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Happy Bday Afrika Bambaataa & DJ Kool Herc…Looking back at the Early Years of Hip Hop

April 19, 2012 By

Afrika Bambaataa & Kool Herc

Today April 19th, we celebrate the birthday of one of Hip Hop’s founding fathers, Afrika Bambaataa. On Monday (April 16th) we celebrated the birthday of the Father of Hip Hop Kool Herc.. Sadly not many radio stations and other media outlets that have greatly benefited from Hip Hop music and culture which Herc and Bam tirelessly helped bring to the forefront have stopped or will stop to take time to give either of them a shout out at the very least.

We’re more likely to hear a birthday shout out to Kim Kardashian then to our pioneers but in today’s microwave society where people are commodities and ultimately disposable, one should not be surprised. Celebrating and even acknowledging the histories and pioneering figures of marginalized and oppressed communities aren’t often done especially if it can lead to folks rising up and questioning the direction and narratives being put forth by those in the mainstream who are in power.

This is not limited to Hip Hop. In 2012 all one has to do is look at the current wave of attacks  on ethnic studies programs both in college and in high schools all over the country. We see the banning of ethnic studies and accompanying books in states like Arizona. We see attempts to rewrite and white wash history books in states like Texas, where iconic figures from Cesar Chavez to the Black Panthers are stricken from the pages. It’s our charge in Hip Hop to counter that by at the very least holding up the accomplishments and stories of those who came before us so that we can learn and build upon the legacies they laid down..

There’s so much one can say about Herc and Bam, hence when writing about him, its hard to know where to begin. I guess when writing about Herc we should note he was an athlete who was given the nickname Hercules  (Herc for short) because of his height and muscular build. He was also down with a graffiti crew called the Ex Vandals.  Most importantly Herc was into music  and was always seeking ways to play it.

According to Herc he had a nice little rep for himself and thus had garnered a lot of respect..In August of 1973, he and his sister Cindy Campbell decided to throw a back to school party as away to raise a couple of dollars for school clothes.

http://www.youtube.com/watch?v=2_2CHTE975Q

The story goes Herc brought down his fathers speakers to the rec center of their building 1520 Sedgwick Ave, they charged 50 cent for fellas to come in and the rest is history.. The music Herc played that night was funk music, that at that time was popular but slowly getting less and less airplay on the radio. Songs like Sex Machine and Give it Up and Turn It Lose by James Brown or Jimmy Castor‘s It’s Just Begun were among the jams Herc highlighted.  The success of that party led to Herc doing others jams and it wasn’t too long before folks in the Bronx were seeking out Kool Herc parties.

It was during this time that Herc developed a system of playing records that he dubbed the Merry Go Round. He basically would take the hottest part of a song, usually the percussion break down and extend indefinitely by going from one record to the next by passing everything but the juicy part of the record.

During those early jams, Herc would keep the crowd excited by shouting them out on the mic. He once explained to me that he wanted to make folks feel good and important and one way of doing that was calling out their name on the mic. He also noted that it was a way to keep the peace. So in the beginning one might’ve heard Kool Herc shout out ‘his mellow-ski.. Mark Mark or his boy Kev-ski. Slang terms in the early 70s were phrases  like ‘My mellow’ or adding the word ‘ski’ at the end of someone’s name.

At the time it was big deal to get hear your name called out at a party by Kool Herc who was the center of attention and had a huge sound system he dubbed the Herculords. He later turned over the announcing duties to his friend Coke La Rock who became one of Hip Hop’s first emcees. Other members Timmy Tim and Clark Kent got down with the crew and collectively they were known as the Herculoids.

http://www.youtube.com/watch?v=AJkojOSppUE

When it comes to talking about Afrika Bambaataa, it should be noted that he was known in the Bronx long before he touched a turntable. Bam started out as a gang leader.. He was a warlord for one of NYC’s largest gangs in the 1970s known as the Black Spades…

According to Bam, in spite of his gang affiliations he was always into music and well aware of culture and the Black liberation struggles. Even as a gang leader, some of the tactics he employed for overpowering his rivals were gleaned from military strategies he read about used by African leaders in particular the Zulu Tribe of South Afrika..

Bam really turned his attention to music and Hip Hop’s then emerging culture after one of his best friends Soulski was got shot and killed by police in the Pelham Bay section of the Bronx… Bam talks about how at that time NYPD had a division that was targeting NY’s large gang problem and the Spades were ready to go up against them as a result of Soulski being killed. He noted that the resulting death underscored the crackdown that was coming on the gangs who were starting to die down..

Bam soon formed a group called the Organization which later evolved into the Mighty Zulu Nation.. Bam explained that he wanted use Zulu as a way to turn lives around and re-focuse folks energy from banging to music. Early on Zulu was still seen as entity to be feared and not toyed with. Outlaw ways didn’t die down overnight. Bam explained it took a lot of meetings and conversations to get folks to walk a different path..Eventually many did as Zulu Nation blossomed into an organization with thriving chaapters a;ll over the world.

Along with forming Zulu now known as the Universal Zulu Nation,  Bam  got into music and deejaying, and soon developed a reputation for playing unique and hard to find jams (break beats). He eventually became known as the Master of Records..and till this day prides himself on rocking what he describes as ‘break beats’ of the future..

We cover a lot of this as well as what was going on in the early days of Hip Hop  in this interview.. Reflect and Enjoy.. Happy Birthday to my good friend Afrika Bambaataa

http://www.youtube.com/watch?v=eL1YntDNRHo

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Will the 2Pac Hologram Go on Tour?

April 18, 2012 By

This week has been adventurous in the world of Hip Hop. Many of us woke up Monday morning enthusiastically talking about the larger than life hologram of the late 2Pac Shakur shown in the middle of a performance of Dr Dre and Snoop Dog at the Coachella Music Festival. It was an incredible feat, and while it was not the first time or specifically unique that a hologram was used, Hip Hop did what it always does… it flipped the script and opened up doors along with people’s minds as to how such a tool could be used from here on out.

It should also be noted that Dr Dre spent close to a 500k on the effect, sought permission and received the blessings from 2Pac’s notoriously protective mother Afeni to do the hologram. She thought it was amazing. I reached out to Pac’s brother Mopreme, he too thought it was great. The big question on everyone’s mind is will the 2Pac hologram go on tour? From what we’re hearing that’s about 90% supposed to happen.. Why wouldn’t that happen considering how much money was spent and the excitement it generated? The bigger question is will this ‘special presentation’ get quickly played out? I don’t think Dr Dre or Afeni will allow that to happen to 2Pac, but there are many music industry executive who see dollars signs before artistic creativity who are known for running things into the ground who might kill this potential golden goose of a technology before it gets off the ground.

http://www.youtube.com/watch?v=ajVGIRsKXdo

Some thought the hologram while fascinating was creepy. The thought of bringing 2Pac back to life and having it look so realistic messed with more than few people’s minds. Others  expressed concern that holograms will soon replace live musicians.. Time will tell..

One thing that should be noted, bringing people back to life to ‘perform’ at concerts is not unique. We saw singer Natalie Cole do this 20 years ago in 1992 during the Grammys. Cole did a duet with her deceased father the great Nat King Cole of his signature song ‘Unforgettable‘  People loved it..At that time there was talk of doing more duets where live performers were magically matched with those who were deceased.

http://www.youtube.com/watch?v=THnGZuN0RbE

We saw numerous folks work this formula including P-Diddy who during his concerts would often show his friend the late Notorious BIG on a big screen doing songs like ‘Warning‘. Over the years we’ve seen the late  Big Pun come to life at concerts. Overshadowed by 2Pac’s hologram was the late Nate Dogg who was plastered on the screen performing with Dre and Snoop.

Mos def

With respect to the hologram, not to take anything away from Dre and Snoop’s gallant efforts, but Mos Def beat them to the punch when he appeared before a number of inner city youth last year in Oakland along w/ African-American astronaut Leland Melvin. It was a part of NASA’s ISIS program and the goal was to get kids interested in science. There was a lot of excitement and planning that went into this hologram presentation. The audience was awestruck and inspired.

http://www.youtube.com/watch?v=IsmDSBpXwR8

All in all, hats off to Dre, Snoop and the team at Digital Domain Media Group and AV Concepts that put together the hologram effect. DDMG are insistent that people understand that it’s not a true hologram which is 3 dimensional  but a 2 D rendering..It’s based on a 19th century illusion trick  commonly known as Pepper’s Ghost . Many reference performances by Madonna, De La Soul and the Gorillaz  in 2006 as examples of where it was used… In any case it was innovative and we can only hope that spirit of being creative grows.. From what we understand Dr Dre has big visions for the hologram technology.. who knows, maybe that long awaited Detox album will come as a hologram.

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An Incredible Commentary: I am NOT Trayvon Martin

April 6, 2012 By

This woman goes in a drops lots of gems on this commentary around Trayvon Martin… She addresses the issue of race, white privilege and activism in the wake of Trayvon’s murder.

http://www.youtube.com/watch?v=TBRwiuJ8K7w

Transcript:
I AM NOT TRAYVON MARTIN.
I AM NOT TROY DAVIS.

and to the middle class, white, socially concerned activist who wears a shirt emblazoned with those slogans, you are wrong.

I know you wear that shirt to stand in solidarity with Trayvon, Troy, and other victims of injustice. The purpose of those shirts is to humanize these victims of our society, by likening them to the middle class white activist wearing it. And once we’ve humanized the victims, this proves to us the arbitrariness of their deaths and thereby the injustice at play.

But the fact of the matter is that these men’s deaths are anything but arbitrary. The fact that the real Troy Davis and Trayvon Martin and countless other victims of oppression are buried under 6 feet of cold dirt while we middle class white activists are alive, marching, and wearing their names is an indication that our societal system is working exactly as it’s intended.

A more accurate t-shirt to display on my white body would be “I AM GEORGE ZIMMERMAN.” Zimmerman and I were indoctrinated in the same American discourse where we learned that the “other,” particularly black men like Trayvon and Troy, were less human and were to be feared. Society taught me that as a little white girl, I must preserve my purity and goodness, and that the presence of young single males threatened it. Society taught me that being in the presence of a BLACK man compounds that threat exponentially. I have been taught that male, black, bodies are an immediate threat to my safety and the well being of society as a whole, and Zimmerman was taught the same damn thing. We’re all taught it.

I look at George Zimmerman and think, “there, but for the grace of god, go I.” Had it not been for a decent education, intense critical thinking, and some truly excellent parenting, I would never have questioned the societal norms that Zimmerman and I were both taught, and I would have ended up feeling his attack on Trayvon was justified, just as he did, and the state of Florida does.

If we are to effect real change in the wake of Trayvon’s murder, we have to realize this. Realizing that you more closely resemble a homicidal oppressive force than a helpless victim is a really uncomfortable thing to do. I know. But wanting to identify with the victim is weak, and immature when it is not an accurate representation of reality. Real change is effected when we own up to our actions, our privilege, and our complicity with the system that murdered Trayvon and countless others.

Us privileged activists have to realize just how easy it is to be Zimmerman, and work to change this. Subvert stereotypes. Make it harder for others to buy into the bullshit that we’re fed our whole lives about race, class, gender, and other people by identifying and critiquing these messed up norms. Force adults to confront these norms, and raise children without indoctrinating them with the same old bullshit. Use your privilege to actively dismantle this messed up system. Listen to marginalized people like Trayvon’s family and Troy’s family and insure them access to the discourse. Listen to them, stand in solidarity with them. But do not, I repeat, DO NOT claim to be them.

 

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29 Black People Have Been Killed by Police/Security Since Jan 2012: 16 Since Trayvon

April 6, 2012 By

First thing that needs to be noted is that we just had another police shooting of an unarmed man in Austin, Texas on Thursday night.. This happened after the report was compiled, so add another name to this grisly toll..

Second, folks have got to understand this is not coincident, it’s quite deliberate. Police have moved from a point of trying to de-escalate or prevention to a shoot first ask questions later policy..

The list below are just noting the deaths at hands of the police, its not highlighting the enormous amounts of brutality and outright disrespect many in the Black community have to endure on a daily basis.. The report below is to say the least disturbing and underscores a low wage war going on in our communities…

Twenty-eight Black People (27 Men and 1 Female) Killed by Police Officials, Security
Guards, and Self-Appointed “Keepers of the Peace” between January 1, 2012 and March
31, 2012

– 28 cases of state sanctioned or justified murder of Black people in the first 3
months of 2012 alone have been found (due to under reporting and discriminatory
methods of documentation, it is likely that there are more that our research has yet
to uncover)

– Of the 28 killed people, 18 were definitely unarmed. 2 probably had firearms, 8
were alleged to have non-lethal weapons.

– Of the 28 killed people,

. 11 were innocent of any illegal behavior or behavior that involved a
threat to anyone (although the shooters claimed they looked “suspicious”);

. 7 were emotionally disturbed and/or displaying strange behavior.

. The remaining 10 were either engaged in illegal or potentially illegal
activity, or there was too little info to determine circumstances of their
killing. It appears that in all but two of these cases, illegal and/or harmful
behavior could have been stopped without the use of lethal force.



[4]This list of28 names was collected between 3/28/2012 and 3/30/2012 by reviewing google

search results to the question, “who have police killed in 2012”. Only the first 65 pages out of
712,000,000 were reviewed.

[5] News One.com reported Rodriguez was African America however other reports and family

photos indicate he was Latino.

[6] Many written reports do not explicitly identify the race of the victim. Most, however, do show

photographs. In the case of Warren, no photo was displayed.

This document was researched, written and produced by Kali Akuno and Arlene Eisen working
on behalf of the Malcolm X Grassroots Movement, Black Left Unity Network, and US Human
Rights Network.

Phillip Gardiner, Dr. P. H.

Social and Behavioral Sciences

Neurosciences and Nicotine Dependence

Research Administrator

Tobacco Related Disease Research Program

University of California Office of the President

300 Lakeside Drive, 6th Floor

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Music Industry Execs Want NightClub & Hip Hop DJs to Pay Royalties for Songs-Case Before Appeals Court

April 1, 2012 By

Last week the eyes and ears of the country were focused on the Supreme Court as they started oral arguments around the constitutionality of key aspects of the Affordable Healthcare Act. Outside the Supreme Court things were contentious as advocates squared off with Tea Party types who opposed having HCR to be a requirement.Many said this case would be one for the history books…a landmark case for the ages.

Not too far from the Supreme Court sits the Court of Appeals for the District of Columbia. There another case of historic proportions is underway. The large crowds and onslaught of media trucks weren’t present, yet what comes of this Court of Appeals could have an immediate and long lasting impact for anyone who listens or plays music in today’s digital world. In these hallowed halls justices are debating copyright and who pays for what when it comes to music. The proceedings are entering it’s 4th week.

What’s at stake is whether or not the 3 appointed administrative judges who make up the US Copyright Royalty Board are constitutional. For those who don’t know, this 3 judge body which  consists of James Scott Sledge (Chief Copyright Royalty Judge), Stanley Wisniewski, and William J. Roberts are the ones who soley determine royalty rates and set terms for copyright statutory licenses. many have suggested these 3 individuals who are appointed by the Librarian of Congress are too powerful and need to have additional oversight.

For a long time very little attention was paid to this office, but in recent years the CRB has determined royalty rates for Internet radio, Satellite radio like Sirius XM, cable TV, cell phones, ring tones and anything else where music is broadcasted or transmitted digitally.  Many feel that over the years the rulings from CRB have been a Godsend for corporate copyright owners, major record labels, publishing houses who been able to collect enormous sums of money from digital music users.

The most recent rates set by the CRB, which will stay in effect to 2015, require commercial internet stations to pay upwards to $50,000 per station annually and .25 cent per song/ per listener. Many webcasters, including the world’s largest, Pandora as well as many others who own digital media businesses, have long complained thatCRB royalty rates were too high and crippling business.  On the other side, music industry tycoons have been clamoring to charge more. They said anyone using music in digital form hasn’t paid enough and needs to ante up  and help fill their coffers.  It’s a vicious tug of war that has led to CRB’s constitutionally being challenged.

It’ll be at least a year before the final arguments are heard in before the Appeals Court, in the meantime industry executives have been rushing to put ironclad laws in place, so in the event CRB is dismantled the rulings they enacted stay in place.

Industry tycoons wanna start charging DJs to play their songs

Industry tycoons are now turning their sights to Club and Mobile DJs and want to start charging them for the commercial and non commercial use of their songs. This added fee would be on top of what night clubs and restaurants already pay to organizations like ASCAP and BMI. They’ve been emboldened by a recent 9th Circuit court ruling where deejays were found to be in breach of copyright for playing music at Roscoe Chicken and Waffles in Los Angeles.. You can read that case HERE

Industry big wigs are anxious to get a ruling on DJs just as American Idol executive Simon Cowell is set to launch a DJ Talent Show.. You can read about that HERE Many feel that the DJ talent show will move millions away from playing instruments and into the DJ realm which now thanks to digital tools  and mp3s make it easy for anyone to get involved in the profession. many are seeing the potential for huge dollar signs..Others see dollar signs but have a specific beef..

If Ernie Le Saviour has his the way music is presented will be forever changed

Ernie Le Saviour  a veteran musician, film maker and now music executive has been leading the charge.In a recent interview he said; “DJs have been illegally profiting off the hard work us musicians put in. They make thousands of dollars a night and we don’t see one red cent.”

Saviour continued, “What really chaps my hide, is these DJs have been illegally rearranging (mixing) and  ruining the composition of songs. A lot of hard work was put into making a song. As a professional flautist, one needs to understand that hours were spent perfecting the final product. We didn’t put our heart and soul into a song only to have some lazy, non-musicially inclined disc jockey to go tinkering and MIS-arranging our stuff”.

Saviour who is a flute player, can be heard playing in the back of classic songs like Flashlight by Parliament, Getaway by Earth Wind & Fire and most notably Paid in Full by Eric B & Rakim. He is scheduled to testify next week before the Court of Appeals. There he will plans to express his outrage at nightclub deejays..

Savior explains; Late last year, My son dragged me went to some fancy nightclub in Vegas where I had to pay 50 dollars to go see some bib Black guy with a 1960s style Afro and an Afro pick in his head spin records. My son was all excited and told me it Questluv. I thought it was strange, because this guy Questluv is a musician.. I see him every night on one the Jimmy Fallon show where plays drums..”

“Seeing him on the turntables troubled me. I kept asking myself; ‘Why would a professional drummer be deejaying? In my world that’s going backwards.  As a professional flautist, I would never stoop down and deejay.  It takes skillz to blow..it requires very little to spin”, said Saviour

DJs like Questluv have angered Ernie Le Saviour

He continued; “Anyway as the night goes on, we’re getting ready to leave when suddenly I hear this song ‘Paid in Full’. This is the song where I play both the transverse flute and the western style, Db piccolo better known as a soprano flute.  I’m excited and thinking this large crowd will get to hear a master musician. Then boom disappointment.. First problem This DJ Mr Questluv, sped the song up, so when you hear me playing my flute its in an F key when the original was done in a C…That was unacceptable”

Savior goes on; “Next problem is this Quest guy cuts off the flute mid stream, right before my crescendo. He repeats this over and over again.(Quest was back spinning)”

“I told my son, ‘That is not how the song was made’ . It made me look incompetent. As a professional a flautist I was embarrassed. Who gave this deejay permission to change the arrangement in my song.. in front of hundreds of people nevertheless.? I said to my son there ought to be law against this and I wanna be compensated”

Congressman John Conyers

Saviour expressed his outrage to fellow music executives. He called Congressman John Conyers who has doing lots of work to help musicians get paid through a performance royalty tax under HR 848. Conyers wants radio stations to pay for each song they air and may soon get his way.. Saviour who attended two briefings put on by Conyers, concluded: “If radio can pay, why can’t these damn deejays?”

The way current copyright laws are written now, Ernie Le Saviour is not entitled to any compensation accept what is determined by ASCAP or BMI.. If he has his way sections 114 and 115 of current copyright law will be re-written to add provisions that will apply to deejays and remixers.

Saviour says anyone who presents music in a digital form on popular platforms like Serato, Torque or any other digital music device, either as  deejay or any other presenter, should be required to obtain a compulsory license before rearranging a song in public. In other words you will not be allowed to, mix, remix or alter the song in anyway without the permission of the artist and copyright holders.  Saviour contends that the public has a right and reasonable expectation to hear the music as it was originally intended.

“Can you imagine if I ran up on stage and started playing the drums any old way and said it was a Questluv composition? It would be foul.. So I ask that people not mess with the arrangement of my flute. As a professional flautist I have standards and they can’t be respected, then we’ll have to legislate it.”

Saviour also wants deejays to pay similar rates like Internet Radio, 25 cent per song..he noted that with the new technology, digital devices can be checked remotely, so as soon as a deejay puts on a record, it will leave digital footprint allowing Saviour and other executives to collect royalties.. Thus far Saviour’s proposal is being well received and may get some favor before the Appeals Court.

Ernie Le Saviour will be address the Appeals Court of District of Columbia this Wednesday at 2pm EST.. If you would like to weigh in or get more info on how to support or oppose.. You can reach out HERE

written by Davey D

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Metro P Steps Up and Asks; ‘Are We Slaves to the World?’

March 31, 2012 By

As I mentioned earlier there are quite a few artist from the Bay Area who have been stepping up and speaking truth to power. I like to refer to them as the New Messengers.. One of the cats falling into that category is Metro P.. He comes out of San Francisco and is definitely knocking down doors in a major way… His new song ‘Slave to the World‘ is on point and straight butta..

http://www.youtube.com/watch?v=ucR8Flg-_PY

Below is another joint Metro P did with Mistah Fab.. Its called ‘PriceTag‘.. I remember when he dropped this late last year… It turned a lot of heads.. It’s pretty damn dope..

http://www.youtube.com/watch?v=TABatCtJCqg

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Dregs One: A Letter to the President (Some Serious Food for Thought)

March 31, 2012 By

This is the homie Dreg’s One out of San Francisco.. Folks need to be up on him… He’s a serious activist, commentator and dope emcee..He’s one of the increasing number of artists especially out of the Bay Area who is all about taking his/her music and using it as a tool to serve the people.. In the tradition of Chuck D from Public Enemy , Dregs is not about rhyming for the sake of riddling, that’s clear by his new song and video ‘Letter to the President‘…It’s one that our Commander-in-Chief Barack Obama may wanna peep.

http://www.youtube.com/watch?v=4TsFAhUab5U

Below is one of the many commentaries Dregs One  does on issues off importance..  check out this joint here where he breaks down the impact of gentrification in his native San Francisco

http://www.youtube.com/watch?v=xJdcU-4cqQ8

 

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Killer Mike is a NRA Member, Says Black People Need Be Stockpiling Guns to Fight Domestic Terror

March 30, 2012 By

Killer Mike is one of my favorite artists, because he’s willing to speak truth to power with passion and conviction. Unlike many of his mainstream counterparts, Mike is willing to tackle important social issues and put it in his music..We saw him do that in songs like The Pressure w/ Ice Cube and the the song Burnwhere he had compelling videos..that captured the hearts  and minds of those who have long felt disenfranchised and voiceless.

The other day he sat down with Sway of MTV and expressed his anger with Reverend Jesse Jackson. He was upset that Jesse was directing people to lobby congress to get rid of assault rifles..He felt that Jesse who was speaking out on the back of the Trayvon Martin tragedy. He noted that Trayvon wasn’t killed by an assault rifle and that most people who die are killed by handguns not assault rifles.

Killer Mike said we shouldnt be banning assault rifles, we as Black folks should be stockpiling them and arming ourselves more. He noted that we should have  Black men at every corner who are armed, not just to protect ourselves against the George Zimmerman‘s of the world, but also to make sure our daughters aren’t being harassed by thugs on the corner as they go to school.

You can peep the video HERE

http://media.mtvnservices.com/mgid:uma:video:mtv.com:753924/cp~vid%3D753924%26uri%3Dmgid%3Auma%3Avideo%3Amtv.com%3A753924

During his interview Killer Mike  also noted that we as a Black community need to get back to a point where we not only protect ourselves from fake authority figures, but also know how to survive on our own in case of mass blackouts or any other situation where we no longer have electricity and the modern comforts of life. In short, he talked about how important it is for all of us to know how to fish, hunt and survive the land. He said every family member needs to know how to handle themselves and be familiar with guns.

Killer Mike noted that we are under terrorist attack and we need to be protecting ourselves. He said its a damn shame that Black men as old as Dick Gregory to men his own age and little boys as young as 10 are afraid of the police when we see them.. He said no other group until recently with Arab-Americans after 9-11 has been subjected to that sort of terror.

Killer Mike during his interview noted that he recently joined Al Sharpton‘s organization National Action Network and he’s member of the NRA.. That remark drew a lot of raised eyebrows, primarily because the NRA is a lobbying arm that has long supported causes that have led to further eroding of rights and eventual suppression of Black folks.. Someone was upset and even posted a video where Malcolm X speaks to this issue.

http://www.youtube.com/watch?v=T3oLTy0C4MA

This just in.. Killer Mike upon seeing this article responded in the comment section.. Here’s his take on the video..and the NRA

This Is Killer Mike. I joined the NRA as a Public display that WE as BLACKS can use that organization to “Protect” our 2cd amendment rights also. I think it be more important to stop blacks from joining the 700 club but, I digress. Here is why i joined.

My Father was a Cop. He taught me Gun Safety and has in his life been a member also. It’s about using every resource available at your disposal to ensure we can have the full American Experience. The NRA offers many classes on Gun safety and gun owner responsibility and rights. These are things all Gun owners need to know. In short their practicality for advancing safe gun ownership and rights out weigh their political stance because Black NEED that knowledge in the NOW.

WE HAVE NO BLACK NRA and until we do i will continue to use the organization that my white counter parts use to “Protect” them against law makers infringing upon 2cd Amendment rights. I hunt and Fish. I shot with my father and wife. My kids will begin shooting this year. I am glad that I have an organization that has programs and classes for all of us to use at our disposal.

Malcolm has a grand idea and I will be asking my black friends to join me in organizing a shooting club.

Salute and Love.

On a side note.. the way this conversation with Killer Mike has been framed is he is angry with Black leadership..I disagree, Killer Mike is angry with Jesse Jackson and at this point in time when you are over 30, have kids and a platform to speak to the masses you are also Black leadership. Many of the old guard i.e Jesse Jackson, Al Sharpton and others were all leaders in their community at young ages. They were folks barely out of their teens and in their early 20s. We saw this with many of the leaders in SNCC, The Black Panthers and numerous other organizations.

We can no longer be upset with 60 and 70 year old men who we call Black leadership as if we aren’t able to go out and help craft solutions and implement them.. This doesn’t mean we have to go and reinvent the wheel or be in some sort of competition, but at a date and time where there is so much need in our respective hoods, there’s no excuse for us not to be out there filling the voids and being ‘leaders’ in our own right.. We should be helping fortify or building institutions and not be to be tripping too hard with elders in our community. We can definitely disagree. We can and should debate. But again at this stage in the game we should all be helping lead those who are coming up behind us..and be factors in our respective communities.

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Rappers Willie D, Immortal Technique & Rebel Diaz Speak out on Trayvon Martin Tragedy

March 30, 2012 By

Houston rapper and Geto Boys member Willie D Near Tears After Getting So Angry About Trayvon Martin in FOX 26 Interview!

One thing I can say about Willie D and the Geto Boys they have always spoken out and given tons of money toward causes like these.. I remember talking with Willie and Bushwick Bill about the topic of political prisoners and finding out how they had laid out several hundred thousand dollars so folks on death row could get lawyers and fight to prove their innocence.

I recall being with Willie D years ago at Minister Farrakhan’s home when he got artists together to help put an end to the so-called East -West Coast beef.. Willie was one of the key speakers that day..  We need more Willie D’s

http://www.youtube.com/watch?v=xzJfAhIMYDo

Immortal Technique is someone who is grossly under appreciated. He’s long spoken on issues like Trayvon. As noted in this video below he connects the dots and sheds light on the rise of vigilante killings. He talks about how there are so many victims who are unnamed.

He’s absolutely correct. It’s crucial that folks take note that vigilante killings are happening with increased frequency along the borders in states like Arizona where, Neo-Nazis and Minute Men are jamming up immigrants and members within the Brown/ Latino communities with reckless abandon.. Peep tech’s wise words below

http://www.youtube.com/watch?v=MwC0KUNZ43E

Rodstarz of Rebel Diaz

Along the same lines of connecting the dots and bringing attention to the rise in vigilante killings where folks are deemed ‘suspicious’, we recently held a round table discussion on the topic…Our guest included Bronx based rapper Rodstarz from the group Rebel Diaz.. He talked about how the Trayvon Martin killing came on heels of the Ramarley  Graham killing in New York..

Here you had police officers who decided that Graham who was standing outside his home was ‘suspicious’.. Graham who was well aware of the police Stop and Frisk policy wanted to not be one of the 680 thousand people who police stopped, so he went back inside his home. Police had not warned Graham to stop. Nor was he detained. However cops seeing him leave considered it a ‘furtive’ movement which is the basis on which they can pursue subjects.. They ran after Graham thinking he had a gun.. They busted into his house.. They never rang the bell or asked to be let in.. Ran upside his house and shot him in front of his grandmother. No weapon was ever found..

Rod recently penned a powerful article called the Fleeting Whiteness of George Zimmerman where he offered up some good solutions

In the video below we talk about that shooting as well as the culture of suspicion and how it plays out in Black, Muslim and Latino Communities.. Our other guest are; Cephus Johnson aka Uncle Bobby (He’s the Uncle to Oscar Grant), Zahra Brillo of the CAIR (Council on American-Islamic Relations ) and Isaac Ontiverous of Critical Resistance.. This is a powerful discussion that all need to see so we are familiar with how this Trayvon tragedy is not isolated

http://cdn.livestream.com/embed/tradiov?layout=4&clip=pla_ea43e1b3-f630-4da1-b562-08a505eb10cb&height=340&width=560&autoplay=false

tradiov on livestream.com. Broadcast Live Free
Filed Under: 2012 Daily News Tagged With: , , , , , , ,

Trayvon Martin: 2 Videos Show George Zimmerman Lying & Police Cover Up

March 30, 2012 By

Here are a couple of videos folks should peep that shed additional light on the Trayvon Martin controversy.. The latest comes courtesy of ABC News which shows lack of blood, grass stains and a broken nose which contradicts Zimmerman’s claim he was in a life or death struggle with Trayvon….Oakland journalist Zennie Abraham walks us thru the video..

http://www.youtube.com/watch?v=3hlG1msAcsQ

The second video is one in which someone shows us the Google Earth map of Twin Lakes Gated Community in Sanford, Florida. The video shows just how far and how much of chase George Zimmerman put up when chasing down Trayvon Martin.. I encourage all to take a look..Judge for yourself..

http://www.youtube.com/watch?v=LUqUGJ9a3yk

George Zimmerman

Both of these videos add to the overall questions,  I and a whole lot of other people have been asking; What kind of investigation is going on in Florida where all these new witnesses are popping up every 5 minutes to tell their tales on CNN?

Maybe Anderson Cooper should be Chief of Police in Sanford, Fla because he seems to be doing a better investigation then the police.. Heck I need to call up Anderson and tell him I’m a surprise witness who seen the whole thing.. ‘Dear Anderson Cooper, I’m a surprise witness to the Trayvon situation, I was coming around the corner and I seen the whole thing.. I seen the police lie, I seen the police lie some mo’ and then later on I seen the police lie one mo’ again..’ ….

All these damn witnesses is gonna lead to some sort of tainted trial.. In the words of Public Enemy-Can’t Truss It..

 

Filed Under: 2012 Daily News Tagged With: , , , , , , ,
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