Who within LAPD shot and killed Notorious BIG is a question not only all of us should be asking on the ‘anniversary’ of his death March 9th 1997… But its also something with all the money, fame and political access folks have in 2014, we should be aggressively pursuing. Heck his boy Jay-Z is buddies with the most powerful man on the planet, President Obama. At the very least why not ask him to launch some sort of special investigation into his death.
When Cynthia McKinney was in Congress she held several hearings on the death of 2Pac and put forth her own investigation on modern day Cointel-Pro. She even proposed a bill to look into his death. That was years ago and she came up with a lot of disturbing info..With all that we know now and and theoretically who folks know, the proverbial envelop should be pushed.
At the same time we all should be seeking to find out who really knocked down those twin towers sitting in the background of this picture of Notorious BIG. We know it wasn’t some fools running around with box cutters…
Anyway the ‘Brooklyn Way‘ is such that folks should not let any of these unsolved atrocities slide. We should not get comfortable with unsolved Black deaths even if its become a profitable industry onto itself for some within the music biz. Perhaps in vigorously pursing the circumstances surrounding his death, it’ll move the ball of justice a bit closer for all those other deaths of Black and Brown folks at the hands of a corrupt state that has never been held accountable…
Lastly we need to find out who killed ‘Do or Die Bed-Stuy‘, Biggie’s home. The man who many deemed the King of NY old stomping grounds is over run with hipsters who probably could care less about his legacy much less who killed him…
http://www.youtube.com/watch?v=GFylz0zo2qg
http://www.youtube.com/watch?v=xixhs9hvGeU



When the Los Angeles Times article came out implying that Biggie was the mastermind behind the murder of Tupac I immediately recognized that some force(s) was attempting to use the murder of both rappers to divide the Black community, in particular, in a manner similar to how the murder of Malcolm X had been used, for over 30 years.
Remember what I included last week of the contents of a letter Lt. Col. Fletcher Prouty, author of the book JFK, wrote to me. He wrote of his covert responsibilities in the U.S. government as well as what was really involved in the assassination of President Kennedy, beyond the murder itself:
In some way, something similar has to happen where Tupac and Biggie’s murders are concerned, if healing is to take place and manipulation is to be ended. It would be helpful, if Tupac and Biggie’s families and Suge Knight and Sean Combs with the help of their supporters, spiritual leaders, advisers, and East and West Coast artists and music executives, were one day able to put their personal hurt aside and recognize and understand that their pain and emotions are being used to divide whole communities. P. Diddy was present that night in the Apollo when the Minister and Sister Betty began to publicly reconcile. Before, during, and after that Apollo meeting, Minister Farrakhan called for the government to open the files on the assassination of both Malcolm X and Dr. Martin Luther King. Puffy’s relative public silence on the matter of the Los Angeles Times story on Biggie should be studied. It has had both a positive and negative affect on the situation.
To our knowledge, not a single major Hip-Hop magazine has done a cover story on 1)The fact that the NYPD in 2001 openly admitted that it has the New York Hip-Hop community and industry under surveillance 2) The DEA and Houston Police Department’s investigation, use of informants, and COINTELPRO-like tactics in the investigation against Scarface and Rap-A-Lot Records in 2000 3) The federal investigations – FBI, ATF and IRS pertaining to Tupac, Biggie, Death Row and Bad Boy or the fact that both artists were under surveillance in the general time period or night of their murders.

It can certainly be said that competition and frank verbal communication are what make Hip-Hop, in certain ways, very special. There is a tremendous value placed upon the full expression of the individual in Hip-Hop, which is admirable. And there is a constant attention placed upon the improvement of one’s skills and the mastering of their craft. Comparisons play a big part in this. It is hard to not watch or read a Hip-Hop interview where one artist is not compared to another. Comparisons are not inherently bad. Neither is competition. But the same can not be said for invidious comparisons which now seem to be increasingly common in Hip-Hop and in the positioning of Hip-Hop artists in alternative, Black and music industry-related media and particularly in the mainstream media, which serves an audience that is unfamiliar with the nuances of the Hip-Hop community and industry. That is why it was so easy for those who get their picture of Hip-Hop from the mainstream media to be deceived into believing that the murders of Biggie and Tupac were the result of an East Coast/West Coast rap feud – a picture that was largely created by provocative articles written in Hip-Hop publications fed by the actual words of Hip-Hop artists.
The Rolling Stone article, even though it acknowledges that the first effort to link Suge Knight with the murder of Biggie had some very serious problems with it spends not so much as a whole paragraph detailing how Brill’s Content and the second LA Times reporter poked wholes in the initial theory. Instead, Rolling Stone writer Randall Sullivan spends tens of thousands of words dropping seeds and speculating that Suge Knight, some LAPD officers and an individual named Amir Muhammad were involved in the murder of Biggie.
“One week after Russell Poole took over the Biggie Smalls murder investigation, the media learned that as many as a dozen law-enforcement officers had been on the scene when Smalls was shot to death. Six cops had been working for Smalls that night. The rapper was being shadowed as well by an assortment of undercover officers from the New York Police Department and the Federal Bureau of Alcohol, Tobacco and Firearms. The New York cops believed that the same man who shot Tupac Shakur at Quad Studios had killed by one of their off-duty officers and might still be working for either Puffy Combs or Biggie Smalls. The ATF officers were part of a federal task force investigating allegations that employees of Death Row Records were involved in money laundering and the sale of stolen weapons.”
Why would a supposedly enterprising reporter like Sullivan not work his investigation from the actual scene of the shooting? Why do we have so much information in his article about people at the party that Biggie attended before the shooting where “Muslim-looking” individuals and off-duty police officers connected to Death Row were seen, and so little information about the government agents and undercover NYPD officers following Biggie’s car when he was shot?
A basic reading of the story indicates that Sullivan directly or indirectly was fed information from people in the U.S. government who have been watching Death Row and Bad Boy Records and who work with the LAPD and NYPD. No one can reasonably refute that from the manner in which Sullivan quotes unnamed sources and weaves in information into his story that had to have been given to him by the government itself, or through others in touch with the FBI or Justice Department.

Many claim Biggie and company had been ‘flossin’ big time [steppin’ out]..by adorning fancy ‘gangster outfits’ and showing little concern for their safety in LA. Biggie and most of his entourage had been chillin’ in LA for the past couple of weeks laying down the groundwork for the promotion of his upcoming album. From the outside looking in, Biggie’s visible presence in LA indicated that everything was squashed and there’s was no longer any more bad blood between LA based Death Row and the New York based Bad Boy record companies who had embarked on a new and more peaceful direction for hip hop. A lot of this was reinforced by the recent ‘coming together’ of Snoop Dog and Sean Puffy Combs.. on the Steve Harvey Show. Folks simply felt it was all good…Industry insiders said such was not the case.The word on the streets was there were still a number of individuals angry at Biggie.. His high visible in Los Angeles was viewed by some as a smack in the face to 2Pac. People holding such sentiments may have been small in number…but they were nevertheless dangerous enough that Biggie should’ve been concerned and aware of his surroundings…

