America’s New Racial Boogieman-An Interview w/ Rosa Clemente

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 America’s New Racial Boogieman-An Interview w/ Rosa Clemente

by Davey D

Listen to this Breakdown FM Interview w/ Rosa Clemente

http://odeo.com/episodes/24390751-Rosa-Clemente-The-nation-s-new-Boogieman

rosaclementepr-225We sat down with former Green Party Vice Presidential candidate Rosa Clemente to break bread about a number of issues. First and foremost we wanted to talk about the current speaking tour she is on that addresses the issue of America being a post racial society in the aftermath of the election of President Obama.

Rosa gives an in depth breakdown about this notion and concludes that racism is alive and well and may in fact if the patterns of history hold true, things may get progressively worse because of the economic downturn.

Rosa then talked about how the racism conversation needs to be extended beyond the traditional ‘Black and White paradigm. She says with 40 million Brown and Afro Latinos in this country, that we simply can not ignore the challenges they face. Some issues overlap while others like ICE raids and immigration detention centers seem to specifically target folks in Brown communities.

She expounded upon this and talked about how America’s new Racial Boogieman is Brown in particular Mexicano. She also acknowledged that racism amongst Black folks hasn’t stopped as evidence by the rash of questionable police shootings from Oscar Grant in Oakland to Adolph Grimes in New Orleans

We talked to Rosa about her thoughts around President Obama and US boycotting the Durban Conference on Racism in Geneva because of strong objections by the Isreali lobby AIPAC. She shared with us her experience of attending the first Durban Conference on racism in South Africa and what it was like to see Colin Powell lead the US delegation out the conference when the body declared slavery was a crime to humanity.

Rosa talked about how she was glad that president Obama was honest and upfront about his reasons for boycotting the conference. She said now we all know that he is powerless when it comes to standing up to Isreal which obviously control much of his agenda.

She noted that he has taken great strides to de-racialize all issues and that in many ways its easier for him to not talk about problems confronted by Black men.

We talked to Rosa about her experience in running for Vice President and what lessons she learned and what challenges she faced. She noted that she will not be leaving electoral politics and will keep her options open to run for another office down the road.

She talked about the current crises we are facing including not having Single-payer health-care and not seeing the foreclosure crises be adequately addressed. She talked about the 14 Tent cities around the country and how that was inexcusable for a country that has so many resources.

She talked about the opportunities and challenges facing the Green Party and what she would like to see happen for them in the future. She says with the Republican Party imploding and the democrats behaving more and more moderate the Greens have an opportunity to fill a big void for people yearning for more progressive politics.

We concluded by talking in great detail about the work she is doing with Amnesty International around the issue of Immigration and Detention. She talked about all the new policies, resources and laws being put in place to target those who fit the description of being undocumented. She talked about how many US born citizens are likely to be caught up in sweeps and other types of detaining procedures and may even be connected and accused of helping others come into the country ‘illegally’.

We ended our convo with Rosa talking about the role Hip Hop organizations have been playing in the political arena.

Rosa was very thorough and insightful in this must hear interview.

Listen to this Breakdown FM Interview w/ Rosa Clemente

http://odeo.com/episodes/24390751-Rosa-Clemente-The-nation-s-new-Boogieman

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Raise Up Knaan is in the Building-Make Room at the Table

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Raise Up Knaan is in the Building-Make Room at the Table

by Davey D

Listen to the Breakdown FM interview w/ Knaan by clicking link below:

http://odeo.com/episodes/24382570-Knaan-is-in-the-Building-make-Room-at-the-Table

Davey DI met Somalian born rapper Knaan about 3 or 4 years ago in his current place of residence Toronto. We chopped it up back then and he assured me that it was just a matter of time before the US Hip Hop scene would open its arms to rappers from other shores. At the time that seemed far fetched because even though we all know that Hip Hop is a worldwide phenomenon, very few heads in the states can cite more than 3 or 4 artists from neighboring Canada much less from overseas. Ask folks to name artists from Africa and the conversation is all but over…

On one hand we should not be surprised. After all, Hip Hop always reflects the mindset and cultural mores of the people and places that embrace it.Hence to the degree we can hardly name off any of the Provinces in Canada it should not be a shock that we can’t name off any of her artists.

Nowadays Knaan is increasingly becoming a household word here in the states. He’s already a superstar overseas. For many he’s a breath of fresh air who reminds us just how flavorful good Hip Hop can be. His creativity and overall conversation raises the bar. His global perspectives reminds us that this is a big big world and our country is just a small part of it..

We caught up with Knaan during his visit at SXSW in Austin, Tx and chopped it up with him. We talked about his new album Troubadour which is a monster and what he was trying to get across. We talked about the challenges of knocking down doors in the US. Knaan quoted Saul Williams by agreeing with the assertion that Hip Hop has been republican in the past 10 years. Its been about money, closing its eyes to the realities outside its immediate borders and very unwilling to change.
He sees things changing for the better and that’s a good thing.

We covered a variety of topics including the recent move by Homeland security to scrutinize Somalis living here in the US as possible terrorists. We talked about the whole Somali pirates thing and discovered that what we been fed by mainstream news is a big lie. Knaan explained that the so called pirates are actually more like Coast Guards. They been patrolling the waters and stepping to foreign vessels that look at the un-centralized government in Somalia and hence feel they can do pillage the natural resources like over the top commercial fishing and illegal dumping of hazardous wastes. The Somalia pirates have been stepping to vessels for violating their water space and have taken the matter up to the UN only to have the main violators France along with the US veto any resolution..

knaanWe talked about the make up of Knaan’s album and what it was like working with Maroon 5’s Adam Levine and Hip Hop legend Chubb Rock. He explained that Levine was a real cool and basically came through and laid down vocals for free. He just wanted to show respect and appreciation for the music.

He talked about admiring Chubb Rock’s rhyme flow and how it was an honor to have the rapper turned school teacher to come through and lace him up.

Knaan also talked about his rhyme influences which actually come from the Rhythmic Poets of Somalia. These wordsmith have been around centuries before the first rappers in the Bronx

Finally we talked about the state of the world and how US and US Hip Hop fit into things. Knaan noted that the US is now going a period where many of its citizens are feeling vulnerable and at ease. he noted its the same type of uneasiness that many throughout the world feel on a day to day basis. Our economic hardships are routine for the majority of the people around the world and now that type of situation is on our shores and we will have to not only rise to the occasion be much more aware of what the rest of planet earth is experiencing.

Listen to the Breakdown FM Interview w/ Knaan by clicking the link below:

http://odeo.com/episodes/24382570-Knaan-is-in-the-Building-make-Room-at-the-Table

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Breakdown FM-Taking Over Hip Hop-An Interview w/ Zion I

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We sat down and talked with Zumbi of the group Zion I and celebrated the release of their much anticipated album ‘The Takeover’. Its a masterpiece of an album that features brother Ali, Courtney Holiday, Ty, jennifer Johns, Omega and more. We walk through many of the cuts and marvel at the group’s attempts to make a timeless album that journeys through the history of Black American music styles

In this interview we talk about everything from gentrification to life in the hood and the importance of  Black manhood and  Barack Obama.

You can peep the Breakdown FM interview by clicking the link below

http://odeo.com/episodes/24382566-Taking-Over-Hip-Hop-An-Interview-w-Zion-I

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Breakdown FM-Going Back in the Days w/ DJ Kool Herc pt1

Article-Sunday, November 20, 2005

Going Back in the Days w/ DJ Kool Herc
by Davey D and Mark Skillz of Breakdown FM

Stream or download this interview by going here:
http://www.swift.fm/mrdaveyd/song/56812/

In celebration of Hip Hop History month,we sat down with the father of Hip Hop music and culture the legendary Kool Herc.

He gave us an indepth run down of Hip Hop in the early days. He speaks about the early party scene and talks about how he and sister Cindy made history when they threw a back to school party at 1520 Sedgwick Ave in the Bronx.

He talks about how he used to be a grafitti artist and how his sister had his back and sheilded him from the wrath of his strict father who would’ve whupped that butt if he knew his son was defacing New York City property.

Kool Herc also lets us know that Hip Hop did not start in the South Bronx as is often erroneously reported. Herc never lived in the South Bronx, he lived in the West bronx which is a totally different area.

In this interview Kool Herc talks about his Jamaican background. He talks about how he grew up in the same township as Bob Marley and he explains how and why Jamaican culture is an important root within Hip Hop.

One important aspect of Jamaican culture Herc speaks to us about is the sound system. In this interview he talks about the type of equipment he used and why he named it the Herculords.

What was really fascinating in this sit down, was hearing Herc go into detail about the different clubs and parties he threw. He describes the clientele which ranged from some of New York’s most notorious sharp dressing mob type gangstas to high school kids from the projects around the way.

Herc gives us a run down of his playlist and talks about his approach for keeping the crowd satisfied. He speaks about his early deejay battles most notably with Pete DJ Jones. He also talks about the importance of funk music and bands like the Incredible Bongo Band.

Herc cocncludes this first segment by talking about Hip Hop’s early emcees including his own crew member Coke La Rock. Herc also talks about his other crew members including Timmy Tim.

He talks about the role DJ Hollywood played in Hip Hop. He also gives major praise to Mele-Mel and his brother Kid Creole for inventing the style of rap we all embrace to this day.

You can stream or downlaod this Kool Herc interview
by going here:
Stream or download this interview by going here:
http://www.swift.fm/mrdaveyd/song/56812/

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Breakdown FM-Holding It Down in North Carolina-Little Brother Gets Wreck

Holding It Down in North Carolina-Little Brother Gets Wreck
by Davey D of Breakdown FM

original article: Saturday, November 05, 2005 

Listen to the interview by clicking the link
http://odeo.com/audio/324556/view
 

North Carolina natives Little Brother (Phonte, Big Pooh and 9th Wonder) have been doing their thing for a long time. They have become household names within underground circles, but now that is starting to change. Seems like nowadays everyone is talkiing about these guys…

What’s so dope is they have alot to say. Unlike so many of their peers within the rap game, they don’t feel a need to put forth any false images or hold up a particular persona. As Phonte noted during our interview, Little Brother are grown men who strive to talk about grown folks things. Hence the honesty and frankness in our conversation and the dopeness of their album-The Minstreal Show..

In this interview you will hear Little Brother speak to all sorts of issues ranging from how they garnered their success to how they manage to stick to together and keep the core essence of their music in tact. They talk about their new record deal with Atlantic Records and the types of things they insisted upon before signing. They also talk about the impact the music and pop culture is having on young people.
Phonte says if we keep feeding our youth a steady diet of audio junk food which includes materialism and the glorification of negative street life, should we be surprised and shocked when kids grow up and go buckwyld..

They talk about making grown folks music and how Hip Hop has has not reached its full potential in terms of delivering for an older audience that wants a whole lot more then booty shaking music and gangsta fairytales.

They also talk about the stigma placed on Black people and folks from the hood who are saddled with certain negative stereotypes and images that the public expects them to live up to… Phonte and Big Pooh talk about their upbringing and explain how they managed to be themselves and triumph despite personal hardships.

Little Brother also gets political and talks about the US Government’s response to Katrina and what that really means. They also expound upon Kanye’s remarks about George Bush and offer up some keen insight…

Lastly we talk about the album and play some of the dope cuts featured on the highly acclaimed Minstreal Show..

Peep the interview by clicking here:
http://odeo.com/audio/324556/view

Return to Davey D’s Hip Hop Corner

Breakdown FM: Welcome to Sota Rico Meet Maria Isa Minneapolis’ Next Star


Maria Isa is a fixture in the Minneapolis Hip Hop scene.The daughter of two Puerto Rican revolutionaries who used to get down with Young Lords and the freedom movements of the 60s and 70s, Maria brings a well-heeled politic and an infectious vibe when it comes to her music.

We talked to her about Minneapolis’s Hip Hop scene and the important role that groups like the Rhymesayers played in bring attention to a city that for years was only associated with R&B acts like Prince and Morris Day & the Time.

She talked about how steeped Minneapolis is in Hip Hop culture and how all four elements are prominently represented. She talked about Minneapolis being not only home to dope rhymers but also skilled b-boys and b-girls, graf writers and turntable masters. She described it as one big family and that at any given moment something good is jumping off in Minneapolis.

We talked about the important role that annual festivals like B-Girl B played in providing crucial platforms for the female Hip Hop community.She talked about some of Minneapolis’s other female stalwarts like film maker and fellow Puerto Rican Rachel Raimist.We talked about Rhymesayer/poet Desdemona and photographer B-Fresh.The list goes on.

We then turned our conversation to how Puerto Ricans fit in. We were curious as to whether or not PRs in the midwest played a major role in Hip Hop evolution the way they did in New York.We also found out why Maria calls her part of town Sota Rico.. Don’t get it twisted folks, Puerto Ricans have a strong presence in the midwest and they definitely get down.

We took our convo deeper as Maria explained the difference between Latin Hip Hop and Reggeaton. She noted that oftentimes people like to lump them all together, but in fact there are some unique things that one should take time to explore.

Maria broke down the important political situations facing Puerto Rico and how she tries to incorporate much of that knowledge in her music. She talked about the angst many feel because Puerto Rico is a commonwealth which is fancy word for colony. its sad that Puerto Ricans are considered US citizens yet cannot vote for the President except in primaries.

We also talked about the Latin/Brown diaspora and how the importance of bringing about Brown unity especially with issues like immigration. As a Puerto Rican Maria notes that she has the responsibility of giving voice to those who are here ‘illegally’ and can’t speak for themselves.

Maria’s album ‘Split Personality‘ is incredible and packed with cultural and political references and that pay homage to Hip Hop and her Puerto Rican heritage.

Listen to Breakdown FM Interview w/ Maria Isa


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http://www.youtube.com/watch?v=hnNaXjDM7aE

http://www.youtube.com/watch?v=KXHoMOHrmhE

 

Breakdown FM: Paris the Black Panther of Hip Hop Returns w/ Acid Reflux

We sit down with the Black Panther of Hip Hop Paris who talked to us about his new album ‘Acid Reflex’ and the upcoming 2008 elections…

Listen to the Breakdown FM Interview Here:

The Black Panther of Hip Hop, Paris return to the fold with a new album called Acid Reflex.He explains that the title represents the type of reaction he and so many others are having to these corrupt and vicious times. He describe the current political and social climate as acidic.

Paris who is a successful entrepreneur and trained economist kicked off our interview by giving an assessment of the recent Wall Street crash. He noted that everything comes in cycles and that unfortunately people are able to get preyed upon and frightened because they forget pasts tribulations. Paris laid out some of the recent economic downturns including the ones in 1987,the mid 90s and late 90s during the infamous dot com bust.

He explained that times will get worse and we can expect to see further consolidation, more job layoffs and the fall and bankruptcy of bell whether companies. He said the best thing people can do is to be more frugal and hold on to what they got. he explained that a simple act of not buying 5 dollar coffee everyday from Starbucks will move us in the rightdirection. He noted that consumer confidence will have to be increased to help drive the economy.

We also talked about the types of approaches one should take to hold government accountable. Paris is not a big fan of protests especially when we have to run around getting permits and permission to do so. He explained that we have to find ways to make the government afraid of the people. This is a country that only respects and reacts to violence.

Paris also talked about the importance of voting. While he is very clear that voting will not solve our problems, it will give you leverage in a system that you have to engage and oftentimes confront. Political leverage in lots of situations is necessary. He acknowledged that there is no one turnkey solution.

During our interview we talked in great detail about the Presidential campaign of Barack Obama. he says he does not agree with many of Obama’s positions because he comes from an activist progressive orientation.Paris played a key role inCynthia McKinney‘s reelection bid in 2005. He went on to note that in 2008,that politic has not caught on to a point of being electable and henceanother strategy is needed if you wish to win certain races. He feels its impossible for Obama to take certain stances, however there are great differences between him and the Democrats and McCain and the Republicans. He cited the Supreme Court appointments as one key issue to be awareof…

In our interview we set things off by talking about Black-Brown unity and listening to a new song off the ‘Acid Reflex’ album called ‘One Gun’ which addresses this troubling issue.

We also talked about Education as being key to us resolving our problems. His albumwhich drops on Oct 28th will have an education and housing contest attached to it. People purchasing an album with a ‘Golden Ticket’ will win 10 thousand dollars which will go for college or housing.

We ended this interview by talking about why Paris started off connecting the Black Panthers and Nation of Islam and how his travel to Cuba where he met and had dinner with Fidel Castro and Asaata Shakur influenced his life and political outlook

Born in Aztlan-Meet Hip Hop Zulu King Apakalips (Respect His Lyrical Prowess)

We sat down and talk with San Jose rapper, activist, teacher & Zulu King Apakalips. He’s one of the Bay Area’s best kept secrets. Listen to the Breakdown FM Interview w/ Apakalips HERE:

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BreakdownFM-Apakalips Interview

 

When we talk about Bay Area Hip Hop we often focus on what is happening in Oakland which is considered Ground Zero. It is in ‘Tha Town’, that we find the likes of Too Short, Digital Underground, Keak da Sneak,Hiero, Blackalicious, Del tha Funkee Homosapien, Saafir, Zion I, Mistah FAB and so many more.After Oakland, the spotlight usually turns to neighboring San Francisco which is home to Bay Area legends like San Quinn,Rappin’ 4tay, Paris, Michael Franti,DJ Q-Bert, DJ Apollo and in recent days artists like Big Rich.

Sadly many overlook San Jose which is actually the largest city in the Bay Area and the epic center to high tech Silicon Valley.Perhaps its because San Jose is 45 minutes away from Frisco and Oakland which are just minutes apart or perhaps its because companies like Apple, Google, Oracle and other high tech giants dominate the news and overshadow SJ hip Hop. Whatever the case, make no mistake San Jose and the South Bay region has had major impact.

San Jose and the South Bay is or has been home to some notable folks who we all know and love.DJ King Tech of the Wake Up Show, producer Fredwreck, producer Kutmasta Kurt, DJ Peanut Butter Wolf and his Stones Throw record label started out of San Jose.DJ Kevvy Kev who is headed to his 25th year on the air, pioneering graph writer Scape One, female dance pioneer Aiko, Grand Diva Kim Collete, prolific writer AdisaBanjoko, Hip Hop Congress president Shamako Noble are some other names that also come to mind when we talk about folks who put the SJ and the South Bay on the map.Anyone from this part of town recalls the legendary b-boy battles that were routinely held at the Hank Lopez Center with the full support and cooperation of the city which was step up from San Francisco and Oakland.

This is the conversation we had with Apakalips a long time fixture in the San Jose rap scene who just released his masterpiece of a solo album called ‘The Otherside‘ Originally from Southern Cali, this community activist/ school teacher started out around 2002 with a group called Tributairies .They were best known for blowing up the Iguanas Cafe in downtown San Jose where they sparked off Lyrical Discipline.This was a weekly Friday night gathering which attracted emcees from all over the South Bay who would come through and test their skills.It was done in the same vein as the Lyricist Lounge in NY, the Good Life in LA or the now legendary underground parties and freestyles sessions at 4001 Jackson street in Oakland put together by Mystik Journeymen and the Living Legends crew.

Apakalips later went on to join the Universal Zulu Nation and eventually became the president of the Gateway chapter and quickly made it one of the more active chapters in the country. Apakalips would routinely hold unity meetings as he’d gather the heads of key Hip Hop and community organizations and tastemakers in the San Jose community to find common ground and to collectively work on projects impacting us all. He was tapping into the fact that San Jose had some of the pro-active heads who have some well heeled Hip Hop organizations around that have done incredible work. Shout outs to Hip Hop Congress, D-Bug, MACLA, Funk lab and Miese to name a few.

During our interview we talked about the release of his new album ‘The Other Side‘. It has been critically acclaimed and for many its a throwback to a date and time where people allowed their creativity to roam completely free without fear of violating some sort of record company politics or copyright laws. The Otherside has unexpected samples that give this an album your traditional boom bap sound on one track and a Latin tinged sound on another. Still on other songs you will hear the influences of drum and bass. No two songsare alike, yet the album has a consistent theme in terms of being gritty and lyrically sound.

The ‘Otherside‘ covers many topics including, California’s unique contributions to Hip Hop and its b-boy, b-girl tradition and its cultural influences. During our interview we talked about how Hip Hop is a form of communication and within it cultural expressions and activities like dance and rap go way beyond Hip Hop, and in fact are deeply rooted in traditional Mayan, Aztec and African traditions. Apakalips felt that it was important that we view Hip Hop with a larger historical and cultural lens.

We talked about the social and political movements that proceeded Hip Hop and how they impacted Hip Hop culture in the past and today.We particularly built upon the legacy of the Black Panthers and Brown Berets.Aakpalips reminded us that during the hey days of those organizations in the late 60s and early 70s we had Hip Hop expressions in the west coast with pioneering groups like the often overlooked Black Resurgents dance crew who were strutting and roboting long before Michael Jackson, dancers on Soul Train or the word Hip Hop was coined.

We talked at length about the important role Latinos played in Hip Hop, specifically the role Chicanos here on the West Coast. Apakalips lays out the long history and reminds us that just like their Puerto Rican counterparts on the East coast, Chicanos were down with Hip Hop from the very beginning especially in the areas of graf. He noted that here in the west Chicano writers, taggers and muralist had a big impact on Hip Hop.We talked aboutthe early emcees and deejays and the influence that icons like Julio G and Tony G who were part of the legendary KDAY Mixmasters in LA had on West Coast Hip Hop culture.

We also talked at length about the long social and cultural connection that NY had with LA. Long before there was some media driven East-West coast war, early Hip Hoppers were routinely going back and forth and building with one another. It was all love throughout the 80s. Apakalips talked about how pioneering Hip Hop and Latino figures like Hen G, and Prince Whipper Whip and Zulu King Afrika Islam hooked up with Ice T and helped set a tone for things to come.They set off famous Hip Hop club nights like Radiotron Water the Bush and Club United Nations and formed groups like Rhyme Syndicate and the Zulu Kings.

We ended by talking about some of the challenges facing San Jose’s Hip Hop community.One thing that is being addressed is the homeless problem. Apakalips and many others feel like the city hasn’t been doing enough. They are also addressing issues facing San Jose’s growing migrant worker population. In recent days they have also been dealing with an oppressive promoters law which requires anyone promoting an entertainment event to pay a 500 dollar fee and get a license which will allow one to put their name on flyers and pass them out.

written by  Davey D

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The Return of LA Hip Hop… Blu is in the Building

Whoever said Hip Hop was dead, obviously had not peeped Blu, a South Central LA native who defies any and all stereotypes we like to associate with cats from the hood and West Coast emcees.

For starters we have to take special note to the way the tall lanky emcee spells his name. There is no ‘E’ at the end and its a oversight that he often rhymes about. Second, Blu got hip to Hip Hop late in life. He is the stepson of a strict pastor who forbade him from listening to Hip Hop while he was growing up. His biological father is a member of the Bloods who listens to gangsta and Bay Area turf raps. To this day Blu’s dad calls him him ‘Flu’ instead of Blu. Thats how deep it gets.

According to Blu, he got turned onto groups like De La Soul only after hearing DMX. His musical upbringing and ultimate influences before being introduced to Hip Hop was centered around a diverse collection of artists ranging from Al Green to Thelonious Monk to Bob Dillon. It’s no mistake that the lead song off his ‘Below the Heavens‘ album is a remake of the Del’s classic ‘My World is…

Blu says he regrets missing the Golden era of LA Hip Hop which was personified by legendary spots like the Good Life and Hip Hop staples like Freestyle Fellowship, Jurassic 5, Project Blowed and the late Bigga B to name a few. However there’s no denying that his lyrical prowess and charismatic style kicks in where those legends left off.

Blu acknowledges that it was people like Charli2na of the J5 who sat him down and laced him up with lots of info and tales surrounding the scene of that bygone era. Much of what 2na told him was underscored by radio shows like The Wake Up Show and Friday Nite Flavas before it was unceramoniously taken off the air.

As Blu honed his emcee skills he cites Inspectah Deck of the Wu-Tang Clan, LA legend Cashus King and Planet Asia as being big influences. With respect to Deck, Blu says that he’s the illest emceee when it comes to kicking off a song. He cites the track Triumph as the one where Deck truly shines. Blu’s one regret with the new debut album ‘Below the Heavens‘ was not having Deck on. However when peeping songs like ‘Simply Amazing‘ you can clearly hear how he was inspired.

During our interview in which Blu walked us through a variety of songs including ‘Narrow Path‘, ‘Simply Amazing‘, ‘Show Me the Good Life‘ featuring singer Aloe Blacc of the Dirty Science Crew and ‘Bullet through Me‘ off an upcoming album called ‘Piece Talks‘, he admits that he has a lot to say and his feverishly working to put out 6 different projects which will allow him to get everything off his chest. He refuses to be limited by industry driven categories and limitations.

For example, in the song ‘Bullet Through Me‘ which is off the Piece Talks album produced by Ta’arach, Blu does an experimental cover of a Paul McCarthy song. He admits that upon first listens many will question where he is going and what he’s doing, but folks will learn to get passed any hesitations. His ultimate goal is to put fun back into Hip Hop and be creative. He also wants to help bring national attention back to LA and west coast Hip Hop. In 2008 where everyone is talking about Change, Blu’s attitude and outlook is right in step. This looks to be a big year for him.

by Davey D

You can peep the Blu interview on Breakdown FM by clicking the link below

Meet the Godmother of LA Hip Hop-Medusa the Gangsta Goddess

Every once in a while I feel compelled to do my duty as a productive citizen and generously give back to the community. Sometimes I volunteer my time. Other times I give money. Still on other occasions I give sound advice. Today I wanna take some time out and give some sound advice to anybody who is an aspiring artist as well as to those who have been around the block a few times.

My heartfelt advice to you is as follows; If you happen to be booked for a show and the promoter has you coming on AFTER this LA based artist named MedusaDO NOT DO IT. Have your manager re-negotiate your contract, but do not go on stage right after her. You may be able to get by if they let the deejay play an hour long set or something or you have an artist like KRS-One performing alongside you… Maybe if you’re a bit sadistic and like pain then following Medusa might be the thing for you to do. This woman is not to be followed.

Check our Breakdown FM Intv w/ Medusa

If you are a battle emcee who has won a few contests and you’re feeling good about yourself and your looking for new challenges-Be warned! DO NOT set your sites on Medusa. Don’t let your homies or an over ambitious promoter set you up.

If you find yourself on the bill and they schedule you to go one on one with her, the best thing for you to do is call in sick. Go on vacation.. leave the building. A true friend does not let their good friends get in the ring and trade lyrical jabs with Medusa. She will cause you extreme embarrassment, lots of pain and is likely to end your career if its in front of a large crowd. This woman who is often dubbed the Angela Davis of Rap or the High Priestess is no joke. Please Believe that.

When we look back on Hip Hop history one name that we simply will not be allowed to ignore is the Gangsta Goddess, The Angela Davis of Rap, the Top Cat of the clique Feline Science, the Godmother of West coast Hip Hop-the High priestess-Bow down to the one and only Medusa.

Most people know Medusa the ‘Top Cat’ of the clique Feline Science as colorful engaging pioneering sista who has been rocking packed houses here on the west coast for the past 15 years. This skilled emcee hails from the legendary night spot-The Good Life Cafe which gave birth to legendary groups like Jurassic 5, Freestyle Fellowship, Volume 10, Kurupt, WC and many many more. Anybody who was anybody paid their dues at the Good Life back during LA’s Golden Era of Hip Hop in the late 80s/early 90s

http://www.youtube.com/watch?v=rQAKXrJ5N5k&feature=relmfu

Medusa was a regular to this haunt and later Project Blowed, where she not only held her own but would routinely surpass her male counterparts. As she explained during our recent sit down, that there were many a days she had to step into the arena and battle her Good Life comrads.

One memorable bout involved Peace from Freestyle Fellowship who she took out during a Source Magazine battle at the House of Blues. Many who know Medusa and hear about her past wins are not surprised, this is a woman who once she gets on stage -all eyez on her and you can feel her energy down to the core. Like I said before, if you can beat a cat like Peace or even just hang with him, then you are truly-no joke…

Medusa has always been known as a cutting edge, fierce emcee who is always willing to push the envelope. This was best illustrated on another memorable evening when she first performed what is now her signature song. ‘Power to the P’ is a spoken word piece that pays tribute to the female’s private parts. Medusa wanted to see how far she could go in terms of kicking up dust while adhering to the Good Life’s strict ‘no cursing’ policy. She laughingly recalled how it shocked everyone senses because it was very descriptive, very provocative and yet still ‘clean’.

“It took a minute before everyone realized what I was doing. Once people caught they started cheering and flicking their lighters”, Medusa noted. She said the sexually suggestive content prompted the owner B Hall to rise up and make her stop but that brief performance got everyone talking to this day.

Long before many groups were on the scene with a live band Medusa and Feline Science were out and about in LA breaking ground. Medusa explained that she’s a child of the funk era and came up at a time when Hip Hop was still unklnown in many parts. Groups like; Parliament/Funkadelic, The Barkays, Confunkshun, Brass Construction to name a few were the order of the day.

She noted that she always wanted to fuze Hip Hop and funk and bring those two experiences to a new heights. She explained that using band allows for so much more freedom of expression. And yes her band includes a DJ. But as she noted, it was wrong for so called music critics to place limits on what Hip Hop should ultimately be. She scoffed at those who claimed Hip Hop was ONLY two turntables and an emcee with a mic. It’s so much more.

Long before it was acceptable to sing while you rapped, Medusa was out in the fore-front alongside artists like Lauryn Hill,Queen Latifah and the Force MDs who came before them who were paving the way by including harmonies and melodies with their raps and re-introducing that style to the Hip Hop audience.

During Hip Hop’s pioneering days groups like Crash Crew, Cold Crush Brothers and Grandmaster Flash frequently incorporated singing with their raps. It was considered Hip Hop back in those early days and then seemingly overnight it was a practice that was seriously frowned upon. It seems like some high brow, out of touch music critics got it in their heads that singing ‘wasn’t real Hip Hop’ and they went straight to the bank with that high profile distorted definition. During the period that Medusa included singing with her group Feline Science, it was ground-breaking. Today its commonplace today as we now have everyone from Mos Def to Snoop Dogg singing as well as rapping.

For all of us who know Medusa the emcee, there are many who recall that long before she rocked the mic she was a dancer. We didn’t call those who pop-locked, strutted, tutted, robotted and all that good stuff b-boys or b-girls back in the days. But let the record note that Medusa’s been popping since the 70s. She hooked up with a dance crew called the Groove-A-trons and been dancing ever since. During our recent sit down, Medusa went into detail about what the scene was like during those early days.

She explained how she first got exposed to emceeing via the song ‘Rapper’s Delight‘. Later on she was inspired by watching Ice T do his thing at the now defunct Radiotron which was made famous in the movie Breaking.This Godmother of west coast Hip Hop took us down memory lane and spoke in great detail about west coast Hip Hop’s early days. She also went into detail about the difference between spoken word and emceeing. We later morphed into a discussion about emceeing techniques including the skill it takes to truly ride the rhythm. Medusa also spoke about the challenge many emcees have in terms of keeping their egos in check. Far too often emcees overshadow the beats that are provided to them.

http://www.youtube.com/watch?v=uaG25NR2xL8&feature=relmfu

Medusa also broke down the challenges one faces doing the independent hustle. She feels the grind is necessary but a good thing in the end. She said the trick to being successful is to be consistent. We also talked about the challenges she faced as a woman in the male dominated industry.Medusa started off by explaining that one needs to first love themselves in order to gain confidence.

She revealed that she was once incarcerated in a woman’s prison called ‘Civil Brand‘. It has since closed down. For her it was a wake up call and she came out determined to never ever go back, but she was also made aware and tuned into the plight of women who were starting to come into prison in increasing numbers.

She talked about this experience and how it made come out stronger and the end result was Medusa becoming how she came to form Feline Science. She said that came about after she felt she was being rejected to be a member of a group called ‘Masked Men’. Years later she realized she wasn’t being rejected, but instead being encouraged to start her own group which would and did become an entity on to itself. Everyone who got down with Feline Science both men and women all took on cat names with Medusa being ‘Top Cat’.

Medusa talked about how the music industry has seemingly only given a platform to one female emcee at a time. She recalled a conversation with Rah Digga who expressed the same concern about how only one female at a time ‘gets their run’. Much of this has to do with so called critics claiming that listeners can’t really tell the differences between female emcees. It’s an idea that Medusa soundly dismissed.

Medusa concluded our interview with Medusa talking about how women need to go about striking a balance between maintaining control of their art, but being willing to confidently work with folks and giving way to other ideas and perspectives when working on a project. Medusa talked about how being so rigid and controlling may have led to her not being able to work with Dr Dre. In retrospect there was a way to maintain ones credibility and still turn over control to a dope producer.

Medusa is currently set to drop her new album Gangsta Goddess. You can check her site at http://www. myspace. com/medusa