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Breakdown FM-Holding It Down in North Carolina-Little Brother Gets Wreck

March 28, 2009 By

Holding It Down in North Carolina-Little Brother Gets Wreck
by Davey D of Breakdown FM

original article: Saturday, November 05, 2005 

Listen to the interview by clicking the link
http://odeo.com/audio/324556/view
 

North Carolina natives Little Brother (Phonte, Big Pooh and 9th Wonder) have been doing their thing for a long time. They have become household names within underground circles, but now that is starting to change. Seems like nowadays everyone is talkiing about these guys…

What’s so dope is they have alot to say. Unlike so many of their peers within the rap game, they don’t feel a need to put forth any false images or hold up a particular persona. As Phonte noted during our interview, Little Brother are grown men who strive to talk about grown folks things. Hence the honesty and frankness in our conversation and the dopeness of their album-The Minstreal Show..

In this interview you will hear Little Brother speak to all sorts of issues ranging from how they garnered their success to how they manage to stick to together and keep the core essence of their music in tact. They talk about their new record deal with Atlantic Records and the types of things they insisted upon before signing. They also talk about the impact the music and pop culture is having on young people.
Phonte says if we keep feeding our youth a steady diet of audio junk food which includes materialism and the glorification of negative street life, should we be surprised and shocked when kids grow up and go buckwyld..

They talk about making grown folks music and how Hip Hop has has not reached its full potential in terms of delivering for an older audience that wants a whole lot more then booty shaking music and gangsta fairytales.

They also talk about the stigma placed on Black people and folks from the hood who are saddled with certain negative stereotypes and images that the public expects them to live up to… Phonte and Big Pooh talk about their upbringing and explain how they managed to be themselves and triumph despite personal hardships.

Little Brother also gets political and talks about the US Government’s response to Katrina and what that really means. They also expound upon Kanye’s remarks about George Bush and offer up some keen insight…

Lastly we talk about the album and play some of the dope cuts featured on the highly acclaimed Minstreal Show..

Peep the interview by clicking here:
http://odeo.com/audio/324556/view

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Raise Up! Knaan is in the Building-Make Room at the Table for African Hip Hop

March 1, 2009 By

Davey DI met Somalian born rapper Knaan about 3 or 4 years ago in his current place of residence Toronto. We chopped it up back then and he assured me that it was just a matter of time before the US Hip Hop scene would open its arms to rappers from other shores. At the time that seemed far-fetched because even though we all know that Hip Hop is a worldwide phenomenon, very few heads in the states can cite more than 3 or 4 artists from neighboring Canada much less from overseas. Ask folks to name artists from Africa and the conversation is all but over…

On one hand we should not be surprised. After all, Hip Hop always reflects the mindset and cultural mores of the people and places that embrace it.Hence to the degree we can hardly name off any of the Provinces in Canada it should not be a shock that we can’t name off any of her artists.

Nowadays Knaan is increasingly becoming a household word here in the states. He’s already a superstar overseas. For many he’s a breath of fresh air who reminds us just how flavorful good Hip Hop can be. His creativity and overall conversation raises the bar. His global perspectives reminds us that this is a big world and our country is just a small part of it..

We caught up with Knaan during his visit at SXSW in Austin, Tx and chopped it up with him. We talked about his new album Troubadour which is a monster and what he was trying to get across. We talked about the challenges of knocking down doors in the US. Knaan quoted Saul Williams by agreeing with the assertion that Hip Hop has been republican in the past 10 years. Its been about money, closing its eyes to the realities outside its immediate borders and very unwilling to change.
He sees things changing for the better and that’s a good thing.

We covered a variety of topics including the recent move by Homeland security to scrutinize Somalis living here in the US as possible terrorists. We talked about the whole Somali pirates thing and discovered that what we been fed by mainstream news is a big lie. Knaan explained that the so called pirates are actually more like Coast Guards. They been patrolling the waters and stepping to foreign vessels that look at the un-centralized government in Somalia and hence feel they can do pillage the natural resources like over the top commercial fishing and illegal dumping of hazardous wastes. The Somalia pirates have been stepping to vessels for violating their water space and have taken the matter up to the UN only to have the main violators France along with the US veto any resolution..

knaanWe talked about the make up of Knaan’s album and what it was like working with Maroon 5’s Adam Levine and Hip Hop legend Chubb Rock. He explained that Levine was a real cool and basically came through and laid down vocals for free. He just wanted to show respect and appreciation for the music.

He talked about admiring Chubb Rock’s rhyme flow and how it was an honor to have the rapper turned school teacher to come through and lace him up.

Knaan also talked about his rhyme influences which actually come from the Rhythmic Poets of Somalia. These wordsmith have been around centuries before the first rappers in the Bronx

Finally we talked about the state of the world and how US and US Hip Hop fit into things. Knaan noted that the US is now going a period where many of its citizens are feeling vulnerable and at ease. he noted its the same type of uneasiness that many throughout the world feel on a day to day basis. Our economic hardships are routine for the majority of the people around the world and now that type of situation is on our shores and we will have to not only rise to the occasion be much more aware of what the rest of planet earth is experiencing.

Listen to the Breakdown FM Interview w/ Knaan by clicking the link below:

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Filed Under: 2009-Daily Hip Hop News, Breakdown FM Interviews Tagged With: , , , , , , , , , ,

Breakdown FM: Welcome to Sota Rico Meet Maria Isa Minneapolis’ Next Star

August 8, 2008 By


Maria Isa is a fixture in the Minneapolis Hip Hop scene.The daughter of two Puerto Rican revolutionaries who used to get down with Young Lords and the freedom movements of the 60s and 70s, Maria brings a well-heeled politic and an infectious vibe when it comes to her music.

We talked to her about Minneapolis’s Hip Hop scene and the important role that groups like the Rhymesayers played in bring attention to a city that for years was only associated with R&B acts like Prince and Morris Day & the Time.

She talked about how steeped Minneapolis is in Hip Hop culture and how all four elements are prominently represented. She talked about Minneapolis being not only home to dope rhymers but also skilled b-boys and b-girls, graf writers and turntable masters. She described it as one big family and that at any given moment something good is jumping off in Minneapolis.

We talked about the important role that annual festivals like B-Girl B played in providing crucial platforms for the female Hip Hop community.She talked about some of Minneapolis’s other female stalwarts like film maker and fellow Puerto Rican Rachel Raimist.We talked about Rhymesayer/poet Desdemona and photographer B-Fresh.The list goes on.

We then turned our conversation to how Puerto Ricans fit in. We were curious as to whether or not PRs in the midwest played a major role in Hip Hop evolution the way they did in New York.We also found out why Maria calls her part of town Sota Rico.. Don’t get it twisted folks, Puerto Ricans have a strong presence in the midwest and they definitely get down.

We took our convo deeper as Maria explained the difference between Latin Hip Hop and Reggeaton. She noted that oftentimes people like to lump them all together, but in fact there are some unique things that one should take time to explore.

Maria broke down the important political situations facing Puerto Rico and how she tries to incorporate much of that knowledge in her music. She talked about the angst many feel because Puerto Rico is a commonwealth which is fancy word for colony. its sad that Puerto Ricans are considered US citizens yet cannot vote for the President except in primaries.

We also talked about the Latin/Brown diaspora and how the importance of bringing about Brown unity especially with issues like immigration. As a Puerto Rican Maria notes that she has the responsibility of giving voice to those who are here ‘illegally’ and can’t speak for themselves.

Maria’s album ‘Split Personality‘ is incredible and packed with cultural and political references and that pay homage to Hip Hop and her Puerto Rican heritage.

Listen to Breakdown FM Interview w/ Maria Isa


Return to Davey D’s Hip Hop Corner

http://www.youtube.com/watch?v=hnNaXjDM7aE

http://www.youtube.com/watch?v=KXHoMOHrmhE

 

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Filed Under: 2008 Daily news, Artist Interviews, Breakdown FM Interviews Tagged With: , , , , , ,

The Return of LA Hip Hop… Blu is in the Building

March 10, 2008 By

Whoever said Hip Hop was dead, obviously had not peeped Blu, a South Central LA native who defies any and all stereotypes we like to associate with cats from the hood and West Coast emcees.

For starters we have to take special note to the way the tall lanky emcee spells his name. There is no ‘E’ at the end and its a oversight that he often rhymes about. Second, Blu got hip to Hip Hop late in life. He is the stepson of a strict pastor who forbade him from listening to Hip Hop while he was growing up. His biological father is a member of the Bloods who listens to gangsta and Bay Area turf raps. To this day Blu’s dad calls him him ‘Flu’ instead of Blu. Thats how deep it gets.

According to Blu, he got turned onto groups like De La Soul only after hearing DMX. His musical upbringing and ultimate influences before being introduced to Hip Hop was centered around a diverse collection of artists ranging from Al Green to Thelonious Monk to Bob Dillon. It’s no mistake that the lead song off his ‘Below the Heavens‘ album is a remake of the Del’s classic ‘My World is…‘

Blu says he regrets missing the Golden era of LA Hip Hop which was personified by legendary spots like the Good Life and Hip Hop staples like Freestyle Fellowship, Jurassic 5, Project Blowed and the late Bigga B to name a few. However there’s no denying that his lyrical prowess and charismatic style kicks in where those legends left off.

Blu acknowledges that it was people like Charli2na of the J5 who sat him down and laced him up with lots of info and tales surrounding the scene of that bygone era. Much of what 2na told him was underscored by radio shows like The Wake Up Show and Friday Nite Flavas before it was unceramoniously taken off the air.

As Blu honed his emcee skills he cites Inspectah Deck of the Wu-Tang Clan, LA legend Cashus King and Planet Asia as being big influences. With respect to Deck, Blu says that he’s the illest emceee when it comes to kicking off a song. He cites the track Triumph as the one where Deck truly shines. Blu’s one regret with the new debut album ‘Below the Heavens‘ was not having Deck on. However when peeping songs like ‘Simply Amazing‘ you can clearly hear how he was inspired.

During our interview in which Blu walked us through a variety of songs including ‘Narrow Path‘, ‘Simply Amazing‘, ‘Show Me the Good Life‘ featuring singer Aloe Blacc of the Dirty Science Crew and ‘Bullet through Me‘ off an upcoming album called ‘Piece Talks‘, he admits that he has a lot to say and his feverishly working to put out 6 different projects which will allow him to get everything off his chest. He refuses to be limited by industry driven categories and limitations.

For example, in the song ‘Bullet Through Me‘ which is off the Piece Talks album produced by Ta’arach, Blu does an experimental cover of a Paul McCarthy song. He admits that upon first listens many will question where he is going and what he’s doing, but folks will learn to get passed any hesitations. His ultimate goal is to put fun back into Hip Hop and be creative. He also wants to help bring national attention back to LA and west coast Hip Hop. In 2008 where everyone is talking about Change, Blu’s attitude and outlook is right in step. This looks to be a big year for him.

by Davey D

You can peep the Blu interview on Breakdown FM by clicking the link below

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Filed Under: Artist Interviews, Breakdown FM Interviews Tagged With: , , , , , , , ,

Meet the Godmother of LA Hip Hop-Medusa the Gangsta Goddess

March 8, 2008 By

Every once in a while I feel compelled to do my duty as a productive citizen and generously give back to the community. Sometimes I volunteer my time. Other times I give money. Still on other occasions I give sound advice. Today I wanna take some time out and give some sound advice to anybody who is an aspiring artist as well as to those who have been around the block a few times.

My heartfelt advice to you is as follows; If you happen to be booked for a show and the promoter has you coming on AFTER this LA based artist named Medusa… DO NOT DO IT. Have your manager re-negotiate your contract, but do not go on stage right after her. You may be able to get by if they let the deejay play an hour long set or something or you have an artist like KRS-One performing alongside you… Maybe if you’re a bit sadistic and like pain then following Medusa might be the thing for you to do. This woman is not to be followed.

Check our Breakdown FM Intv w/ Medusa

If you are a battle emcee who has won a few contests and you’re feeling good about yourself and your looking for new challenges-Be warned! DO NOT set your sites on Medusa. Don’t let your homies or an over ambitious promoter set you up.

If you find yourself on the bill and they schedule you to go one on one with her, the best thing for you to do is call in sick. Go on vacation.. leave the building. A true friend does not let their good friends get in the ring and trade lyrical jabs with Medusa. She will cause you extreme embarrassment, lots of pain and is likely to end your career if its in front of a large crowd. This woman who is often dubbed the Angela Davis of Rap or the High Priestess is no joke. Please Believe that.

When we look back on Hip Hop history one name that we simply will not be allowed to ignore is the Gangsta Goddess, The Angela Davis of Rap, the Top Cat of the clique Feline Science, the Godmother of West coast Hip Hop-the High priestess-Bow down to the one and only Medusa.

Most people know Medusa the ‘Top Cat’ of the clique Feline Science as colorful engaging pioneering sista who has been rocking packed houses here on the west coast for the past 15 years. This skilled emcee hails from the legendary night spot-The Good Life Cafe which gave birth to legendary groups like Jurassic 5, Freestyle Fellowship, Volume 10, Kurupt, WC and many many more. Anybody who was anybody paid their dues at the Good Life back during LA’s Golden Era of Hip Hop in the late 80s/early 90s

http://www.youtube.com/watch?v=rQAKXrJ5N5k&feature=relmfu

Medusa was a regular to this haunt and later Project Blowed, where she not only held her own but would routinely surpass her male counterparts. As she explained during our recent sit down, that there were many a days she had to step into the arena and battle her Good Life comrads.

One memorable bout involved Peace from Freestyle Fellowship who she took out during a Source Magazine battle at the House of Blues. Many who know Medusa and hear about her past wins are not surprised, this is a woman who once she gets on stage -all eyez on her and you can feel her energy down to the core. Like I said before, if you can beat a cat like Peace or even just hang with him, then you are truly-no joke…

Medusa has always been known as a cutting edge, fierce emcee who is always willing to push the envelope. This was best illustrated on another memorable evening when she first performed what is now her signature song. ‘Power to the P’ is a spoken word piece that pays tribute to the female’s private parts. Medusa wanted to see how far she could go in terms of kicking up dust while adhering to the Good Life’s strict ‘no cursing’ policy. She laughingly recalled how it shocked everyone senses because it was very descriptive, very provocative and yet still ‘clean’.

“It took a minute before everyone realized what I was doing. Once people caught they started cheering and flicking their lighters”, Medusa noted. She said the sexually suggestive content prompted the owner B Hall to rise up and make her stop but that brief performance got everyone talking to this day.

Long before many groups were on the scene with a live band Medusa and Feline Science were out and about in LA breaking ground. Medusa explained that she’s a child of the funk era and came up at a time when Hip Hop was still unklnown in many parts. Groups like; Parliament/Funkadelic, The Barkays, Confunkshun, Brass Construction to name a few were the order of the day.

She noted that she always wanted to fuze Hip Hop and funk and bring those two experiences to a new heights. She explained that using band allows for so much more freedom of expression. And yes her band includes a DJ. But as she noted, it was wrong for so called music critics to place limits on what Hip Hop should ultimately be. She scoffed at those who claimed Hip Hop was ONLY two turntables and an emcee with a mic. It’s so much more.

Long before it was acceptable to sing while you rapped, Medusa was out in the fore-front alongside artists like Lauryn Hill,Queen Latifah and the Force MDs who came before them who were paving the way by including harmonies and melodies with their raps and re-introducing that style to the Hip Hop audience.

During Hip Hop’s pioneering days groups like Crash Crew, Cold Crush Brothers and Grandmaster Flash frequently incorporated singing with their raps. It was considered Hip Hop back in those early days and then seemingly overnight it was a practice that was seriously frowned upon. It seems like some high brow, out of touch music critics got it in their heads that singing ‘wasn’t real Hip Hop’ and they went straight to the bank with that high profile distorted definition. During the period that Medusa included singing with her group Feline Science, it was ground-breaking. Today its commonplace today as we now have everyone from Mos Def to Snoop Dogg singing as well as rapping.

For all of us who know Medusa the emcee, there are many who recall that long before she rocked the mic she was a dancer. We didn’t call those who pop-locked, strutted, tutted, robotted and all that good stuff b-boys or b-girls back in the days. But let the record note that Medusa’s been popping since the 70s. She hooked up with a dance crew called the Groove-A-trons and been dancing ever since. During our recent sit down, Medusa went into detail about what the scene was like during those early days.

She explained how she first got exposed to emceeing via the song ‘Rapper’s Delight‘. Later on she was inspired by watching Ice T do his thing at the now defunct Radiotron which was made famous in the movie Breaking.This Godmother of west coast Hip Hop took us down memory lane and spoke in great detail about west coast Hip Hop’s early days. She also went into detail about the difference between spoken word and emceeing. We later morphed into a discussion about emceeing techniques including the skill it takes to truly ride the rhythm. Medusa also spoke about the challenge many emcees have in terms of keeping their egos in check. Far too often emcees overshadow the beats that are provided to them.

http://www.youtube.com/watch?v=uaG25NR2xL8&feature=relmfu

Medusa also broke down the challenges one faces doing the independent hustle. She feels the grind is necessary but a good thing in the end. She said the trick to being successful is to be consistent. We also talked about the challenges she faced as a woman in the male dominated industry.Medusa started off by explaining that one needs to first love themselves in order to gain confidence.

She revealed that she was once incarcerated in a woman’s prison called ‘Civil Brand‘. It has since closed down. For her it was a wake up call and she came out determined to never ever go back, but she was also made aware and tuned into the plight of women who were starting to come into prison in increasing numbers.

She talked about this experience and how it made come out stronger and the end result was Medusa becoming how she came to form Feline Science. She said that came about after she felt she was being rejected to be a member of a group called ‘Masked Men’. Years later she realized she wasn’t being rejected, but instead being encouraged to start her own group which would and did become an entity on to itself. Everyone who got down with Feline Science both men and women all took on cat names with Medusa being ‘Top Cat’.

Medusa talked about how the music industry has seemingly only given a platform to one female emcee at a time. She recalled a conversation with Rah Digga who expressed the same concern about how only one female at a time ‘gets their run’. Much of this has to do with so called critics claiming that listeners can’t really tell the differences between female emcees. It’s an idea that Medusa soundly dismissed.

Medusa concluded our interview with Medusa talking about how women need to go about striking a balance between maintaining control of their art, but being willing to confidently work with folks and giving way to other ideas and perspectives when working on a project. Medusa talked about how being so rigid and controlling may have led to her not being able to work with Dr Dre. In retrospect there was a way to maintain ones credibility and still turn over control to a dope producer.

Medusa is currently set to drop her new album Gangsta Goddess. You can check her site at http://www. myspace. com/medusa

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So You Wanna Be a Rap Superstar? Then You Betta Talk to this Woman-Wendy Day

March 6, 2007 By

In honor of Women’s History Month we recently sat down and interviewed one of the industry’s most powerful people-Wendy Day of the Rap Coalition. It was through Wendy Day that acts like Master P and Cash Money got their respective deals. It was through Wendy that artists like Slick Rick were able to get their lopsided contracts broken. A long time artist advocate, she’s the person that major labels love to hate because she’s committed to thoroughly lacing people with the ins and outs of the industry game.

Her website rapcoalition.org is required reading for anyone entering into the business as it contains a wealth of information ranging from the money breakdown when you sign a recording contract, to the politics of getting airplay. There’s information on how to copyright your material, how to start a record label as well as what to look for in a manager. Thousands of people flock to her site or read her columns in publications like Murder Dog where they soak up the information and go out into the world better prepared.

Originally Wendy was based in New York where she attempted to lay down foundation to start an artist union and unite the various factions within New York. She later focused her attention in the south and has been in Memphis and now Atlanta for over 5 years building coalitions and helping the Third Coast maintain their dominance in the rap game.

Back in the days Wendy was and can still tell you how to go about getting signed. Far too often she wound up having to help folks get unsigned because of the unfair contracts the industry puts before hungry artists. Nowadays she’s all about helping folks not get signed, but how to make more money on the independent tip. There are far too many success stories that have come from her camp to name off..

In this two part interview Wendy Day breaks bread on a variety of topics and shows us how to avoid industry pitfalls. We start off talking about the typical recording contract that many up and coming artists find themselves locked into. The most problematic are production deals where the producer is the middle man between the artist and label. In theory the money and resources are supposed to trickle down. In way too many cases they simply don’t and that’s when Wendy gets that frantic phone call from an artist trying to escape a bad situation.

Wendy explained the dynamics of how a street savvy hustler type cat from the hood can get got and ripped off in the music biz. She explained that far too often people enter into the music business not fully understanding or appreciating that many of the big time execs they come across come from gangsta backgrounds themselves. She noted the only difference is that these industry gangstas went and got law and business degrees so they appear legit, but they are definitely about their hustle at the end of the day. many succeed in making artists believe that they are being granted a big favor when they get signed, when in reality they are often times being pimped big time.

On a side note, folks may wanna take a look at the book Ruthless written by former NWA manager Jerry Heller. While the information and juicy stories about Ice Cube and Eazy E may be the thing that immediately captures your attention, the real jewels are when Heller talks about his background and all the power house people he came up with and what they have always been about. That book should be required reading as well.

In our interview Wendy lays out the true meaning and ramifications of RECOUPARATING and how that process keeps artists forever in debt. People need to truly understand what that word means and how it gets applied to ALL artists who sign to these major labels. It amounts to modern day share cropping.

We discussed whether or not industry conditions have improved now that we have high profile artist CEOs like P-Diddy, Jay-Z and others who are signing acts and running labels. Sadly Wendy noted that they have not. The average recording contract even by some of the new artist music moguls have not changed. She talked about the role capitalism plays in this industry and how it gets a lot of people caught up.

We also talked about the need for an artist union and why one doesn’t presently exist. She said lack of unity and ego have prevented this from occurring. In addition some artists are just so desperate to get on that they will literally sell their souls and not heed much of the advice given to them that will in the long run help them benefit.

We concluded our interview by comparing the way the rock industry works vs. the rap industry and the challenge we face in getting local airplay when the major labels are pushing a national agenda.

This is an interview you have to listen to if you’re trying to get into the game. This is our 3 part Wendy Day Interview

Wendy Day pt 1

Wendy Day pt2

Wendy Day pt3

 

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Filed Under: 2012 Daily News, Breakdown FM Interviews Tagged With: , , , , , ,

Breakdown FM: Meet Hip Hop’s ‘Hitchcock’ Mykill Miers

September 4, 2006 By

Depending on where you sit within the diverse spectrum of Hip Hop music and culture, Mykill Miers is either someone you never heard of or a long time fixture in LA’s burgeoning underground scene who gave us classic albums like ‘It’s Been A Longtime Coming’. However, no matter where you sit, you most likely have heard his work.

When this longtime vet is not snatching off heads at rap battles or keeping young gang bangers in check at Juvenile Hall, he’s busy producing music for a long list of TV shows and commercials. Being Bobby Brown, America’s Top Model, America’s Top Chef,VH1, Old Navy, Sprite, Diet Pepsi and this upcoming season of The Apprentice are just a few of the many places where Miers has left his musical mark.

“It’s extremely important that, I as a Hip Hop artist have multiple streams of income”, he explained. He went on to emphasize the importance of artists remaining independent and owning their masters.

He noted that he’s able to license his material and do business all around the world and not have some major label taking a substantial cut while not seriously breaking him off or pushing him to the next level. “It’s all about the hustle”, he concluded.

He also added that its important for independent artists to ban together, share resources and create avenues that they control that will lead to increased exposure.

In our interview Miers offered up a lot of insight and oftentimes overlooked history about LA’s Underground scene. He spoke about central figures like the late Bigga B. He talked about how he came up and earned his stripes at the Good Life Café in South Central LA. This is the spot that gave birth to groups like Freestyle Fellowship and Jurassic 5. Miers likened those early days in the late 80s early 90s to the Apollo. He noted that cats were unforgiving if you came on the mic and did not bring the heat.

Battles were par for the course and Miers is more than tested. He’s one who is set to grab the mic and take a cat down anyplace, anywhere and at anytime. This was clear during our interview when we asked him to lay out the type of approach he would use if he had to battle fellow emcees and friends, Xzibit, Rakaa of Dilated Peoples, Snoop, Game and Jurassic 5.

Miers also spoke to us about the direction Hip Hop has taken with major corporations running the ship. He had some choice words for a number of rappers who he feels have sold their souls to be promoted by the corporate machine. He says he’s sees the type of negative impact much of today’s music has on the kids he works with everyday at Juvenile Hall. “They see artists like 50 Cent as a hero or even a brother. Everything these artists do these kids who are locked up wanna do”, Miers explained. He stressed the importance of providing balance and guidance.

He noted that him being an emcee has helped him to be relatable to the kids he works with. It allows him to have positive influence over more than a few. He also talked about how he avoided the lure of gangs in both his personal life and his music, while his brother engaged in it hardcore. He noted that being an athlete saved his life and that he wanted to commit himself to changing lives.

Miers is gearing up to release his new album ‘Trials of Job’ and is also working on doing a big concert inside Juve Hall which will hopefully include everyone from Xzibit on down to Jurassic 5.

Audio interview below with Mykill Miers and Davey D on Breakdown FM

http://www.youtube.com/watch?v=dkv1o_DWI6I

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Filed Under: Breakdown FM Interviews, Hip Hop Articles 2006 Tagged With: , , , , , ,

Breakdown FM:Afrika Bambaataa vs Hot 97 (Its All about Mind Control)

August 10, 2006 By

dbanner1newparis

Peep this Hip Hop Audio Mix

http://odeo.com/episodes/1708854

Return to Davey D’s Hip Hop Corner

Filed Under: August '06 Articles, Breakdown FM Interviews, Hip Hop Articles 2006, Industry news & Views Tagged With: , , , , , , , ,

Whatever Happened to Vote or Die?

July 18, 2006 By

dbanner1newparis

 

Whatever Happened to Vote or Die?
By Davey D

original article-July 18, 2006The crowd roared with approval and P-Diddy repeated his remarks to make sure his point was not missed.

daveyd-raider2I have this nagging question, that won’t go away regarding Mr. Sean ‘P-Diddy’ Combs. It’s the eve of the second annual Hip Hop Political Convention, so I’m in a political mind set and hence I keep asking myself; ‘Does anyone know what the hell happened to his Vote or Die Campaign and his organization Citizens for Change?‘

I mean I already know the obvious, he shut that shit down a while back and he’s been running around throwing lavish parties, doing Making The Band’ for MTV, he was in a play Raisin of the Sun’ and now he’s gearing up for his new album in October of this year.

On the surface, most people are gonna be quick to say, ‘Dude was phony and all his ‘Vote or Die’ campaign did was help sell him a bunch of T-shirts’. Others will say he was never really serious about politics in the first place and he was on some sort of ego trip when he jumped into Hip Hop and politics arena.

Maybe it’s me, but I don’t think it’s as simple as that I remember when Diddy spoke at the Patrick Lipert Awards in February of 2004, before he started Citizen For Change or launched Vote or Die, he caught everyone by surprise when he jumped on stage to accept an award and told the packed audience he wanted to ‘Get Bush’s ass out of office’.

Startled officials from the non-profit, non-partisan Rock the Vote organization who put on the event got nervous real quick and moved toward Diddy as if to hurry him up. I guess he realized that by making such an overtly partisan statement he could get RTV in trouble so he backed off just a little and tried to recast his remarks.

But then Diddy came back harder by talking about how Bush was a lousy President who failed to comfort grieving mothers who lost their sons to the War in Iraq. The crowd went nuts and Diddy restated his opening remarks about ‘Getting Bush’s ass out of office’. Nobody including myself thought we’d hear such biting remarks form Mr. Party Central aka P-Diddy directed at the president

After he left the stage I tried my best to get a copy of the remarks, but RTV held on to their copies and wouldn’t release them. Although there were a number of press outlets present including MTV, you didn’t really see or hear a lot of coverage regarding Diddy’s remarks. It wasn’t until several months later I got a tape of his speech

Which you can hear here:

http://odeo.com/audio/1508557/view

In the meantime Diddy went out and started his Vote or Die campaign and showed up everywhere including the couch of Oprah to extol the values of voting. When I finally caught up with him, it was at the Democratic Convention that July. He was definitely passionate but avoided talking about his remarks about Bush when I brought it up. He kept saying that he was non-partisan and hadn’t made up his mind. It was like a mantra. I figured he was just being careful because Citizen Change was a non-profit and he didn’t wanna get hemmed up the way Russell did when he campaigned to end the Rockefeller Drug Laws the year prior.

Now after the 2004 election we all know and heard the blowhard talk show pundits like MSNBC Chris Mathews who tried to take aim at Diddy and claim that the youth/ Hip Hop vote never materialized. That was in fact a lie. The goal was to get 20 million people to the polls. More than 21 million showed up marking an increase by 11% of voters between the ages 18-25.

With respect to Bush’s opponent Senator John Kerry, the only demographic to vote for him in the majority and with record numbers was the Youth/Hip Hop vote. Sadly his spineless punk ass never bothered to show any gratitude. It was the older critics of the youth vote who voted for Kerry didn’t pull their weight in the last election

But back to P-Diddy. Here’s a guy that often states that he hates to fail. If he does have an ego, it’s one that pushes him to look and sound good at all times. I can’t understand how he just slide off into the sunset without a word. Regarding his campaign. That’s not a good look. Why not continue the momentum? Was it really about selling t-shirts? Was it really about jumping on a trend? If Diddy was so passionate and so much against Bush’s politics in 2004, why wouldn’t he jump at the chance to weaken the president’s grip in these 2006 midterm elections? Forget the ‘Vote or Die’ campaign; I just wanna know why he’s been so silent about any of these issues.

Sometimes I wonder if he pissed some folks off in high places who saw him as having the potential to really wreck some political havoc and as a result he got unceremoniously got shut down. I mean it’s not like P-Diddy has always been spiffy clean. There’s had to be few times he was ‘ridin’ dirty’. It’s hard not to when you get to certain levels in the music biz. It’s hard not to when you get high up there in politics. On certain levels in both these professions people play hard and they play for keeps. Positioning, market share and power are the end games.

With that in mind, how can I not put it past folks who roll in that infamous Neocon circle of Paul Wolfowitz, Richard Pearle and the rest of the gang that have all but hijacked the government and led us to War, to sit idly by when their position is challenged.

Think about it, if you were a high ranking political type trying to make power moves and you looked out your window and saw a guy like Diddy telling people to vote your ass out of office, you don’t think you wouldn’t dig up some dirt on him and shut him down and make him be quiet?

You don’t think you would find some sort of angle where you could literally make him an offer he couldn’t refuse? We’re talking about the music biz folks, where its always dirty. We’re talking politics here folks which has long been the dirtiest and grimiest business you can get into. Vote or Die had the potential to unseat some folks who many believe went out and stole a couple of elections and lied to us so we could be led us into a war for fictional reasons. In short the guys in power don’t play.

If you think this is far fetched, look at the vicious attacks that regularly go on during campaigns. Look at the Swiss Boat ads that sunk decorated war hero John Kerry. Look at how war hero Senator John McCain got taken out by the Neo-cons in their character attacks on him. Remember this was a guy who was a Prisoner of War during Vietnam and he stayed in prison and endured all sorts of torture to save the lives of his men.

When he ran against Bush in the 2000 primaries he looked perched to maybe win the GOP nomination, but Bush’s team took him out with the vilest attacks. Nowadays John McCain has totally changed his tune and wholeheartedly supports the president after he once proudly stood against him. He must’ve gotten some ass kicking to have changed up like that.

For a boisterous guy like Diddy to suddenly go silent, one can’t but think that something went down behind the scenes. Listen to his remarks in that February before the election. Ask yourself, how do you go from saying all that to not saying anything? The silence is glaring. The absence is more than noticeable. Diddy said he wanted to get Bush’s ass out of office and apparently, somehow, someway, somebody got his ass out of politics. How did that happen?

During the recent BET Awards, Diddy showed up to the press gallery about 20 minutes after boxing promoter Don King came through and lit up the place by telling everyone why George Bush is the greatest President ever and how he’s been real good to Black people.

Politics was on everyone’s mind when Diddy came to field questions and several reporters including myself and Andreas Hale of HipHopdx.com along with a woman from another newspaper who’s name I forgot, raised our hands to ask P-Diddy the 64 thousand dollar question; ‘Where did ‘Vote or Die’ disappeared to? ‘Do you agree with Don King and think Bush is a great President for Black people?’ etc etc

In typical BET fashion, the press monitor avoided picking anyone who he thought would ‘go there’ and instead chose three people who asked Diddy simple questions like ‘what kind of outfit he was wearing and how does he like working with Yung Joc’. He answered those three or four questions and bounced with the wind.

So anyway, P-Diddy involving himself in the 2006 election or politics in general is not be all, end all. This weekend in Chicago, there will be others who are fully prepared to engage that arena and they’ll stick I through no matter what. It’s like I said 20 years from now some of us will have grand kids and they’re gonna come across a video or an old Vibe Magazine cover or read about this campaign and they gonna have a few questions. It’d be nice if we one day got a full explaination.

Filed Under: Breakdown FM Interviews, Essential Hip Hop Articles, Hip Hop Articles 2006, July '06 Articles, Political articles Tagged With: , , , , , , ,

MC Hammer The Vindication Interview w/ Davey D

June 6, 2006 By

This is one of the deepest and realest interviews you will ever hear as we sat down with MC Hammer for a candid no holds barred interview about all things Hip Hop. What he had to say was both eye opening and incredibly insightful.

Many of us within Hip Hop have severely underestimated MC Hammer and now we’re coming to see that he was light years ahead of the curve in terms of how one should approach business and even approach music. In pt1 we go over several key facets about Hammer’s career that he should be vindicated for including him being among the first rapper’s to spark endorsement deals.
He gives a serious breakdown about how folks made fun of him and wanted to ban him from Hip Hop only to turn around years later and seek these revenue streams now that they realize the music business can be extremely shady when it comes to getting paid. Hammer takes us deep by talking about how major record labels are now hijacking artists and attaching themselves to some of the lucrative endorsement deals that are being offered today.
We also talk about Hammer and his brother Louis Burrell being years ahead of artists in terms of getting clothing lines. Many did not know that the pair had a substantial stake in Troop Outfits. He and his brother were smart and actually opened up 30-40 Troop stores around the country and had the foresight to get them placed in popular locations and key malls. Just as the business was starting to really take off, Hammer and his brother found themselves the victims of what many consider corporate sabotage. Nasty rumors circulated around the country that Troop was owned by the Ku Klux Klan, when in fact Hammer, LL Cool J and Fat Joe were all owners. Outlets like MTV and urban radio did nothing to dispel those rumors and within a year of these nasty rumors Troop folded. Many speculate that it was rival clothing company like Addidas that was behind the rumors, but of course that was never proven. Many just speculated since they were the dominant urban clothing outfit at that time.

In this interview we spoke to Hammer about him being the first to put out Gospel Hip Hop on vinyl. Today we all praise Kanye West for the hit song ‘Jesus Walks’, but many overlook the fact that Hammer came on the scene using the moniker Holy Ghost Boy. His first song which was actually a demo cut passed around via cassette tape was a cut called ‘The Word’.

On his first LP ‘Feel My Power’ which was released independently in 1987-88, he had a dope hip hop gospel song called ‘Son of a King’. In our interview Hammer talks about his connection to the church and how he has struggled over the years with his own contradictions and spiritual beliefs. Also in this portion of our interview with MC Hammer, he gets deep about the connection between Hip Hop and spirituality.

We also have a lengthy discussion about the connection between Hip Hop and Funk. For those who don’t know, Hammer used to tour with a huge band that included the original horn section from Earth Wind & Fire. He goes into great detail about the history of west coast Hip Hop and how it emerged from the funk era. Hammer talks about how the Bay Area was the home of the Live Band and how every Black kid in the hood had a funk band. These bands were the equivalent to the early Hip Hop crews back East in terms of being the major platform for cultural expression by folks in the hood. Hammer talks at length about the early dance scene and the significant role it played in the development of west coast Hip Hop.

He talks about some of the early dance crews and dance styles. He also talks about how Michael Jackson used to come up to the Bay Area and get hipped to dance styles he would later incorporate in his shows. The most famous dance that Jackson got from the Bay Area was the robot.

Hammer also talks at length about New York City and why he did a song like ‘Turn this Mutha Out’. He talks about the irresponsibility of the Hip Hop press and how they tried to twist things for the general public. He talks about his friendship with Hip Hop pioneer Mele-Mel’. He also talks about the time he went up to the Latin Quarters by himself and got busy on stage right before Ultramagnetic performed. He noted that DJ Red Alert gave him a messed up introduction.

This concludes pt 1 of this interview..

Listen to pt 1 of this MC Hammer Interview on Breakdown FM

MC Hammer-The Vindication Interview pt2
East Oakland Street Life, Prisons, Police Helicopters, Cointelpro & Eazy E

In pt2 of our one on one with MC Hammer, he let’s us know about his connection to the streets. Folks outside the Bay Area saw the genie pants and the typewriter walk dance and figured Hammer was some sort of softy who could and should be dismissed. Folks in Oakland knew otherwise. Hammer was and is no joke. His old crew, the High Street Bank Boys were more than notorious. Hammer talks at length about the types of steps he took to pull his home boys away from street life and the challenges it presented. His actions by default became a full scale prison to work program. He explained how it was this sort of activity that eventually led to him going bankrupt.

Hammer spoke at length how the police along with some outside enemies tried to undermine his efforts and spread a nasty rumor about him buying OPD a police helicopter. He emphatically refutes the claim and talked about the type of corruptions that had gone on within the police department and how many officers were upset because he was providing opportunities for guys they wanted to see locked up.

We spoke at length about Cointelpro and how many of the other independent movements including Luke in Miami, James Prince in Houston and Eazy E in LA all saw themselves under fire at the same time. He spoke about the early attempts these young black entrepreneurs made to consolidate their resources and create a major distribution channel. It was at that point that the helicopter rumors surfaced and Luke came under fire for obscene material. James Prince and Rap-A-Lot records became the object of a federal investigation. Hammer gets deep with this aspect.. Lastly he talks about his close friendship with Eazy E and how the two had a lot in common because of their street background..

Listen to pt 2 of this MC Hammer Interview on Breakdown FM

 

MC Hammer-The Vindication Interview pt3
The Hustle-The Music Biz-The Hyphy Movement and 2Pac

In our final installment, we talk with MC Hammer about the city he reps and loves Oakland. He talks about the vibe of the city and the type of independent hustle-do for self mentality embraced by its residents Hammer also gives us a lot of insight about the music biz. Anybody trying to make it in the industry needs to hear what Hammer is saying with regards to this.. We also talk about the then current Hyphy Movement. Hammer gives a breakdown on this as well as updating us on his own new projects. We conclude our conversation with Hammer telling us about his friendship with 2Pac and they types of political ambitions the pair had planned out.

Listen to pt 3 of this MC Hammer Interview on Breakdown FM

Filed Under: Breakdown FM Interviews, Essential Hip Hop Articles, Hip Hop Articles 2006, June '06 Articles Tagged With: , , , , ,
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