Breakdown FM: 25 Joints-HealYour Heart & Bless Your Soul

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This week we kick things off with a few songs that address the issue of rape and domestic abuse. It was our way of raising consciousness and acknowledging the horrific tragedy that took place last week here in the Bay Area. For those who don’t know, a 15-year-old girl was gang raped right outside the doors of a her high school dance. 20-25 people stood around, watched, took pictures, taunted her and beat her. No one called the police as she was raped for over 21/2 hours.

amir-sulaiman-cdSpoken word artist Amir Sulaiman had written a song a while back in an attempt to comfort a friend who was raped called ‘How Beautiful’. It’s deep. Brother Ali comes with a gem on his new album ‘US’. The name of his heartfelt song is ‘Baby Girl’. His rhymesayer labelmate Slug of Atmosphere was broken up over a rape and killing of a young lady attending one of the groups concerts a couple of years ago in Albuquerque. ‘That Night’ captures the angst and anger Slug was feeling over the incident. Also from Twin Cities is Desdemona who drops a cut called Faulty Fuses that deals with a woman sitting in jail after she goes after her husband who was beating her. She describes how the guards in jail now violate her.. . These songs give you much to think about…

Other standout cuts on this week’s 25 Joints include; Narcicyst’s ‘Vietnam’ , Sim City’s Surrender, Jasiri X’s Dear Debra’ and US3‘s ‘Can I Get It’

25 Joints to get U Thru The Day #16
Heal Your Heart and Bless Your Soul

01-Amir Sulaiman ‘How Beautiful’ (Atlanta)
02-Brother Ali ‘Baby Girl’ (Minneapolis)
03-Atmosphere ‘That Night’ (Minneapolis)
04-Desdamona ‘Faulty Fuses’ (Minneapolis)
05-Zion I ‘The Rebel’ (Oakland)
06-Wise Intelligent ‘Genocide’ (Trenton, NJ)
07-Narcicyst ‘Vietnam’ (Montreal/Iraq)
08-Mystic w/ Beat Minerz) ‘Pull ya Card’ (Oakland/ NY)
09-Medusa ‘Fiend or Foe’ (Los Angeles)
10-KRS-One w/ Marley Marl ‘Rising to the Top’ (New York)
11-Sim City ‘Surrender Win is in the Bag’ (Washington DC)
12-Western Union ‘Bird in the Hand’ (Los Angeles)
13-Scipio ‘Black Heroes’ (Los Angeles)
14-Justice System ‘Dedicated to Bambaataa’ (New York)
15-Peeps of Soul ‘Thank Mama for the Soul Sisters’ (New York)
16-Mighty Underdogs ‘Victorious’ (Oakland)
17-MC Lyte ‘Wonder Years’ (New York)
18-X-Clan w/ Tony Henry & Bun B ‘Thru My Eyes’ (Los Angeles/ Houston)
19- Rob Swift ‘The Ghetto’ (New York)
20-US3 ‘Can I get It’ (London)
21-Sick Jaken ‘Black Ships’ (Los Angeles)
22-Jasiri X ‘Dear Debra’ (Pittsburgh)
23-Beanie Sigel ‘Dear Self’ (Philadelphia)
24-Perceptionists ‘Love Letters’ (Boston)
25-Taj & Superstar Quam Allah ‘I want More’ (Oakland)
26- Jern Eyez w/ Mista FAB & Zoombi (Oakland) Less

Peep the Podcast here:

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Breakdown FM Podcast: Naomi Klein-The Shock Doctrine-from New Orleans to UC Berekely

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Naomi Kline

Naomi Klein author of the book Shock Doctrine came to last night (October 27th) UC Berkeley and spoke to an overflow crowd of 1200 people. 500 were turned away. Her message was on point and sobering as she laid out all the steps and triggers that have led up to the current economic tailspin many of us are feeling.

Klein went into detail about the Shock Doctrine and how certain tyrannical leaders look for or manfacture crises and emergencies with the goal of pushing through facist type agendas.. She laid out how this took place in New orleans and how it is currently manifesting itself here in California through Governor Arnold Schwatrznegger and his plan to raise UC fees by a whooping 32% 

 This is a must listen to interview.. Sit back and take notes.. Cause Ms Klein pulls no punches.. We are going to post the Q&A sometime tomorrow.

Breakdown FM: Naomi Klein podcast-The Shock Doctrine at UC Berekely

http://odeo.com/episodes/25383758-Naomi-Klien-the-Shock-Doctrine-From-New-Orleans-to-Cali

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Breakdown FM: Wall Street Gangsters, Wu-Tang Clan-Why Cash Really Rules Everything Around You

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DaveyD-leather-225Does Cash Rule Everything Around Me?  From the looks of things yes. We sat down and spoke with former Wu-Tang Clan manager and author/entrepreneur Cedric Muhammad of Blackelectorate.com to have an indpeth discussion about today’s current economic situation and how its impacting us.

We started off talking about the recent decision by investment bank Goldman Sachs to give out more than 20 Billion dollars in bonuses, after being bailed out with tax payer money. How could such a thing happen? Where’s the public outrage?

Cedric explains that the US is no longer a democracy but a plutocracy where a wealthy few rule everything. The blatant disregard by Goldman Sachs to the American public underscores the the type of control investment bankers have over all aspects of our lives here in America.  Cedric  explains that it’s almost impossible for President Obama to do anything because his seat in the White House is strictly controlled. As was spoken about in Michael Moore‘s movie ‘Capitalism‘, a coup has taken place in this country and we are sadly seeing it play out before our eyes.

Cedric Muhammad talks about this economic coup in our interview. His analysis is compelling. We talk in great detail how and why this happened. We also talk about how it is foolish to see this as a Democrat vs Republican situation. Cedric talks about how outfits like Goldman Sachs have members of both parties on the payroll.

We talk about the significance of  Oliver Williamson of UC-Berkeley and him winning this years economic Noble Prize. We talk about the emerging economic models  that exist in various ethnic communities and how they have allowed groups of people to prosper even in rough economic times. Cedric speaks about the important model set forth by Rza and his Wu-Tang Clan and why we should pay close attention and even mimic them. We also talk about how the Hip Hop political movement has allowed itself to be severely compromised and co-opted.

breakdownFM-logo-podcast-30This is an incredible and enlightening interview. It’s probably one of the most important ones you can listen to…click the link below to hear.

http://odeo.com/episodes/25319912-Wall-Street-Gangsters-How-Cash-Really-Does-Rule-Interview-w-Cedric-Muhammad

 As you listen to the podcast peep out this insightful article that further explains the points raised by Cedric Muhammad..

 

Economic Governance: The Organization Of Cooperation: Why Wu-Tang Clan and The Honorable Elijah Muhammad Could Have Won The 2009 Nobel Prize In Economics

cedricmuhammed2(Cedricmuhammad.com) Of all of the chapters that I wrote in my new three volume book series on entrepreneurship, The Entrepreneurial Secret (http://www.theEsecret.com/) the one that gave me the most anxiety from a technical standpoint was Chapter 4 of Volume I, entitled, “The Secret of Capital And The Business Firm.” It is a chapter that makes some strong assertions, such as the economics profession does not understand what capital is; money is one of the least of all of the forms of capital; entrepreneurs should understand that a business firm is actually a society; and that 90% of Black businesses have no more than a single paid employee partly because the science of what a business firm is, and legal forms of business that encase it (i.e. sole proprietorships, partnerships, and corporations) were never taught to Black Americans, or worse, denied to them.

My anxiety stems from the fact that we the people have been made so ignorant, miseducated, and misled on economic matters that it is difficult to get into certain economic truths without being misunderstood or mislabeled. As I wrote in the Preface to The Entrepreneurial Secret this is due to the fact that the public school system does not teach economics, the news media cannot explain it properly and the book publishing industry divides and compartmentalizes knowledge in the field into too many categories. On another level, we’ve been systematically denied certain elements of business knowledge and funneled into a phony capitalism versus communism shouting match that produces more debate and distraction than development.

In my book I make the case that macroeconomic policy does matter, and that a debate over market forces and State control of an economy is important (I devote an entire chapter to this discussion). But a central theme of my book is that what leads to wealth creation, economic development and growth is self-improvement, enlightened self-interest, cultural traditions of pooling money, the proper use of the business firm, and the standardization of a business organization so that it does not depend upon a single personality. None of these five elements fits neatly into the mainstream economic profession nor does it revolve around the Free Market versus State debate that dominates the capitalism-socialism paradigm.

In The Entrepreneurial Secret I define the business firm as a form of society, a social institution, not to be defined by a ‘State’ or ‘Free Market.’ It is a vehicle where human beings unite, pool resources and capital, organize them in hierarchical structures and make decisions, even on how to resolve conflict. In that sense I see the business organization not unlike a ‘gang’, sorority, tribe, or religious order.

Oliver Williamson

Oliver Williamson

And this is why I was so impressed with the fact that Professor Oliver Williamson of California, Berkeley was a co-winner of the Nobel Prize in Economics (http://nobelprizelaureates/2009/press.html). You see Professor Williamson’s view of the firm is similar to the one I express in my book. Here is the most relevant portion of the official press release announcing his victory:

Economic transactions take place not only in markets, but also within firms, associations, households, and agencies. Whereas economic theory has comprehensively illuminated the virtues and limitations of markets, it has traditionally paid less attention to other institutional arrangements…. Oliver Williamson has argued that markets and hierarchical organizations, such as firms, represent alternative governance structures which differ in their approaches to resolving conflicts of interest. The drawback of markets is that they often entail haggling and disagreement. The drawback of firms is that authority, which mitigates contention, can be abused. Competitive markets work relatively well because buyers and sellers can turn to other trading partners in case of dissent. But when market competition is limited, firms are better suited for conflict resolution than markets. A key prediction of Williamson’s theory, which has also been supported empirically, is therefore that the propensity of economic agents to conduct their transactions inside the boundaries of a firm increases along with the relationship-specific features of their assets.

The Royal Swedish Academy of Sciences, which awards the Sveriges Riksbank Prize in Economic Sciences in Memory of Alfred Nobel, uses a phrase, ‘relationship-specific.’ The untapped area in the field of economics which remains is that which revolves around ‘relationship-specific’ activity, and how such factors like love, envy, ambition and trust influence trade and commerce. Yet, the profession is only now getting around to how firms, associations, households and agencies are formed and impacted as a result of these forces. That Professor Williamson is being recognized for his work which looks at economic reality outside of central governments and markets is a positive sign.

On an empirical, conceptual, and anecdotal level my recognition of how people unite, resources are ordered, capital is arranged, and decisions are made in the firm is influenced by the teachings of the Honorable Elijah Muhammad and my experience as General Manager of Wu-Tang Management. The economic blueprint of the Honorable Elijah Muhammad, in its entrepreneurial aspect (contained in the 1965 book Message To The Black Man) encourages, “If there are six or eight Muslims with knowledge and experience of the grocery business – pool your knowledge, open a grocery store – and you work collectively and harmoniously, Allah will bless you with success. If there are those with knowledge of dressmaking, merchandising, trades, maintenance – pool such knowledge….help to make jobs for your own kind. Take a lesson from the Chinese and Japanese and go give employment and assistance to your own kind when they are in need. This is the first law of nature…”

To the Honorable Elijah Muhammad the business firm is a society within a society. The connection of his insights and reference to the ethnic communities that have been foremost in wealth creation around the world and in the United States as immigrant groups is worthy of deep study.

When I was interacting with Wu-Tang Clan (beginning in 1993 when I met them as a young concert promoter still in college) or serving as part of management for over a two-year period in the 1990s I saw these principles practiced at a high level, and was involved in helping to execute them (along with an incredible four-man combination of Mook, Divine, RZA and Power) on the group’s behalf inside of the music industry and outside of it.

I will argue the unparalleled achievements and example of Wu Tang with anyone.

There has never been a greater model for community and economic development – in a business context – provided by any single artist or group in the music business than that given by the Clan. Perhaps one day someone will make a detailed study on this subject.

One of the reasons for the group’s success was that it was never burdened by any superficial ideological debates. Everyone was clear on what the goal was and in many ways we embodied the first law of nature – self preservation – and building wealth according to the cultural kinship systems of the Chinese, Jewish, and African traditions for example, where individuals support a collective and the collective finances the individual (entrepreneur). We made mistakes and errors, and fell victim to the same vices and imperfections that we all struggle with, but at its highest level of operation, there has been nothing like the Clan, before or since.

I touch on some enlightening and hilarious anecdotes in The Entrepreneurial Secret.

In my book’s chapter on capital and the business firm I devote 12 pages to different arguments over the nature of the business firm. What I present kisses and embraces certain aspects of Nobel Economist Professor Williamson’s work which makes clear that the government and market are quite often not the place where real economic activity takes place. It is in informal institutions like associations and households where transactions take place, often without money changing hands. Just look at a family and how many ‘trades’ take place without cash being involved. Consider the New York-based Jewish diamond trade where contracts in the millions of dollars are sealed only with a handshake and a Hebrew-Yiddish greeting of ‘mazel and brucha’ (luck and blessing).

Yet, despite overwhelming evidence, the economics profession looks down upon kinship systems (families, tribes, ethnic groups, ‘gangs,’ religious groups) that often have more trust than formal systems dominated by markets and central authorities. The obvious truth that trust is a form of wealth, seems to be a fact that Western economists only seem willing to acknowledge after stock market crashes and financial panics.

What the work of Nobel Economist Oliver Williamson makes clear is that whether markets or strong governments exist or not there are always benefits and a principal role for what he terms ‘private ordering’ – the lead role of associations, households, firms and agencies in undertaking economic activity.

Every ethnic trading network and group savings association in the world already knew this.

Wu-Tang Clan; The estimated $80 million Muslim ‘economic empire’ of the Nation of Islam prior to 1975; Jamaican ‘partners;’ Ethiopian ‘ekoub;’ Jewish aktsiyes;’ and the Chinese system of doing business known as ‘guanxi’ are not created by governments or ‘markets,’ they are relationship-specific institutions that emerge culturally and defy the understanding and logic of the economics profession.

Rza

Rza

As I write in my book, Wu-Tang really was a clan and RZA was our head. We were the product of an entrepreneurial vision, voluntary association, kinship system (everyone involved was either a blood relative, childhood friend or serious student of Islam and universal principles). There were elite inner circle elements to the decision-making, and others that were more ‘democratic’ and still more that were authoritarian. Only an understanding of the nuances of the theory of the business firm (and not how markets or central governments work) and the hierarchy it creates or enables would explain how and why the Clan achieved so much.

In an interesting interview with CNN to promote his new book, The Tao Of Wu, CNN and RZA have the following exchange:

CNN: You say you ran Wu-Tang like a dictatorship in its first five years. I know you and Raekwon have had creative differences and Ghostface Killah is suing you over royalties. Ever regret the dictatorship approach?

RZA: I don’t regret it because it got us to the power we are. …To me, in the beginning, the dictatorship led us to such a strong foundation that even though Wu-Tang seemed to be crumbling, it didn’t fall because of the root foundation of one man’s idea. But now as it’s coming back together — we’re living in the twilight age of it right now — it’s still surviving because of the democracy of it.

****

RZA’s assessment of the drawbacks but undeniable progress made with a ‘dictatorship’ would enlighten those who don’t understand why certain societies and electorates turn to authoritarian rulers with egalitarian messages (Venezuela, Cuba) or dominant spiritual leaders (Iran, Vatican, Nation of Islam). Much of it has to do with the shortcomings of ‘markets’ and ‘governments,’ and the ability of special human beings to inspire the greatest forms of economic wealth – trust and love – which always decrease transaction costs and provide a foundation for development.

On another level the theory of the firm explains why the entrepreneur is often more efficient than ‘markets’ at gathering, allocating, and determining the use of resources.

For the valuable role of direction and execution of resources that they fulfill, as well as the risk-taking they assume, there is always a dispute within groups (filled with envy, ambition, and structured on hierarchy) over how much of a ‘profit,’ reward, or compensation the leader or head should enjoy as opposed to the rest of the body.

In my book I make clear why I believe the word ‘entrepreneur’ is more accurate and appropriate than ‘dictator,’ to describe the dominant leader.

Yesterday, from Memphis, Tennessee, the Honorable Minister Louis Farrakhan, in an address commemorating the 14th anniversary of the Million Man March (http://noi.org/) represented one of the deeper regions of the Teachings of Honorable Elijah Muhammad connecting the structure and function of the human body, the origin of the universe, and the next stage of community and economic development that should take place in Black America, wasted urban areas, and distressed rural areas.

That anatomy, physiology, and universal order should enter a discussion on economics may be strange to some, but the deeper economists think into reality and study societies and their basic unit, the individual human being, the more they will see the unity of that which previously seemed disconnected.

I don’t believe in revisionist history, but the deeper economists get into anthropology, theology, cosmology, astronomy, anatomy and physiology – and I can’t leave out botany and zoology – the more likely they are to broaden the pool of likely recipients for the highest prize in the profession.

The Wu-Tang Clan and the Honorable Elijah Muhammad absolutely practice what Nobel Prize Economists Elinor Ostrom and Oliver E. Williamson have studied, “Economic Governance: The Organization of Cooperation.”

One day it will be acknowledged, if I have anything to do with it.

Cedric Muhammad
http://cedricmuhammad.com/
October 19, 2009

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25 Joints to Get u Thru the Day: Rise of the Brown Emcee pt 1&2

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25 Joints to get U thru the Day #14

Rise of the Brown Emcee pt 1 (Celebrating Latin Hip Hop)

Listen to pt1 by clicking the link below:

http://odeo.com/episodes/25247787-25-Joints-Rise-of-the-Latin-Emcee-pt1

A few months ago I sat on a panel at Harvard where we discussed the global impact of Hip Hop. There was lots of discussion about what folks are doing in Japan and Australia. We talked a bit about the major inroads made in places like Germany and France. Hip Hop on the continent of Africa was discussed. There was no denying just how widespread this culture born in the ravaged ghettos of the South Bronx had become.

During the discussion I noted that for us in the United States, while it was great to know about Hip Hop icons halfway across the world, in order to really appreciate the global reach of this culture perhaps we should start knowing about our Brown skinned neighbors next door and to the south of us in Mexico and throughout South America. I had always found it troubling that a professed Hip Hop head knew about artists in Canada but couldn’t name one from Mexico which has way more people.

I was always surprised that people knew about Snoop, Game and Dr Dre in Cali, but didn’t know about the equally large Hip Hop scene amongst Chicanos.

People know about Paul Wall, Chamillionaire and UGK in Texas, but many didn’t realize there has long been a Hip Hop exchange amongst Texans and heads in Monterey.

As Afrika Bambaataa likes to point out, those who hold up the mantlepiece of Hip Hop in corporate America have done us a disservice because they have segregated the music and in their quest to ‘do business’ they have distorted and omitted major parts that have been important to its build up. People like to say Hip Hop is worldwide in their radio station sales pitches but never reflect that variety and vibrancy on its day to day playlists.

When we talk about Hip Hop one of the key architects are those who see themselves as Latino. From day one our Brown brothers and sisters were on the ground floor plugging away and helping elevate the culture.-From grafitti to deejaying to dancing to emceeing Latinos have made an indeligible mark in Hip Hop that many have built upon. It may have been folks like Prince Whipper Whip of Fantastic Romantic 5 busting serious flows during Hip Hop’s pioneering days. It might have been DJ Charlie Chase or Disco Wiz holding it down on the turntables or pioneering figures like JoJo, Crazy Legs or Popmaster Fable wrecking shop on the dance floor.

On this special 2 part 25 Joints to Get U through the Day we decided to go digging in the crates and turn you on to some Hip Hop’s dopest emcees who just happen to come from the Brownside of town..

01-DJ Negro ‘Mega Mix’

02-Vicky MC ‘Victoria o Derrota’

03-Boca Floca ‘Mi Gente’

04-Rebel Diaz ‘Dem Dayz’

05-Immortal Technique ‘Internally Bleeding’

06-Cihualt Ce ‘Dreamah’

07-Nina Dioz ‘Cuando Cuando’

08-Brwn Bflo ‘My People, Mi Gente’

09-Rico Pabon ‘It Ain’t Real’

10-Fat Joe ‘I’m Trying to Tell ‘Em’

11-Rosa Clemente “Tired of Protesting’ (Justice System Flava’

12-Aztlan Nation ‘Serpent & Eagle’

13-Mexicano 777 ‘Arrepentido’

14-LSOB ‘Check It Out’

15-Tha Mexakanz ‘Confessions’

16-Apakalips ‘Mind Right’

17-Educated Chicana‘LA Immigrant Rally’ -Low Rider madness mix

18-Nina Dioz ‘Prefiero El Asfalto’

19-2Mex “Graffiti Kings’

20-Maria Isa w/ Lolita ‘Die Not Kill’

21-Jenro ‘Hate or Love It’

22-Deuce Eclipse ‘Last Hope’

23-Deuce Eclipse ‘Can’t Break Me Down’

24-Azeem ‘Latin Revenge’

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25 Joints to get U thru the Day #15

Rise of the Brown Emcee pt2 (the Indians Are Coming back)

Listen by clicking here:

http://odeo.com/episodes/25259306-25-joints-15-Rise-of-the-Brown-Emcee-pt2

We continue with our musical journey celebrating the Rise of today’s Brown emcees. We cover alot of ground especially with those who reflect Indegenous traditions in their music. Folks like Quese IMC, Omeca, 2Mex and Kiawiti hit the mark. We also celebrate those who have have crossed over into the mainstream but still kick flava like Omar Cruz, SPM and Malvadre to name a few.

Enjoy pt2

01-Quese IMC ‘Orrolope Muccusepen’

02-Olmeca, Victor E of EL Vuh ‘Toltec’

03-Filthee Immigrants ‘Libertad’ (Raul Salinas mix)

04-Majesty ‘Pain Music’

05-Immortal Technique w/ Maya Acuzema ‘Crimes of the Heart’

06-Mala Rodriguez ‘Titar Afila El Colmillo’

07-MIS (Mexican Institute of Sound) ‘HipHopno Pares’

08-Rebel Diaz ‘Golpe’

09-Bocafloca ‘Suenos Rotos’

10-La Krudas ‘Eres Bella Siendo Tu’

11-Orisha w/ Tony Touch ‘Represent’

12-Malvadre w/ Tony Touch & Sondoobie ‘Pachanga’

13-Kiawitl ‘Una California’

14-Chino XL, Sinfull & Pitbull ‘Latinos Stand Up’

15-Omar Cruz w/ Farnkie J ‘To the Top’

16-Jimmy Roses ‘Hug Real Tight’

17-JenRo ‘Internal Segregation’

18-B-Real & Malvadre ‘Tiempo Perdido’

19-SPM ‘Mexican Heaven’

20-Cihuatl Ce ‘Rise Above’

21-Mala Rodriguez ‘Tambelea’

22-Cihuatl Ce ‘La Otra Resistencia’

23- La Krudas ‘Vencer La Dificultad’

24-2Mex & Sick Jacken & Xololanxin ‘Doctors, Drums & Danger’

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25 Joints to Get U Through the Day #13-Stand Up and Be Heard

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 25 Joints to get U Through the Day #13-Stand Up and Be Heard

by Davey D

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Highlights of this weeks show come courtesy of Brother Ali and his new album US which is pure butter. It starts off with Chuck D of Public Enemyplaying the role of a preacher.  In this show we do a little remix and take you straight to an incredibly deep song about abuse. Ali is intense and music matches his mood. It’s good to see and hear artists ‘go there’ and show that such vulnerability.

Our favorite Detroit based rapper Invincible hits us over the head with her song ‘Ropes’  as does Sim City out of Washington DC  with their nice joint called ‘Remembering Geneva’. These are two artists who we should be paying close attention to. They are refreshing, have socially relevant content and bangin’ beats.. Nuff said.

Wanna know who is popping in the Bay Area… peep my boy Jern Eye, He has a new album out called ‘Vision’ is off the chain. The song we featured, ‘Who’s to Say’  underscores my point. Its melodic, thoughtful and on point. Also holding it down from the Bay are San Jose based artists,  Apakalips ‘K.I.M.’  and Kung Fu Vampire w/ Spice 1 ‘No Thang’ . Mt Network aka  D’Labrie‘Catch Me’  like Jern Eye reps the expanding flava of Oakland.

MV Bill is an artist we should all know

MV Bill is an artist we should all know

One last artist not to sleep on hails from Brazil. Here is unknown in many circles. Down there artists like Mos Def will open up for him as he’ll easily pack a stadium to come hear him play.. MV Bill is hands down the man.. If you don’t know him.. Look him up. Google him.

Snoop and Ja Rule know him-Why?  becuase he has major juice and respect in the hoods down there  and was the one who stepped to them and let them know it wasn’t cool to just be rolling through his country shooting videos of the women and not building with the people in the favillas.   He let them know that many Brazil is more than just ass and tits and while it’s true that there are beautiful women, they should be careful about falling into the role of exploiter. He noted that many people look up to them and admire them and that they should come to the hood and not be on some 5 star Hollywood trip and afraid to come see the people who make them.  Am I not beautiful to?, was the question he raised. MV Bill is no joke…

MTV found this out the hard way,  when they came to town to shoot a three day concert several years ago.  Naturally they wanted and needed MV Bill who agreed to perform under two conditions. 1-They include local acts on the line up. 2– MTV lower the prices to the tickets so local people from the favilla could attend. As it was explained to me,  there was a refusal to lower the prices, MV Bill put the word out and the three day festival got condensed with many refusing to roll with the music network. We will be rocking an interview we did with MV in the next couple of weeks. Smart, articulate, down to earth, hood, independent and Hip Hop to the fullest  Get familiar with MV Bill

Enjoy this weeks 25 Joints….

 25 Joints to Get U Through the Day #13

01-Brother Ali w/ Chuck D  ‘Brothers and Sisters’ (Minneapolis-New York)

02-Brother Ali ‘Babygirl'(Minneapolis)

03-Mystic ‘Beautiful Restistance’ (Bay Area-Oakland)

04-Invincible ‘Ropes’ (Detroit)

05-Zion I w/ Brother Ali ‘Caged Bird’ (Oakland-Minneapolis)

06-Sunspot Jonz ‘Dip Down’ (Bay Area/ LA)

07-Sim City w/ Maimouna Yousef  ‘Remembering Geneva’ (Washington DC)

08-Jazzy Jeff w/Jean Grae ‘Supa Jean’ (New York)

09-Jern Eye ‘Who’s to Say’ (Bay Area-Oakland)

10-Arab Summit ‘Camouflage’ (Iraq/ Palestine)

11-Euphrates ‘I Told You So’ (Iraq/ Montreal)

12-Cunninlyngst ‘America Loves Gangstas’ (Kentucky)

13-Maria Isa w/Killa Capone ‘Street Politics’ (Minneapolis)

14-MV Bill ‘So Deus Pode Me Julgar’ (Brazil)

15-Deuce Eclipse‘Que Se Meuva’ (Bay Area -Oakland)

16-Wax Tailor ‘No Pity’ (France)

17-Chali 2Na ‘Graff Time’ (Los Angeles)

18-Fort Minor w/ Lupe Fiasco & Ghostface Killah ‘Spray Point’ (LA/Chicago/ NY)

19-Bas 1 ‘Preacher #3’ (Bay Area-Oakland)

20-Apakalips ‘K.I.M.’ (Bay Area-San Jose)

21-Kellee Maize ‘Marching to the Revolution’ (Pittsburgh)

22-D’Labrie ‘Catch Me’ (Bay Area-Oakland)

23-Kung Fu Vampire w/ Spice 1 ‘No Thang’ (Bay Area-San Jose/Hayward)

24-J Ross Parelli ‘Music’ (Reno)

25-J Dub w/ Zumbi “For Your Love’ (Bay Area-Oakland)

26-Capital Tax w/ Simone Nia Rae ‘Baby’ (Bay Area -Oakland)

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The Female MC (Where’s She At?)

The Female MC

by Krista Keating
 
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MCLytehat-150The female MC. She exists. I know she does. I’ve seen her at my local open mic. I’ve seen her on cheesy reality shows. I’ve heard her on college and independent radio. I’ve seen her at female MC showcases. I’ve read her flows on web cyphers. I’ve seen her on My Space. But how come I don’t hear her on KMEL or see her video on MTV or BET? Yeah, I can catch some out dated joint by Lil’ Kim or Foxy Brown and Lauryn Hill’s flows never get old, but, where is the new generation of female MCs?

It’s a man’s world. I get this. Men run and ruin this world at their will. Women clean up the mess, however that may manifest itself. Hip Hop, the progressive counter-culture that we may be, still subscribes to sexist values that choke the female MCs voice. The male dominated industry of Hip Hop still lacks faith in the female MC.

A few weeks ago I was at a function when a few men started to talk about Hip Hop. This issue having been on my mind for awhile now prompted me to tell the men that there are no new female MCs on the radio and quite frankly Hip Hop, the industry, doesn’t seem to give a hoot. The response, by one Bay Area MC, was “Who gives a shit? If there were females dope enough to be heard, they would be.” His response angered me. There are most certainly female MCs trying to be heard who are dope enough to be put on. And there are most certainly wack male MCs getting breaded out for spitting garbage!

One might say that just like the women’s liberation struggle, only women can uplift women. Thus, the responsibility of putting female MCs into the mainstream falls on the shoulders of women. But the truth is that the heads of major labels, major radio stations are not women. The labels are run by men. It’s a man’s world.

So, just like with the women’s struggle for equality, the challenge to put talented female MCs into the mainstream, requires that men join our cause. If the same ol’ cookie cutter gangster, ride or die female MC is what the mainstream allows for, why haven’t we had a new one of those in few years? What’s the problem?

The entertainment biz is cutthroat. It’s musical chairs, there’s never enough room for everybody to play. If you are trying to blow up as an MC, the threat that the next MC will take your spot is real, and can happen at any given moment. The public fan base is wishy-washy and easily distracted, often only offering unconditional loyalty after your dead and gone. Investment into an MC can be risky. But with no female MCs to speak of, why not take the leap? Why not offer up something new to a male gangster MC saturated radio line up? Isn’t that why Lil’ Wayne gave us Drake or why T-Pain resurrected the auto-tune, to come new? The same shit over and over gets played out, that’s why T-Pain’s auto-tune craze is already falling off.

I am a grown woman. I have kids to raise. The truth is a pain I need in order to arm my children for the real world. The reality that it’s a man’s world doesn’t distract me from other truths, such as, women have the right to be heard, even if it unsettles their men’s world.

The truth is that a crop of female MCs to shake up the game would be both a wise financial and cultural investment into the future of Hip Hop. Let’s step our game up!

Its interesting just as I was posting this article.. I got the following video
from DJ Sav.One
 
Adding to that is the 25 Joints we did a a couple of months ago featuring all women..There’s no reason why none of the women featured on this mix are not played on local radio stations..
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Breakdown FM 25 Joints to get U Through the Day-All Women

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Hard Flows and Keen Intelligence-Meet Paris’ Protege T-Kash

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T-KashWe sat down with Bay Area rapper T-Kash who talked to us about his new album on Guerilla Funk Records and his new album ‘Brians All Over the Streets’. He is signed to Paris’ record label and an incredible artist who spits fire and keen intelligence. He lives up to the monikor Hard Truth Soldier.

He is also the host of my old show the Friday Nite Vibe on KPFA 94.1 FM in Berkeley where brings political commentary to the Hip Hop beats he offers up to listeners. A couple of years ago, he was voted Best radio show host by the East Bay Express.

In this interview we cover a variety of topics including:

Transformation from ignorance and thuggery into consciousness, Surviving the recession, survival tactics in the hood, what he learned from Boots Riley, What he learned from Paris, Obama’s trip to the Middle East, being Black and Muslim in America, the state of the Black Church, Should Black folks in America be Christian, Is Religion Opiate for the Masses?, Martial Arts, Chess and working with Adisa Banjoko.

Breakdown FM: Interview w/ Bay Area Rapper T-Kash

breakdownFM-logo-podcast-30

http://odeo.com/episodes/25028843-T-Kash-interview-Brains-All-Over-the-Streets

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Breakdown FM: An Interview w/ Chali2na-Like a Fish Outta Water-2Na Goes Solo

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http://www.youtube.com/watch?v=L7F-qIXe9PA

05_Flatbed_2 - JULYWe spoke w/ former Jurassic 5 rapperCharli 2Na on Breakdown FMwho is now rolling solo in the aftermath of the group’s breakup.
We covered a number of topics including:

1-Charli 2Na speaks on his popping and strutting abilities.  Breakdancing/ BBoying is what first attracted him to Hip Hop. We spoke to Charli about this because during his live shows its not unusual to see the brother bust a few moves.

2-We spoke about his Chi-Town (Chicago) upbringing and the influence house music had on him and his music. He noted that House was always an present to the point that he eventually sought out different types of music to explore including Hip Hop.

3-We talked about his Curtis Mayfield inspired song ‘Righteous Way’. He talks about how he wanted to write a song that connected various generations of his family. He sampled Curtis Mayfield’s ‘Making of You’

4-We spoke about today’s hip hop audience and whether or not they will accept and appreciate history, complexity and depth. Charli 2Na explained that reaching today’s audience can be abit of a challnge but he only knows how to speak to his audience in a mature way and refuses to dumb himself down. Its important that Hip Hop have a variety of voices  and artists find lanes that allow their art to truly shine.

5-We spoke about Charli about parenting which is an increasingly engaged topic amongst those in the Hip Hop generation. 2na now has a son who is in college and he talked about the types of adjustments he’s had to make.  Currently his son is one of his best friends who acts as a de facto A& R guy by keeping his dad on top of things. If his son likes it.. then Charli knows he’s in the pocket.  We talked about Jurassic 5’s landmark song which dealt with this issue of parenting called ‘Contribution’ .

Charli2nasuit-2252na explained that he learned how to parent from seeing and experiencing what his absente dad did not do. He was determined not to repeat that pattern with his own son. He talked about how he and pops eventually reconciled. He also talked about the close relationship he had with his grandmother who picked up the slack while both his mom and dad dealt with their own demons.

6-Also along the family tip we with Charli 2Na about his younger brother Semaj who now travels with him, is an incredible rapper in his own right and is part of the band. 2Na explained that his younger brother who is 11 years younger has his own group called Live Radio and for years did not tell him about his rapping abilities nor come to 2na for help when he and his group got things rolling. Charli spoke about how proud he his of his brother because he made his own path and in many ways has surpassed 2na in the things they accomplished when compared to what Charli was doing at that same stage in his career. For example he noted that Semaj and Live Radio has already opened for KRS on several occassions and have done quite a few shows around LA.

Eventually 2Na pulled his brother and the group aside and spoke to them forthrrightly about the pitfalls they should avoid as a group. He noted he gave to them the same advice that Hip Hop pioneer Grandmaster Caz gave to the than young members of J5. He told them the steps to take and outlook to have to avoid jealousy and petty rivalries within the group. He talked to them about communicating etc. 2na admitted that unfortunately what Caz talked about was not fully heeded and J5 fell apart.

7-Lastly we spoke to 2na about the tragic and painful death of his cousin who was like a sister to him. They grew up in the same household.  Her name was BB and she was trampled to death during an infamous nightclub fire that took place in Chicago a few years ago. She went to get her coat when all hell broke loose and people panicked inside the club. BB fell and was crushed by hundreds of club goers. 2na immortalized his cousin and the incident in the last song on his album. Its a heartwrenching touching song that includes BB herself speaking to her cousin on one the last times they saw each other.  For 2Na to open himself up like that is one of the reasons we will always like and appreciate what he means and brings to Hip Hop.

8-Joining us in this interview is Charli’s good friend Supernatural. the two share with us the influence eacha have on one another. Supernat talks shares with us some insight to 2na’s writing style and overall process for recording and eventually releasing songs.

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breakdownFM-logo-podcast-30

Breakdown FM Podcast-Charli 2Na Like a Fish Outta Water

http://odeo.com/episodes/25027942-Charli2Na-Holds-It-Down-Like-a-Fish-Outta-of-Water

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Kanye West vs George Bush-The Katrina Mix-We Remember

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This is a Hip Hop audio mix that captures so of the thoughts sounds surounding the nation’s worst tragedy in history… In this mix you will hear from people like former Black Panther H. Rap Brown, rappers Juvenile & Master P, Mayor Ray Nagin, reporters Sam Sheppard and Geraldo Rivera and of course Kanye West and George Bush

Below is the link to the mix

logoKanyevsBush

Kanye West vs George Bush-The Katrina Mix


This is a audio mix that speaks for itself.. 5years ago.. Monday August 29 2005 Black America got her own 9-11. She was hit with an act of terrorism in New Orleans that was just as devastating if not more than what took place when those Twin Towers were felled by planes… Yes, you read that correctly.. Most people mistakenly believe that the city of New Orleans was destroyed by Hurricane Katrina. Lets make sure folks understand this once and for all.. Much of neighboring Mississippi was destroyed by HurricaneKatrina which hit the state with its full level 5 impact.

New Orleans which was initially in the path of Hurricane Katrina was spared at the last moment… What hit New Orleans were winds that were around level 3.. The devastation that took place in New Orleans was the city’s levees broke and the entire 9th Ward and other parts of New Orleans was flooded. Did the winds break those levees? Was it the surge of rushing water?  Thats what’s been suggested. That’s what then President  George Bush told us.. Well here’s the deal.. New Orleans was hit by several acts of terrorism. It started on Monday August 29th 2009 when those levees bursted open..

We attended the International Tribunal for Hurricane Katrina and Ritain 2007 and heard 4 days worth of testamony from residents who were still displaced from their homes. This tribunal was one that was conveened by former Congress woman Cynthia McKinney and a number of organizations in New Orleans. There were a panel of judges who came from all over the world who listened in shock as horror story after horror story was told of what went down in the aftermath of Katrina. The most telling testamonies came from resident after resident who talked about hearing a number of large explosions nearwhere the levees were breached. Talk to the residents of the Lower 9th and they will tell you emphatically those levees were blown up.  After hearing so many speak and documentaries made, where its been emphatically suggested that 9-11 was an inside job, why wouldn’t the blowing up of the levee fall under the same cloud?

But if that’s hard to swallow, lets look at the testamonies that came from engineers who did independent studies. Professor Robert Bea who headed up the engineering team from UC Berkeley spoke at the Tribunal and spoke for a couple of hours where he painstakenly showed how the levees were designed in such a way that they were ‘destined to fail’.    So negligent were the designs that one could only conclude that it was deliberate-hence an act of domestic terrorism.

We heard the horric accounts of police shootings, and vigilante killings of Blacks by roving mobs of whites. Former Black Panther Malik Raheem put together a documentary where he captured white residents bragging how they had gone on pheasant hunts to shoot Blacks seeking refuge in one of the unflooded parts of the city. He estimated there were more than 200 killings. He showed bodies of Blacks who were shot in Algiers in his documentary ‘Welcome to New Orleans’

Again, the terrorism experienced came in the aftermath of Katrina here entire communities mainly poor Blacks were run out of the city with most never to return.  I recall when San Franciso and the Bay Area was devasted by the 1989 earthquake. The entire Marina district in San Francisco home top the wealthy was destroyed. Within a year those houses were fixed. The Bay Bridge that collasped was fixed. The 880 highway that collasped was leveled and eventually replaced.. But the homes in West Oakland where the poor lived still had visible damage 5 years after the quake. In New Orleans 5 years after Katrina we still have the Lower 9th is disrepair and many of the folks still scattered around the country.  If thats not terrorism what is?

something to ponder

-Davey D-

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Chuck D & Funk Expert Rickey Vincent Speak on the Music & Political Legacy of Michael Jackson & the Jackson 5

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Listen to the History of Funk pt 1-retrospective look at Michael Jackson & the Jackson 5

1-Breakdown FM-History of Funk pt1-Michael jackson & the Jackson 5

2-Breakdown FM-History of Funk pt2-w/Chuck D How MJ influenced Hip Hop & Politics

 
Professor Rick Vincent-author of History of Funk drops a lot of insight about the musical legacy of Michael Jackson  and his brothers

Professor Rick Vincent-author of History of Funk drops a lot of insight about the musical legacy of Michael Jackson and his brothers

Michael Jackson and the Jackson 5 are considered steller musicians and entertainers who changed the game in major ways. Oftentimes when we speak of them they are presented as if they came out of nowhere and their musical prowess came out of a vacuum. We wanted to give people some deeper insight into their music and what it meant to Soul, Funk and the Black community.

We sat down with Professor Ricky Vincent aka the Uhuru Maggot, author of the landmark book The History of Funk. We sat down and walked through the history of MJ and the Jacksons and talked in depth about their influences ranging from James Brown to Stevie Wonder. We talked in depth about their roots including how MJ and his brothers grew up in Gary, Indiana. We talked about the important role Gary played in Black America, both in terms of having one of the country’s first African American mayors and the 1972 meeting by Black folks to set a nationwide agenda.

We talked about their father Joe Jackson and who he is and how he spent alot of childhood and teenage years in Oakland, California. Vincent talked about the vibrant blues scene that was in full gear when Joe jackson was around in West Oakland and how that may have been a foundation for his musical ambitions.

We spoke about Michael Jackson and his dancing history. We talked about his signature moves ‘The Robot’, The Moonwalk and locking and noted how these were popular dance styles well known in various hoods throughout California for years prior to Michael introducing them to the rest of the world.

We talked about the struggles the group had when MJ’s voice changed and how Motown executives wanted them to follow a particular pop formula while the group pushed to establish a new sound that was more soulful, funky and contemporary. Eventually the tension became so great that the group left Motown and joined Epic. Because Motown owned the name The Jackson 5, the group changed their name to The Jacksons. Complicating their situation even more was the fact that older brother Jermaine married Berry Gordy’s daughter hence he went on to stay at Motown and do a solo career.

We talk about the influence James Brown had on Michael and how he went out and pretty much adapted much of Brown’s delivery, showmanship and overall style. We explore the music from that time period in the mid 70s and note how the group found themselves under the gun as they tried to keep up with icons like Stevie Wonder, George Clinton, Sly Stone, BT Express and an array of ‘child groups like the Sylvers who had bursted on the scene and were hitting hard.

Ricky reminded us of how George Clinton and his p-funk mob were in Detroit recording songs and that their style and influence was definitely felt. because he was connecting with the hood, the Jacksons were forced to step it up and become alittle more raw with their music.

We end this segment by highlighting the various musical directions the group took.

Here’s the link to part1

Breakdown FM-History of Funk pt1-Michael jackson & the Jackson 5

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Chuck D spoke about Michael Jackson's political side and how he influenced his love for Hip Hop

Chuck D spoke about Michael Jackson's political side and how he influenced his love for Hip Hop

In pt 2 we are joined by Chuck D of Public Enemy where we have an indepth discussion about MJ and his politics and how Chuck was introduced to Hip Hop via Mike.

Chuck talks about the important role legendary songwriters Gamble & Huff played in pushing Mike and his brothers. Author Ricky Vincent talks about how the message in the music is part of a much larger tradition within Black music.

Chuck D also talks about how some of Michael Jackson’s records which were used as breakbeats influenced him and made him embrace Hip hop more. In particular is the vintage cut ‘Music’s Taking Over’. Chuck also talks about the sample they used from MJ in the song By The Time I get to Arizona.

Chuck also talks about the important influence Michael Jackson had in the realm of videos.

We play lots of Jackson’s political songs as well as the cuts that inspired Chuck D.

We conclude the interview by talking about MJs War with Sony Music and Tommy Mottola, his charitable works and the importance of being named the King of Pop.

Here’s the link to pt 2

Breakdown FM-History of Funk pt2-w/Chuck D How MJ influenced Hip Hop & Politics

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