The Election Aftermath:Hip Hop Where Do We Go From here?

The Election Aftermath:Hip Hop Where Do We Go From here?
By Davey D.
Rock & Rap Confidential
November 2, 2004
http://www.rockrap.com/

I would be lying if I said last night’s election results were not a big disappointment. It’s not so much that I thought John Kerry would be the answer, but a Kerry win and a Bush defeat would’ve helped the momentum and further ignited the excitement and passions held by many within the Hip Hop community who went to the polls. Instead what we’re left with his a Bush Presidency. Adding insult to injury is the fact that he went from being a guy who was selected to being a guy who now holds the record for receiving the most votes ever in US history. If that’s not enough four new seats went to the GOP and they gained several more seats in the Congress. The toughest pill to swallow are the newscasts and articles where the question that is mockingly being asked-Where was the Youth Vote? How come they didn’t show up? Etc…

Leading up to the yesterday’s election there was a long list of things that we could point to that suggested that we were gonna make a huge difference:There were numerous Hip Hop Summits and Conferences. The registration and get out the vote efforts within Hip Hop was unprecedented. Over the past couple of months, there were at least 8 mixtapes and compilation songs released encouraging the Hip Hop community to go to the polls. The participants ranged from artists like Wyclef Jean to Jadakiss to Eminem to WC and Mack 10 to Cypress Hill to the scores of underground artists who participated in the Slam Bush project.

http://www.youtube.com/watch?v=txnD03oVULA&feature=related

These artists’ efforts complimented the day to day organizing and important groundwork that was undertaken by numerous Hip Hop organizations and their members around the country who were the unsung heroes and sheroes, yet critical backbone in all these Hip Hop meets Politics activities. For example, the night before the election it was encouraging to get a late night fall call from one of the many members of BayLoc (The Bay Area Hip Hop Local Organizing Committee) asking me to Vote Yes on Cali Proposition 66 which would’ve reformed the dreadful three strikes law. I was also told to vote ‘Hell Naw’ on Measure Y in Oakland. This was an initiative that would add more police to the city’s payroll. I was told to go to the BayLoc Website to get more information on other propositions and asked to come out the next day to a Get out the Vote Rally that was going to be held at Oakland’s City Hall.

What BayLoc was doing was just an example of the dozens of similar efforts that were going down all over the country. For example, members of the Los Angeles Hip Hop Local Organizing committee were so determined to impact the outcome of the election that they dipped into their own pockets and brought plane tickets to go to Milwaukee after they got word of bogus fliers being distributed in many of the Black communities telling people that they risked arrested if they voted and had not paid their parking tickets or child support or had voted in any prior election this year. The sentiment amongst the LALoc was that there were enough troops on the ground holding it down in the Golden State and that they play a more effective role helping their Hip Hop counterparts in Milwaukee monitor polls and do outreach and voter education.

It was encouraging to do my radio show, reach out and get reports from Hip Hop organizers stationed in various cities around the country like; Columbus, Ohio, St Louis, Missouri, Phoenix, Arizona, Sante Fe, New Mexico and Philadelphia, Pennsylvania to name a few, and hear how about how they had been registering people and their plan of action to get folks to the poll on election day.

http://www.youtube.com/watch?v=QtGHUP9h2aU

Such efforts were underscored by the League of Hip Hop Voters and the League of Pissed off Voters who had meticulously researched and put out more than 115 different state and city election guides for folks to download off the internet and take to the polls. What was even more inspiring was seeing that while most major news outlets and so called Hip Hop and R&B radio stations completely ignored these newsworthy efforts, that the League was able to get the word out via all the large Hip Hop websites and listserves like AllHipHop.com, OkayPlayer.com, Industrycosign.com and RapAttacklives.com to name a few, and reach thousands of people who eagerly and used them.

During the 04 elections Missy Elliot paid for buses to get people to the polls

It was encouraging to read about Missy Elliott renting a bus in Miami and pitching in to take voters to the polls. It was encouraging to hear about Questlove of the Roots hooking up with actor Ozzie Davis to combat voter suppression efforts. It was great to hear about comedian Steve Harvey bringing together a coalition of rap starts ranging from Warren G to MC Hammer to Ice Cube and E-40 to ask for support on passing Prop 66.It was encouraging to talk to a Rev Gundy on our national broadcast and have him point out the important role the Hip Hop community had played in terms of getting the vote out. He spoke about the Black college tour that artists like Trick Daddy, Trina and Luther Campbell (Uncle Luke) put on and how they helped get hundreds of people registered.

Whether it was mainstream icons like P-Diddy and his Citizen For Change or Russell Simmons and his Hip Hop Summit Action Network or grassroots organizations like the Hip Hop Political Convention, the Hip Hop Assembly or Hip Hop Congress, lots of people stepped it up and got involved. For most it was their first time. For many they had to learn on the job. The collective efforts for these organizations and people should be commended after all, its a lot more then what was done in previous years.

http://www.youtube.com/watch?v=q490KKZmzWc

With all that being said, after the dust has settled and folks get some time to reflect, there will be some important questions that will have be answered thoughtfully and honestly. Questions like ‘What could’ve been done differently?’ Did the numbers of people who came out to the polls add to up the expectations? In short, did the hype match the reality? Did we overestimate? Did we underestimate? Was too much weight put on the shoulders and expected turnout of the youth/Hip Hop vote?

Were the approaches used by organizers as well as politicians the right ones or the most effective ones to engage the Hip Hop Community and younger people in general? After all, when iconic figures like Russell or P-Diddy show off new clothing styles, introduce new slang or put forth a new trend folks seem to follow in masses, why was this not the case with yesterday’s election or was it? These are some of the hard questions we need to seriously look at.

Yesterday, during an interview with MTV P-Diddy said something very profound. He admitted that he may have been a bit reckless when he said he was going to rally people to ‘Get Bush’s Ass Out of Office?‘ He said it was reckless for him to say this and not have a viable, suitable candidate in to replace him. In some ways P-Diddy’s remarks seemed similar to ones made a few month’s back when Boots Riley of the Coup wrote a letter to the Eastbay Express Magazine asking that he not be characterized as an anybody but Bush type of guy. Boot’s noted that its not just enough to vote for someone, but it needs to be connected with a larger plan of action and education. Folks have to really understand the process and the issues that you’re asking them to vote for.. If there’s no connection at the end of the day folks will not only not go to the polls, they may actually become disillusioned with the process. They’ll be even more disillusioned if they discover that those who are advocating don’t really buy into the process.. Such may be the case today when folks woke up and found that some of their favorite celebrities while advocating voting, never went to the polls themselves.

When we look back at this election the fundamental question we have to grapple with is , was it enough to simply hate Bush if you weren’t feeling Kerry? Talk show host Tavis Smiley spoke to this issue last night during his ABC News broadcast when he noted that one of the things that may have effected John Kerry in Ohio was that he simply didn’t pull out the large numbers of Black people in places like Cleveland as was expected. He explained that a lot of folks did not connect with Kerry and that the word was ‘he was no Bill Clinton‘. This reality was conveyed to me earlier in the day from folks on the ground who had noted that in spite of all the rallies and media attention and speculation, the numbers were lower then expected in some of those critical Black communities especially around Cleveland.

Much of what Tavis spoke to could easily be juxtaposed with the larger Hip Hop community. The reality we may have to face is that folks simply could not buy into the whole voting/ electoral politics hype with Senator John Kerry has the big door prize. The end result and purveying attitude was likely to be similar to the one reflected by artists like Method Man who when asked who he was going to vote for, told allhiphop.com in a recent interview ‘F**k both them mother f**kers. I’ma play Soulcom2 online like everybody else. F**k Bush and Kerry. Both them n***a’s is cowards.’

One of the important lessons that we will have to come to terms with is not falling into the trap of leading or organizing by proxy. By this I mean, we needed to have in place a methodology and a way to really ensure that the folks we reaching out to be in agreement and had good understanding of what was being advocated. In other words, a possible mistake that may have been made was us not being clear as to what was being asked. Were we asking people to go to the polls to vote FOR John Kerry or to flex our power and vote Bush out of office just to prove that we could influence an election?

Ben Chavis and Russell Simmons of Hip Hop Summit Action Network

If we were asking folks to vote for John Kerry did we present a compelling set of arguments connected to a larger end game that folks would buy into? In other words were we voting for Kerry because he would appoint fair and balanced Supreme Court judges? Were we voting for Kerry because he we would be better positioned to maneuver about the system under him versus Bush? Did the potential voters see and understand those sorts of points? Did John Kerry himself ever really pay attention to the issues on both on the platform voted upon during the Hip Hop Political Convention or the similar platform being championed by Russell Simmon‘s Hip Hop Summit Action Network?

More importantly were the larger critical mass of people who never attended these Hip Hop summits, who we needed at the polls in agreement with and aware of the platforms?Lastly, did we expect too much too soon? Yes, it was an important election? Yes there was a lot of hope, hype and anticipation around the role Hip Hop would play in this election, but was it realistic to expect us to hit a homerun on our first at bat? Was it fair for us to allow ourselves to be put in that position? Conventional wisdom suggests that we look at and build around small, achievable victories versus trying to get it all in one shot. While hitting a homerun on the first try is great and will get you lots of props. Having to play the game where your forced to run the bases and deal with striking out from time and not getting any hits at all, will be best in the long run, because it allows you to build a solid long lasting foundation and establish important meaningful relationships with the people you are trying to reach. It will also allow you to do the important work at hand minus the roar of the crowd and all the hype that comes when you hit it out the park.

The bottom line is this.. The election results are disappointing and not all of our expectations have been met, but no means did we fail? All those collective efforts did indeed increase voter turnout.. A lot of folks came in and gave it their best shot and did some really good things that made a difference and will continue to make a difference. Fortunately many of the Hip Hop organizers like the folks from BayLoc, Hip Hop
Coup, LaLoc and others all throughout the country have embraced the attitude that the work they are doing is for the long term. It’s all about building a solid foundation that will not fold up and crumble at first windstorm or setback. The 2004 election is a setback from which they will learn from and will not paralyze them. One thing you can always count on is that the very essence of Hip Hop is that it always able to create something out of nothing and overcome insurmountable odds. The question that Hip Hop has to humbly ask at this point in time is where do we go from here? I believe bigger and better things are in
store…

written by Davey D

Return to Davey D’s Hip Hop Corner

Facing the Copyright Rap (Pay for All Your Samples or Else)

record disc gold

A federal appeals court ruled Tuesday that rap artists should pay for every
musical sample included in their work – even minor, unrecognizable snippets
of music.

Lower courts had already ruled that artists must pay when they sample
another artists’ work. But it has been legal to use musical snippets – a
note here, a chord there – as long as it wasn’t identifiable.

The decision by a three-judge panel of the 6th Circuit Court of Appeals in
Cincinnati gets rid of that distinction. The court said federal laws aimed
at stopping piracy of recordings applies to digital sampling.

“If you cannot pirate the whole sound recording, can you ‘lift’ or ‘sample’
something less than the whole? Our answer to that question is in the
negative,” the court said.

“Get a license or do not sample. We do not see this as stifling creativity
in any significant way.”

Some observers questioned whether the court’s opinion is too restrictive,
especially for rap and hip-hop artists who often rhyme over samples of music
taken from older recordings.

“It seems a little extreme to me,” said James Van Hook, dean of Belmont
University’s Mike Curb College of Entertainment and Music Business. “When
something is identifiable, that is the key.”

The case at issue is one of at least 800 lawsuits filed in Nashville over
lifting snippets of music from older recordings for new music.

The case centers on the NWA song “100 Miles and Runnin,” which samples a
three-note guitar riff from “Get Off Your Ass and Jam” by ’70s funk-master
George Clinton and Funkadelic.

In the two-second sample, the guitar pitch has been lowered, and the copied
piece was “looped” and extended to 16 beats. The sample appears five times
in the new song.

NWA’s song was included in the 1998 movie “I Got the Hook Up,” starring
Master P and produced by his movie company, No Limit Films.

No Limit Films has argued that the sample was not protected by copyright
law. Bridgeport Music and Westbound Records, which claim to own the
copyrights for the Funkadelic song, appealed the lower court’s summary
judgment in favor of No Limit Films.

The lower court in 2002 said that the riff in Clinton’s song was entitled to
copyright protection, but the sampling “did not rise to the level of legally
cognizable appropriation.”

The appeals court disagreed, saying a recording artist who acknowledges
sampling may be liable, even when the source of a sample is unrecognizable.

Noting that No Limit Films “had not disputed that it digitally sampled a
copyrighted sound recording,” the appeals court sent the case back to the
lower court.

Richard Busch, attorney for Westbound Records and Bridgeport Music, said he
was pleased with the ruling.

Robert Sullivan, attorney for No Limit Films, did not return a phone call to
his office.

source: http://www.wired.com/entertainment/music/news/2004/09/64884

Editorial: Why Hip Hop Should Vote? by Paris the Black Panther of Hip Hop

Why Vote?
By Paris, August 7, 2004
http://www.guerrillafunk.com/thoughts/doc4848.html

Paris

Paris

Like the child who cried “wolf!” too many times and was eaten when he really needed the help of people who had grown to ignore him, the media and Bush administration are faced with such massive lack of credibility issues that we now must adopt a contrarian stance when taking what they say into account, especially when it comes to terrorism.

From the degrading and deplorable Abu Ghraib Iraqi prison scandal, to the wag-the-dog-like U.S.-implemented and staged beheading of Nicholas Berg, to the recently expressed desire for war with Iran, it’s apparent that the Bush Administration is scrambling to create further diversion and feelings of fear and division to rally support behind its wicked and out-of-touch policies.

So what can we do? Well, aside from community outreach and living by example, one of the best solutions is voting. The trouble is, I’ve read a lot of articles and heard a lot of discussion lately from people in our communities openly questioning whether or not we have any business voting. We do.

The simple fact is, if you can’t offer a concrete, tangible alternative to us exercising our rights and becoming a part of shaping decisions that affect us, then you have no business being opposed to galvanizing young people and people of color as a unified political force at the polls. Besides, y’all ain’t ready for revolution. So before you go saying how I’m “buying into the system” think about what it is exactly that you would do differently – and then ask yourself why you don’t. Like I said – it’s only a part of the solution. The strategy we must adopt is one that employs all of the tools that we have at our disposal to progress. Voting is one of them.

Are we are too lazy or disillusioned with the process that we won’t exercise rights that people who came before us died for? Voting doesn’t cost anything, so we can’t say that we can’t afford it (even though elections are held on Tuesdays, during work hours for many). Of course, it’s easy to say “f**k voting,” spark up the weed and turn on 106 & Park, but at what cost? We’ve seen the results of not voting – an illegitimate impostor in the White House, rollback of Affirmative Action legislation, poorer economic conditions and lack of employment opportunities, reductions in budgets for education and social services and increased instances of violence and police brutality – so why not opt for change?

Now I know you might not feel either of the major presidential candidates, especially with our recent discovery that they’re related – many don’t. But voting is larger than just the presidential race. What about the economy? Record unemployment and underemployment? Out of control gas prices? Shitty and unequal education? Lack of affordable housing? Why give conservatives and the existing powers that be an easy way out by not participating? They vote, and have an often unified support base that stresses the importance of participation to maintain their quality of life, often embracing policies and supporting politicians that don’t represent our best interests. It’s important that we participate too.

If we aren’t effective and our voices don’t matter, than why do they feel the need to cheat? To steal elections and keep us from the polls illegally? To establish a conservative media network? To keep us feeling disillusioned and disenfranchised, that’s why. To keep us thinking that we don’t matter.

How many people have you heard say that they’re not political? Here’s a news flash for you: you don’t have any choice but to be political nowadays, because everything is politicized. Politics is now pop culture, so you’d better adjust and become aware of the way things really are and what you can do to change our condition.

Opposition to voting often comes from the same people who don’t see the value in a college degree. Why is that? By not having the necessary credentials we give other people an easy out when it comes to dealing with us. As a rule, use every tool, every angle and every resource you have available to you to get ahead. As a people, we don’t have the luxury of adopting a stance of non-participation in anything that can be potentially beneficial to us. For too long we’ve sat by and allowed others to dictate the terms and conditions of our lives in our own communities.

We constantly hear commentary from conservative pundits on the state of things – barking about why it’s not right to question our “leader” during wartime – and calling anyone voicing dissent “treasonous” (and getting wealthy in the process). Think Sean Hannity (of Fox News) represents the everyman (he makes an 8 million dollar annual salary)? Or Bill O’Reilly (6 million)? Think again. (Funny how they dis easy-to-pick-on rappers but never discuss the profanity and imagery on Fox’s own Nip Tuck, the racism of COPS, or the misogyny of The Swan – but that’s another article.) These people vote. And they rally others who feel the same as they do to vote too.

We hear them say how much worse life was under Hussein in Iraq, and how U.S. troops are fighting to protect our freedom. But WE WERE NEVER IN DANGER from Iraq…and U.S. troops are being used in the worst way. They are there only to protect the big business interests of Bush’s buddies in high places – they ARE NOT protecting our freedom. The fact that Bush just signed a $417.5 billion wartime defense bill with an addition $25 billion for Iraq and Afghanistan pretty much drives my point home.

The world is full of dictators, but, luckily for them, they don’t have oil. Sorry-ass Saddam and his weak country would still be among the living nations if they had not had oil. Also still alive would be over 900 American servicemen and women, tens of thousands of Iraqis and hundreds of thousands of wounded-for-life people.

This is especially important to us because we’re the ones who die, and we’re the ones the military places a disproportionate amount of focus on recruiting as was evidenced in Michael Moore’s excellent movie, Fahrenheit 9/11, which I encourage everyone to go out and see.

And while we’re on the subject of Fahrenheit 9/11, let me say that there have only been 3 points raised by those in opposition to the movie, and they are that 1. Moore never mentioned Great Britain in the “Coalition of The Willing,” 2. that Iraq was misleadingly portrayed as a utopia before we decimated it, and 3., that Moore is racist because of his portrayal of the countries willing to stand by the U.S.

That’s it.

And?

There are still no other valid arguments against the points raised in the movie (all of which, coincidentally, were detailed on Sonic Jihad and on www.guerrillafunk.com 2 years ago). The rest is true and cannot be refuted, and Moore has even publicly considered offering a $10,000 reward to anyone who can find a factual error, according to TIME magazine.

What it really boils down to now is that we are at a point in time where people simply believe in what makes them feel comfortable, even if the facts presented to them point to the contrary. If people know something is foul and needs to be set right, they agree that there needs to be regime change here. If, however, they are uneasy and in denial about the fact that the Bush Administration is full of @#%$, has lied to us, murdered people unjustly here and abroad for profit, reduced our civil liberties, is in bed with those we are supposed to be at war against, had a hand in facilitating the events of 9-11, and actively solicits young people of color to use for its war machine, then they tend to agree with the lies of the current White House occupants.

Only the evil or the misinformed are supporters of this administration, and they are the same people who don’t flinch when their conservative heroes are caught lying and give that standard bullshit “I take personal responsibility” speech. You know the one – the speech that’s designed to shut up detractors in a hurry (Tony Blair just gave it about WMDs) – as though saying it makes things A-OK.

Let’s all take our own form of personal responsibility and vote this November.

Register online here at http://www.guerrillafunk….eral_info/x_the_box.html, and stand up and be counted!

http://www.youtube.com/watch?v=gmJqzEVKwoU

 

Hip Hop Reflections on the Death of Ronald Reagan

Hip Hop Reflections on the Death of Ronald Reagan
by Davey D

 

Well, today is June 11th, and I’m watching all these TV stations play Ray Charle‘s rendition of ‘America’ [Brother Ray just passed away yesterday] while showing the funeral of former President Reagan. Some stations are even showing pictures of the two men together. I can’t help thinking something is not right about what I’m seeing. In the words of Public Enemy, ‘Can’t Truss It’ .

To start with, I feel like my senses have been assaulted all week with non stop news coverage that seemed designed on getting me to believe that we had just experienced the passing of a Saint. I keep asking myself how is this happening?, because when I think back to the Reagan years I recall some very troubling and contentious times that we are still recovering from.

It has been suggested by President Bush that we stay home to mourn and reflect upon the life and times of Ronald Reagan. Well, when I reflect, I like to do it to music. So I guess it was only appropriate that I pulled out Gil Scott Heron‘s 1981 album ‘Reflection‘ which contained a highly charged 12 minute spoken word song called “B-Movie”, which was directed at Reagan shortly after he took office. I also pulled out a landmark record from pioneering rapper Mele-Mel called ‘Jesse’ which was released in 1984. Both these songs spoke truth to power and help me cut through all the hoopla, fanfare and blatant rewriting of history with regards to Ronald Reagan. Gil Scott starts off his B-Movie song by saying:

“Well, the first thing I want to say is.’Mandate my ass!’

“Because it seems as though we’ve been convinced that 26% of the registered voters, not even 26% of the American people, but 26% of the registered voters form a mandate — or a landslide. 21% voted for Skippy and 4% voted for somebody else who might have been running.

“But, oh yeah, I remember. In this year that we have now declared the year from Shogun to Raygun, I remember what I said about Reagan. Meant it. Acted like an actor. Hollyweird. Acted like a liberal. Acted like General Franco when he acted like governor of California, then he acted like a Republican. Then he acted like somebody was going to vote for him for President. And now we act like 26% of the registered voters is actually a mandate. We’re all actors in this, I suppose.”

— from ‘-B-Movie-‘ by Gil Scott Heron

As I listened to all this lavish praise being bestowed upon Reagan, and US Senators proposing that his face be put on a 10 dollar bill and carved into Mount Rushmore, I kept asking myself — is this the same guy who immediately started cutting back social service programs and started scapegoating folks in the hood as the reason for inflation and overspending in government? Gil Scott early on let us know just what we were up against, as he kicks his third stanza.

“… What has happened is that in the last 20 years, America has changed from a producer to a consumer. And all consumers know that when the producer names the tune. the consumer has got to dance. That’s the way it is. We used to be a producer — very inflexible at that, and now we are consumers and, finding it difficult to understand. Natural resources and minerals will change your world. The Arabs used to be in the 3rd World. They have bought the 2nd World and put a firm down payment on the 1st one. Controlling your resources we’ll control your world. This country has been surprised by the way the world looks now. They don’t know if they want to be Matt Dillon or Bob Dylan. They don’t know if they want to be diplomats or continue the same policy — of nuclear nightmare diplomacy. John Foster Dulles ain’t nothing but the name of an airport now.

— from ‘-B-Movie-‘ by Gil Scott Heron

 

Mele-Melwho helped kick off a wave of message-type songs from Hip Hop’s then-emerging scene, starting with his groundbreaking song ‘The Message‘ in 1982 — also brings home some salient points. After dealing with 3 terrible years of Reagan’s economic policy, the ‘trickle-down’ theory, also known as ‘Reaganomics’, Mel summed up the situation in the first verse of his song ‘Jesse’

 

See Ronald Reagan speaking on TV
Smiling like everything’s fine and dandy
Sounded real good when he tried to give a pep talk
To over 30 million poor people like me
How can we say we got to stick it out
When his belly is full and his future is sunny
I don’t need his jive advice
But I sure do need his jive time money.

from ‘-Jesse-‘ by Mele-Mel

click here to peep song http://bit.ly/a14Ehe

I’m listening to these songs — reflecting and asking myself how in the world are 200 thousand people standing on line waiting to see this cat’s body? Was this the same Ronnie Reagan who had no problems closing down mental wards and setting all those ill patients to fend for themselves back in our community?

Is this the same Iran-Contra scandal Ronnie who back in the 80s showed his first signs of Alzheimer’s by stating he didn’t recall all the corruption taking place right under his nose?

Was this the same Ronald Reagan, the jovial jellybean eating, ‘great communicator’ who is credited with ending communism and bringing down the Berlin Wall, but vetoed a bill calling for sanctions against the racist South African Apartheid Regime?

Is this the same Ronald Reagan who wouldn’t lift a finger to help end Apartheid, but in 1983 was more than willing to send US troops to smash the Black Government of the small Island of Grenada, who they said had links to Cuba and Communism?

Ronald Regan

Was this the same Ronnie Reagan who got called out and embarrassed by Noble Peace Prize winner Bishop Desmond Tutu, who said he was “evil, immoral, and un-Christian” because of his ‘Constructive Engagement’ policies toward South Africa. This article in the Boston Globe gives the breakdown on this:

http://www.boston.com/new…/2004/06/09/reagans_heart

I kept asking myself with such a sordid track record that impacted so many and continues to impact many, how are folks shedding so many tears for this guy?

Thank God for Gil Scott, who gives the breakdown as he eloquently explains the American mindset. Peep the lyrics:

“The idea concerns the fact that this country wants nostalgia. They want to go back as far as they can — even if it’s only as far as last week. Not to face now or tomorrow, but to face backwards. And yesterday was the day of our cinema heroes riding to the rescue at the last possible moment. The day of the man in the white hat or the man on the white horse — or the man who always came to save America at the last moment — someone always came to save America at the last moment — especially in “B” movies. And when America found itself having a hard time facing the future, they looked for people like John Wayne. But since John Wayne was no longer available, they settled for Ronald Reagan — and it has placed us in a situation that we can only look at — like a “B” movie.

“Come with us back to those inglorious days when heroes weren’t zeros. Before fair was square. When the cavalry came straight away, and all-American men were like Hemingway to the days of the wondrous “B” movie. The producer underwritten by all the millionaires necessary will be Casper “The Defensive” Weinberger — no more animated choice is available. The director will be Attila the Haig, running around frantically declaring himself in control and in charge. The ultimate realization of the inmates taking over at the asylum. The screenplay will be adapted from the book called “Voodoo Economics” by George “Papa Doc” Bush. Music by the Village People, the very military ‘Macho Man’.

“‘Macho, macho man!’

“Put your orders in, America. And quick as Kodak, your leaders duplicate with the accent being on the nukes — cause all of a sudden we have fallen prey to selective amnesia — remembering what we want to remember and forgetting what we choose to forget. All of a sudden, the man who called for a blood bath on our college campuses is supposed to be Dudley “God-damn” Do-Right?

“‘You go give them liberals hell, Ronnie!’ That was the mandate. To the new ‘Captain Bly’ on the new ship of fools. It was doubtlessly based on his chameleon performance of the past — as a ‘liberal democrat’ — as the head of the Studio Actor’s Guild. When other celluloid saviors were cringing in terror from McCarthy — Ron stood tall. It goes all the way back from Hollywood to hillbilly. From liberal to libelous, from “Bonzo” to Birch idol — born again. Civil rights, women’s rights, gay rights — it’s all wrong. Call in the cavalry to disrupt this perception of freedom gone wild. God damn it … first one wants freedom, then the whole damn world wants freedom.

“Nostalgia, that’s what we want … the good ol’ days, when we gave’em hell. When the buck stopped somewhere, and you could still buy something with it. To a time when movies were in black and white — and so was everything else. Even if we go back to the campaign trail, before six-gun Ron shot off his face and developed hoof-in-mouth. Before the free press went down before full-court press. And were reluctant to review the menu because they knew the only thing available was — Crow.

“Lon Chaney, our man of a thousand faces — no match for Ron. Doug Henning does the make-up — special effects from Grecian Formula 16 and Crazy Glue. Transportation furnished by the David Rockefeller of Remote Control Company. Their slogan is, “Why wait for 1984? You can panic now … and avoid the rush.”

“So much for the good news.

“As Wall Street goes, so goes the nation. And here’s a look at the closing numbers — racism’s up, human rights are down, peace is shaky, war items are hot — the House claims all ties. Jobs are down, money is scarce — and common sense is at an all-time low on heavy trading. Movies were looking better than ever, and now no one is looking — because we’re starring … in a “B” movie. And we would rather had John Wayne. We would rather had John Wayne.

— from ‘-B-Movie-‘ by Gil Scott-Heron

http://www.youtube.com/watch?v=56ipWM3DWe4

http://www.youtube.com/watch?v=56ipWM3DWe4

Deregulation, calling ketchup vegetables, the busting up of unions, trickle down theory economics, attacks and roll backs on civil rights legislation is what I recall about Reagan. For the most part, it wasn’t good. Reagan was the great communicator because he had a nice way of smiling and a jovial way of talking while he put a foot up your ass. The effects of Reagan are still being felt to this day.

http://www.youtube.com/watch?v=w_0wXd-j28o

As Mele-Mel noted:

The land of the free and the home of the brave
But it might as well be the home of the slave
They got me walking around saying freedom’s come
But my body is free and my mind is dumb
The people ain’t black but the house is white
And just because I’m different they don’t treat me right
They done cast me aside and held me down
Dragged my name down to the ground
Oh beautiful for spacious skies
With your amber waves of untold lies
Look at all the politicians trying to do a job
But they can’t help but look like the mob
Get a big kick back and put it away
Watch the FBI watch the CIA
They want a bigger missile with a faster yet
But yet they forget to hire you, the vet
Hypocrites just talkin trash
Liberty and Justice are a thing of the past
They want a stronger nation at any cost
Even if it means that everything will soon be lost

from ‘-Jesse-‘ by Mele-Mel

Mele-Mel went on to completely embarrass Reagan, by chronicling this all-but-forgotten incident when Reverend Jesse Jackson succeeded where Reagan failed:

The 30th day that’s in december
Is a day that everyone’s gonna remember
Because on that day a righteous man
Thought about taking a brand new stand
The name of the man is Jesse Jackson and his call
Is for peace without an action
Cause now is the time to change the nation
Without just another negotiation
He went to the East for human rights
To free a lieutenant shot down in flight
Just another statistic and the government knew it
They didn’t even want the man to go do it
Before he left he called the president’s home
And Reagan didn’t even answer the phone
But I tell you one thing and that’s a natural fact
You can bet he calls Jesse when Jesse got back

Return to Davey D’s Hip Hop Corner

 

Seattle’s The Stranger Publishes A Racist Hip Hop Article

Davey D Archived articleWell known Seattle DJ- B-Mello alerted us to this incredibly racist article that recently appeared in ‘The Stranger’ which is supposed to be a weekly ‘Progressive‘ Newspaper. According to B-Mello the regular Hip Hop Columnist, Samuel L. Chesneau was let go from the newspaper after he missed his deadline. He wrote a weekly column called ‘The Truth’. Apparently he was on tour managing a group. From the looks of the article, The Stranger decided to bring in a substitute columnist and Stranger editor Dan Savage who calls himself a ‘cocksucking, musical theater’ fan.

My guess is that the substitute column was written poorly with the attempt to recruit new writers and alert readers just how bad Hip Hop will be treated without a qualified writer. For example, he writes about his experience in listening to a DJ Spinna CD where someone is Beatboxing and how it sounds like a fart. This ‘faked’ clueless approach to Hip Hop music is somewhat understandable although lame, gets the point across. The newspaper needs a Hip Hop writer. What wasn’t excusable was Savage referring to a colleague as ‘Scholar Nigger’.

Apparently there’s a guy on The Stranger’s staff named Charles Mudede who goes around the office calling himself ‘Scholar Nigger’. This in turn led to Savage feeling comfortable enough to refer to him throughout the article by that name.

It’s bad enough that we have folks running around that think its ok..to use the ‘N’ word in mixed company. That’s an ongoing debate within the African American community. It gets compounded when it shows up in public discourse because now when folks start to object and point out how offended they are, the person using the term-in this case Stranger editor Dan Savage can smugly refer back to his colleague Charles Mudede who likes to call himself that. I’m not sure if Mr Mudede is African American or not, the term is still offensive.

Lastly what makes this incident even harder to deal with is that the formal spelling of the ‘N’ word is used. Most people who insist on blissfully using the word like to make the claim that when they use the word they are spelling it N-I-G-G-A as opposed to N-I-G-G-E-R. I’ve been on dozens of panels and discussions where rap artists and others insist that there’s a difference in the use of the word. The NIGGA spelling is supposed to be the Hip HOp, more friendly-terms of endearment spelling while the NIGGER spelling is the racist term. I have no idea who came up with this rule. I don’t agree with it at all, but nevertheless, that theory goes out the window with respect to this article in the Stranger.

This guy Mudede refers to himself as NIGGER and the editor Dan Savage references him with that particular spelling. Hence no matter how you slice it and no matter who many mind games we play with using this word as a term of endearment and pointing out its dual meanings-Savage and The Stranger crossed the line. Shame on this Mudede cat who allows himself to be referred to as a Scholar Nigger

Here’s the offensive article..
———————–

THE LIE
The Hiphop Tipped Over
www.thestranger.com/current/hiphop.html

Editor’s Note: The Stranger is currently without a hiphop columnist. Until we find a new one, Stranger editor–and cocksucking musical theater fan–Dan Savage will be filling in.
“I’m fascinated by rap and by hiphop,” Democratic presidential hopeful John Kerry recently told an MTV reporter. “I think there’s a lot of poetry in it. There’s a lot of anger, a lot of social energy in it. And I think you’d better listen to it pretty carefully, ’cause it’s important.”

I have to admit that Kerry’s comments cut me to the quick. Was I less hip than a U.S. senator who appears to have been born with a silver stick in his ass? The only hiphop performance I’d ever seen was that rapping granny in The Wedding Singer. Worried that I was missing out on an important art forum infused with poetry, anger, and energy, I asked Charles Mudede, Stranger staffer and self-confessed “scholar nigger,” to make a CD for me featuring a selection of hiphop tunes.

The first song was DJ Spinna’s “Hold.” It opens with what sounded like a fart–not one of those moist buttock-flappers that you might hear on The Howard Stern Show, but a tight, dry toot, the kind of fart your mother might cut in church. I asked Charles about what this fart sound was and he said it’s the “beat,” created by a “human beatboxer,” and not flatulence. Who knew? Then came Lifesavas’ “Me,” which was almost… music. The song opens with an actual, identifiable musical instrument: Someone is playing the piano! Then, unfortunately, the song proper started, a different human beatbox started farting away, and the piano was almost drowned out.

Oh, hey, we’re running out of space. My final duty as your hiphop columnist is to mention some “fat” shows coming up this week. Lifesavas will be performing with their pianist–I hope–at Chop Suey on Thursday, May 13. In fact, let’s hope only the pianist shows up. Friday, Cool Nutz performs at Premier. I didn’t listen to his CD, but I read through Cool Nutz’s press materials and all I have to say is that this man has a very high opinion of his own talent. He is, he tells us, “the epitome of creativity.” (It rhymes but is it true?) And Tuesday, May 18, John Kerry and other hiphop fans will pour into Chop Suey to see DJ Spinna play a free show, complete with pre-recorded fart effects.

Editor’s note again: You see what we’re left with here? Our old hiphop columnist ran off to be in an Eminem cover band, and Dan “I can write about anything in a half hour or less” Savage forces us to let him fill in. Do you have a strong voice in your writing and think you know more about local/national hiphop and can write better than both our editor and Charles “scholar nigger” Mudede? Mail in a cover letter about yourself and clips of your writing to Savage Knows @#%$ About Hiphop, c/o The Stranger, 1535 11th Ave, third floor, Seattle, WA 98122. Now. Please.

Did the Beastie Boys Dis Eminem?

Beastie-Boys-ruby-red

Beastie Boys Dis Eminem
Posted by Robert
Rap News Direct Staff
5/7/2004 6:37:50 PM

It’s clear that almost anything can set Eminem’s short fuse ablaze
and cause the rapper to retaliate in his music. Once reserved for
serious feuds in underground hip-hop, Slim Shady has carried the
tradition of on-record dissing with him into the pop world, leaving
artists (most of whom can’t rhyme their reply) confused by severe
insults hurled their way over petty squabbles or small
misunderstandings with the rapper. To date, so many high-profile
artists and celebrities have been dissed by Em that they could get
together and record a “We Are The World”-style benefit song for
themselves. Over the last five years Moby, Christina Aguilera,
Jermaine Dupri, *NSYNC’s Chris Kirkpatrick, Everlast, Britney
Spears, Benzino, Pet Shop Boys, Canibus, Limp Bizkit, Dilated
Peoples, Pamela Lee (twice), P. Diddy, Insane Clown Posse, Norah
Jones, Ja Rule and Christopher Reeve (three times) have all found
themselves on Eminem’s lyrical @#%$ list.

So as Shady nears the end of the recording process of his fourth LP,
one has to wonder — who will he dis next? The Olsen Twins? Big Boi
from Outkast? Christopher Reeve, just for something new? For those
placing bets with their friends, Chart may be able to give you a hot
tip on three potential candidates for Eminem’s next dis campaign:
the Beastie Boys.

We caught up with Beastie Boys last week in New York City. The night
before, they appeared on MTV premiering a clip of their ridiculous
new video for “Ch-Check It Out,” the first single from their long-
anticipated sixth album To The 5 Boroughs, set for release in mid-
June. Later that night, Eminem and his band D12 also performed.
Somewhere during the evening, Em stopped by the Beastie Boys’
dressing room to show respect to the white rappers who paved the way
for him. There was a mix-up, which, for the Beastie Boys, could turn
out to be deadly.

“It was actually funny, `cause there was a little misunderstanding
when he came to the dressing room,” explains the group’s MCA (a.k.a.
Adam Yauch). “Because we’d been joking around, saying that we should
have called our album Still Doin’ It, Huh? and we kept on saying
that. And so, when Eminem came into our dressing room, he was
like, `Yo, what’s up, just wanted to say what’s up to everybody‚’
and we shook his hand and stuff. And then he said to us,
like, `Still doin’ it, man, still doin’ it.’ And we all just burst
out laughing. He kind of looked puzzled and walked out.”

“Nah, I don’t think he… it wasn’t that big of a deal,” says Mike D
(a.k.a. Mike Diamond).

“I wonder if he told his group,” MCA ponders.

“He must have a sense of humour…” Diamond speculates.

Marshall, if you’re reading this, before you go record an album’s
worth of anti-Beastie Boys songs, please know that it was just a
misunderstanding. Nothing more. Beastie Boys respect you. Really.

Says Mike D, “He definitely has his own way — the way he switches
his flows up. Very versatile MC.”

Past Imperfect: The Hoodrat Theory ( Protest of Nelly’s Tip Drill) by Jelani Cobb

Past Imperfect: The Hoodrat Theory
http://www.africana.com/columns/cobb/ht20040426hoodrat.asp

By William Jelani Cobb

Professor Jelani Cobb

Professor Jelani Cobb

The flyers posted in Cosby Hall said it all: “We Care About Your Sister, But You Have To Care About Ours, Too.” The slogan explained the position of the student-activists at Spelman College whose protests over Nelly’s “Tip Drill” video led the artist to cancel his scheduled appearance for a bone marrow drive on the campus earlier this month. But in a real sense, their point went beyond any single rapper or any single video and went to the center of a longstanding conflict in the heart of the black community.

That Nelly’s organization decided to cancel the drive is tantamount to saying “shut up and give me your bone marrow.”

We have, by now, been drowned by the clich? defenses and half-explanations for “Tip Drill” — most of which fall into a formulaic defense of Nelly’s “artistic freedom” while casting hellfire on the unpaid women who participated in the creation of the video. The slightly more complex responses point to the pressing need for bone marrow donors in the black community, saying that saving the lives of leukemia patients outweighs the issue of a single soft-porn music video. But rarely do we hear the point that these students were bringing home: that this single video is part of a centuries-long debasement of black women’s bodies. And the sad truth is that hip hop artists’ verbal and visual renderings of black women are now virtually indistinguishable from those of 19th century white slave owners.

History is full of tragic irony.

Full Disclosure: I am a history professor at Spelman College. I’ve also taught several of the students involved in the protests over the video. I don’t pretend to be unbiased in my support for their actions. I openly supported the students who — and this is important — never uninvited Nelly or canceled the marrow drive. They did however request that he participate in a campus-wide forum on the problematic images and stated that if he did not, the marrow drive could continue, but his presence on campus would be protested. That Nelly’s organization decided to cancel the drive rather than listen to the views of women who were literally being asked to give up bone and blood is tantamount to saying “shut up and give me your bone marrow.”

Nelly

Nelly

This is the truth: hip hop has all but devolved into a brand neo-minstrelsy, advertising a one-dimensional rendering of black life. But stereotypes serve not only to justify individual prejudices, but also oppressive power relationships.

In the 1890s, the prevailing depiction of black men as sex-crazed rapists who were obsessed with white women served as a social rationalization for the insanity of lynching. Nor should we forget that Jim Crow took root and evolved in tandem with the growing obsession with blackface caricature of African Americans as senseless children too simpleminded to participate in an allegedly democratic society. It is no coincidence that the newborn NAACP made its first national headlines for protesting D.W. Griffith’s white supremacist epic Birth of a Nation. (www.africana.com/research/encarta/tt_248.asp)

In short, stereotypes are the public relations campaign for injustice.

In the case of black women, the body of myths surrounding their sexuality served to justify the sexual exploitation they experienced during and after slavery. And in so doing, the blame for adulterous relationships that produced biracial offspring shifted from married white slaveholders, to insatiable black temptresses who led them astray. The historian Deborah White has written of the prevailing images of enslaved black women.

“One of the most prevalent images of black women in antebellum America was of a person governed almost entirely by libido, a Jezebel character. In every way, Jezebel was the counter-image of the nineteenth century ideal of the Victorian lady. She did not lead men and children to God; piety was foreign to her. She saw no advantage in prudery, indeed domesticity paled in importance before matters of the flesh.”

Nelly Tip DrillAs long as black women could be understood to be sexually lascivious, it was impossible to view them as victims of sexual exploitation. Some went so far as to argue that black women did not experience pain during childbirth — evidence, in their minds, that they were not descendants of Eve, and therefore not human.

In 1895, when Ida B. Wells-Barnett began traveling abroad to publicize the horrors of American racism — and highlighting the recreational homicide of lynching — this same set of ideas was employed to discredit her. One editor charged that she was not to be believed because it was a known fact that black women were inclined toward prostitution — among an array of other immoral pastimes.

During the 1930s, this image of the black Jezebel was dusted off to justify the forced sterilization of black women who, it was believed, were sexually insatiable and prone to produce far too many offspring.

Half a century later, Ronald Reagan’s rhetoric about punishing “welfare queens” — basically Jezebels who traveled to the big city and moved into the projects — helped him solidify support among white voters who perceived welfare as a subsidy for reckless black sex and reproduction.

It would be easy to assume that sexist music videos are simple entertainment — not the equivalent of a body of myths that have been used to oppress black women, were it not for the fact that the lines between culture and politics are not always that easily distinguishable.

Hip hop is now the prevailing global youth culture and, in many instances, the only vision people have of African American life. In a twisted testament to the ubiquity of black culture, a student who spent a semester in China reported back that some of the town residents were fearful of the black male exchange students, having met very few black people, but viewed a great many black-thug music videos.

Regardless of Nelly’s intentions, videos like “Tip Drill” are viewed as yet another confirmation of the long-standing ideas about black women.

On one level, the consistent stream of near-naked sisters gyrating their way through one video after the next and the glossary of hip hop epithets directed at women: chickenheads, tip-drills, hoodrats, etc. highlight a serious breach between young black men and women. But on another level, it was affirming to see young men from Morehouse and Clark-Atlanta Universities involved in the protests.

All told, the students who organized the protests were not hating on a successful black man or ignoring the pressing need for bone marrow. They were highlighting a truth that is almost forgotten in hip hop these days — a truth so basic that I wish I did not have to state it: anything that harms black women harms black people.

First published: April 26, 2004

About the Author

William Jelani Cobb is an assistant professor of history at Spelman College and editor of The Essential Harold Cruse. He can be reached at creative.ink@jelanicobb.com. Visit his website at www.jelanicobb.com

The Roots Launch Record Label

The Roots Launch Record Label

By Gail Mitchell

The Roots

The Roots

LOS ANGELES (Billboard) – Hip-hop act the Roots has formed a label, Okayplayer Records, in partnership with Decon, a multimedia design/entertainment company, Billboard.biz reports.

The label derives its name from the Grammy-nominated group’s popular Web site, Okayplayer.com. The Roots previously operated the Motive imprint through MCA.

Roots drummer Ahmir “?uestlove” Thompson will executive-produce the label’s inaugural release, a compilation featuring the Roots, Skillz, Jean Grae, Madlib, Aceyalone, Little Brother and Dilated Peoples.

The album also will include two unsigned acts; Okayplayer Records is accepting submissions until Feb. 13, with details available through the Web site. The album is slated for release this summer.

“There is an array of untapped talent out there, especially from the people who are members of the Okayplayer.com community,” Thompson said in a statement. “The Roots have always been a magnet for talented artists. This deal is important to us because we can now provide a vehicle for bringing deserving artists to the forefront.”

The group currently is recording a new album, “The Tipping Point,” for release on Geffen. It’s the follow-up to 2002’s “Phrenology,” which is nominated for the best rap album Grammy.

Reuters/Billboard

Howard Dean Speech Set to Hip Hop Beats

Howard Dean, Hip-Hop Star
Fri Jan 23, 4:35 PM ET Add Entertainment – E! Online to My Yahoo!

By Joal Ryan

howard-deanHoward Dean (news – web sites)’s gaffe was Jonathan Barlow’s muse.

When Dean, the Democratic presidential hopeful, rolled up his shirt sleeves, rattled off the names of the 50 states and unleashed a throaty howl after going down to defeat Monday night in the Iowa caucuses, Barlow, the St. Louis graduate student, said he just knew: “I had to do something.”

And so Barlow put Dean’s much-mocked tirade to a hip-hop beat with horns and upright bass, and an Internet star was born.

Since he posted the 15-second clip on his blog at BarlowFarms.com on Tuesday afternoon, Barlow’s tripped-out Dean rant, dubbed the “I have a scream” speech, has been snapped up by media outlets from MSNBC to VH1, and likely blared from a computer speaker near you.

It’s not the only Dean rap out there–Right magazine’s online offering, “Dean Goes Nuts Remix,” proved so popular, the publication took it down because of traffic concerns.

“I think everyone of my generation…who saw the speech, whether they’re a Dean supporter or not, thought it was hilarious,” the 29-year-old Barlow said Friday.

Barlow said his remix was inspired by the work of comedian Robert Smigel, whose “TV Funhouse” contributions to Saturday Night Live have long used actual audio clips with which to hang the mighty and oft-quoted.

It also follows in the fine political-slash-Internet tradition of, say, editing together Ronald Reagan speeches until it sounds as if the former president and the “Just Say No” first lady Nancy Reagan are bemoaning a national marijuana shortage, and copping to heroin addiction.

“Anybody can do this in your basement,” Barlow said.

The religious history scholar’s own efforts were assisted by the Drudge Report, which posted the raw audio of Dean’s raw growl, headlined “YAAAAAAAAAAAAAARRRRHHHHHH!!!!!!!!!’,” on Tuesday morning. It’s that clip that Barlow funkified.

“I wanted it to be fast and funny and energetic,” Barlow said. “…I thought my small group of friends would think it’s funny.”

Barlow’s small group of friends proved so vast, and overall criticism of Dean’s lack-of-concession speech so great, that by Thursday night, the former Vermont governor was on CBS’ Late Show with David Letterman in damage-control mode, offering up a Top 10 list on “Ways I, Howard Dean, Can Turn Things Around.” (Number one: “Oh, I don’t know–maybe fewer crazy, red-faced rants?”)

Barlow, for one, said he wasn’t out to get Dean, the onetime Democratic frontrunner. Then again, he wasn’t looking to vote for him either.

Said Barlow: “I’m a supporter of George W. Bush.”

No doubt there’s a song somewhere in there, too.

http://www.youtube.com/watch?v=jBGR2I6pFYk

Playahata newsletter: Rakim Injured in Car Crash

Rakim

Rakim

Originally Ooh Papi was going to do a newsletter for today but yesterday his fiancee forced him to watch American Idol with her and that threw off his schedule. He said he would start compiling the newsletter after he saw a heterosexual black male contestant and that explains why you don’t have a newsletter today. 🙂

RAKIM INJURED IN CAR CRASH

Anyway the greatest rapper of all time was injured in a car accident yesterday leaving my great state. Yes, Rakim was injured in a car accident leaving Connecticut for New York but he is expected to fully recover although he is still hospitalized.

In addition one of the greatest singers ever (imho) also had a sad day yesterday Arne Naess Jr., the Norwegian shipping magnate & former husband of Diana Ross who fell to his death on January 13th while climbing in the mountains near Cape Town, South Africa, was laid to rest at a private memorial service in Norway on Wednesday (January 21st). Only close friends and family attended the service, which was performed in English out of respect to Naess’ foreign family members, including his ex-wives Diana Ross and Filippa Kumlin; his partner at the time of his death.Mr. Naess was climbing in the Groot Drakenstein mountains, about 44 miles outside of Cape Town, when he apparently slipped and fell more than 300 feet to his death. Mr. Naess did not have much protective gear, just ropes and a harness. Mr. Naess was an experienced mountaineer who led a team of Norwegian climbers to the summit of Mount Everest in April 1985. He and Ross had two sons before their divorce in 1999.

It seems like I have so much bad news these days, so let me tell you something lighter. Sen. Hillary Clinton (D-N.Y.) found Bush’s speech laughable in its own right. Viewers spotted her snickering when Bush called for a curb on athletes’ use of performance-enhancing drugs.
“Now if he had mentioned testosterone, that would have been funny,” Clinton told colleagues after the speech. She perfected her line later when she told reporters Bush’s address was “partisanship on steroids.”I thought that bit about steroids in baseball was the most misplaced rhetoric ever in a State of the Union Address. We all have ‘beaten-wife syndrome,’ where we’ve been lied to so often,” “George Bush is like a drunken, unfaithful spouse who’s gone out and cheated on us so many times that at this point we just “accept it”….He looks like the belligerent guy in the bar who tries to pick a fight with you .

The Latin sensation from D.C. did about 18 newsletter rants last year but on his special day, let’s take a look at what is listed under the Boricuan sensation’s columns, although it isn’t all his.This Washington, D.C. family man has had 10 excerpted items from his column highlighted on his day. I bet you don’t know why Playahata.com has made this Ooh Papi day ? -Charlie the Moderator

==============================================

1.It’s Getting Sweaty In Here -“Meanwhile, Rocawear never addresses the sweatshop issue but Ironically, Latin America’s greatest martyred freedom fighter Che Guvera has become a symbol of Rockafella’s co-founder and greatest artist Jay-Z A.K.A., Sean Carter. Nobody cares that Che Guvera was anti-Rockefeller (the man that the label was partially named after). In the end I think Che summed it up best some years ago, when he said “The amount of poverty and suffering required for the emergence of a Rockefeller, and the amount of depravity that the accumulation of a fortune of such magnitude entails, are left out of the picture, and it is not always possible to make the people in general see this. ”

2.An Open Letter to the Hip-Hop Summit Action Network(HSAN) -“Benzino is shady, he himself was once affiliated with a white emcee, and that white emcee used the N word on the track they made together. In fact, it appears that Benzino told his white emcee to use the N word.The emcee in question is named Bawston Strangla, and his connection to Benzino is detailed on artists.iuma.com/IUMA/Ban…Strangla/, where you can also download the song he and Benzino worked on together in 2000, “Shamrocks and Glocks”. About 35 seconds into the song you will hear Strangla drop the proverbial “N” bomb, in a passage that sounds very random and out of place alongside his other lyrics.The website hiphopmusic.com contacted the white emcee and he said Benzino told him to use the N word.(yes you read right) This does nothing to minimize the offensiveness of Eminem’s track and lack of response by Em but “it does places Benzino’s righteous indignation in a different light. Just in case anyone was starting to take him seriously they should rethink that and the same goes for HSAN and their political posturing.

3.Real Playboy Pimps ride The Hip Hop Hummer to Bank -“The Hip-hop generation is mislead because many of the high profile rap artist who get media attention are uninformed or make associations based solely on their personal interest. Hollywood has many of them caught up in its surreal Matrix and since rap (the biggest component of hip hop) is totally crossover now the business ties and interests of people like Donald Trump and Arnold Schwarzenegger are the same as those of people like P-Diddy or Russell Simmons. That is a conflict of interest for the African-American community as well as any working class community, black, white or other. Donald Trump once considered running for political office and could win just as Arnold did. While both Trump and Arnold have a history of indifference or outright prejudice to communities of color it won’t make a difference at the ballot box to communities of color. Unfortunately, the rich playboy image is being swallowed by too many voters. It makes no difference to voters that the rich elite ONLY see them as a market waiting to be exploited.”

4.Rush Limbaugh Finally Skinned by Tabloid Media – Listen people (something the partially deaf Limbaugh can’t always do). Limbaugh got the job because he committed those zany and intolerant acts. The real issue is that it is part of the norm for unqualified whites like Limbaugh to get high paying, high profile jobs even if the resume does not support such a hire. The dismissal of the Redskin name change lawsuit by the judge and the hire of Limbaugh the bigot are proof that racial bias and neglect are not real concerns in the NFL.

5.’Making Da Band’ was Making The Exploitation of Us.- MTV showed what probably added up to a whole season of ‘Making Da Band 2’ this weekend. I saw about 10 episodes and all I can say is that somebody should call the department of Child Welfare on both MTV and P-Diddy. That was the most exploitive “reality show” I ever saw. Come to think of it those were young adults not children, so don’t call Child Welfare. I guess, I am thinking child because the one named Frederick still sucks his thumb like an infant.

6.Tommy Hillfigger Vs Beanie Sigel -A Look at the Urban Hoax – Joel J. Horowitz, Tommy Hillfigger’s chief executive says that the denim business is now dominated by urban brands who have become successful in using their own logos. He says Tommy, “needs to be more fashion-right with the denim details that we put forth through fabric or sophisticated washes, and compete more on the product side versus the logo side.” So Tommy took Horowitz’s advice, his new approach. A billboard above the West Side Highway in Manhattan featuring what a competitor described as “Pacific Sunwear meets Ralph Lauren meets `From Here to Eternity’,'” Analysts and others in the retail industry have wondered why he has switched his game so dramatically. It’s simple the hood got no more love for Tommy and his cash register is hurting.

7.Deadly Makeovers -I was amazed at all the positive coverage mobster John Gotti received when he died. A lot of it was untrue. The press for the most part did this makeover of him as a good man. He was a mobster for Christ sake, you know what they do.

8.The Real Murder Inc. …. Don’t Laugh- “So, when Bush is envisioning “a foreign-handed foreign policy,” or observes on some point that “it’s not the way that America is all about,” Miller contends it’s because he can’t keep his focus on things that mean nothing to him. “When he tries to talk about what this country stands for, or about democracy, he can’t do it,” he said. This, then, is why he’s so closely watched by his handlers, Miller says – not because he’ll say something stupid, but because he’ll overindulge in language of violence and punishment at which he excels. “He’s a very angry guy, a hostile guy. He’s much like Nixon. So they’re very, very careful to choreograph every move he makes. They don’t want him anywhere near protestors, because he would lose his temper.”

9.Artists Don’t Make Money From Record Deals -“So the artists actually receive $19,333 each for their gold album, and in two years when the reserves are liquidated, IF they’ve recouped, they will each receive another $63,000. IF they’ve recouped. Guess who keeps track of all of this accounting? The label. Most contracts are “cross-collateralized,” which means if the artist does not recoup on the first album, the money will be paid back out of the second album. Also, if the money is not recouped on the second album, repayment can come out of the “in reserve” funds from the first album, if the funds have not already been liquidated”

9.I am not down with this war @#%$! (Will the real Slim Cheyney please stand up) – Moreover, documents uncovered by the Center for Public Integrity show that Halliburton received $1.5 billion in government loans and loan guarantees during the five years Cheney was CEO. That compares with just $100 million during the previous five years…….”He’s receiving money from the government and money from a private-sector company with government contracts,” said Allison. “Whose payroll is he on?” The answer: Both of them. And that couldn’t be right.