Chuck D & His Wife Gaye Respond “By the Time I Get to Arizona” — This Discrimination Must Stop

“By the Time I Get to Arizona” — This Discrimination Must Stop

by Chuck D of Public Enemy & Dr Gaye Theresa Johnson

The Arizona immigration bill — which Governor Jan Brewer has decided to sign into law — is racist, deceitful, and reflects some of the most mean-spirited politics against immigrants that the country has ever seen. The power that this law gives to police to detain people that they suspect to be undocumented brings racial profiling to a new low. Brewer’s actions and those of Joe Arpaio, Russell Pearce, the Arizona State Senate are despicable, inexcusable, and endorse the all-out hate campaign that Joe Arpaio, Russell Pearce, and others have perpetrated upon immigrants for years. The people of Arizona who voted for this bill, as well as those who crafted it, demonstrate no regard for the humanity or contributions of Latino people. And for all of those who have chosen not to speak up, shame on you for silently endorsing this legislated hate.

In 1991 Public Enemy wrote a song criticizing Arizona officials (including John McCain and Fife Symington) for rejecting the federal holiday honoring Dr. Martin Luther King Jr. The same politics written about in “By the Time I Get to Arizona” are alive and well in Arizona today, but this time the target is Brown people.

These actions must stop. We are issuing a call to action, urging fellow musicians, artists, athletes, performers, academics and production companies to refuse to work in Arizona until officials not only overturn this bill, but recognize the human rights of immigrants. This should include the NBA playoffs, revisiting the actions of the NFL in 1993, when they moved the Superbowl to Pasadena in protest against Arizona’s refusal to recognize Dr. King. We all need to speak up in defense of our brothers and sisters being victimized in Arizona, because things are only getting worse. What they’re doing to immigrants is appalling, but it will be even more damning if we remain silent.

http://www.youtube.com/watch?v=ijeXGv9QLRc

original article: http://www.huffingtonpost.com/chuck-d/by-the-time-i-get-to-ariz_b_552460.html

Earlier this evening I reached out to Chuck suggesting that its time to re-do their signature song ‘By The Time I get To Arizona’.. His producer Johnny Juice hit me back and said they just complerted a song called ‘Tear Down the Walls’ which addresses the issue. You can download the song..here:http://www.slamjamz.com/music/viewdlsingle/471

You can listen to the song here:   http://www.swift.fm/mrdaveyd/song/36976/

 Here’s what he wrote about the song

 1989 US President Ronald Reagan chastised the then Iron curtain of communist countries about the separatist existence of the Berlin Wall. There presently is a multi billion dollar wall funded by the United States with similar isolationist separatist policies …the wall between the US and Mexico. Chuck D addresses the growing tangible and intangible wall existing between the black and brown people in North America.

In Mexico, new figures have been released showing more than 5,000 Mexican migrants have died trying to reach the United States since 1994. Mexico’s National Human Rights Commission says an average three migrants lost their lives every two days in the US-Mexico border region in 2007 and 2008. Track produced by Divided Souls from Baton Rouge LA.upon a tip from the great MC …Scarface.

And now by default its attached to being a themed commentary to the recent passed one sided racist immigration LAW in the State of Arizona… This statement from Chuck D and his wife Dr Gaye Theresa Johnson

‘Jan Brewer’s decision to sign the Arizona immigration bill into law is racist, deceitful, and reflects some of the most mean-spirited politics against immigrants that the country has ever seen. The power that this law gives to police, to detain people that they suspect to be undocumented, brings racial profiling to a new low. Brewer’s actions and those of Joe Arpaio, Russell Pearce, the Arizona State Senate are despicable, inexcusable, and endorse the all-out hate campaign that Joe Arpaio, Russell Pearce, and others have perpetrated upon immigrants for years. The people of Arizona who voted for this bill, as well as those who crafted it, demonstrate no regard for the humanity or contributions of Latino people. And for all of those who have chosen not to speak up, shame on you for silently endorsing this legislated hate.

In 1991 I wrote a song criticizing Arizona officials (including John McCain and Fife Symington) for rejecting the federal holiday honoring Dr. Martin Luther King Jr. The same politics I wrote about in “By the Time I Get to Arizona” are alive and well in Arizona today, but this time the target is Brown people.

These actions must stop. I am issuing a call to action, urging my fellow musicians, artists, athletes, performers, and production companies to refuse to work in Arizona until officials not only overturn this bill, but recognize the human rights of immigrants. This should include the NBA playoffs, revisiting the actions of the NFL in 1993, when they moved the Superbowl to Pasadena in protest against Arizona’s refusal to recognize Dr. King. We all need to speak up in defense of our brothers and sisters being victimized in Arizona, because things are only getting worse. What they’re doing to immigrants is appalling, but it will be even more damning if we remain silent.’

TEAR DOWN THAT WALL

Click HERE to Hear Song

Song writers : Ridenhour,B.Dixon,J.Moss Producers: Brent Dixon & Chris”Spanky” Moss for Divided Souls Ent.,LLC

Vocals Produced by Johnny Juice Rosado

Publishers: Brenda’s Game Manifested Publishing, LLC(BMI); Bring The Noize inc(BMI), administered by Reach Global, Inc/ MPCinema(BMI),JACKSON WONDERFUL PUBLISHING(ASCAP)

Musicians: Brent Dixon & Chris Moss

Scratching: DJ Pain1

Mixed by DJ Johnny JUICE Rosado @ The Terrordome – Strong Island, NY

Recorded & PRE Mixed by: Brent Dixon & Chris Moss @ Divided Souls Studios(Baton Rouge,La./Douglasville,Ga.Mixed at Divided Souls Studios(Baton Rouge,La); Divided Souls Studios Southeast(Douglasville,Ga.);

Vocals Recorded @ The Terrordome – Strong Island, NY

SOMEBODY’S SOULS BEEN EXPOSED IN THIS HOUSE OF BLUES THE REAL EMPEROR WITHOUT CLOTHES HAS MUCH TO LOSE ROAD WEARY TROUBADOUR / MAYBE I’M AN AMBASSADOR NOT TO BE CONFUSED WITH SOME SPOOK OR BASTARD BY THE DOOR

BEFORE I GOT PAID BY THE WORD NOW ITS DEFERRED NEW DUST BOWL POET YOU AIN’T HEARD IT NOW YOU HEARD

SHOWED YALL I AIN’T TIRED DAMN SURE AIN’T QUIET PLENTY OF THINGS TO TEACH ABOUT I’M REACHING TO THE CHOIR

DAMN MY MAN ONE AT A TIME THIS BEATS FIRE FACE TOLD ME BRENT YOU BE BOMBIN THE PLACE THE BOB TO THE BOB THE BOB IS BACK WEAVIN BOBBIN AND SPILLIN LIKE WOMACK, MARLEY AND DYLAN

DEEP SONGS FRONT PAGE OF YOUR LIFE THIS IS YOU INVASION OF YOUR MENTAL VACATION AND YOUR CREW

THIS AIN’T BRAND NEW JUST BECAUSE YALL AIN’T NEVER KNEW I SPIT POLITICS ON THAT WALL WHERE THE PEOPLE GET SCREWED

=================================================================

HIP HOP SUPPORTIN NON STOP SWEATSHOPS SO YOU CAN RETAIL YOUR ASS OFF WITHOUT FAIL

THEN SOME OF YOU GET SETBACK BLAME THIS IMMIGRATION EXPLOITATION WITH YOUR THE LACK OF INFORMATION BY YELLING WETBACKS

SOMEBODY ACTIN FOREVER 21 CANT HIDE CANT CRY CANT RUN CANT BLAME IT ON THE CRACK

OR FIGHT BACK WITHOUT A PASSPORT MILLENNIUM GESTAPO BORDER CONTROL THE NEW CONTACT SPORT

YALL CALL EM IMMIGRANT AND TAKE EM TO COURT BUT LOOK AT YOUR HOOD AND YOUR LACK OF SUPPORT

SOME OF THESE DJS HAVE NO IDEA WHAT THEY’RE PLAYIN SOME OF THESE RHYMERS DON’T REALIZE WHAT THE HELL THEY’RE SAYIN SO I LET EM CHASE THE CASH HONEY WITHOUT A PLAN FORGET JOHNNY WAS THE MAN IN BLACK BUT I’M THE BLACK IN MAN

THIS IS MODERN DAY SLAVERY AND PART OF THE PLAN

WITH ALL DUE RESPECT SIR ,TEAR DOWN THAT WALL MAN!

===================================================================

UNDERSTAND THESE PRESSURES IN THIS SO CALLED RECESSION

FOR THE BLACK BROWN WOMAN AND MAN

ITS DEPRESSION

ROSTER OF THE STRICKEN BERNIE MADE OFF WITH THE MONEY NOW THE HIDDEN HAND IS BITTEN SO NOW IT AIN’T FUNNY

I BEG YA PARDON WHO’S SAVIN YA YOU CALLIN THEM LABORERS WALK ON BY AND NEVER SAY HI OR CONSIDER THEM NEIGHBORS

SOME GOT THE NERVE TO LIVE IN TEXAS ARIZONA, CALI AND NOT KNOW EVEN MISSIN THE CLUE IN,.. NEW MEXICO

DISS THE BROWN BROTHERS AND SISTERS ON WHAT THEY WHAT THEY DONE DID THIS SIDE OF THE EARTH

THEY BUILT PYRAMIDS

MY PASSION COMES AND WHAT I KNOW AND WHO I AM I REFUSE TO LOSE OR TO BE

CONFUSED BY THIS NEW SCAM SCARRED BY SARCASM UNCLE SAMS RACIST ORGASM WAS JUST A SPASM SCARED OF ENTHUSIASM

OF THE BLACK AND BROWN PLANET THE JEALOUS SAY DAMN IT

STUPID ASS WALL CANT STOP US ALL

WITH DUE RESPECT HEED THE CALL

Return to Davey D’s Hip Hop Corner

Arizona Rap Artist Swindoe Addresses the Harsh New Immigration Law

Props go out to Arizona rapper Swindoe for this video..As he pointed out it’s a ‘ground breaking’ music video where he guides a group of ‘illegal’ immigrants across the Arizona Mexico border. In the blistering 123 degree Arizona heat Swindoe and his group has to out smart the Border Patrol. There’s a climatic ending. It’s the real life roadrunner vs. Coyote. The name of the track is ‘Phony People

I hope more artist step up and put forth some compelling messages about this situation in Arizona..

http://www.youtube.com/watch?v=YJgHw0NR0xY&feature=player_embedded

Return to Davey D’s Hip Hop Corner

Gil Scott Heron Agrees Not to Perform in Tel Aviv-Emory Douglass Issues Statement

Gil Scott Heron Boycott Israel press release:

GSH ANNOUNCES CANCELLATION OF TEL-AVIV CONCERT [incl response from Emory Douglas]

by Sukant Chandan

Gil Scott Heron announces cancellation of Tel Aviv concert

Artist won’t play in Israel “until everyone is welcome there”.

Fans of revolutionary poet and singer-songwriter Gil Scott Heron welcomed his decision last night to cancel the concert he had been scheduled to play in Tel Aviv this May. Heron announced the decision during his set at London’s Royal Festival Hall, the opening night of his world tour.

Activists from the Gil Scott Heron Boycott Israel Campaign had picketed the event earlier in the day, attracting considerable public interest and support. Ten activists from the campaign then continued their protest inside the concert, raising the issue of Israeli apartheid right at the start of Heron’s set and after the first song.

The activists were great admirers of the artist who were shocked by Heron’s decision to play Israel, and said that they protested “reluctantly” given his longstanding commitment to equality and civil rights in both the USA and South Africa.

Upon hearing of the proposed gig in Tel Aviv, South Africans in the Palestinian Solidarity Campaign said they were “shocked” and “disappointed” at the decision.

Heron waited until just before his last song to announce the decision to the audience. His tone was unapologetic and he did not definitively tie the decision to any rationale, simply stating that the tour would “end in Athens, not Tel Aviv” and that he would only play in Israel “when everyone is welcome there”. The campaign is now awaiting confirmation from Gil Scott Heron’s management that the concert has indeed been cancelled.

Emory Douglas, renowned artist of the Black Panther Party, commented “My choice to join the voices opposed to your going [to Tel Aviv] wasn’t personal, but the right thing to do. I will be one of the first in line at your next concert in my town. May you continue to inform and inspire.”

For more information on the campaign, please contact:
sukant.chandan@gmail.com

Notes to Editors
Sukant Chandan is coordinating the GSH Boycott Israel Campaign
• The GSH Boycott Israel Campaign started in response to GSH’s proposed gig in Israel on 25 May 2010
• The GSH Boycott Israel Campaign was established to persuade GSH to cancel this gig

———————–
Full Emory Douglas statement:

Emory Douglass

I commend you on your reversal of not going to perform in Israel, a place ruled by an Apartheid Government. Perhaps the courage you’ve shown by not going will now set the standard and be an inspiration for other performers to be mindful of the choices they make.
My choice to join the voices opposed to your going wasn’t personal, but the right thing to do. I will be one of the first in line at your next concert in my town. May you continue to inform and inspire.
-One Love, Emory Douglas, former Minister of Culture of The Back Panther Party

George Galloway commented:
“Gil Scott-Heron sees sense and cancels his Tel Aviv gig. Well done to everyone who campaigned for him to cancel.”

The GSH Boycott Israel Campaign said:
“We have long been great admirers of Gil Scott Heron’s contribution to the cultural struggle of the oppressed around the world, and were originally planning to attend the concert simply to celebrate and enjoy the great man’s songs. It was therefore with some reluctance that we organised last night’s picket and protest of his concert, but felt it was necessary given Israel’s apartheid policies. His decision last night to cancel the show will be a great boost to all those Palestinians struggling under Israeli occupation, none of whom have freedom of movement even within the West Bank, let alone to go to concerts in Tel Aviv.”

Haidar Eid from the Palestinian Campaign for the Academic & Cultural Boycott of Israel:
“Gil Scott Heron’s decision to cancel his concert in Tel Aviv is warmly welcomed by most of us here in Gaza and Palestinian civil society at large. This does not come as a surprise to us due to his luminous heritage in support of the anti- apartheid struggle in South Africa
“Once again, we wholeheartedly thank him for his support for boycott, divestment and sanctions (BDS) against Israel, until it complies with its obligations under international law and fully respects Palestinian rights.”

Lee Jasper, British race equality campaigner and former Senior Policy Advisor on Equalities to the Mayor of London:
“I welcome Gill’s announcement that he does not intend to play in Tel-Aviv. even better if he could switch the venue and do a fundraiser in Palestine for those who suffer Israeli state oppression and racism.”

Huey Newton meets Arafat

Latuff's drawing


Biz Markie Re-works His Classic ‘Just a Friend’ for the Earth Day Crowd

Damn I missed this..but its timeless..Ya gotta love Biz Markie.. because he always flips his signature song ‘Just a Friend‘  song.. I have him on tape re-doing this song about electing Barack Obama.. I ain’t mad at him.. This Earth day song remix is cool

http://www.youtube.com/watch?v=kAE8Zl27rWA&feature=player_embedded

Return to Davey D’s Hip Hop Corner

Today is a sad day…We lost another Hip Hop Heroe-RIP DJ Hideo

Just got a tweet from DJ K-Sly out of LA..It reads as follows..

Sad news Dj Hideo passed away 2day after his 62 week battle w/colon-liver cancer keep his family and friends in ur prayers…

This has been a sad week indeed.. we lost a few legends.. Guru, Dr Dorothy Height, Benjamin Hooks and now Hideo..He was a solid, down to earth, engaging dude who fought his cancer with strength where he exuded love..

lets appreciate life..Please visit his website  and show love..http://www.djhideo.com/

http://www.youtube.com/watch?v=Roh7USa5Sqo

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Zack de la Roca Speaks to Arizona’s Harsh Immigration Law-Congressman Gets Death Threats

In the wake of Arizona passing what amounts to an Apartheid style anti-immigrant bill Zack de La Roca from Rage Against the Machine speaks out. He lets folks know just how bad this bill is and what we should be doing…For  Zack this is not his first time speaking to the immigration battles in Arizona. It was just a few months ago (january 16th that Zack was present at a March which was broken up by police..

http://www.youtube.com/watch?v=fVOZGAbEARM

Rep. Raul Grijalva closes Tucson office after death threats

The Arizona Democrat had called for a boycott of the state over its harsh new immigration law

http://www.salon.com/news/politics/war_room/2010/04/23/raul_grijalva_closes_office_due_to_threats

Congressman Raul Grijalva

WASHINGTON — Rep. Raúl Grijalva, D-Ariz., closed down his Tucson and Yuma district offices Friday afternoon, after a man called the Tucson office twice threatening to “come in there and blow everybody’s head off,” and then go to the U.S.-Mexico border to “shoot any Mexicans that try to come across,” an aide says.

Grijalva, the co-chairman of the Congressional Progressive Caucus, had been very critical of Arizona’s harsh new immigration law, which would require law enforcement authorities to check the immigration status of anyone they suspect isn’t in the country legally. That could, needless to say, lead to significant racial profiling and harassment in Arizona, where 30 percent of the population is of Hispanic origin. Grijalva called for conventions to boycott Arizona until the law is defeated or, if signed by Gov. Jan Brewer, overturned. (UPDATE: Brewer signed the bill into law Friday afternoon.)

“Just as professional athletes refused to recognize Arizona until it recognized Martin Luther King Jr., we are calling on organizations not to schedule conventions and conferences in Arizona until it recognizes civil rights and the meaning of due process,” he said Thursday.

So the calls Friday morning left staffers feeling uncomfortable, spokesman Adam Sarvana said. The offices were closed as a precaution, and are set to open Monday as planned. The FBI is investigating the threats.

http://www.youtube.com/watch?v=O2f6svit0tI

http://www.youtube.com/watch?v=Vm7H97Qf734

Return to Davey D’s Hip Hop Corner

Black bank Robber Turns out to Be White Guy with Hollywood Style make up..

Wow folks I don’t make these things up.. really I don’t… But it speaks volumes as to what’s going on today…Wonder how many times this happened before and we just assumed it was as was shown and stated..

http://www.youtube.com/watch?v=pD5TdzcsD8o&feature=player_embedded

Return to Davey D’s Hip Hop Corner

Guru’s Brother Harry Pens Article for Boston Globe: My brother, Gang Starr’s Guru

My brother, Gang Starr’s Guru

By Harry J. Elam Jr.

http://www.boston.com/ae/music/articles/2010/04/23/my_brother_gang_starrs_guru/?page=1

(EDITOR’S NOTE: Boston-born Keith Elam, who rose to fame as Guru, founder of the rap group Gang Starr and a person who sought to merge rap and jazz,died earlier this week. His brother, Harry, a distinguished professor of drama at Stanford, has written this remembrance).

Harry Elam

“Positivity, that’s how I’m livin..’” So goes the lyric from my brother’s early hip-hop song, “Positivity.” My brother Keith Elam, the hip-hop artist known as GURU—Gifted Unlimited Rhymes Universal—died this week at the too-young age of 48 because of complications from cancer. ‘Positivity’ was what he sought to bring to the music and to his life, and for me that will be a large part of his legacy.

In February of this year, my brother went into a coma, and I traveled across the country from my home in California to see him. At his bedside, I stood and stared at his overly frail frame, his head that he had kept clean-shaven for the last 20 years uncommonly covered with hair, his body connected to a sea of tubes and wires. I listened to the whirl of machines around us and took his hand. As I did, my mind flashed back to now-distant times, so many memories. And I saw us as teenagers at the beach on Cape Cod playing in the water together. And I saw us as boys, driving to school. My brother was five years younger than me, so we attended the same school only for one year — my senior year, his seventh-grade year — at Noble and Greenough School, and I would often drive us both to school. Invariably, I made us late, yet my brother, never as stressed as me, was always impressively calm. At school he endured the jests and teasing from the other boys about being my “little brother.” I was president of the school and had charted a certain path at Nobles. But my brother found his own creative route at school, as he would throughout his life. His journey was never easy, never direct, but inventive. Through it all he remained fiercely determined with a clear and strong sense of self.

Over the years I had proudly watched my brother perform in a wide variety of contexts. While at Nobles, we had a black theatre troupe known as “the Family.” In 1973, we put on a play entitled ”A Medal for Willie,” by William Branch, and because he was only in the seventh grade, Keith played only a small role, but even then you could see his flair for performance, his comfort on the stage. At home, our older sister Patricia would teach him the latest dances, and he would execute them with verve as I watched from the sidelines, impressed with his moves, and not without a few twinges of jealousy since I’ve always had two left feet. As a teenager he raced as a speed skater. I do not remember how he became involved in the sport; I only remember traveling with my family to watch his meets in the suburbs of Boston. I do not remember if he won or lost, I do know that he always competed with great ferocity and commitment.

When he announced to me that he was dropping out of graduate school at the Fashion Institute of Technology to pursue a career in rap, I thought he was making a grave mistake and warned him against it. But as always he was determined, and in the end he would succeed beyond perhaps what even he had imagined. Early on in his rap journey, he visited me in Washington., D.C., over a Thanksgiving weekend. I was teaching at the University of Maryland then, and we went to what was perhaps the most dreadful party we had ever attended. As we hastened out the door, I apologized for bringing him to this party. My brother replied “let’s write a rap song about it,” and we did. The lyrics made us laugh as we collaborated on the rhyme scheme and rode off into the D.C. night. It is one of my fondest memories, this spontaneous brotherly moment of collaboration and play.

Keith’s big break came with Spike Lee’s film ”Mo’ Better Blues,” with his song “A Jazz Thing” underscoring the credits. I watched that film over and over again just to hear my brother at its end. Soon he was on to creating his first Jazzmatazz album with others to follow, and he became credited for creating a fusion between jazz and hip hop. To be sure, that fusion owes something to our grandfather Edward Clark and Keith’s godfather, George Johnson, who introduced Keith to jazz by playing their favorite albums for him. He credits them both on his first Jazzmatazz. That first Jazzmatazz album featured musical heroes of my youth, Roy Ayers, and Donald Byrd, and here was my brother featuring them on his album. And with this success, came tours. I have seen him perform all over the world, and each time he would give a shout out from the stage to his brother and my wife, Michele. And I was so proud. It sometimes struck me with awe that all these people were there to see my brother. I watched him deal out magic; he was in his element feeling the crowd, and them responding to his groove. This was my baby brother, the kid with whom I once shared a room. The kid whose asthma would cause him to hack and cough and wheeze at night keeping me up. But when I would complain, my parents would send me out of the room. The message was clear: Love your siblings, whatever their frailties. Shorter than me and slighter of build, my brother suffered from asthma and allergies his whole life, but he was always a survivor.

Back in 1993, when he played at Stanford University, I was in perhaps my third year as a professor there. As I walked into the auditorium that night, the assembled audience of students looked at me with a new awareness, “that’s the Guru’s brother,” not that’s Professor Elam, but the Guru’s brother.

And I was, and am, the Guru’s brother. I admired and loved him deeply, my little brother. And I was and am so proud of him, and how he made his dreams reality . And with the outpouring of love that has crowded my e-mail with his passing, I know that he touched so many with his music. My brother cared deeply about family. He raps of my parents in more than one song. They are featured on his video “Ex girl to next girl.” It was one thing seeing my brother on MTV; it was another seeing my parents. His son K.C. was the joy of his was the joy of his life.

The doctors told me back in February that there was not much chance of my brother recovering from the coma. But my brother has always been a fighter, always been one to overcome surprising adversities, so this seemed just one more. We prayed that he would again prevail. But it was not to be. Still his drive, his spirit, his energy, his positivity will live on, and so will his music. “that’s how I’m livin…”

Harry J. Elam Jr. is the chairman of the drama department at Stanford University and the author of several books, including “The Past as Present in the Drama of August Wilson.”

First South Africa and Now Mississippi-White Supremacist Stabbed and Beaten

This is crazy.. and remarkably similar to what just happened in South Africa.. Crazy White Supremacist got killed over there..
http://hiphopandpolitics.wordpress.com/2010/04/12/rising-dissatisfaction-among-post-apartheid-blacks-is-south-africa-on-the-brink-of-a-bloodbath/

This past weekend Neo-Nazi’s got smashed on in LA and now this…

Richard Barrett

Slain Miss. white supremacist was stabbed, beaten

PEARL, Miss. – A white supremacist lawyer known for riding his bicycle around his quiet, rural neighborhood was stabbed and beaten to death by a black neighbor who had done yard work for him, police said Friday.

A preliminary autopsy showed Richard Barrett, 67, was stabbed multiple times in the neck and bashed in the head, Rankin County Sheriff Ronnie Pennington said. He had burns over 35 percent of his body, though investigators believe he was killed Wednesday night and his house set on fire Thursday to cover up his death.

Pennington did not disclose a motive but said neighbor Vincent McGee, 22, was charged with murder Thursday and deputies charged three other people in the case Friday. Albert Lewis, McGee’s stepfather, was charged with being an accessory after the fact, while Vicky and Michael Dent, who live nearby, are charged with being accessories after the fact and arson.

Pennington did not describe their involvement but said all three were being held at the county jail. He did not know if they had attorneys.

Barrett traveled the country to promote anti-black and anti-immigrant views and founded a supremacist group called the Nationalist Movement. He had a knack for publicity but little real influence, one expert said.

“Richard Barrett was a guy who ran around the country essentially pulling off publicity stunts,” said Mark Potok, who monitors hate groups for the Alabama-based Southern Poverty Law Center. “He really never amounted to any kind of leader in the white supremacist movement.”

His body was found Thursday morning after neighbors saw smoke coming from his house in a rural area of Jackson.

The sheriff said McGee had not yet hired a lawyer and the suspect’s mother had no comment when she went to the jail where her son was being held.

McGee was released from state prison in February after serving five years of a six-year sentence for simple assault on a police officer and grand larceny.

Barrett, a New York City native and Vietnam War veteran, moved to Mississippi in 1966, just before he founded the Nationalist Movement. He ran it from an office in the small rural town of Learned, about 20 miles southwest of Jackson, where he also ran a school for skinheads.

Barrett attracted about 50 supporters to a 2008 rally protesting the Martin Luther King Jr. holiday in the Louisiana town of Jena, where six black teenagers were charged with beating a white classmate. Years earlier, he sued over a ban on Confederate flags at University of Mississippi football games.

His modest, one-story brick home with white columns and shutters sits off a winding rural road. Yellow police tape was stretched across the yard and investigators worked on the scene late into the day.

Residents described the neighborhood as quiet and safe. Henderson Craig, who lives a few houses down, said Barrett mainly kept to himself though he was often seen riding his bicycle.

In 1994, he spearheaded an unsuccessful movement to get then-Gov. Kirk Fordice to pardon Byron de la Beckwith, who was convicted of murdering Mississippi NAACP leader Medgar Evers in 1963.

Evers’ brother, Charles Evers of Jackson, said Thursday he has long thought that Barrett didn’t really believe the things he said, but used them to entice people to donate money to his cause.

“I think it was just a way he had to live,” Evers said. “He made a living talking all that racist talk.”

original article;http://news.yahoo.com/s/ap/20100423/ap_on_re_us/us_white_supremacist_dead

Associated Press Writer Jack Elliott contributed to this report.

An Open Letter to 97.9 The Box-in Houston-Don’t Ban Trae the Truth

First we have to give props to Matt Sonzala for doing what so many in his position don’t do speak up for the artist in his area and step to an institution that could potentially be a future employer. Matt as well as being the man who heads up the Hip Hop potion of SXSW is first and foremost a radio cat… So while many remain silent, he at least is willing to speak up and call crap crap.. The open letter below lays out situation surrounding Trae the Truth being banned from Houston station 97.9 the Box and several DJs being fired for supporting him. He also explains the extent of the ‘ban’ which forbids DJs from engaging Trae on twitter, FB, and other activities outside the station..

To be honest if a station has beef with an artist on I can get them not wanting to mess with him to a degree.., however when were talking about Radio One there’s always some things to consider that would make you say mmmm. Case in point, While Radio One is banning indy artist Trae for insulting one of their deejays on a mixtape, they didn’t seem to have problem keeping corporate backed, commercial mainstay the Game in the mix after members of crew were accused of whupping on one of their popular jocks (Zxulu ) at WYKS in Washington DC a few years back  sending him to the hospital.

The way that incident went down was Radio One banned Game from all 69 stations but after a week they rescinded the ban. The official story according to game’s manager Jimmy ‘Henchmen’ Rosemond was they ‘cleared it up a misunderstanding’. The industry whispers amongst radio and label folks was that label heads called and deals were cut.. One of the more persistent stories was the label sunk a ton of promo money into Game  and if Radio One wasn’t  gonna play him, then they  wanted their  money back’. Weeks later even though the official line was Game’s people weren’t involved and it was all a mistake, he had no problem bragging about the beating and even issuing a veiled threat on the remix of ‘Hate it or Love it’, which on occasion could be heard on Radio One stations. Talk about being scandalous. is this really about Radio One towing amoral line of sorts or is this about the money that’s something to ponder

-Davey D-

An Open Letter to 97.9 The Box About Trae being banned

From Matt Sonzala

http://austinsurreal.blogspot.com/2010/04/open-letter-to-979-box-from-matt.html

Matt Sonzala

To Whom it May Concern,

And as this is an “open letter,” I mean all y’all. All of you who are or should be concerned about the situation happening at 97.9 The Box in Houston.”

It pains me to write this letter, as this week, I along with every lover of hip-hop music and culture have already been hit hard by the passing of Keith “Guru” Elam. When Guru, the voice behind Gang Starr, passed away on Tuesday, I and plenty of other people pulled out our old Gang Starr records and celebrated the life of one of hip-hop’s most engaging and important MC’s. We listened to his music as we mourned our collective loss.

As I listened, I personally began thinking hard about hip-hop, and what it has become. Listening to his deft word play and deep, meaningful lyrics, often about street life, I felt a jolt of energy flow through me, like something I haven’t felt in a long time. I realized while listening to this music, some of which is 20 years old, how much hip-hop music has taught me throughout my life. This week – tragically through Guru’s passing – I remembered that hip-hop music is a serious gift to our generation.

And the loss of Guru made me think about how much we need to respect its power.

When I heard about 97.9 The Box (KBXX) banning Trae tha Truth, I honestly brushed it off. Fact of the matter is, Trae has the support of the streets of Houston. And I figured that an MC of his stature in the community probably doesn’t really even need a station like The Box.

Then on the night of Wednesday April 21st, I got the news that the Kracker Nuttz – a group of three incredible DJ’s who have been on KBXX for over 12 years, and were always rated extremely high in the market as they were not afraid to take chances and play certain hip-hop music that exists “outside the box,” – had been fired from KBXX for playing a Chamillionaire song that featured a verse from Trae.

I then realized that this situation affects a lot more than just Trae.

For anyone reading this letter who does not know what went down, allow me to try to briefly explain.

A couple years back, the City of Houston and its former Mayor Bill White, issued Trae tha Truth a proclamation and a humanitarian award in honor of all of the community work he has done in his city. The day this proclamation was given has now become known as Trae Day in Houston.

On the second anniversary of Trae Day, Trae held a concert and carnival of sorts for families on the campus of Texas Southern University. After a positive day of music, fun and games, and after Trae and all of the other artists, presenters and much of the crowd had left, there was an altercation that involved gun play.

The next morning, KBXX conducted an interview with Trae. On air personality Nnete made some off color comments that from all accounts I have received, implied that a situation like this would of course happen at an event produced by Trae Tha Truth. Basically she said that these are the kinds of people that he and his music attract.

Bun B phoned in to the station immediately after hearing that and told them that they were wrong for what they said.

Trae of course took offense to the statements made against him and on his next mix CD, mentioned Nnete on two songs. The rhymes were insulting, but not threatening.

After that he was banned from KBXX, and rumor has it, all Radio 1 owned stations.

This is the email that was allegedly sent to all staff at KBXX:

“URGENT: – Effective Immediately: DO NOT AIR: “Trae tha Truth” on our station. No interviews, no calls, no comments, no posts on our website, no station twitter, no station facebook, no songs in mix show no verses on remixes, or songs in regular rotation. No exceptions. The current online postings will be removed shortly. We wish him all the best in his future endeavors. Thank u. Have a great weekend!”

So in effect, Trae has been banned from KBXX because of some words he said on a mixtape that were derogatory towards a KBXX employee.

I can semi-understand that as I am quite often quick to defend my people as well (as evidenced by this letter). But fact of the matter is, this is America and here we are supposed to have free speech. A man insulting another man or woman generally should not merit an all out ban.

But if you want to go deeper, KBXX boasts day in and day out that it is Houston’s Home for “Interactive Hip-Hop and R&B.” Meaning, in some way they represent hip-hop culture, and have even built a “home” for and from it in Houston.

Well, if this is the case, then this “hip-hop” station should recognize that what Trae did represents the essence of hip-hop. Before you go and label me some backpacker, who is overly sensitive about hip-hop (and uses words like “essence”), you, KBXX, have to realize that what you say every day about representing for hip-hop is serious to many of us.

Trae did not come down to the station and grab Nnete by the neck, he wrote a song that took some verbal stabs at her. Trae did not attack or disrupt any business being done by Nnete in the name of KBXX or otherwise. He wrote a song that she found to be insulting.

Nnete used her platform, under the banner of hip-hop, to air out her grievance with Trae, and Trae used his platform, under the banner of hip-hop, to air out his grievance with Nnete. And for this he has been banned? That is extremely petty, and goes very much against what hip-hop is and has been since it’s inception.

Closing the door to dialogue is never positive, and that is exactly what KBXX has done.

In the time since the ban, DJ GT was suspended without pay for a week and a half for responding to a Twitter post that questioned his involvement in the ban (and supposedly mentioned his mother). DJ Baby Jae of the Kracker Nuttz was suspended for a week and a half without pay for making a mixtape – totally outside of the work environment – that featured Trae.

Two weeks ago, Houston rapper Killa Kyleon visited Michael Watts on his Swisha House mix show and shouted out Trae. The next day we learned that Kyleon was also banned from KBXX (though this has not been officially confirmed to me as of yet) and that the Swisha House show was cut down to only two hours.

Now we come to learn that three of Houston’s most respected DJ’s, who served over 12 years on the air at KBXX, have been fired for playing a Chamillionaire song that features Trae.

It’s just ridiculous.

In addition to these firings, other problems arise from the banning of Trae from KBXX. For one, Trae is an artist who can draw a strong crowd at a Houston club. KBXX is the main means of promoting a lot of the urban club nights that happen in Houston. If the promoter adds Trae to a show, he or she cannot have Trae mentioned in an advertisement, Trae music cannot be played in the advertisement, and nothing about Trae can be used in any sort of promotion on KBXX.

This limits many promoters ability to make money and survive in Houston.

It may not seem like much to you, but consider this scenario. In the days following the tragic earthquake in Haiti, Bun B put together a benefit concert with a lot of Houston hip-hop artists to raise money for the impoverished nation. Trae, being a popular artist and a man of the community was of course invited to be a part of it.

The event organizers were informed that KBXX would not support it at all, if Trae was a part of it. Trae decided to back out of the show so that it could be advertised and promoted on Houston’s main urban radio outlet – but still showed up in support of the cause.

This ban affects a lot of things on a lot of levels and is a gross abuse of power on the part of KBXX. This especially pains me, as for years KBXX was one of the premier urban radio stations in the nation. I personally saw their ascent, as I interned on their promotions team for their first two years of existence. For two years in the early 1990’s, I was out in the streets, driving their van and promoting their station. And at the time they were at war with Majic 102 to become the top urban station in the city.

They ended up winning, and winning big. You want to know how? They listened to and supported the community. They played records by UGK, Big Mello, Geto Boys, Scarface, all sorts of Houston rappers, many before anyone outside the city had ever heard of them. They kept it fresh, supported the city and stayed in the streets.

And they became an extreme force to be reckoned with in the Houston hip-hop community.

I’m not sure what happened after that, but it sure isn’t like it was.

So I have a few questions for KBXX and Radio 1, but first I have to make this statement.

KBXX – you are in the wrong here. You initiated this problem, and now refuse to work to fix it. Your ban on Trae, and the subsequent actions you have taken on fairly innocent parties, is reprehensible and cowardly. It’s also lazy. I realize that in the age of 140 character tweets and Facebook updates, genuine conversations often take a back seat. This situation merits a genuine conversation, and a solution.

Your half assed, one sided solution is not the answer.

My questions:

You play a song called “Mr. Hit That Hoe” almost every hour, every day. It plays like a mantra to the youth, spewing the nonsensical line over and over again “Hit that hoe, hit that hoe, hit that hoe, hit that hoe.” How do you justify banning an artist who instead of hitting a woman when he was angry, wrote a song and attempted to make a point, rather than hurt someone? (And yes I understand the “sort of hip-hop” meaning of this song, but still, over and over it states “Hit that hoe, hit that hoe, hit that hoe, hit that hoe.” And KBXX plays it, a lot.)

Do you recognize how far and wide this ban reaches, and how many people you are really affecting with this? Do you really want your actions to force supporters of your station to turn their backs on YOU?

Are you willing to talk to Trae and come to some sort of an agreement? Will you realize that you were wrong to fire the Kracker Nutz before some other station comes to town, snatches them up and destroys you from 7 p.m. – Midnight (or whatever slot they put them in)?

Will you admit to the city that you were hasty in making the decisions that you have made?

Or, will you tell the city the real reason you banned Trae the Truth? If there’s another reason out there, and it is legitimate, this will save you from the backlash that you are about to endure.

Seriously, this issue has been blown way out of proportion, and a solution needs to be found. I don’t really expect you or your corporate cronies to really care about the words that I am writing on this matter, but I do ask you to think about hip-hop, the culture that you misrepresent, and the effect you are having as a whole on the Houston Hip-Hop Community.

Sincerely (Thank u. Have a great weekend!),

Matt Sonzala

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