Who Within LAPD Killed the Notorious BIG? That’s what we should asking today?

Screen Shot 2014-03-09 at 8.46.01 AMWho within LAPD shot and killed Notorious BIG is a question not only all of us should be asking on the ‘anniversary’ of his death March 9th 1997… But its also something with all the money, fame and political access folks have in 2014, we should be aggressively pursuing. Heck his  boy Jay-Z is buddies with the most powerful man on the planet, President Obama. At the very least why not ask him to launch some sort of special investigation into his death.

When Cynthia McKinney was in Congress she held several hearings on the death of 2Pac and put forth her own investigation on modern day Cointel-Pro. She even proposed a bill to look into his death. That was years ago and she came up with a lot of disturbing info..With all that we know now and and theoretically who folks know, the proverbial envelop should be pushed.

At the same time we all should be seeking to find out who really knocked down those twin towers sitting in the background of this picture of Notorious BIG.  We know it wasn’t some fools running around with box cutters…

Anyway the ‘Brooklyn Way‘ is such that folks should not let any of these unsolved atrocities slide. We should not get comfortable with unsolved Black deaths even if its become a profitable industry onto itself for some within the music biz.  Perhaps in vigorously pursing the circumstances surrounding his death, it’ll move the ball of justice a bit closer for all those other deaths of Black and Brown folks at the hands of a corrupt state that has never been held accountable…

Lastly we need to find out who killed ‘Do or Die Bed-Stuy‘, Biggie’s home. The man who many deemed the King of NY old stomping grounds  is over run with hipsters who probably could care less about his legacy much less who killed him…

http://www.youtube.com/watch?v=GFylz0zo2qg

http://www.youtube.com/watch?v=xixhs9hvGeU

 

Jasiri X Flips Biggie’s 10 Crack Commandments to an Anti-Police Brutality Anthem

I love when Hip Hop steps up and flips classic songs to fit a modern-day scenario.. In this case its Stop and Frisk… props to Pittsburgh artist Jasiri X and comedian/activist Elon James White for this joint called 10 Frisk Commandments.. It’s a play on Biggie’s infamous cut Ten Crack Commandments..

http://www.youtube.com/watch?v=EhHYN7uw3AM

On another tip..Here’s a couple of other songs addressing the issue of police violence and how and why we should stand up against it.. The first is a video to the song Do We Need to Start a Riot by Jasiri X It was filmed in several cities including LA where Henry Rollings one of the LA 4 from the 1992 Rodney King rebellions showed up and gave a few words.

http://www.youtube.com/watch?v=VcSm6EX1coo

Today is Notorious BIG’s Birthday..How do You Remember Him?

Today, May 21st is the birthday of the late Notorious BIG… Not sure if people take time out to remember, most of us tend to focus on slain rapper’s death day.. and that’s understandable..15 years after his murder we still don’t have a killer in custody.. There’s still a lot of controversy.. For this birthday instead of doing the usual where we look back at the controversies surrounding his death, lets remember what made Biggie so dope…

Has anyone been able to match his charisma and flow since he’s been gone..He’s is still the King of New York in the flesh or in spirit

http://www.youtube.com/watch?v=4rKnMp9U-Lg

Wicked flows on the joint party and Bullshit.. I wish I had the video when him and Pac performed this at new Music Seminar..

http://www.youtube.com/watch?v=QA4DG804VuI

I like this performance of Big Poppa…

http://www.youtube.com/watch?v=qJ38h7hkTe0&feature=related

of course there’s the infamous bottle tossing incident at KMEL Summer Jam.. Biggie and Cap showed up and didn’t do a sound check so they didn’t get a chance to get acclimated to the stage.. hence when Cap spun his records kept skipping.. Biggie tossed a water bottle at him… LOL

http://www.youtube.com/watch?NR=1&feature=endscreen&v=ncL_9tpCVfg

 

 

RapCOINTELPRO X : Getting to The Bottom of 2Pac & Biggie

cedricmuhammed2When the Los Angeles Times article came out implying that Biggie was the mastermind behind the murder of Tupac I immediately recognized that some force(s) was attempting to use the murder of both rappers to divide the Black community, in particular, in a manner similar to how the murder of Malcolm X had been used, for over 30 years.

When reading the special two-part series that supposedly places Biggie behind Tupac’s murder, I could not help but go back in my mind to early 1995 when it was announced that the FBI had foiled a murder-for-hire plot. Malcolm X’s daughter, Qabilah Shabazz, had allegedly hired a Jewish hitman to kill Minister Farrakhan. Ridiculous. But designed to get the family, followers and supporters of Malcolm X and those of Minister Farrakhan to fight one another in a way that would leave the Minister dead at the hands of someone Black, not Jewish.

Interestingly, like was the case in the murder of Tupac for 6 years, it took over twenty years before Minister Farrakhan’s name ever came up in the list of those supposedly responsible for the murder of Malcolm.

Who has the power to do that, in both cases?

2pac-BiggieRemember what I included last week of the contents of a letter Lt. Col. Fletcher Prouty, author of the book JFK, wrote to me. He wrote of his covert responsibilities in the U.S. government as well as what was really involved in the assassination of President Kennedy, beyond the murder itself:

“…you will recall that I view the whole assassination process in a much different way than others.

From my experience and point of view the whole thing was an elaborately planned conspiracy to accomplish a Coup d’etat. To do so it was necessary to kill JFK, among other things. This is why there has never been any prosecution or trial for anyone since that crime. A coup d’etat of such dimensions is carefully planned, is the consensus decision of many powerful people, and then the work of pure professionals who are highly skilled.

For such a plan, the most important part is the ‘Cover Story.’ The murder took a bit of deft work and then a terrific load of cover story all the way from Oswald to books and media collaboration and the masterful scenario of the Warren Commission Report. We live with a 30-year old story today.”

Notorious BIG orangeThat after nearly two years of no arrest in his murder, a prominent effort would begin in the Los Angeles Times to pin Biggie’s murder on Suge Knight; and then 3 years later the same would be done to place responsibility for the murder of Tupac into the hands of Biggie, is not an accident but by design, to serve a purpose greater than financial profit or the fulfillment of journalistic responsibility regarding the killing of two celebrities. This is true, in my view, whether the individual reporters whose pen names are on the Los Angeles Times articles, published over the past few years concerning the Biggie and ‘Pac murders, are aware of a greater design or not.

While comedian Chris Rock once made a joke lampooning the idea of speaking of Biggie and Tupac’s murders in terms of political assassinations, I honestly think that the only way for the Black community and Hip-Hop to side-step an obvious effort to use these two murders to foster division and violence is to view the murders of Biggie and Tupac in terms of the assassinations of Malcolm X and even Dr. Martin Luther King Jr.

The only way to get to the top and bottom of both murders is to find out once and for all what the United States government knows about them. Since it is a fact that Death Row and Bad Boy Records and Tupac and Biggie were under FBI, ATF and IRS, NYPD, LAPD and IRS surveillance and/or investigation at the time of both murders; their exist, at this very moment files that have not been made public. Especially in the case of the government agencies involved, these files should be opened. The Freedom of Information Act (FOIA) allows anyone – a family member or journalist – to obtain such files. There do exist files and dossiers on both Biggie and Tupac within the federal government. Efforts should be made to obtain the de-classified and still classified files pertaining to Tupac Shakur and Christopher Wallace.

Dr Betty Shabazz

Dr Betty Shabazz

When the FBI’s ridiculous charge in 1995 that Malcolm’s daughter was the mastermind of a plot to kill Minister Farrakhan became public, it was Malcolm’s wife, Dr. Betty Shabazz who decided that enough was enough and took the initial steps to meet privately with Minister Farrakhan, first in an airport, to discuss what could be done to help her daughter and heal the rift in the Black community that was the result of an unsolved murder that had been used for over 30 years to divide the Black community through innuendo. The Minister offered his assistance in helping to raise money for Malcolm’s daughter’s legal defense telling Dr. Shabazz, “we have to help Bro. Malcolm’s family” and both Minister Farrakhan and Dr. Betty Shabazz agreed that a public demonstration of unity was necessary in order to combat the government and media efforts to divide the Black community over the murder and the real and perceived tensions between the Nation Of Islam and Malcolm’s family, helpers, followers and students. That public demonstration took the form of a public meeting between Betty Shabazz and the Minister in May of 1995 at the historic Apollo theater in Harlem.

I was among those honored to have been present. The energy and electricity surrounding the event was powerful as anyone who was present can attest, and in a significant way, a 30-plus year old wound had begun to heal as a result of the efforts of two parties who placed their personal hurt aside for the benefit of an entire community who in one form or another had been affected due to a personal agreement and the U.S. government’s manipulation of such.

Puff-DaddyIn some way, something similar has to happen where Tupac and Biggie’s murders are concerned, if healing is to take place and manipulation is to be ended. It would be helpful, if Tupac and Biggie’s families and Suge Knight and Sean Combs with the help of their supporters, spiritual leaders, advisers, and East and West Coast artists and music executives, were one day able to put their personal hurt aside and recognize and understand that their pain and emotions are being used to divide whole communities. P. Diddy was present that night in the Apollo when the Minister and Sister Betty began to publicly reconcile. Before, during, and after that Apollo meeting, Minister Farrakhan called for the government to open the files on the assassination of both Malcolm X and Dr. Martin Luther King. Puffy’s relative public silence on the matter of the Los Angeles Times story on Biggie should be studied. It has had both a positive and negative affect on the situation.

Afeni shakur

Afeni shakur

Among other things, the community should also encourage, and hope and pray that Tupac’s mother, Afeni Shakur and Biggie’s mother, Voletta Wallace, eventually meet with Dr. King’s late wife, Coretta Scott King, who can be a source of wisdom and strength to them as they navigate not only the pain and grief of loss, but also the possibilities that very powerful individuals in government and without, know more about the murders of Biggie and Tupac than has ever been reported. This may be especially helpful to Biggie’s mother who is persuaded by the work of a White investigator that the LAPD is covering up Biggie’s murder (Afeni Shakur has been clear in her statements that she does not trust the government, local police, or media where her son is concerned). This is bigger than the LAPD. The fact that Biggie and Puffy’s cars, that fateful night in March of 1997, were under surveillance by the ATF, FBI and undercover NYPD; and that members of Biggie’s entourage were shown pictures of cars and individuals who were near them at the time Biggie was shot provides evidence that more than an LAPD cover-up is involved. Coretta Scott King can be an invaluable resource of insight into dealing with the federal government’s knowledge of what happened in September of 1996 in Las Vegas and in Los Angeles in March of 1997.

It is good that both mothers have made at least one dramatic public appearance together, at the MTV music awards. Now, if they are able and willing, more should be asked of them, in order to prevent the wicked designs of those who continue to drop innuendo regarding both murders.

It would also be helpful if the leaders of the sets of Bloods and Crips who find themselves mentioned in connection to these murders could make a similar recognition that their personal disagreements and the entire street organization culture is being used by external forces to not only divide the Black and Hip-Hop communities but to prevent youth from organizing and developing leadership and unity among themselves and broader organizations in the Black and Latino communities. It would be very helpful if someone, through the Freedom Of Information Act (FOIA) could get to the bottom of how many of the gangs in Los Angeles and Chicago, in particular have been manipulated by the government and local police departments into committing acts of violence upon one another. Street organizations should know by now that the federal government and local police department task force and street crime units have placed informants and agents within their ranks to cause problems.

Finally, members of the Hip-Hop journalist community – publishers, editors and reporters – have to move beyond their superficial fascination with the creativity of Hip-Hop artists, their social lives and commercial success and do some hard reporting on serious stories affecting the community and industry.

Police spyTo our knowledge, not a single major Hip-Hop magazine has done a cover story on 1)The fact that the NYPD in 2001 openly admitted that it has the New York Hip-Hop community and industry under surveillance 2) The DEA and Houston Police Department’s investigation, use of informants, and COINTELPRO-like tactics in the investigation against Scarface and Rap-A-Lot Records in 2000 3) The federal investigations – FBI, ATF and IRS pertaining to Tupac, Biggie, Death Row and Bad Boy or the fact that both artists were under surveillance in the general time period or night of their murders.

Finally, as we have written before, people really don’t know what COINTELPRO was all about or to what extent it has been documented that the mainstream media has been used by the government to foment discord, foster the shedding of blood and cover-up its own hand in creating mischief in the Black community. Until people truly understand COINTELPRO and read the files pertaining to it, and make parallels to what happened with Biggie and Tupac, we will never move past what began over six years ago.

www.blackelectorate.com/a…asp?ID=702

Cedric Muhammad

Friday, September 20, 2002

Rap COINTELPRO VIII pt2 Jada vs Beanie and Suge’s Release

Cedric Muhammad

Cedric Muhammad

Underneath the braggadocio, hubris and arrogance in the comments that Hip-Hop artists direct at one another in the media, is a mixture of unwarranted confidence, greed, vanity, insecurity and envy and jealousy. The vast majority of the aforementioned characteristics have little or no redeeming qualities at all. They have led to the shedding of blood, lying, robbery, slander, libel, and the general disrespect for others. Most rappers, even in their creative works, speak in great detail, in a negative way, of the destruction that these human traits often cause. It is obvious from just a cursory sampling of the most popular rap songs, that Hip-Hop artists are intimately acquainted with the dark side of human nature and frequently criticize what they witness and experience in this area. Artists have proven that they are capable of identifying and condemning these qualities. If that is the case, and it is, then why are these character flaws so pervasive in the music business and among entertainers, in general? And more importantly, why are they so visibly displayed in the public conduct of Hip-Hop artists?

At a certain point Hip-Hop artists seem to recognize that even within the music industry, these character flaws not only put their lives in danger, but also pose a serious threat to their careers and business enterprises. However, by the time artists honestly admit that their lives, careers and business enterprises are threatened by their personal imperfections and those of others, and the manner in which they manifest themselves in the music business, many artists think that it is “too late” to alter the image that has been crafted for them, or to change their public conduct, even, the very words that they use in public and the tone and spirit in which they convey those words.

A large part of the inertia, resistance and fear that keeps artists from evolving toward greater consciousness and conduct comes from, or is directly connected to, the pressure and temptation to use the media for personal and professional gain.

Jadakiss

Jadakiss

It is this dynamic which we have focused on in recent weeks in both the end of the Beanie Sigel-Jadakiss “problem” and the release of Suge Knight from jail.

In the Beanie Sigel-Jadakiss problem we identified how, regardless to the conduct of the reporter and media publication involved, both artists attempted to use the controversy stemming from the rumors, perceptions and idea that they were feuding with one another, to sell records. We are not sure how it all evolved, but at a certain point, both artists decided to use the controversy for personal and professional gain. This is dangerous, and eventually that fact became obvious to both artists and to others like Russell Simmons, who decided that enough was enough and stepped in to encourage a reconciliation of both talented artists, who are both increasingly wealthy Black men, under 30 years of age.

In the case of Suge Knight we watched, hoping for the best, as Suge Knight gave several interviews prior to and immediately upon his release from jail. We recognized right away what was happening. Although he knew of the great risks involved and what some mischief-makers in the media would do with his words, Suge Knight made a conscious decision to use the media for personal and professional gain, partly to clear the air on a variety of issues, but also to promote his record label. But as we watched, at different moments of the various interviews that Suge Knight did for media outlets, we could literally see how Suge was walking an apparently impossible tightrope, laid out for him by the interviewer and his own motivations and strategy. He did pretty well trying to avoid the obvious and not-so obvious minefields in the loaded questions hurled his way by interviewers, who do not give a damn about Hip-Hop, but we believe he made some mistakes that can and probably will be used against him and the entire Hip-Hop community, in the future.

Placeholder-KRS-GreenIt can certainly be said that competition and frank verbal communication are what make Hip-Hop, in certain ways, very special. There is a tremendous value placed upon the full expression of the individual in Hip-Hop, which is admirable. And there is a constant attention placed upon the improvement of one’s skills and the mastering of their craft. Comparisons play a big part in this. It is hard to not watch or read a Hip-Hop interview where one artist is not compared to another. Comparisons are not inherently bad. Neither is competition. But the same can not be said for invidious comparisons which now seem to be increasingly common in Hip-Hop and in the positioning of Hip-Hop artists in alternative, Black and music industry-related media and particularly in the mainstream media, which serves an audience that is unfamiliar with the nuances of the Hip-Hop community and industry. That is why it was so easy for those who get their picture of Hip-Hop from the mainstream media to be deceived into believing that the murders of Biggie and Tupac were the result of an East Coast/West Coast rap feud – a picture that was largely created by provocative articles written in Hip-Hop publications fed by the actual words of Hip-Hop artists.

Yet and still, after having seen how the media handles comparisons and the words of artists, Hip-Hop artist after Hip-Hop artist, as well as executives, continue to feel a need to talk to media outlets that have demonstrated in the past, that they do not value the lives of the members of the Hip-Hop community nor the words of the leading figures in that community. Indeed, some even feel the need to bring hostile or at least, unfriendly media outlets into private Hip-Hop settings, supposedly to make sure that “the message gets out”. We noticed this at the recent Hip-Hop summit where WNBC, NY Post and CNN reporters were given preferential treatment and access to Summit participants over Black, alternative and Hip-Hop media because of the supposed need for “exposure”. What good is exposure, we thought, if it is distorted?

Our hope is that Hip-Hop will pass this current trial that it is undergoing by mastering the manner in which members of the community communicate with one another. While we all have imperfections, we sincerely hope that artists, writers, DJs, radio morning show hosts and rap video hosts will resist the temptation to use various forums for narrow personal and professional gain, at the expense of others in the Hip-Hop community. The mere fact that we have to use others, outside of the community, in order to learn about one another in the first place, should provide a sober reminder of the tremendous vulnerabilities that exist within the community and which make us all susceptible to the evil efforts of others who would very much like to see Hip-Hop destroyed, once and for all.

There is no need to help that plan along simply because we could not control our tongue(s).

Here is a portion of the Bible, which provides insight and instruction regarding the power of our mouths to build and destroy.

It is certainly food for thought for those of us who reach hundreds, thousands and millions with our pens and our tongues. It also is especially relevant to artists who are victims of invidious comparisons and their own “need” to use the media to further themselves and their careers in a shortsighted manner.

James 3- 4:1-3 from the New American Standard Version:

James 3
1
Not many of you should presume to be teachers, my brothers, because you know that we who teach will be judged more strictly.
2
We all stumble in many ways. If anyone is never at fault in what he says, he is a perfect man, able to keep his whole body in check.
3
When we put bits into the mouths of horses to make them obey us, we can turn the whole animal.
4
Or take ships as an example. Although they are so large and are driven by strong winds, they are steered by a very small rudder wherever the pilot wants to go.
5
Likewise the tongue is a small part of the body, but it makes great boasts. Consider what a great forest is set on fire by a small spark.
6
The tongue also is a fire, a world of evil among the parts of the body. It corrupts the whole person, sets the whole course of his life on fire, and is itself set on fire by hell.
7
All kinds of animals, birds, reptiles and creatures of the sea are being tamed and have been tamed by man,
8
but no man can tame the tongue. It is a restless evil, full of deadly poison.
9
With the tongue we praise our Lord and Father, and with it we curse men, who have been made in God’s likeness.
10
Out of the same mouth come praise and cursing. My brothers, this should not be.
11
Can both fresh water and salt water flow from the same spring?
12
My brothers, can a fig tree bear olives, or a grapevine bear figs? Neither can a salt spring produce fresh water.
13
Who is wise and understanding among you? Let him show it by his good life, by deeds done in the humility that comes from wisdom.
14
But if you harbor bitter envy and selfish ambition in your hearts, do not boast about it or deny the truth.
15
Such “wisdom” does not come down from heaven but is earthly, unspiritual, of the devil.
16
For where you have envy and selfish ambition, there you find disorder and every evil practice.
17
But the wisdom that comes from heaven is first of all pure; then peace-loving, considerate, submissive, full of mercy and good fruit, impartial and sincere.
18
Peacemakers who sow in peace raise a harvest of righteousness.

James 4
1
What is the source of quarrels and conflicts among you? Is not the source your pleasures that wage war in your members?
2
You lust and do not have; so you commit murder. You are envious and cannot obtain; so you fight and quarrel. You do not have because you do not ask.
3
You ask and do not receive, because you ask with wrong motives, so that you may spend it on your pleasures.

www.blackelectorate.com/a…asp?ID=407

Cedric Muhammad

Friday, August 17, 2001

Rap COINTELPRO PtVII: The VH1 Biggie Documentary

cedricmuhammed2

Cedric Muhammad

To those who have been following our RapCOINTELPRO series, it should not have come as any surprise the direction taken and innuendo dropped during the VH1 documentary, aired last Sunday, on the Notorious B.I.G.

Basically, the documentary was the video version of the Rolling Stone article that we wrote about in part 6 of this series, where the murder of Biggie was concerned. We won’t revisit our numerous questions regarding the Rolling Stones article, which you can review via our search feature, except to emphasize one very important point.

That point is: Why are VH 1, Rolling Stone Magazine and the primary source of information, former LAPD detective Russell Poole, not focusing their investigation at the scene of the crime? We have spoken to some of our BlackElectorate.com viewers, individuals who work in law-enforcement, who totally agree with our assessment that it makes absolutely no sense to center an investigation into Biggie’s murder around who attended the party that he was at before he was murdered. This is especially true since it is a known fact by the LAPD, Rolling Stone magazine and members of the mainstream and Hip-Hop media that at the very moment that Biggie was murdered, he and Puffy’s vehicles were being trailed by federal agents and members of the NYPD. Russell Poole knows this as well. Why didn’t VH1 spend even as a little as one second on that fact?

Members of Biggie’s entourage were shown photographs of vehicles trailing their cars by law enforcement officers and were shocked to know that at the time of Biggie’s murder they were being followed by federal agents and undercover cops. None of this was explored during the documentary.

Instead, VH 1 worked, even harder than Rolling Stone reporter Randall Sullivan to link Amir Muhammad and David Mack to the murder of Biggie. But their presentation was so weak. All they could muster was that someone saw both of the men at the party before Biggie was murdered. That is all.

And more importantly, VH 1, like Rolling Stone, did not mention the fact that an L.A. Times reporter and Brill’s Content magazine impressively argued against the Amir Muhammad theory last year. We wrote about that as well in our series.

The Hip-Hop community should really be pondering some serious questions in light of this VH1 documentary. Here are a few just for starters:

Notorious BIG orange1) Why has it taken VH 1 5 years to do a documentary on Biggie? Why now?

2) Isn’t there something peculiar about the fact that the Rolling Stone Magazine issue that centers on the murder of Biggie has the enormously popular WWF superstar, the Rock, on the cover? The Rock is incredibly popular among Black and Latino youth and the Hip-Hop generation as well as several rappers. Those who are familiar with COINTELPRO should know that all types of work went into positioning and marketing planted articles. It is obvious that the Rock on the cover, just below the bold headline about Biggie’s murder was designed to attract the attention of a slew of Hip-Hop fans.

3) Why is all of this attention into Biggie’s murder, which feverishly works to implicate Suge Knight, dropping in the public only months before the scheduled release of Suge from jail? Does the LAPD, NYPD, FBI and ATF, all of whom had Death Row and Bad Boy under surveillance over the last 6 years have something planned upon Suge Knight’s release? Are they deliberately creating an atmosphere, at least, that will result in harm being done to Suge, in the name of a rap feud?

Maybe the saddest thing about all of this is that now the grief of Biggie’s beautiful mother, is being used to provide a boost to the theories offered by Rolling Stone and VH 1.

It is obvious that the NYPD and federal government, who were following Biggie, the night he was murdered, are being “protected” by the angle offered by Russel Poole, VH 1 and Rolling Stone magazine. Their hand is being hidden. It is as if the LAPD and Death Row are being used as a buffer to keep people from following a trail that leads back to New York City and the FBI and ATF. Why?

Hopefully, we will lean the lessons of history so that we don’t have to repeat them.

http://www.blackelectorate.com/articles.asp?ID=363

Cedric Muhammad

Friday, July 13, 2001

Rap COINTELPRO Pt VI: Is The Murder of Biggie Setting Up a Civil War In Hip-Hop ?

Cedric Muhammad

Cedric Muhammad

Note: The Rolling Stone.com online version of the “The Murder Of Notorious B.I.G.” is only an excerpt from the full article which appears in the hard copy

After reading the feature article in the June 7th issue of Rolling Stone Magazine, “The Murder Of The Notorious B.I.G.” we suggest that the Hip-Hop community and industry brace itself for some serious mischief making. The publication of this article and the time of its appearance, which coincides with the news that the NYPD has Hip-Hop artists under surveillance has us just about convinced that something sinister is going on with the FBI, LAPD, NYPD and media outlets that looks just like the COINTELPRO of the 1960s and 70s and which may manifest violently this summer. In light of recent events, the stage has now been set, enough seeds have been dropped and a cover story written for a civil war in Hip-Hop and inside of the Black and Latino community that would involve East Coast Rappers, West Coast rappers, Bloods, Crips, Latin Kings and the Nation of Islam and which would serve the ultimate objective of the U.S. government’s phony war on drugs and gangs.

By far, this article is the most extensive, in terms of innuendo, rumor-mongering and potentially slander and libel that we have seen since we began writing this series about our belief that the Hip-Hop community and industry are the object of a destabilizing effort that bears a startling resemblance to the FBI-coordinated efforts to discredit, neutralize and destabilize Black organizations. In that effort everything from surveillance, informants, planted evidence and newspaper articles were used to destroy organizations and their reputations from within and in the court of public opinion.

Det Russell Poole

Det Russell Poole

This article in Rolling Stone, which relies heavily upon the account of a single LAPD officer, Russell Poole, works to pin the murder of the Notorious B.I.G. on Suge Knight and a group of LAPD officers. This is the second time that a media outlet has attempted to do this. The first effort began in early 1999 but was unsuccessful in large part due to articles printed in Brill’s Content and the work of another reporter who writes for the LA Times who poked numerous holes in the theory.

SugeKnight-cigar-225The Rolling Stone article, even though it acknowledges that the first effort to link Suge Knight with the murder of Biggie had some very serious problems with it spends not so much as a whole paragraph detailing how Brill’s Content and the second LA Times reporter poked wholes in the initial theory. Instead, Rolling Stone writer Randall Sullivan spends tens of thousands of words dropping seeds and speculating that Suge Knight, some LAPD officers and an individual named Amir Muhammad were involved in the murder of Biggie.

Sullivan very deviously and slyly works to even connect the murder with the Nation Of Islam, an effort that actually publicly began within hours of the shooting, by emphasizing the reports and police sketch indicating that the shooter wore a bow tie. Sullivan then states that Amir Muhammad and David Mack, one of the off-duty officers allegedly involved in the murder of Biggie, claimed to be Muslims.

Regardless to what their faith may be we find it especially peculiar that Sullivan and Rolling Stone, in thousands of words of writing, only make one reference to the second LA Times reporter who debunks the association of Amir Muhammad with the murder of Biggie. They only mention it briefly but do nothing to explain how the reporter saw through the loose reporting of his fellow reporter who first put in print the theory that Suge Knight, LAPD officers and Amir Muhammad were behind the shooting.

One of the more interesting things that comes out of the Rolling Stone article is that the reporter reveals how the government and the LAPD infiltrated Death Row Records as well as businesses connected with Suge Knight. They even make reference to a probe of Death Row Records and Suge Knight, which was/is being run out of the U.S. Justice Department.

But by far, the most interesting aspect to the story is that while it makes numerous efforts to pin the murder of Biggie on Suge Knight it drops some very peculiar information that seems to indicate that people way above Suge Knight and off-duty LA police officers have knowledge of who is actually behind Biggie’s murder.

Sullivan writes:

diddy flowers-225“One week after Russell Poole took over the Biggie Smalls murder investigation, the media learned that as many as a dozen law-enforcement officers had been on the scene when Smalls was shot to death. Six cops had been working for Smalls that night. The rapper was being shadowed as well by an assortment of undercover officers from the New York Police Department and the Federal Bureau of Alcohol, Tobacco and Firearms. The New York cops believed that the same man who shot Tupac Shakur at Quad Studios had killed by one of their off-duty officers and might still be working for either Puffy Combs or Biggie Smalls. The ATF officers were part of a federal task force investigating allegations that employees of Death Row Records were involved in money laundering and the sale of stolen weapons.”

It is interesting that Sullivan leaves out the fact that the officers that followed Biggie’s car as he was killed were able to show members of Biggie’s entourage actual pictures of cars and individuals taken while they were following Biggie. That information shocked the members of Biggie’s entourage who were totally unaware that the government and NYPD cops were following them. This was reported in the LA Times, why didn’t Rolling Stone and Randall Sullivan indicate that in their article?

And why does Sullivan rely almost exclusively on information and sources within the LAPD when he knows that NYPD officers and ATF agents were following Biggie at the exact moment that he was shot? We think in light of that fact it would be incumbent on any reporter worth two cents to follow up that angle. If the NYPD and government agents had a birds’ eye view of Biggie’s murder why all of the emphasis on the LAPD?

LAPDWhy would a supposedly enterprising reporter like Sullivan not work his investigation from the actual scene of the shooting? Why do we have so much information in his article about people at the party that Biggie attended before the shooting where “Muslim-looking” individuals and off-duty police officers connected to Death Row were seen, and so little information about the government agents and undercover NYPD officers following Biggie’s car when he was shot?

To ignore the scene of the crime as Sullivan does, when information is available, is a sign of horrific reporting, at best.

Unless… the Rolling Stone article is part of the cover story being written not by Rolling Stone but through Rolling Stone, by the government, with the help of editors and a willful or ignorant reporter, Randall Sullivan, to pin the murder of Biggie on Suge Knight, off-duty LAPD officers and others in order to serve a larger purpose with implications on the Hip-Hop and Black communities.

The FBI and CIA, for years, used reporters and editors to influence stories and even plant stories in mainstream media sources that were uncomplimentary to various groups.

Notorious BIG DiddyA basic reading of the story indicates that Sullivan directly or indirectly was fed information from people in the U.S. government who have been watching Death Row and Bad Boy Records and who work with the LAPD and NYPD. No one can reasonably refute that from the manner in which Sullivan quotes unnamed sources and weaves in information into his story that had to have been given to him by the government itself, or through others in touch with the FBI or Justice Department.

The most striking aspect of the article which makes us believe that the story at least has been crafted, is that after spending the entire emphasis on the article and tens of thousands of words on making the LAPD the entire focus of the article, Sullivan turns his attention to the reality that the FBI is now working on an effort with the help of a Los Angeles jail inmate to connect Suge Knight with the murder of Biggie. The effort is not lightweight, according to Sullivan.

Our question for Sullivan’s reporting is: if the FBI has been investigating Biggie’s murder all along, why does he place the entire emphasis of his story on the LAPD and its investigation of the murder?

Even Sullivan’s primary source, Russell Poole, who evidently has knowledge of the FBI’s investigation, is quoted by Sullivan as saying, “The FBI has something big cooking…”

David Mack LAPD

David Mack LAPD

For Sullivan to leave out the NYPD, ATF, the Brill’s Content and LA Times articles which contradict the alleged Suge Knight, David Mack, Amir Muhammad connection with the murder of Biggie; and for Sullivan to leave out the FBI’s investigation into the murder, until the end of his lengthy piece, results in his writing and willful omissions fitting rather nicely with whatever the FBI is “cooking”.

Why is all of this information coming out now, on the eve of Suge Knight’s release from jail?

Has the government, law enforcement agencies and informants in the Hip-Hop industry/community planned something even bigger that puts not even Suge Knight’s life in danger, upon his exit from jail, but the entire Hip-Hop community and sectors of the Black community?

What kind of atmosphere is being created by the Rolling Stone article, media outlets like Newsweek, MSNBC (particularly the Imus in the Morning Show) hyping up Suge Knight’s release from prison, and what of the hidden efforts of the Justice Department, FBI, ATF, NYPD and LAPD – including these law enforcement agencies’ ongoing investigations focusing on Hip-Hop artists and record labels?

How does all of this relate to the recent revelation that the NYPD now has the entire Hip-Hop community under surveillance? And what about the recent arrest of Jay-Z while under surveillance by the NYPD’s Street Crime Fighting Unit and his reported feud with Jayo Felony, a rapper from LA who is said to be a Crip?

Who would benefit from a war in the Black community involving East Coast rappers, West Coast Rappers, Suge Knight, Puffy, Bloods, Crips, and even the Nation Of Islam – all of whom, through innuendo, are made to look like criminals in the Rolling Stone piece?

Fasten your seat belts.

http://www.blackelectorate.com/articles.asp?ID=92

Cedric Muhammad

Friday, June 01, 2001

Notorious BIG Killed in LA

Notorious BIG DiddyLast Tuesday March 4 1997 Notorious BIG rolled through KMEL’s Breakfast Club and did his last radio interview. I recall him being upbeat and playful… He was in good spirits and he seemed to have an air of optimism about him. He mentioned that he was ready to take the rap world by storm. He spoke about how he had put a lot of hard work into his upcoming album ‘Life After Death‘. The album was recorded over a 9 month period.

Biggie spoke very passionately about the importance of putting God in your life… ‘A lot of people are surprised to hear someone like me say that.. they think it makes you soft’, he said.. ‘But if God is with you no one can be against you..no one is stronger then God’.

He mentioned that it was his good friend and the man he managed Sean ‘Puffy’ Combs who introduced this drug dealer turned rapper to God. It was a Biggie Smallz most have rarely seen or heard. It was an introspective Biggie who seemed to have matured…The Biggie I recall in his last radio interview was a Biggie who spoke emphatically about the hell he had been through with the this whole East/West Coast civil war within hip hop. He spoke frankly and earnestly about what it was like being in the middle of this whole drama…

2Pac in the movie Juice

2Pac in the movie Juice

He told our audience that most people didn’t really understand the relationship between him and 2Pac.. He spoke on the fact he and Pac were nothing more then rappers and that a lot of things were blown out of proportion by the media. However there was one comment that was a bit disturbing.. When asked directly as to whether or not he had a hand in the killing of his arch rival 2Pac Shakur, Biggie responded in a coy type of fashion that ‘he wasn’t that powerful yet’. When asked again he responded the same way. He didn’t put forth that unequivocal, undeniable answer of ‘No’. It was almost as if Biggie wanted to keep some mystery about him. It was as if he wanted people to somehow think that he was somehow capable of carrying out such a heinous crime’. Personally it wasn’t a very constructive thing to do… considering there were still so many people here on the West Coast that were both still grieving and somehow thought that Biggie had something to do with PAC’s demise.

This is not to say that his answers which incidentally were said on the Wake Up Show in LA the week before had anything to do with him being killed…but it leaves one to wonder…why he would go there.. Why not permanently put all those rumors to rest.According to witnesses, Notorious BIG was hanging out at an after party for the Soul Train Music Awards. The party was being thrown by Vibe Magazine at the Automotive Museum in downtown LA and Biggie was in full swing with an entourage of about 30 people including Lil Caesar, and Lil Kim.

Notorious BIG GangsterMany claim Biggie and company had been ‘flossin’ big time [steppin’ out]..by adorning fancy ‘gangster outfits’ and showing little concern for their safety in LA. Biggie and most of his entourage had been chillin’ in LA for the past couple of weeks laying down the groundwork for the promotion of his upcoming album. From the outside looking in, Biggie’s visible presence in LA indicated that everything was squashed and there’s was no longer any more bad blood between LA based Death Row and the New York based Bad Boy record companies who had embarked on a new and more peaceful direction for hip hop. A lot of this was reinforced by the recent ‘coming together’ of Snoop Dog and Sean Puffy Combs.. on the Steve Harvey Show. Folks simply felt it was all good…Industry insiders said such was not the case.The word on the streets was there were still a number of individuals angry at Biggie.. His high visible in Los Angeles was viewed by some as a smack in the face to 2Pac. People holding such sentiments may have been small in number…but they were nevertheless dangerous enough that Biggie should’ve been concerned and aware of his surroundings…

The actual shooting occurred when a drive by assailant let loose at Big as he sat in his Suburban. Biggie was on his way to 92.3 The Beat to do an interview. Lil Caesar was apparently with him but was unharmed. Nearby was a vehicle with Foxy Brown inside… The windshield to that vehicle was shattered… After the shooting, many of the NY based artist became very concerned.. Most left the LA area the next day [Sunday] as opposed to Monday when they were scheduled. The word was out that NY rappers best beware..

DJ Quik

DJ Quik

The fallout of this tragedy has left many within the hip hop community shocked and despaired. Rumors immediately began to surface. Witnesses claim that Notorious BIG has earlier that evening engaged in a heated argument with DJ Quik.. The rumors speculating that Quik had something to do with the shooting immediately circulated around the Bay Area.. Other rumors surfaced saying that Suge Knight was the mastermind behind the shootings.. It was a message from his jail cell to let Biggie and everyone else know that he was very much in control despite being handed a 8 year prison sentence.. Another theory was that Biggie was gunned down by LA Crips because him and Bad Boy refused to pay an extortion fee to members of the LA Based gang. Other speculated that it was a Mafia hit. The most outrageous and yet persistent rumor is that it was someone connected to 2Pac… perhaps even Pac himself was involved if you believe the rumors about him being alive. Ironically Biggie was killed 2 weeks before the release of his lp like 2Pac… It also occurred 6 month and a day after 2 Pac’s untimely demise. Another disheartening speculation is that there would be retaliation from the East Coast… Artist like Ice Cube and Mack 10 have been said to be next on the hit list of this on going saga. Whatever the case the shooting took place in front of a lot of people within the music industry.. and that Biggie was the intended target… Many are refusing to talk..

The Vibe on the streets out here in the Bay Area has been one of frustration.. Many have gotten fed up with a situation that has gotten totally out of hand.. Many have pledged to help bring about some substantial changes.. Still others have sadly celebrated Biggie’s death claiming that it was just revenge for PAC’s death.. ‘Now folks back east know how it feels’ was what many said. In San Francisco Fillmore district there were folks actually getting drunk and partying over the fact that Biggie got shot.. Things have definitely gotten bad within some circles.What’s so sad is that Biggie at age 24 leaves behind two children, a wife and his mom.

Harry Allen

Harry Allen

Hip Hop based radio station around the country immediately addressed this issue. Here in San Francisco on KMEL’s Street Knowledge Show, Public Enemy‘s Harry Allen and Christopher Mohammed from the Nation Of Islam… help set the tone and bring about a proper perspective on this scenario. As tragic as this even was.. many within the hip hop nation have taken a stance to recommit themselves to uplifting and bringing about redirect people down a more positive path.

Christopher Mohammed spoke about the influence of outside forces. He reminded people about the counter intelligence programs of the 60s in which African American organizations were deliberately pitted against one another. Through media manipulation the so called East/West Coast war has been brought to new and dangerous heights.. Brother Chris let it be known this whole incident was bigger Biggie and 2Pac and that the whole East/West coast war is an attempt to keep Black folks from uniting..

Harry Allen spoke about many people being left to feel powerless and how hip hop has become something that they no longer control. He stressed the importance of folks getting some sort of spiritual grounding and to resist the temptation of trying to fit into this whole East West War just to garner a reputation.

Sway and King Tech

Sway and King Tech

The following morning… Dr. Dre and Red Alert appeared on KMEL’s Breakfast Club morning show as did Chuck D from Public Enemy. The main topic at hand was parental responsibility and the role those of us in media play in helping solve or bring about problems. Red Alert noted that its important that the lines of communication between East and West be kept open.. The result has been the calling a radio summit… Currently Sway of the Wake Up Show and program director Michelle S of KMEL and others are trying to assemble key hip hop djs and artists from around the country for a soon to be announced on air town hall meeting/ hip hop summit. The plan is to have it air live in as many markets as possible simultaneously. Most important of course is Cali and New York.. Dr Dre took things a step further and insisted that this summit be televised as well as aired on the radio.. People are working to see if this can happen.. We will keep you posted as this on air summit develops.

In another strange twist of events…Suge Knight has reportedly been stabbed seven times while on lock down yesterday… The weapon was sharpened chicken bones…There has been no official report on his condition and who the assailant was…Death Row Records as of today 3/12/97 has issued a statement denying such an event has taken place…. Check out their official press release… [editor’s note]

Also KRS-One who is scheduled to do a concert here in the Bay Area has supposedly expressed some concern about being here out west…

Here at KMEL a commitment and a pledge of sorts have been taken by the on air staff to help foster a new change.. The station is getting ready to start accentuating positivity within hip hop.. The challenge has been issued to listeners to try and make a difference.. The underlying goal is to help increase consciousness amongst the hip hop generation.. Things are getting ready to change… Hip Hop is at a turning point… Either we’re gonna turn things around.. or we’re gonna continue down a path of destruction with the worse yet to come…

written

by Davey D

3/10/97

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