise The Flag’ done and ready to go as a single but we felt that we needed something even stronger to go along with it. That was the beginning of me making enemies at the record company. They didn’t want a b-side and they just wouldn’t do it. So we financed ‘Heed The Word’ on our own, all the way through the mastering. I was right about it and the record company was wrong. It was a perfect example about how they didn’t even know what they had. On that track, other people, like Heavy D and De La Soul, had used that music already. So we made our song even stronger than what they had done. We called the 45 King and he put a string of horns at the end of the beat, and that’s why ours is different.

 

 

Paradise: That was the only song that anybody outside of X-Clan ever collaborated on with us, as an outside producer or artist. Mark the 45 King made the beat, and I produced the song. I put in the hook, and the ‘Flashlight’ stuff in the intro.

 

In The Ways of the Scales

X: That is definitely one of my favorite tracks on the album, if not my #1 favorite.

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Filed Under: Breakdown FM Interviews, Essential Hip Hop Articles, Hip Hop Articles 2006, March '06 Articles Tagged With: , , , , , , , , , , , , , ,

The Promised Land – Reflections on Dr. Martin Luther King Jr. and the Hip Hop Nation

January 15, 2006 By

dbanner1newparis

original article January 2006

The Promised Land – Reflections on Dr. Martin Luther King Jr. and the Hip Hop Nation

by KRS ONE

krsone1smile-225PEACE AND MUCH LOVE TO ALL GENERATIONS OF HIP HOP KULTURE! We are truly a blessed nation! In these times of war, mass unemployment and social unrest let US become the changes that we would like to see in the world. We are an international culture of new people on the earth. So let US be the civilization that we expect others to be. Together (as a Hip Hop Nation) we truly have a great opportunity to establish peace, love, unity and safely having fun with our Hip Hop activity in the world. And NOT with our “hip-hop” activities in the world, but with our collective unified “Hip Hop” activity in the world we have an opportunity to establish a “True World Order”.

Yeah, I know that there are some that shall (and have already) unjustly criticize our efforts toward peace from “behind the screens”. But civilization building is NOT for everyone, nor can everyone even comprehend the importance of such an attempt. Nevertheless, such an attempt must be made for our own security as adults and as parents as well as for the security of our children and their children’s children’s children. No criticism, debate or unjust slander can ever move US from the fulfillment of our ancestor’s dreams.

Our Hip Hop preservation movement is NOT just about the preservation of Hip Hop as Breakin, Emceein, Graffiti Art, Deejayin, Beatboxin, Street Fashion, Street Language, Street Knowledge and Street Entrepreneurialism it is also and more importantly about continuing our ancestors dreams/visions of true freedom, justice and equality amongst ALL people; this is the world’s true order. WE MUST NEVER FORGET THE STRUGGLE! Our ancestors as well as our children and the future of Hip Hop are depending upon US! TODAY! Either, you ignore this fact or you engage this fact; either way, the choices that you make and the effects of such choices shall come to pass in YOUR own life and prove the character of who YOU really are.

There is never a reason, nor is there ever time, to criticize or debate the movements of others when you are busy working at the realization of your own movement. Its funny to me how some people have so much to say about KRS ONE and his attempts to establish Hip Hop as an international community of peace, love, unity and having fun yet they have made little or no progress at all in that which they espouse as the solution to the social ills of our time. My message is clear; “Rap is something we do, Hip Hop is something we live!” Therefore, how shall we live as Hiphoppas? Sure, we can sit around and brag about the greatness of our ancestors and recount their victories of the past, but when shall we rise to our own victories in the present?

How long shall we reminisce over the glory days of the Civil Rights Movement without continuing the struggles and maintaining the victories of such a movement today? How long shall we romanticize the fact that our ancestors were civilization builders without even attempting to build any such civilization for ourselves today? All of this is a disgrace to the very greatness of our elders and ancestors! By talking about our ancestor’s greatness and not continuing in the footsteps of such greatness do we not betray the very greatness that we are speaking of? It’s better to remain ignorant of your ancestor’s achievements than to know of your ancestor’s achievements and do nothing to continue their legacy! Is this not a traitor to their very ideas? A traitor to the movement? Is this not a true sell-out?

Say whatever you like about KRS ONE (good, bad or indifferent) but one thing is for sure, no amount of criticism shall ever remove or shake him from the continuation of what his ancestors and elders lived and died for. Call me whatever you like; from “a true prophet” to “a false prophet” none of it matters when compared to the real struggle of our people to gain their rightful place at the table of peace and prosperity. And who are “our” people? This begins our reflection on the “Promised Land”.

Ya know, as I see it, the world is not terrorized by religious fanaticism; it is more terrorized by religious apathy. Too many people in the world today are not taking their religion or spiritual practice seriously. Too many people have simply lost their faith. And why? Scandals? Inconsistencies? Poverty? Sickness? All of or some of these may be the cause of such mass faithlessness but from what I see, people loose their faith when they are distant from the knowledge of their God. They don’t really know if their God truly exists or not, and within such distance created by doubt people forget what God really looks and sounds like. So when God appears to them in the form of a man or woman (or other animal), the logic of the World tells them that such an appearance is just a person espousing some really good ideas. “Oh, he was a great man” or “oh, she was a great woman” but never do they assume that they were in the presence of their “lord” and “savior”. And this, I think is the main reason why many people are faithless today; they’re forever waiting on a savior that has already appeared!

Too many people are waiting for their savior to appear in the way that their oppressors have determined when a true savior will always be at odds with an oppressive government that chooses to enslave its own people and contradict its own laws. In fact, this is the reason for a savior; to free humanity from the restraints of ignorance and oppression. Too many people have been indoctrinated in the Jesus story without really knowing anything about the life of the Christ. This is why when their savior appears they don’t recognize him/her; they’re to busy looking for Jesus. Throughout most of recorded history men and women of God alike have appeared to their people with divine solutions and remedies to rid their people of their oppression. But in ignorance, the People themselves reject their OWN savior and even assist in his assassination. As Jesus pointed out; “thou killest the prophets and stonest them which are sent to thee” (Matthew 23: 37).

A savior is a person who saves or rescues. No bells, no whistles, no hype! Just a person who saves others. “Savior: a person who rescues another from harm, danger, or loss (American Heritage Dictionary). A “lord” (throughout history) is a person who has authority, control or power over others. “Lord: a man of renowned power and authority (American Heritage Dictionary). And yes, there are other definitions to “lord” however, when it comes to a spiritual teacher or “savior” this is what someone’s “lord” would be. A “lord” is your master, your chief; the one that you submit to, the one that you deeply respect. Different from “The Lord” which is usually ascribed to Jesus the Christ, “a lord” is someone that you have entrusted your life to. They lead you.

On January 15 th 1929, my “lord” and “savior” Michael King was born. He would adopt the name Martin Luther (named after the German theologian who challenged the doctrine of the Roman Catholic Church in the 16th century which resulted in the establishment of the Protestant churches) and after attending Moore House College in Atlanta, Crozer Theological Seminary in Pennsylvania and then Boston University were he received his doctorate, Martin Luther King Jr. became Dr. Martin Luther King Jr. He is my “lord” because I give him such authority over my life. He is my King! I respect him. I believe in him! He is my “savior” because the only reason I am freely doing what I am doing and freely going wherever I wish to go is because of him and his sacrifices. In all honesty, I could NOT be KRS ONE in the way that I am if it were not for Dr. Martin Luther King Jr.! He saved me from White racism! He liberated me from self-destruction! He stood up for me when I could not stand up for myself. And to him I am forever grateful.

His strength has given me strength. His courage has given me courage. His faith has given me faith. His vision has given me vision. In truth, I am living HIS dream! I don’t need to look at a 2000 year old Christian history for instruction when I can simply follow the instructions of MY lord and savior Dr. Martin Luther King Jr. who laid his life down in 1968 so that I could live more comfortably today in 2006. Those who have benefited by Dr. King’s sacrifices yet prefer to honor Jesus as their lord and savior will be shocked when Jesus returns to them saying, “I never knew you.” For it was Jesus who said, “This is my commandment, that ye love one another, as I have loved you. Greater love hath no man than this, that a man lay down his life for his friends” (John 15:12-13).

mlkWe can talk all day about revolution and “what we gotta do” but if WE are not willing to exalt to sainthood those who lay down their lives for OUR freedom and comfort then we are truly lost! When are WE going to honor OUR own “lords” and “saviors?” Is this not the beginning of any effective revolution? Why put your faith in the sacrifices of foreign messiahs, saints and saviors when your own father has given HIS life for the advancement of YOUR well-being TODAY? Dr. Martin Luther King Jr. IS THE CHRIST! He is the “savior” of all who believe in him and his words. And as Hiphoppas, we must pay very close attention to the instructions of OUR savior if we are to grow and develop as a truly righteous nation ourselves.

In his famous “I Have A Dream” decree Dr. King said; “In the process of gaining our rightful place we must not be guilty of wrongful deeds. Let us not seek to satisfy our thirst for freedom by drinking from the cup of bitterness and hatred. We must forever conduct our struggle on the high plain of dignity and discipline. We must not allow our creative protest to degenerate into physical violence. Again and again we must rise to the majestic heights of meeting physical force with Soul Force!”

This is the essence of any true Hip Hop movement. In fact, it is our belief that Hip Hop is the fulfillment of Dr. King’s “I Have A Dream” speech. When studied closely one can see that Dr. King’s words were directed to his four children and all those of the younger generation of his time. When he said, “I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin but by the content of their character”, most people assumed that the only nation Dr. King could have been talking about was the United States of America. That one day IT would live up to its creed of “all men” being “created equal” with the “unalienable rights” of “life, liberty” and the “pursuit of happiness”. Indeed Dr. King was talking about America as a nation, but it is clear that he was NOT talking about the America that he was protesting against. He saw a radically different America than even the one that exists today! In fact, after Dr. King’s assassination in 1968 things got worse!

Dr. King’s vision of true racial unity and equal citizenship under the Law never fully materialized for the people of the United States. As much as Americans love to hear about integration and the vision of ONE America with many shades and colors, in real life Americans are more segregated as a nation today than ever before. Despite the enormous advances made by Dr. Martin Luther King Jr. and Thurgood Marshall toward a totally integrated American school system (for example) today, schools that bear their names are known to be the most segregated schools in the United States!

You can limit your analysis of Dr. King’s “I Have A Dream” decree to just being the protest speech of the day if you like. But if you were one of the Black or White children that his speech was referring to then Dr. King’s Word is to be understood in the realm of prophesy, prediction and instruction not just (as the average American mind remembers it) as protest words for his time. On the contrary, Dr. King was not even speaking for his time; he was speaking for OUR TIME! Most of what he said in that famous decree was said in future tense. Dr. King said; “one day right there in Alabama, little Black boys and Black girls will be able to join hands with little White boys and White girls as sisters and brothers”.

Most people because of their own prejudices refer to the phrase “as brothers and sisters” figuratively. They doubt that “little Black boys and girls” and “little White boys and girls” can actually be real “brothers and sisters!” And they doubt this because for Black children and White children to become real blood brothers and sisters this means the creation of a new race, a new sect of people. And this concept goes way beyond what most people can actually handle today. As prophesy, Dr. King’s “I Have A Dream” speech calls a new nation into existence. And because he was speaking to the future of those youths (us) born between 1960 and 1970 (generation X) who became the pioneers of modern Hip Hop and instinctively created the alternative multicultural, multiracial, omni-faithed community that Dr. King predicted, it is safe to say that WE are the true citizens of the nation Dr. Martin Luther King Jr. dreamed about. HIP HOP IS THE PROMISED LAND!

No where else on earth is there an international culture that is home to all races, classes, ethnicities and religious beliefs other than Hip Hop. No where else on earth is a person truly judged by the “content of their character” rather than by the “color of their skin” than within Hip Hop. Dr. King said, ” One day on red hills of Georgia, sons of former slaves and sons of former slave owners will be able to sit down together at the table of brotherhood”. Nowhere has this happened in the world on a mainstream level except within the community of Hip Hop. As pimped-out, thugged-out and drugged-out as we appear to be, Hip Hop is NOT a racist culture. Our existence as a Hip Hop community fulfills Dr. King’s prophecy philosophically and historically. Within our Hip Hop community a person gains money, power and respect through a display of high skill in one or more of Hip Hop’s unique elements. Here, you are truly judged by the content of your character (your attributes, your abilities, your reputation, who you associate with) not by your race or ethnic origin. Hip Hop is beyond all that.

But just like the original vision of Hip Hop being about peace, love, unity and having fun was betrayed by the very people that it was designed to help, so was Dr. King’s dream also betrayed. Dr. King not only saved Black folks from years of segregation and forgave America and showed America true unconditional love but he also gave America a way out of sin and laid out the foundations for a truly civilized nation. In response, Black folks booed him, President Johnson would call him a “nigger preacher”, the N.A.A.C.P. disowned him and in the end White folks killed him! DAMN!

martinlutherkingpoint-225As a result, “The Dream” of Dr. King fell upon the ground and both Blacks and Whites trampled over it! Even those of his own “Southern Christian Leadership Conference” sought after the success of their own careers rather than continue the realization of “The Dream”. And let me say right here, that I am not be overly critical of anyone’s efforts. But after Dr. Martin Luther King Jr.’s death it seems that everything went back to the way it was. People from Dr. king’s own camp seem to have forgotten the “Dream”. Proof of this is the simple fact that many Americans especially Black Americans don’t even know who Dr. King is or what he was really all about. Is this the fault of “the White Man” or is this the fault Dr. King’s own Black People?

Why do WE allow illegal drugs to be sold on those streets named after Dr. Martin Luther King Jr.? Why doesn’t every Black home have a picture or a word of Dr. King hanging upon its walls? Why have Black scholars allowed Black children to learn of Dr. King as a man who “let the dogs bite him” as opposed to teaching them the deeper meanings and benefits to not using violence as a way to solve problems? Why aren’t ALL children taught about the strengths of non-violent passive resistance? Why are we more interested in Dr. King’s sex life than we are the realization of his “Dream?”

Even further, why hasn’t Dr. King’s final campaign for the relief of poverty and the redistribution of wealth for poor Black people not followed through on after his death? When Dr. King said in his famous last decree on April 3 rd 1968 at a Masonic Temple/Church in Memphis Tennessee; “And also in the human rights revolution, if something isn’t done, and in a hurry, to bring the colored peoples of the world out of their long years of poverty, their long years of hurt and neglect, the whole world is doomed” did any one really hear him. Or is it just a coincidence that long years of “poverty” and “neglect” is also being said to be the cause of terrorism today?

Why is it that the only part of this last decree before his assassination that anyone gets to here is the very end of the decree where he says; “. I’ve been to the mountain top. And I don’t mind. Like anybody I would like to live a long life. Longevity has its place. But I want you to know tonight, that we, as a People, will get to the Promised Land. I may not get there with you. But I want you to know that we as a People will get to the Promised Land”. Why haven’t we frequently heard the other parts of that famous decree where Dr. king also said; we are asking you not to buy Coca-Cola in Memphis. .not to buy Sealtest Milk. Tell them not to buy .Wonder Bread. .We are choosing these companies because they haven’t been fair in their hiring policies. .I call upon you to take your money out of the banks .we want a bank-in movement in Memphis”. Why we ain’t hearing these messages frequently. What if every MLK day we as a People withdrew our dollar from the companies Dr. King mentions as well as from those companies that advertise on B.E.T. and M.T.V. and on local radio stations that promote crime, lust, deceit and everything that Dr. King stood against and died for. What if we really listened to our lord and savior Martin the Christ? The true M.C.!

For if we really studied the Word of our savior we would also hear him saying to the Black Church in his same April 3 rd decree; “so often, preachers are not concerned about anything but themselves! And I’m always happy to see a relevant ministry. It’s all right to talk about ‘long white robes over yonder,’ in all of its symbolism. But ultimately people want some suits and dresses and shoes to wear down here. It’s all right to talk about ‘streets flowing with milk and honey,’ but God has commanded us to be concerned about the slums down here, and his children who can’t eat three square meals a day. It’s all right to talk about the new Jerusalem, but one day, God’s preacher must talk about the NEW York, the NEW Atlanta, the NEW Philadelphia, the New Los Angeles, the NEW Memphis Tennessee. This is what WE have to do.”

So why we ain’t doin’ it! Well, that answer also rests within that same April 3 rd 1968 decree. Dr. King, referring to Luke 10: 25-37 talked about the “Good Samaritan” and how we must “.develop a kind of dangerous unselfishness.” Pointing out how a priest and a Levite passed a beaten and robbed man on the road and how a Samaritan stopped to help, Dr. King made this point: “And so the first question that the Levite asked was, ‘if I stop to help this man, what will happen to me?’ But then the good Samaritan came by. And he reversed the question: ‘if I do not stop to help this man, what will happen to him? That’s the question before you tonight (referring to the sanitation workers then on strike in Memphis). If I stop to help the sanitation workers, what will happen to all of the hours that I usually spend in my office everyday and every week as a pastor?’ the question is not, ‘if I stop to help this man in need what will happen to me? If I do not stop to help the sanitation workers, what will happen to them?’ That’s the question!”

And that’s the answer, “dangerous unselfishness” we must develop this character again. People are “.not concerned with anything except themselves” and this is how crack cocaine can be sold on Dr. Martin Luther King Blvd and the police as well as Black leadership seem to be powerless to such blatantly illegal activity. As a Hip Hop nation we must not disgrace the blood of our ancestors and elders. As Dr. King said in Chicago; “We must make it clear, WE are going to live in dignity and honor, that WE are supposed to live there because WE are GOD’S CHILDREN and if WE are GOD’S CHILDREN he loves us (Hiphoppas) like he loves ALL of his children!”

This is Hip Hop! And either we are going to interpret Dr. King’s Word literally for OUR instruction today or we are going to interpret Dr. King’s words as historical protest poetry placed more in the realm of entertainment than in the realm of true nationalism.

Dr. Martin Luther King’s Jr.’s birthday is celebrated as a Federal holiday every third Monday in January. This year it rises on January 16 th 2006. This is an official Hip Hop holiday. Let us raise the awareness of OUR “lord” and “savior” Martin the Christ in the minds of OUR children. So, in recognition of MLK Day on January 16 th 2006.

Let us fast from spending money on things we really don’t need.
Let us tend to the needs of the poor; wherever and whoever they may be.
Let us watch any of the documentaries on Dr. King with our families.
Let us repent and stop disrespecting Dr. Martin Luther King Blvd.
Let us support all museums and community centers bearing Dr. King’s name.

Let us abstain from illegal drug use as well as alcohol and junk foods.
Let us show mercy, love, care and forgiveness toward one another.
Let us honor our parents, elders and ancestors.
Let us share ideas, food, etc with someone from a different race or ethnicity.

LET US BEGIN TO ACT LIKE THE NATION THAT DR. KING SAW IN HIS DREAM!

To be continued.

Visit The Teacha KRS-ONE and The Temple of Hip Hop at www.templeofhiphop.org

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Filed Under: Essential Hip Hop Articles, Hip Hop Articles 2006, Jan '06 Articles Tagged With: , , , , , , , , , ,

Breakdown FM: Mike Shinoda & Fort Minor Step Into the Hip Hop Arena

December 1, 2005 By

Mike Shinoda and his group Fort Minor did a song paying tribute to those Japanese -Americans interned at War Re-Location CampsWe caught up with Mike Shinoda who many of you know as the lead rapper for the group Linkin Park. He has embarked on a new project which allows him to completely focus on Hip Hop called Fort Minor and their new album called ‘Rising Tides‘.

Shinoda deliberately downplays his name in connection to this project even though this is his idea and concept. He says this is being done so that fans will focus on and judge the project strictly on the merits of its music. In fact, he went so far as to scratch out his face on much of the artwork. He also noted that he wanted not dilute what they he does as a member of Linkin Park. Ideally people needed to see Fort Minor as a separate project even though Mike is the lead rapper and he works with the group’s deejay Mr. Hahn.

Shinoda starts off the interview by reminding us of his long connection to Hip Hop. He notes that he was doing Hip Hop long before he became a member of Linkin Park. In fact he was kicking up dust with the members of the underground rap group Styles of Beyond who he recently signed to his label and are prominently featured in the Fort Minor project.

Shinoda also talks about growing up and being taught how to play piano. He says he later went on to transfer that skill set to sampling and producing. He notes that over the years he and fellow band member Mr. Hahn have developed a technique for producing Hip Hop songs which includes the pair making their own samples which they press onto vinyl and now CD and replay back. He notes this approach gives them the sound and style they want while at the same time saves them lots of money on sample clearances.

Shinoda talks about the reason he decided to do this Hip Hop album minus Linkin Park. For many, this seemed a bit strange considering that the group did a Hip Hop oriented remix album for their landmark album ‘Animation’.

Shinoda explained that the group is not in anyway broken up; however he felt that there were a number of ideas that he had related to Hip Hop that simply would not be appropriate for Linkin Park. He said he would never want to do songs that would not include input from all the members and some of the songs on the ‘Rising Tide’ album are just too personal. It would be unfair to ask everyone to comment or pitch in.

Shinoda cites the song ‘Kenji‘ which brings to light his Japanese heritage and his family’s history. Many of us were not aware that Shinoda’s grandparents were forced to spend several years in California internment camps during World War II. They way he breaks things down in this track is absolutely incredible and it is easily one of the most political oriented songs I have heard in a long time.

Shinoda talks about other songs on the album including ‘Cigarettes‘ which he describes as a long metaphor for the way Hip Hop music and culture is mass marketed. He also notes that ‘Cigarettes’ is the favorite song of Jay-Z who is the executive producer.

In our interview Shinoda talks about his close relationship with Jay-Z. They became super tight during the ‘Collision Course‘ mash up album in which they mixed rock and rap. He says that he gave Jay-Z the option to come on the ‘Rising Tides’ album, but the role he really needed him to play was to give him a ‘yeah’ or ‘nay’ on song selections.

Shinoda wrote and produced all of the songs and used live instruments on many of them. He’s a perfectionist and hence needed the fresh ears and honest opinion of someone like a Jay-Z who could tell him what was ready to go and what needed more work.

During our interview we went into depth about the importance of having socially relevant messages in the music. This is what you will hear on Fort Minor’s album. He says that he has noticed that people really want something different. They are seeking music with meaning that does not sound like the run of the mill cookie cut projects that are currently flooding the market. He calls what Fort Minor does ‘Organic Hip Hop’, because of the subject matter and live instrumentation. He also includes groups like The Roots and Kanye West as examples of rap groups that have moved in that direction.

Shinoda concludes this interview by talking about the diversity of fans that the group has and basically how far Hip Hop has reached. He also talks about his approach toward emceeing and what it was like being in the studio with Jay-Z who he confirms does go into the booth with a pen or pad.

You can listen or download this interview by going here:

 

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Filed Under: 2012 Daily News, Artist Interviews, Breakdown FM Interviews Tagged With: , , , , , , , ,

Straight Outta Beirut-Hip Hop in Full Effect w/ Clotaire K

October 7, 2005 By

Listen to our Interview w/ Clotaire K on Breakdown FM:

Breakdown FM-ClotaireK-05

Clotaire K

For most of us the city of Beirut has an interesting connection to Hip Hop in the sense that it often mentioned in rap songs as a way to describe toughness or indicate how violent prone a particular neighborhood is..¦What’€™s so crazy is that hardly any of the rappers in the US who raise up the name of Beirut have ever traveled there and have very little knowledge of the people or its Hip Hop scene. Sadly, most don’€™t even know what country Beirut is in-which is Lebanon for those who don’€™t know.

Recently I got a chance to visit Lebanon and get the 4-11 on the politics that have come to shape this country and its music scene. First, let me say this, Beirut is an incredibly beautiful city. Before I came there I thought it was gonna be nothing but bombed out buildings and folks running around in fatigues ready to bring the drama. There are definitely those areas. And yes, you do see soldiers in the streets carrying machine guns, but other then that, the place is on fire. It’s not what you think.

At the height of Beirut’€™s infamous wars less then 5% of the city was impacted. Since those dark days, everything has been pretty much rebuilt. The nightlife is off the hook with clubs getting packed around 3am and closing at 7 the next morning. Everybody is dressed with all the latest styles and are amazingly beautiful especially the women. And as I was told prior to arriving, that once I set foot in Beirut, I would not want to leave. That prediction was right. Beirut is easily the Miami Beach or Los Angles of the Middle East-Nuff said.

We sat down with well known local rapper Clotaire K who gave us the breakdown of Beirut’s burgeoning Hip Hop scene. Clotaire K has made major inroads with a slamming album called ‘Lebanese’€™ which has a lot politically charged lyrics rapped over boomin’€™ beats.

He noted that he a long with many other middle east rappers have a love for old school Hip Hop from the US, but Southern France is where he spent most of his days. It is also Hip Hop’€™s epicenter in that part of the world. Clotaire who spits many of his rhymes in French felt it was vitally important to also include music and references reflecting his native Lebanon. The mixture is music that will not only make your head bob, but also let anyone who thinks Hip Hop begins and ends in New York or in the US, that it’€™s a new day and time.

Clotaire K explained that most people in Lebanon are influenced by mainstream US culture which is imported via TV and videos. Hence rappers like Eminem have huge following amongst the general public. During our interview Clotaire pointed out the irony of Eminem mentioning Beirut in his raps followed by gun shots, yet for all his tough talk has not set foot in the country. Clotaire K noted that if he showed up he would get lots of love from the people.

Clotaire K also spoke about touring and how he’€™s focused a lot of his efforts in countries throughout South America, Africa and the Middle East. When I last spoke to Clotaire K he had just embarked on a two week tour throughout Egypt. He noted that it was a shame that more US artists have not blessed these places with their presence and while he understand it’s not always easy to touch down in far off lands, US rap artists have left an impression of being paranoid.

Clotaire also noted that for many, Hip Hop is seen as truthful expression that is easily accessible and has allowed people to make important political statements in an overtly politicized region. With regards to him, he says that he was influenced by Public Enemy and has great love for Bay Area rapper Paris who he feels has never been given his full props.

During our interview Clotaire K gives a full rundown about the very tricky and volatile political situation that involves Syria, Palestine and of course Israel. He notes that since the city has been rebuilt, there has been huge separation between rich and poor and that while Lebanon has evolved to this trendy destination spot for the rich and famous, the stark reality is that 95% of the population is poor. Gentrification out of the downtown area seems to be the order of the day and that these are the types of conditions that lead to conflict as well as anger being reflected in the music.

You can holler at Clotaire K by visiting his website http://www.clotairek.com/ or drop him an email at clotairek@clotairek.com

Below are links to our Breakdown FM intv on YouTube

Lastly.. when I met Clotaire K I was apart of the Freemuse Music conference on censorship.. in october 2005… Below is a link to the report they issued on their findings from that year..

http://www.freemuse.org/sw11193.asp

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Filed Under: 2012 Daily News, Artist Interviews, Breakdown FM Interviews Tagged With: , , , , , , , , , ,

Interview w/ Afeni Shakur One Year After Her son 2Pac has Passed

September 3, 1997 By

 

afeniThis interview took place one week before the one year anniversary of 2Pac’s untimely death.. His mother, Afeni Shakur who has been the subject of so much of 2Pac’s work talked very passionately about her son.. During the interview his Godfather Geronimo Pratt rolled through.. and his sister Set also stopped through….

Davey D: The First thing I want to do is thank you for granting us this interview. We’re up on the anniversary of your son’s un-timely death. There are so many of us that are still in the shock, so many of us who can’t believe it and so many of us within the Hip Hop Generation that are trying to heal from this. And one way we can bring about this healing, is to continue to study and learn about Tupac. I guess the best way to really do that is by talking to you his mom, Afeni Shakur. You’re the person who can provide us with that bridge of information. After all, you’re the woman who raised him, you’re the person who helped shape him, and helped make him into the person whom we’ve come to admire. I guess the first thing I would like you to do is let our listeners know who Afeni Shakur was. You were a member of the Black Panther Party, you were pregnant with Tupac while in jail, as one of the infamous New York 21. Who is Afeni Shakur?

Afeni Shakur: Basically, first let me just say Peace and Respect to all of the listeners, and all of the people who care about my son, who care about his work and who care about his music. And the first thing I would like to do is give encouragement to Brothers & Sisters who are artists or trying to be artists. From the bottom of my heart, I encourage them to work on their art and to not allow anyone or anything to keep their artist spirit down. And that to me is really important. And then having said that, let me say that I was a member of the Black Panther Party. I joined in 1968. When I joined, I wasn’t a student. I did not come off the college campuses like a lot of known Panthers did. I came from the streets of the South Bronx. I had been a member of the Disciples Deads, which would have been the women Disciples in the Bronx..

What the Panther Party did for me, I used to always say it gave me home training. The Party taught me things that were principles to living, and those principles are the principles I think most Panthers have tried to pass on to their children and to anybody else that would listen to them. You know that one of those principles was like don’t steal a penny, needle or a simple piece of thread from the people. It’s just general basic things about how we as individuals treat a race of people, and how we treat each other as a people! And those are the things I think the people recognize in Tupac….

We discovered, that within the BBP, that is you try and live by these principles and you have attached to those principles a willingness and a desire to protect and defend your family and your people.. also if you have a large mouth and your willing to speak openly about those things, that you are going to be the victim of all kinds of attacks. That’s basically what has happened to all of us. Tupac was and remains in my mind a child of the BBP. I think that I always felt that even through this society that they had destroyed the work of the BBP. I always felt that Tupac was living witness to who we are and who we were. I think that his life spoke to every part of our development and the development of the Party, and the development in this country that I don’t think will die.

Davey D: One of the perspectives that people have put forth about Tupac was that he was a gangster.. and that, he was somebody who invited trouble.How do you address that? How should, especially those of us within the Hp Hop Generation perceive 2Pac?

Afeni Shakur: First of all, the difference in people’s temperment and my temperment, our temperment is such that is just like you were asking me about a song ‘Wade in the Water, God Gonna Trouble the Waters’. We want the waters troubled. We are trouble makers, it’s what we are here for. We don’t make apologies for it. Why would we? We are revolutionaries, the children of Revolutionaries…. I believe that this is true, basically of young people in any Generation. And that’s just true naturally. For us, we’re trouble makers, because why wouldn’t we be trouble makers in a society that has no respect for us. That has no respect about what I began talking you about. The fact that it is a miracle that we sit here. I don’t think that we are suppose to be anything but trouble makers. Tupac use to comment on people who critized him for cursing, as a matter of fact he said this is just about verbatum, ‘As I walked into this hall, I passed a young child who was hungry. There is not a bigger curse than a young child hungry’. If we are not concerned about the incest, the rape, about our children dying at the rate that they are dying, I cannot imagine why we would be making all this noise about a word, any word.’..

Davey D: Do you think his music influenced people to move in a direction of violence? That was one thing, I remember the police in Houston wanted to sue him and say that he caused an officer to be shot….

Afeni Shakur: They did sue him in Houston and as a matter of fact, that campaign was started by C. Delores Tucker who has now sued Tupac’s estate, namely Tupac’s music. Has sued him for interfering with her and her husband’s sexual life. Now, don’t you think that’s proposterous? Of course it is. And I think it’s okay for us to say that it is.. and it’s just as proposterous to think that music could influence you to do anything else. If that were possible, will someone, please, make a song that will influence us to not kill each other. Please, I beg any person to do that. That should be simple under that mentality. But obviously, that’s an irrational concept, and that’s what I mean about us thinking. Don’t allow people to think for you. Let’s use ration. It’s okay for us to do it. I’ll tell you something else, for people who feel so bad about Tupac’s leaving this planet, we should remember that each of us come here with a beginning date and an ending date. Tupac’s beginning was June 16, 1971 and his end was September 13th, 1996. In the 25 years that God gave him on this earth, he shone like a star, and he did all that he was suppose to do, he said all that he needed to say. You need not weep for Tupac, but weep for yourself, because we are left here with these contradictions that we still must face.

Davey D: The whole rivarly between Tupac and Biggie and to see both of them at the height of their careers, as far as a lot of people are concerned gone. Have you ever talked to Biggie’s mom? You know you guys are looked at in a way where it’s like well, wow if we can’t get next to them, we have to get next to their mothers. What words do you pass on about that? And what are your thoughts on that?

Afeni Shakur: Let me say that my son was killed on 9/13/96 and Nov. 10th, Yafa Ufala, one of the Outlaws and a member of my son’s group, and a member of our family was murdered… and on Jan. 12th a daughter of another member of the BPP was murdered in her bed with her baby playing in her bed while the killer, her husband, watched all day long. What I have known from the beginning is that I am not alone. And I am not alone does not mean that the only two people that got killed were Biggie and Tupac. I am so sorry, but every child’s death is painful.

To me, it’s painful, because it’s this process that we have to stop. We are right back to the same thing which is about ration and reason..and about winning. And as I said, Tupac had 25 years and he did 25 years worth of wonderful work. What the next person needs to know in whatever years they are alloted to them, is what have they done? And I’m sure that Biggie’s mother must feel the same about her son. It’s no use in people trying to swage their on guilt for their own deficiency by debating or spending that much time on Tupac and Biggie.

Davey D: What do you mean by swage?

Afeni Shakur: I mean that we all have to speak about our own issues. When we talk about rivarlries, with East/West Coast, I don’t have any idea what that is. But let me say this, my son was shot on two separate occassions; the 1st was five times, twice in the head and at that time we though he could have died. So a year later he was shot again and he did die, but there wasn’t a rivarly. My son was injured by gunshots and my son reacted through his msuic to what had happened to him and as I say, Tupac spoke eloquently about how he felt about all of that East/West Coast stuff. I would not try and change one period of a sentence that Tupac spoke about that, because Tupac was an honorable young man, He did not lie and whatever Tupac said happened, happened in that way. And I think that people have to deal with their responsibilities for whatever they have done or not done. That’s a part of life also. Tupac dealt with his responsibilities, I think other people have to do the same.

Davey D: You talk about Tupac being honorable and speaking truth. How did you feel when he said things about you in records?

Afeni Shakur: He told the truth. I live with truth. I have no secrets. Neither did Tupac, neither does my daughter. We don’t live behind secrets, we don’t live lies, we are who we are, and we are pretty happy to be who we are. We are proud of who we are and we stand tall and defend who we are.

Davey D: Was it painful to hear him talk about you having a drug addiction? Was it something that you had to discuss or did you know that he would put some things that happened in his life in music for the public to look at and hear and formulate their own opinion?

Afeni Shakur: Let me first say that any of those songs that Tupac wrote was primarily the way he felt about something. You have a right to express your feelings. I do not have to agree with them. I needed him to say how he felt, specifically about the pain that I had caused him. That’s how we heal ,and so you now for me it was Tupac explaining something that happened to his family, his reaction to it and his feelings about it. I think they were honest and I respect him for that. Absolutely and completely.

Davey D: Tupac has done a lot of thing in his career. What do you think he should have done differently in terms of the decisions he made? What sort of path do you think he should have continued on? Do you think he deviated, or went down the wrong corner in any of the things that he did?

Afeni Shakur: I think that Tupac made perfect decisions for himself. I would like to encourage young people to make decisions for themselves. You make decisions that you stand by and you take responsibility for them. Really, this is life, you try to make a difference in peoples lives, because you stand firm for something. So really, for me, Tupac was perfection.

Davey D: What do you think the mis-perceptions that you as his mom would like to clear up about him?

Afeni Shakur: The misconceptions are that Tupac was a rapper, the Tupac wasn’t political and that Tupac was a gangster. But primarily I really think that time will take care of that. I have faith in Tupac’s legend. I really believe in the divinity of legends. I believe that God choose Tupac and I believe that no human being can destroy his image, his legend, his life, his music or his work. So in reality I don’t care what people say, because I truly believe that God sent him here. He sent him with a mission. He fulfilled his mission and he went back where he came from.

Davey D: What is it about Tupac that so many people admired, and still admires about him?

Afeni Shakur: His truth in the face of anything. And I think that you know that’s why people don’t want to believe that he is dead. Because they believe that Tupac could face anything, and come out on the other side. Let me say, so can you.

Davey D: It’s been a year and there’s been a lot of controversy surrounding his death in terms of who owns the estate, recording rights and situations involving the record company Death Row. What is happening with that? Can you give us an understanding on where things stand and where you hope to have things going?

Afeni Shakur: As it relates to Death Row, we have reached an agreement, a settlement of some sort and I’m sure that’s probably resolved.

Davey D: There has been an iron hand placed upon people who might have had affiliations with Tupac in terms of them releasing his earlier music. I guess that’s good, because they have always had to come through and some how deal with you one way or the other before materials are released. Where does that stand now? Will we start to see hear some of his earlier recordings? Some of the things he left with Death Row, will they start to come out or are there other plans for releases of his music materials, movies, etc.?

Afeni Shakur: Well, some of Tupac’s extended and biological family have started Amoru Records, which is a record company that Tupac would have started had he still been here. We are going to first release his earlier material so that people have a more comprehensive understanding of what his journey was. We have the end of his journey, it would probably be okay to have the beginning also, so that’s what we are attempting to do with his first release. And after that, we would like to do a tribute album and an audio book of his poetry.

We also are committed, within the next 2 or 3 years to developing and releasing up to 8 new artists. So prayfully we will be able to do that what we want to do is so business in a principle and ethically manner. And prayfully we will be able to do that outside of that, we are trying to negotiate a documentary about Tupac’s life. Possibly and probably a feature film with HBO with a producer by the name of Marvin Worth… What we wanted is for people not to steal Tupac’s material.

It had really less to do with control than it had to do with stealing.. And the problem I have with stuff is that, I always say if Tupac were here would you do it? And to answer the question, you wouldn’t do it if he were here.. First of all I have no respect for you because you are a coward.. And I know if Tupac was here he would call you one of those names that he knew oh so well.. And that’s pretty much the way I feel about the Vibe Pictorial Book.. I found out about it when it was reviewed in Essence Magazine.. I had been speaking to Quincy Jones all year and he never mentioned it.. I have no respect for that kind of behavior.. People can buy what they want, but just don’t expect me to say it’s cool, because I am not.. and further more I ain’t mad at nobody..

Davey D:What individuals do you see today that embody the revolutionary spirit that has often been associated with 2Pac? Who has that mindset?

Afeni Shakur: Well, I really think Sista Souljah has that type of spirit. I think Geronimo Pratt also has it..and so does Mumia Adul Jamal.. The fact is ..that I’m not whaling off the names of young brothers and sisters a mile a minute…It’s not like Tupac was the most excellent person.. I just ask for people to be honorable, honest and honest to themselves about themselves and to be courageous about truth. When I can see more of that, I’ll just feel a little better, but whether I do or don’t I’m not mad at nobody…

Davey D: Is this a lost generation? Are we a lost generation?

Afeni Shakur: Absolutely not!.. Thank You Treach for your song.. Thank You Scarface for your song.. Thanks for the respect Bones Thugs N Harmony.. Thanks for the respect and at least musically understanding what my son was about and saying.. They’ve done that.. I thank them from the bottom of my heart…

Davey D:So tell us about the foundation…

Afeni Shakur: I just wanted to tell people that outside of music, Tupac was about the business of helping families and helping people.. We would like to continue that… We started the Tupac Amuru Foundation. We will be giving you notice about how people can get in touch with the foundation, whether they are interested in either obtaining or giving assistance.. We are really excited about that.. One of the first things we want to do with the foundation, is to build an Art Institute in the name of Tupac over in Marin City where that little boy was killed. We would like to leave something there that is an institution that goes on everyday and provides help for somebody in that community.. Tupac wanted to build Ghetto Heavens and Thug Heavens all over the country.. So that’s the stuff we are going to do…

Davey D: Any idea who might have taken his life? Do you think the government had some connection with it?.. They talk about the rappers being the revolutionaries of the 80s and 90s..do you see the same type of forces that divided the Black Panther Party at work with today’s rap artists..?

Afeni Shakur: Yes I do.. But I just don’t want to simplify things by saying that it was the government.. because that’s another reason why I would like people to study The Art of War by Son Zu, and The Prince by Machavelli, so that they would have a better way of looking at things.. I don’t think it’s just the government.. I don’t think our enemies are just in the gov’t.. I believe it was in someone’s interest to play this card out like this.. The other side of that is that whoever the person was that pulled the trigger and whoever participated in it and knows about it; those people will have to deal with that from here to eternity.. Not only will they have to live with it, but so will their children and their children’s children.. I would not want to stand before God and say that I’m the one who took Tupac’s life.. So what I have to say is more power to them..

2pac’s sister Set rolls through and some questions are directed at her…

Davey D: What was it like growing up with 2Pac? What type of person was he? Was he the same type of person we got to know through film, records and video?

Set: If you listen hard and look..well yeah.. You grew up with him the same way I did.. It’s just that I grew up with him longer..But everyone else grew up with him the same way I did.. Everything from Souljah’s Story to Brenda’s Got A Baby to Against All Odds. Everything he told may not have been his own, it may have been the way God wanted him to do it…You know they way of written law and stone that is truth, but the truth is your life… If it wasn’t his truth, it was your truth, my truth the girl down the street truth, it was true to him…If he didn’t go through it, I went through it. He felt what other people felt whether it was him or not….

Davey D: Did you grow up with him all your life?

Set: I am not too sure of the years.. but when my mother started to use drugs.. I started puberty and Pac started to become a star.. He was working on his career.. And it wasn’t even a year before he went on the Japan tour with Digital.. It was the only year of my childhood that we were apart.. Besides then he got his own apartment and became an independent man

Davey D: Is there an expectation or pressure on you to try and continue to be an embodiment of 2Pac?

Set: I really feel like if anybody put that pressure on me, it’s me. Religious people say, you’ve been touched by Jesus and proof is your life will never be the same again.. and you have changed another person’s life. I feel like I’ve been touched by a Saint.. I have a son to raise and Pac was the man in my life as well as my sons.. Well, now I have to make myself learn how to deal alone…

Davey D: Any last words that you like us to know or any last things you would like us to keep in our hearts and minds about your son?

Afeni Shakur: Remember the words of my son.. Remember to Keep Your Head up.. Remember Against All Odds.. Nobody Can Judge You.. that’s God’s job.. Remember, the things 2Pac said..I just really ask people to really study his music and to listen to his music with an open heart and soothed mind.. Thank you very much.. Peace

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