10 Cool Photos of Public Enemy at the Art of Rap Show

Public Enemy Art of Rap-097

What would Hip Hop be like without Public Enemy? For many, Hip Hop would be a stale genre that died off a long time ago. Many like to reduce Chuck D, Flavor Flav, Professor Griff,  DJ Lord and the S1Ws and the team to just being a ‘conscious‘ rap group that gave this culture political swag.

Yes, while it’s true there’s no denying Public Enemy broke ground as a politically minded group, it should be noted they were by no means the first to drop science.  Nor were they the only ones to drop science, during the Golden Era in the late 80s, early 90s when they first hit the scene. Groups like KRS-One, Poor Righteous Teachers, X-Clan and Queen Latifah to name a few,  all came to the table with message oriented raps. Prior to them we had groups like Grandmaster Flash, Whodini, Run DMC and Kool Moe Dee who gave us songs to grow on…

What often gets overlooked about Public Enemy is their innovativeness on a number of fronts. First and foremost they elevated the art of sampling and created a style called cram sampling. They made music that was built upon layers and layers of sound that was carefully curated. The group would spend hours hunting down obscure records and then chopping them up only to have them buried under other obscure records they chopped up and buried.

Group members like Professor Griff, the Minister of Information would spend hours combing through speeches and archival footage that would layer be woven into each Public Enemy song.  This was on top of the cuts and scratches  done by team members like Johnny Juice, Terminator X and now DJ Lord.

All that was complimented with the booming voice of Chuck D which cut through the noise and the well timed vocal punches, adlibs and quick verses of Flavor Flav.  The group took sound in directions music hasn’t gone before.

The way they made records via their production team called The Bomb Squad which included brothers Hank and Keith Shockalee along with Eric ‘Vietnam’ Saddler was done so that you heard something different each time you listened to a song and album. Public Enemy made living breathing recordings which we havent seen the likes of to this day.

Once the industry evolved and put laws in place that curtailed sampling, Public Enemy flipped the script and started using a live instruments and to this day travel the world with a live band called The Banned which is headed up by Professor Griff.

Public Enemy broke ground by seeing the world as their stage.  There were others who came before them that broke ground internationally, but PE took this to new heights. They have long called  themselves global citizens with Chuck D constantly advocating for us to get passports and see the planet. The group has circled the globe on world tours over 100 times with no end in sight.  Each  country and city visited was never such in which the group stayed holed up in a fancy hotel, but instead these were grounds where they fostered strong relationships that have lasted over their 30 years as a group.

We haven’t even gotten into the major ground Public Enemy broke in terms of the internet. They pioneered recording and using the internet as a distribution platform.  They been on the web long before most even heard of the word internet.  On their 5th album Muse Sick-n-Hour Mess Age, Chuck D and long time friend Harry Allen aka the Media Assassin recorded a song which was actually a phone conversation called ‘Harry Allen’s Interactive Super Highway Phone Call to Chuck D‘ where the two talk about the future of music and how it would play out over the internet. What was said in that song recorded in 1994 has since come to pass with eerie accuracy.

The show Public Enemy put on the other night during the Art of Rap tour in San Francisco was one to marvel at as they showed and proved the heights Hip Hop has and can continue to make. There’s is no wonder why the group has been inducted into the Rock-N-Roll Hall of Fame. Below are photos I took as they got busy. Enjoy

Public Enemy Art of Rap-098

Public Enemy Art of Rap-043

Rickey Vincent & Chuck D Speak On the Legacy of Michael Jackson

Professor Rick Vincent-author of History of Funk drops a lot of insight about the musical legacy of Michael Jackson and his brothers

Professor Rick Vincent-author of History of Funk drops a lot of insight about the musical legacy of Michael Jackson and his brothers

Michael Jackson and the Jackson 5 are considered stellar musicians and entertainers who changed the game in major ways. Oftentimes when we speak of them they are presented as if they came out of nowhere and their musical prowess came out of a vacuum. We wanted to give people some deeper insight into their music and what it meant to Soul, Funk and the Black community.

We sat down with Professor Ricky Vincent aka the Uhuru Maggot, author of the landmark book The History of Funk. We sat down and walked through the history of MJ and the Jacksons and talked in-depth about their influences ranging from James Brown to Stevie Wonder. We talked in-depth about their roots including how MJ and his brothers grew up in Gary, Indiana. We talked about the important role Gary played in Black America, both in terms of having one of the country’s first African-American mayors and the 1972 meeting by Black folks to set a nationwide agenda.

We talked about their father Joe Jackson and who he is and how he spent a lot of childhood and teenage years in Oakland, California. Vincent talked about the vibrant blues scene that was in full gear when Joe Jackson was around in West Oakland and how that may have been a foundation for his musical ambitions.

We spoke about Michael Jackson and his dancing history. We talked about his signature moves ‘The Robot’, The Moonwalk and locking and noted how these were popular dance styles well-known in various hoods throughout California for years prior to Michael introducing them to the rest of the world.

Michael-jackson-250We talked about the struggles the group had when MJ’s voice changed and how Motown executives wanted them to follow a particular pop formula while the group pushed to establish a new sound that was more soulful, funky and contemporary. Eventually the tension became so great that the group left Motown and joined Epic. Because Motown owned the name The Jackson 5, the group changed their name to The Jacksons. Complicating their situation even more was the fact that older brother Jermaine married Berry Gordy’s daughter hence he went on to stay at Motown and do a solo career.

We talk about the influence James Brown had on Michael and how he went out and pretty much adopted much of Brown’s delivery, showmanship and overall style. We explore the music from that time period in the mid 70s and note how the group found themselves under the gun as they tried to keep up with icons like Stevie Wonder, George Clinton, Sly Stone, BT Express and an array of ‘child groups like the Sylvers who had busted on the scene and were hitting hard.

Ricky reminded us of how George Clinton and his p-funk mob were in Detroit recording songs and that their style and influence was definitely felt. because he was connecting with the hood, the Jacksons were forced to step it up and become a little more raw with their music.

We end this segment by highlighting the various musical directions the group took.

Rickey Vincent Speaks on Michael Jackson pt1

Rickey Vincent Speaks on Michael Jackson pt2

Chuck D spoke about Michael Jackson's political side and how he influenced his love for Hip Hop

Chuck D spoke about Michael Jackson’s political side and how he influenced his love for Hip Hop

In pt 2 we are joined by Chuck D of Public Enemy where we have an in-depth discussion about MJ and his politics and how Chuck was introduced to Hip Hop via Mike.

Chuck talks about the important role legendary songwriters Gamble & Huff played in pushing Mike and his brothers. Author Ricky Vincent talks about how the message in the music is part of a much larger tradition within Black music.

Chuck D also talks about how some of Michael Jackson’s records which were used as breakbeats influenced him and made him embrace Hip hop more. In particular is the vintage cut ‘Music’s Taking Over’. Chuck also talks about the sample they used from MJ in the song By The Time I get to Arizona.

Chuck also talks about the important influence Michael Jackson had in the realm of videos.

We play lots of Jackson’s political songs as well as the cuts that inspired Chuck D.

We conclude the interview by talking about MJs War with Sony Music and Tommy Mottola, his charitable works and the importance of being named the King of Pop.

Chuck D speaks on Michael Jackson

Return to Davey D’s Hip Hop Corner

Is Hip Hop a Movement? In 2009 We Examined Our Political Relevance..

Tonight the good folks from Hip Hop Ed will be hosting their weekly online twitter discussion with the topic being ‘Can Hip Hop Advance a Movement?’  We are reposting this article from 2009 along with some videos we did at the time addressing this issue. Obvious 4 years later we have a lot more things to look at in weighing this question, but its good to go back and see how folks were thinking at what was deemed a monumental moment in time..

Racist People are suspicious of President Obama, with or without a hoodie

President Obama

With President Barack Obama in the White House and more than 2/3 of the voters between the ages of 18-40 (the Hip Hop generation) voting for him, many are celebrating and talking about the political power and social movement potential of Hip Hop. Is Hip Hop a Movement?

That’s the question we been asking from coast to coast. If it is a movement how is that manifested? Is there a political agenda or does it even need one? Some say the movement is centered around the music and dance aspects and that Hip Hop has managed to bring people of all races and all creeds around one proverbial campfire.

The concept pushed forth by pioneer Afrika Bambaataa of Peace, Love and Having Fun as opposed to engaging in gang violence is a movement. The commitment to embrace Hip Hop’s 5th element-Knowledge is a movement for some. The fact that Hip Hop is practiced all over the world is proof of a movement.Many have argued that had it not been for Hip Hop President Obama would not have been elected because Hip Hop significantly lessened the type of apprehension and prejudices held by people in older generations who simply could not and would not vote for a Black candidate.
Others are saying that because Obama had Hip Hop super stars like Jay-Z and Will I am playing key roles in exciting voters and getting them to the poles, is proof that Hip Hop is a Movement.

Others say such activities is not a movement but a clever marketing strategy. In fact getting a president into office is not a movement-Having day to day political capital and people in office being accountable to you on local levels is what makes a movement. It’s been pointed out that if Hip Hop played such a crucial role in getting President Obama into the White House where is the payback? Has been addressing issues held dear by the Hip Hop generation? Does he have someone who understands the Hip Hop community in his cabinet? What sort of money is being directed to Hip Hop organizations in the latest stimulus packages?

We assembled a number of people ranging from Chuck D of Public Enemy to former Green Party Vice Presidential candidate Rosa Clemente to Professor Jared Ball to Hip Hop icons Paradise Gray of X-Clan and a host of others to tackle this question. Is Hip Hop a Movement? Take a look at the videos and weigh in.

We also show how Hip Hop folks are out and about making things happen. Some of what we depict are folks like Shamako Noble of Hip Hop Congress helping lead a Poor People’s march to Oakland rapper D’Labrie stirring up a crowd at a Get out to Vote rally to Baltimore rapper Labtekwon freestyling on a street about consciousness raising. The clips and corresponding links are shown below. Enjoy

Is Hip Hop a Movement? pt1

http://www.youtube.com/watch?v=1NYhPCuq_mc

We speak w/ former rapper Khari Mosley who is a member of One Hood out of Pittsburgh, Pa and an elected official who also heads up the League of Young Voters field operations & Dr Jared Ball who ran for Green Party Presidential nominee and does the FreeMix Mixtapes who offer up differing opinions on this topic on Hip Hop

Is Hip Hop a Movement? pt2

http://www.youtube.com/watch?v=4XzP_GCzEW8

Paradise the Arkitech

Paradise the Arkitech

We continue our conversation about Hip Hop being a movement. Here we talk to two veterans of the Civil Rights Movements and the Black Power Movements. One is DJ Paradise of the legendary group X-Clan. Paradise was part of the Blackwatch Movement which fought for social justice. He was also a part of the Black Spades street gang at a time when Afrika Bambaataa was transforming it and moving it in a direction where members took on community responsibility.

We also talk with Fred Rush who is the deputy mayor of Erie, Pa. He is a civil rights vet who at age 15 went to the historic March on Washington where Dr Martin Luther King delivered his ‘I Have a Dream’ speech. He contrasts the Hip Hop Movement with the Civil Rights Movement and explains what is needed in order to have a successful movement

Is Hip Hop a Movement? pt3

http://www.youtube.com/watch?v=_jv-ZtAFrT8

Our discussion continues w/ TJ Crawford who put together the National Hip Hop Political Convention in Chicago 2006. We also talk with Rev Lennox Yearwood who heads up the Washington DC based Hip Hop Caucus. We also hear from rapper Haitian Fresh-who is defining the Hip Hop Movement for him and his fans. Where do u stand on this?

Is Hip Hop a Movement? pt4

http://www.youtube.com/watch?v=KlupyZYgCJc

We continue our discussion by breaking bread w/ Baltimore rapper Omar Akbar aka Labtekwon. We also talk w/ Shamako Noble & D’Labrie of Hip Hop Congress and see them in action fighting for social justice.

Chuck D

Chuck D

Is Hip Hop a Movement? We Interview Chuck D of Public Enemy

http://www.youtube.com/watch?v=br6dC_4S8B4

We sat down w/ Public Enemy front man Chuck D and asked him to weigh in on the question of ‘Is Hip Hop a Movement? He tells us about the world wide impact of this culture and explains what we need to consider when answering this question.

Is Hip Hop a Movement? Hip Hop activist Rosa Clemente Speaks

http://www.youtube.com/watch?v=MjLMbgtYUfY

Long time Hip Hop activists and former VP Green Party candidate Rosa Clemente sat with us and gave us her take on Hip Hop and it’s political relevance. She offers us up a cold dose of reality and asks some very hard questions

3 Dope ‘Rare’ Songs from Chuck D of PE as We Celebrate His Birthday..

Chuck D  on PE logoToday August 1 is the birthday of Chuck D aka Mistachuck, lead rapper of the seminal Hip Hop group Public Enemy.. Earlier this year the group was inducted into the Rock-N-Roll Hall of Fame which was a well deserved honor..But we should all note within Public Enemy is an array of musicians and producers who are capable of holding their own in a variety of fields.. from the Bomb Squad to Professor Griff to Flavor Flav..

As we celebrate Chuck D’s birthday we wanted to go beyond his immense body of work as a member of public Enemy and look at some of his solo and spin-off projects.. So today’s 3 Dope songs is dedicated to Chuck D and some of his recent and rare songs y’all should know..

First we wanna look at a recent song Chuck D did with long time friend and musical collaborator Kyle Jason who is an incredible musician and fellow PE member Professor Griff.. The song below is off a new compilation album called ‘Don’t Rhyme for the Sake of Riddlin’

Mistachuck I Hate featuring Kyle Jason and Professor Griff

http://www.youtube.com/watch?v=87_HDTMc7Nk

This is another solo project done under the name Mistachuck produced by long time PE member Johnny Juice.. It’s dedicated to those fighting to tear down walls of separation especially along our borders.. Always forward thinking, Chuck had done this song months before Arizona passed its Draconian anti-immigrant SB 1070 law.. The version below is a remix and video that acknowledges the challenges in Arizona while addressing the border challenges everywhere..

Mistachuck Tear Down That Wall

http://www.youtube.com/watch?v=nPeyQ9SdiOs

Kyle Jason, Proffessor Griff and Chuck D..Confrontation Camp

Kyle Jason, Professor Griff & Chuck D.. Confrontation Camp

Looking back into time.. we recall  that Chuck D  was part of a rock rap featuring Professor Griff and Kyle Jason group called Confrontation Camp?

They did an album called Objects in the Mirror Are Closer Than They Appear which included a gut wrenching song called Jasper which paid tribute to James Byrd, a Black man dragged to his death in the back of a truck by a group of white racists. This happened June 7th 1998…

Confrontation Camp-Jasper

Another group that Chuck D started was a 5 man group called Fine Arts Militia which featured stellar musicians Brian Hardgroove of Bootsy Collin fame, Wes Little (drums), Victor J. Burks (keyboards), and Brad Craig (guitar).

Chuck D Fine Arts MilitiaThe group essentially rocked funky music behind Chuck D doing a hybrid of spoken word and rap, with the subject matter being a series of lectures he had done around the topics of Race, Rap and Technology. This was ground breaking in the sense that Chuck was new deep in the emerging dotcom era and spending a lot of time on the west coast around Silicon Valley..

He and his team were doing some innovative stuff at the time ranging from being one of the first to record a full album completely on line to setting up digital label (Slam Jamz) and establishing a supersite called Rapstation.com which early on was doing internet radio.. Their debut album, We Are Gathered Here, appeared on Koch in spring 2003 was a sound track for that time period.

Fine Arts Militia Digging Digital Ditches

http://www.youtube.com/watch?v=D3TaNTN7nW8

This is an anti war song Fine Arts Militia did as they paid tribute to blues legend Johnnie Lee Hooker at radio City Music Hall

http://www.youtube.com/watch?v=-WUxa6aXeNU

We couldn’t leave out without tossing a couple of cuts from Chuck D’s first solo album The Autobiography of Mistachuck..

Chuck D‘s Call Me Mistachuck

http://www.youtube.com/watch?v=38OBZ7N4PmQ

Chuck D ‘Pride’

http://www.youtube.com/watch?v=Nk9Wn5Rz7oQ

3 Dope Songs from Public Enemy: The Hard Rhymer Never Lets Up

public Enemy ptAs we celebrate Public Enemy being inducted into the Hall of Fame tonight.. We wanted to remind people of some of their work.. What they have on deck is impressive.. These were some of the songs I really dug.. Enjoy..

So Whatcha Gonna Do Now This is one of my favorite songs from Public Enemy.. It was off the Muse Sick in Our Message album and sadly was overlooked by a lot of folks..  This song spawned one of  the first videos to show a Black President…15 years before Obama takes office..

http://www.youtube.com/watch?v=RhKqsIe283c

You can’t really talk about Public Enemy without making mention of this classic song ‘By the Time I get to Arizona‘. The video to this song sent shock waves throughout the country as the group depicted themselves killing two Senators and Governor  who opposed the Martin Luther King Holiday in Arizona.. The resulting controversy had critics calling rap and Public Enemy violent and a bad influence on kids.. Others said Dr King wouldn’t have like the video.. Those of us who tired of Arizona’s out right racism cheered the group on…

http://www.youtube.com/watch?v=zrFOb_f7ubw

Burn Hollywood Burn brought together 3 legends, Big Daddy Kane, Ice Cube and Chuck D who killed in both subject matter (Black stereotypical images in Hollywood and their performance.. This is a must for anyone who is a student of Hip Hop… It’s what made the so called Golden Era so powerful.

http://www.youtube.com/watch?v=DhQGH6CbKhw

I know I said 3 Dope Songs, but I’m gonna toss this bonus cut in from Terminator X‘s album called Buck Whyling. Although known throughout New York for her activism.. Lisa Williamson became known to us as Sister Souljah and is the star of this video..She later went on to do her own album with production from the Bomb Squad … I wish PE and Souljah had done more songs together.. She was and still is a force to be reckoned with and her voice was able to cut through the noise like Chucks.. I don’t think America and maybe even the group itself was ready for that pairing..

On another note Terminator X’s album was butter.. he had a number of dope songs and was the first to pay tribute to Hip Hop pioneer Kool herc by actually having him do a song for the album.

http://www.youtube.com/watch?v=dHBwwdegvSc

Lastly what y’all know about this song and rarely seen video? I’ll let it speak for itself.. I remember when the group performed this outside the GOP convention..

http://www.youtube.com/watch?v=AGFj7ypDfXQ

http://www.youtube.com/watch?v=am9BqZ6eA5c

A must see is this documentary about Public Enemy Prophets of Rage

http://www.youtube.com/watch?v=1fM_VXPZqBg

We Salute: Public Enemy Inducted Into Rock-N-Roll Hall of Fame Today…

public-enemy benchToday April 18th 2013 is Public Enemy Day… Yep that’s right.. Today we celebrate the landmark group that has been together for almost 30 years.. They are deemed Hip Hop Royalty and tonight they get inducted into the Rock-N-Roll Hall of Fame.

Last night they performed at House of Blues in LA and absolutely killed.. DJ Terminator X who retired from the group several years ago to do some ostrich farming.. returned to the fold to help celebrate.. Also on hand at HOB was Kool Moe Dee and the Treacherous Three, DMC, Doug E Fresh, Method Man, Whodini, JJ Fad and many more..  It was a testament to the love and respect folks have for Public Enemy..

I first met Chuck D back in summer of ’88 at the New Music Seminar when the group was just starting to make noise.. They had already released their album Yo Bum Rush the Show..But it was Nation of Millions and the singles like Rebel Without a Pause that came off that album that forever define the musicality of the group.

Chuck D along with fellow group members, Professor Griff, Flava and S1Ws willingness to sit down and build with folks for hours at a time would forever define the group as stand up individuals who would garner life long friendships and relationships with folks all over the world.. I know for myself, I would hang with Chuck for hours after a show building on all sorts of stuff related to politics and Hip Hop in general. It was he , who got me to abandon my fear of flying , get a passport and see the world, a move I have never regretted. thousands of folks have stories about uplifting interactions with the group..

Public-Enemy-train-500In any case, as we celebrate their induction, i went digging through my archives and found an old cassette from an interview/press conference Chuck and I believe Brother Roger or James from the S1Ws did on after one of their early concerts in Oakland. It was at the Kaiser Convention Center in 1989.. EMPD was on the ticket..  I never played the interview on air, because at the time, my tape recorder had run out of batteries and the sound was all messed up.. I finally transferred it over to my digital docks and cleaned it up somewhat and am now happy to share.. What Chuck is talking about in 1989 is why so many at the time were drawn to the group. The honesty, the fearlessness, the intelligence..

In this interview, Chuck’s main theme was dealing with outsides points of view trying to dictate terms and regulate on folks.. Chuck also takes issue with famed writer Greg Tate who trashed the group in a column he penned for the Village Voice. Chuck noted Tate was an ‘outsider’.. I started recording just as someone was asking about violence in Hip Hop.

Chuck D

Chuck D

Chuck D pt1

Chuck D pt2

Below is a great documentary on Public Enemy called Prophets of Rage…Definitely worth watching

http://www.dailymotion.com/video/xmw7kw_public-enemy-prophets-of-rage-bbc-special-2011_music#.UW_t24JAuEU

 

Chuck D & Brother Ali Come Together & Tell us to Get Up, Stand Up!

Chuck D and Brother Ali

Far too often when people do collabs, its done for marketing purposes, more than it is for genuine chemistry.. Such was not the case when Chuck D of Public Enemy tapped Brother Ali of the Rhymesayers Collective to join him on the track … This is a fierce track.. Its energetic and each rhyme is hittin’ especially Ali who goes all the way in.. enjoy

http://www.youtube.com/watch?v=cogepHX5uTU

Dr Martin Luther King; The Power of Soul Music & the Importance of Black Radio

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Historic 1967 Speech to National Association of Radio Announcers


MLK-brown-leanThis weekend we’ll be celebrating Dr Martin Luther King‘s birthday and in doing so we should all be mindful of the power of his words. We should be mindful of King’s words as we continue to dialogue about what sort of responsibility those who speak to the public have especially via broadcast medium especially with respect to Black Radio..We thought we’d take a walk down memory lane and listen to what King had to say about the role BLACK RADIO played in furthering the Civil Rights struggle..It was a speech given in August of 1967 in Atlanta, Ga to NATRA (National Association of TV and Radio Announcers )

In this rare speech which can be heard in its entirety by clicking the link above..King talks about how Black radio has been a transformative tool. He notes that Black radio is the primary source of information in the Black community  and is more powerful medium than even Television which he says was made for the benefit of white people.

King notes that Black radio deejays are important ‘opinion makers’ who made integration easier, through the language of universal language of soul music.  He praised Black radio deejays for helping unite people and Black radio deejays through presenting this music was able to conquer the hearts and minds of people in ways that surpassed Alexander the Great..

J Edgar Hoover

King who challenged Jim Crow laws and discrimination was considered by his enemies to be a rabble rouser who was creating a dangerous climate with ‘incendiary’ words. His words were so powerful that former FBI head J Edgar Hoover saw fit to follow him and try to disrupt his activities via a program called Cointel-Pro. There were many including some Black preachers who did not want King to come to their towns and speak because he would stir things up. His ability to move the masses was threatening.

Now at the end of the day, King was able to help push through the Civil Rights Bill of  1964 which put an end to most Jim Crow Laws. He was able to  help get the Voting Rights Act of 1965 passed which ended discrimination practices at the polls. At the same time Kings powerful words so enraged folks, that he was constantly receiving death threats. He also ruffled the feathers of powerful people including President Lydon Johnson after he spoke out against the Vietnam War.
If Kings words were seen as important weapons against discrimination, why are we not seeing the words of today’s far right punditry weapons to support oppression and draconian behavior and policies?

Jack The Rapper

Jack The Rapper

The other thing to keep in mind about Dr King was his shrewd understanding of media in particular radio and what a powerful tool it was. many do not talk about the special relationship King had with Jack ‘Jack tha Rapper Gibson and the nations first Black owned radio station WERD founded in 1949 which was housed in the same building as King’s SCLC headquarters on Auburn street in Atlanta.

Gibson is credited with being the first to broadcast King and other Civil Rights leaders on public airwaves. There are stories about how when rallies and special events were unfolding, King would bang on the ceiling with a broom to the studio housed above him, the disc jockey would lower the boom mic and King would speak to the people via radio.

In this 1967 NATRA speech Dr King delivered the members of this important African American organization were very appreciative as King laid out the indispensable role Black radio had played  in shaping and furthering the Civil Rights struggle. King names off some of the key unsung radio heroes who he says there would not have been a Civil Rights movement had they not reflected the mood of the people and brought critical information to the masses. We hear about Georgie Woods, Pervis Spahn, Magnificent Montague and Tall Paul White to name a few.

King also talks about how radio is the most important and predominant medium in the Black community. It has far more reach and influence than television. He also talks about how the music these Black radio announcers played. King asserted that it helped united people. King pointed out how Blacks and Whites were listening to the same songs and doing the same dances and that the Soul Music these disc jockey’s played had served as an important cultural bridge.

Magnificent-Montague-300He also talks about how some of them were vilified for ‘creating a climate’ that led to the unrest in American cities. Most notable was the radio announcer named Magnificent Montague who had coined the phrase Burn Baby Burn to describe a hot record, but was later used a rallying cry for the Watts Riots of 1965. Montague who was good friends with Malcolm X who had been assassinated earlier that year, was on the air at  KGFJ was accused of riling the people up and causing the mayhem. He had done no such thing, nevertheless LAPD paid him a visit. Montague was made to drop the slogan Burn Baby Burn to Have Mercy Baby.

It’s interesting to note that after King was assassinated many of the Black radio deejays who were vilified were called upon to help quell the riots that were breaking out in cities all over America. The most notable were Petey Greene of Washington DC and Georgie Woods of Philadelphia. One last point we’d be remissed if we didn’t shout out Civil Rights organizer Bayard Rustin, who has been written out of so much of our history.. King was sharp, but a lot of his media game came via Rustin and we should make note of that…

In addition to speaking about the important role of Black radio played in furthering the Civil Rights struggle, King  also drops gems that many associate with his famous Transforming a Neighborhood Into a Brotherhood speech.. This is the Dr King that has been hidden from us and downplayed where he directly challenges the state and systems of oppression. He’s on point with both his analysis and spirit.. He talks about how white folks were given free land when they moved out west while the sons and daughters of slaves were left penniless via Jim Crow laws and other forms of discrimination thus putting us far behind.. This is an incredible speech.. So again click the link above and listen to it in its entirety.

With respect to King’s message on Black radio we did a video mash up where we included key excerpts from freedom fighter H Rap Brown who talks about the role of entertainers and how they are often manipulated and used against the community by the White Power structure.

MinisterFarrakhanpoint-225We also have excerpts from Minister Farrakhan talking about BLACK RADIO in his historic 1980 speech given to radio deejays at the Jack the Rapper Convention in Atlanta. He talked about how Black Radio deejays are used as agents to dumb down our thinking. What’s interesting to note is that Farrakhan’s speech came 13 years to the month after King gave his NATRA speech. The time between King’s speech and Farrakhan’s speech we saw so much of Black radio dismantled and so many of the disc jockeys silences and depoliticized. Farrakhan talks about how station owners went out of their way to hire deejays who would talk jive to the people and do very little to uplift them. It’s a trend that many say still exist today.

We round it the mash up with remarks on radio by Hip Hop activists Rosa Clemente made during the historic protest against Hot 97 in spring 2005 and Chuck D during 2Pac‘s Birthday celebration in June of 2005 also in Atlanta. Rosa notes how the people who control NY’s number one Hip Hop station are 7 executives all over 40 who are white men. She accuses them and their deejays of peddling a type of mind drug to the community.

Chuck’s remarks are telling as he notes how elders who are heading up these stations are afraid to grow up and be adults and how they’ve become frightened to speak to their own offspring.

Enjoy.. all these people drop some serious jewels.

Return to Davey D’s Hip Hop Corner

Congratulations to Public Enemy -Newest inductees to Rock-n-Roll Hall of Fame

Congratulation to one of the greatest musical acts of all-times..Public Enemy.. The were just inducted into the Rock-N-Roll hall of Fame.. Its an honor the well deserve.. They are the 4th Hip Hop group, behind, Grandmaster Flash and the Furious 5, Run DMC and the Beastie Boys..

One of the strengths that I think goes beyond the group’s massive category of records, is their endurance.. They been at this for over 25 years and are nearing 100 global tours..PE has transcended music..they same way they transcended the borders of this country.. Props to them..

Chuck D noted on twitter;  Any achievement by PE is to be shared across HipHop and its real fans.The songs are 1thing but our strength has been our meaning & performance

Peep out their latest song..

Public Enemy Weighs in on Immigration Question w/ a New Song called ICE Breaker

Hip Hop artists have been on fire as of late. It seems like everyone is stepping up their game and making music that passionately speaks truth to power… One song that should not be overlooked is a brand new joint from Public Enemy called Ice Breakers.. It’s off their new album ‘The Evil Empire of Everything‘. This particular song addresses the issue of mass deportations and what its like for those who are living in immigrant communities and are literally being hunted by I.C.E.

The song features searing lyrics from Chuck D where he raps:

I KNOW A SILENT NATION IN DISLOCATION
FRUSTRATION FROM LEGISLATION
LED TO DEMOGRAPHIC IN ISOLATION
ANOTHER PARTICIPATION IN DECAPITATION
10-4 DIE RIVER DEEP MOUNTAIN HIGH
IS A WALL STUCK BETWEEN DYING AND DOING TIME
CANT IGNORE SMACK DAB BORDER WAR
AS THE BEAT GOES ON, WORDS FLOWED ON
I CAUGHT THE LAW
PYRAMIDS MACHU PICHU
THINGS THEY DONT TEACH YOU
DONT APOLOGIZE
YOU WERE HERE FIRST ON THIS EARTH
BEFORE THESE MILLENNIAL �COWBOYS CLAIMED THEIR TURF
NOW WHOS 1000 MILES AND RAN
DESERTED IN THE DESERT
WILD WILD WEST HURT TO THE DIRT
ANTI IMMIGRATION
AGAINST BROWN SWKIN
SOUNDS LIKE BROWN SHIRTS
SILENCED BY SO CALLED LEGAL VIOLENCE
SOMEBODY HAD PERMISSION
TO PUT HUMANS IN THIS CONDITION
THIS LAND IS WHOS LAND??
THEY MUSTVE FORGOT
KICKING THE BLACK IN THE ASS
WHILE KEEPING THE BROWN OUT
THIS ONE SIDED LAW MAKES ME SCREAM AND SHOUT

Chuck is joined  by The Impossebulls, Sekreto, Kyle Jason & True Math who all come with heat both in English and Spanish..Its good to see a group like PE keep it 100 when it comes to issues of the day..

ICE Breakers is actually the second song they did on the topic of immigration, when Arizona passed the anti-immigrant SB1070 law the group did a song called Tear Down That Wall ..Looking forward to peeping the video..for this new song…

http://www.youtube.com/watch?v=1K9BgyjNpoI

http://www.youtube.com/watch?v=nPeyQ9SdiOs