Interview w/ Afeni Shakur One Year After Her son 2Pac has Passed

 

afeniThis interview took place one week before the one year anniversary of 2Pac’s untimely death.. His mother, Afeni Shakur who has been the subject of so much of 2Pac’s work talked very passionately about her son.. During the interview his Godfather Geronimo Pratt rolled through.. and his sister Set also stopped through….

Davey D: The First thing I want to do is thank you for granting us this interview. We’re up on the anniversary of your son’s un-timely death. There are so many of us that are still in the shock, so many of us who can’t believe it and so many of us within the Hip Hop Generation that are trying to heal from this. And one way we can bring about this healing, is to continue to study and learn about Tupac. I guess the best way to really do that is by talking to you his mom, Afeni Shakur. You’re the person who can provide us with that bridge of information. After all, you’re the woman who raised him, you’re the person who helped shape him, and helped make him into the person whom we’ve come to admire. I guess the first thing I would like you to do is let our listeners know who Afeni Shakur was. You were a member of the Black Panther Party, you were pregnant with Tupac while in jail, as one of the infamous New York 21. Who is Afeni Shakur?

Afeni Shakur: Basically, first let me just say Peace and Respect to all of the listeners, and all of the people who care about my son, who care about his work and who care about his music. And the first thing I would like to do is give encouragement to Brothers & Sisters who are artists or trying to be artists. From the bottom of my heart, I encourage them to work on their art and to not allow anyone or anything to keep their artist spirit down. And that to me is really important. And then having said that, let me say that I was a member of the Black Panther Party. I joined in 1968. When I joined, I wasn’t a student. I did not come off the college campuses like a lot of known Panthers did. I came from the streets of the South Bronx. I had been a member of the Disciples Deads, which would have been the women Disciples in the Bronx..

What the Panther Party did for me, I used to always say it gave me home training. The Party taught me things that were principles to living, and those principles are the principles I think most Panthers have tried to pass on to their children and to anybody else that would listen to them. You know that one of those principles was like don’t steal a penny, needle or a simple piece of thread from the people. It’s just general basic things about how we as individuals treat a race of people, and how we treat each other as a people! And those are the things I think the people recognize in Tupac….

We discovered, that within the BBP, that is you try and live by these principles and you have attached to those principles a willingness and a desire to protect and defend your family and your people.. also if you have a large mouth and your willing to speak openly about those things, that you are going to be the victim of all kinds of attacks. That’s basically what has happened to all of us. Tupac was and remains in my mind a child of the BBP. I think that I always felt that even through this society that they had destroyed the work of the BBP. I always felt that Tupac was living witness to who we are and who we were. I think that his life spoke to every part of our development and the development of the Party, and the development in this country that I don’t think will die.

Davey D: One of the perspectives that people have put forth about Tupac was that he was a gangster.. and that, he was somebody who invited trouble.How do you address that? How should, especially those of us within the Hp Hop Generation perceive 2Pac?

Afeni Shakur: First of all, the difference in people’s temperment and my temperment, our temperment is such that is just like you were asking me about a song ‘Wade in the Water, God Gonna Trouble the Waters’. We want the waters troubled. We are trouble makers, it’s what we are here for. We don’t make apologies for it. Why would we? We are revolutionaries, the children of Revolutionaries…. I believe that this is true, basically of young people in any Generation. And that’s just true naturally. For us, we’re trouble makers, because why wouldn’t we be trouble makers in a society that has no respect for us. That has no respect about what I began talking you about. The fact that it is a miracle that we sit here. I don’t think that we are suppose to be anything but trouble makers. Tupac use to comment on people who critized him for cursing, as a matter of fact he said this is just about verbatum, ‘As I walked into this hall, I passed a young child who was hungry. There is not a bigger curse than a young child hungry’. If we are not concerned about the incest, the rape, about our children dying at the rate that they are dying, I cannot imagine why we would be making all this noise about a word, any word.’..

Davey D: Do you think his music influenced people to move in a direction of violence? That was one thing, I remember the police in Houston wanted to sue him and say that he caused an officer to be shot….

Afeni Shakur: They did sue him in Houston and as a matter of fact, that campaign was started by C. Delores Tucker who has now sued Tupac’s estate, namely Tupac’s music. Has sued him for interfering with her and her husband’s sexual life. Now, don’t you think that’s proposterous? Of course it is. And I think it’s okay for us to say that it is.. and it’s just as proposterous to think that music could influence you to do anything else. If that were possible, will someone, please, make a song that will influence us to not kill each other. Please, I beg any person to do that. That should be simple under that mentality. But obviously, that’s an irrational concept, and that’s what I mean about us thinking. Don’t allow people to think for you. Let’s use ration. It’s okay for us to do it. I’ll tell you something else, for people who feel so bad about Tupac’s leaving this planet, we should remember that each of us come here with a beginning date and an ending date. Tupac’s beginning was June 16, 1971 and his end was September 13th, 1996. In the 25 years that God gave him on this earth, he shone like a star, and he did all that he was suppose to do, he said all that he needed to say. You need not weep for Tupac, but weep for yourself, because we are left here with these contradictions that we still must face.

Davey D: The whole rivarly between Tupac and Biggie and to see both of them at the height of their careers, as far as a lot of people are concerned gone. Have you ever talked to Biggie’s mom? You know you guys are looked at in a way where it’s like well, wow if we can’t get next to them, we have to get next to their mothers. What words do you pass on about that? And what are your thoughts on that?

Afeni Shakur: Let me say that my son was killed on 9/13/96 and Nov. 10th, Yafa Ufala, one of the Outlaws and a member of my son’s group, and a member of our family was murdered… and on Jan. 12th a daughter of another member of the BPP was murdered in her bed with her baby playing in her bed while the killer, her husband, watched all day long. What I have known from the beginning is that I am not alone. And I am not alone does not mean that the only two people that got killed were Biggie and Tupac. I am so sorry, but every child’s death is painful.

To me, it’s painful, because it’s this process that we have to stop. We are right back to the same thing which is about ration and reason..and about winning. And as I said, Tupac had 25 years and he did 25 years worth of wonderful work. What the next person needs to know in whatever years they are alloted to them, is what have they done? And I’m sure that Biggie’s mother must feel the same about her son. It’s no use in people trying to swage their on guilt for their own deficiency by debating or spending that much time on Tupac and Biggie.

Davey D: What do you mean by swage?

Afeni Shakur: I mean that we all have to speak about our own issues. When we talk about rivarlries, with East/West Coast, I don’t have any idea what that is. But let me say this, my son was shot on two separate occassions; the 1st was five times, twice in the head and at that time we though he could have died. So a year later he was shot again and he did die, but there wasn’t a rivarly. My son was injured by gunshots and my son reacted through his msuic to what had happened to him and as I say, Tupac spoke eloquently about how he felt about all of that East/West Coast stuff. I would not try and change one period of a sentence that Tupac spoke about that, because Tupac was an honorable young man, He did not lie and whatever Tupac said happened, happened in that way. And I think that people have to deal with their responsibilities for whatever they have done or not done. That’s a part of life also. Tupac dealt with his responsibilities, I think other people have to do the same.

Davey D: You talk about Tupac being honorable and speaking truth. How did you feel when he said things about you in records?

Afeni Shakur: He told the truth. I live with truth. I have no secrets. Neither did Tupac, neither does my daughter. We don’t live behind secrets, we don’t live lies, we are who we are, and we are pretty happy to be who we are. We are proud of who we are and we stand tall and defend who we are.

Davey D: Was it painful to hear him talk about you having a drug addiction? Was it something that you had to discuss or did you know that he would put some things that happened in his life in music for the public to look at and hear and formulate their own opinion?

Afeni Shakur: Let me first say that any of those songs that Tupac wrote was primarily the way he felt about something. You have a right to express your feelings. I do not have to agree with them. I needed him to say how he felt, specifically about the pain that I had caused him. That’s how we heal ,and so you now for me it was Tupac explaining something that happened to his family, his reaction to it and his feelings about it. I think they were honest and I respect him for that. Absolutely and completely.

Davey D: Tupac has done a lot of thing in his career. What do you think he should have done differently in terms of the decisions he made? What sort of path do you think he should have continued on? Do you think he deviated, or went down the wrong corner in any of the things that he did?

Afeni Shakur: I think that Tupac made perfect decisions for himself. I would like to encourage young people to make decisions for themselves. You make decisions that you stand by and you take responsibility for them. Really, this is life, you try to make a difference in peoples lives, because you stand firm for something. So really, for me, Tupac was perfection.

Davey D: What do you think the mis-perceptions that you as his mom would like to clear up about him?

Afeni Shakur: The misconceptions are that Tupac was a rapper, the Tupac wasn’t political and that Tupac was a gangster. But primarily I really think that time will take care of that. I have faith in Tupac’s legend. I really believe in the divinity of legends. I believe that God choose Tupac and I believe that no human being can destroy his image, his legend, his life, his music or his work. So in reality I don’t care what people say, because I truly believe that God sent him here. He sent him with a mission. He fulfilled his mission and he went back where he came from.

Davey D: What is it about Tupac that so many people admired, and still admires about him?

Afeni Shakur: His truth in the face of anything. And I think that you know that’s why people don’t want to believe that he is dead. Because they believe that Tupac could face anything, and come out on the other side. Let me say, so can you.

Davey D: It’s been a year and there’s been a lot of controversy surrounding his death in terms of who owns the estate, recording rights and situations involving the record company Death Row. What is happening with that? Can you give us an understanding on where things stand and where you hope to have things going?

Afeni Shakur: As it relates to Death Row, we have reached an agreement, a settlement of some sort and I’m sure that’s probably resolved.

Davey D: There has been an iron hand placed upon people who might have had affiliations with Tupac in terms of them releasing his earlier music. I guess that’s good, because they have always had to come through and some how deal with you one way or the other before materials are released. Where does that stand now? Will we start to see hear some of his earlier recordings? Some of the things he left with Death Row, will they start to come out or are there other plans for releases of his music materials, movies, etc.?

Afeni Shakur: Well, some of Tupac’s extended and biological family have started Amoru Records, which is a record company that Tupac would have started had he still been here. We are going to first release his earlier material so that people have a more comprehensive understanding of what his journey was. We have the end of his journey, it would probably be okay to have the beginning also, so that’s what we are attempting to do with his first release. And after that, we would like to do a tribute album and an audio book of his poetry.

We also are committed, within the next 2 or 3 years to developing and releasing up to 8 new artists. So prayfully we will be able to do that what we want to do is so business in a principle and ethically manner. And prayfully we will be able to do that outside of that, we are trying to negotiate a documentary about Tupac’s life. Possibly and probably a feature film with HBO with a producer by the name of Marvin Worth… What we wanted is for people not to steal Tupac’s material.

It had really less to do with control than it had to do with stealing.. And the problem I have with stuff is that, I always say if Tupac were here would you do it? And to answer the question, you wouldn’t do it if he were here.. First of all I have no respect for you because you are a coward.. And I know if Tupac was here he would call you one of those names that he knew oh so well.. And that’s pretty much the way I feel about the Vibe Pictorial Book.. I found out about it when it was reviewed in Essence Magazine.. I had been speaking to Quincy Jones all year and he never mentioned it.. I have no respect for that kind of behavior.. People can buy what they want, but just don’t expect me to say it’s cool, because I am not.. and further more I ain’t mad at nobody..

Davey D:What individuals do you see today that embody the revolutionary spirit that has often been associated with 2Pac? Who has that mindset?

Afeni Shakur: Well, I really think Sista Souljah has that type of spirit. I think Geronimo Pratt also has it..and so does Mumia Adul Jamal.. The fact is ..that I’m not whaling off the names of young brothers and sisters a mile a minute…It’s not like Tupac was the most excellent person.. I just ask for people to be honorable, honest and honest to themselves about themselves and to be courageous about truth. When I can see more of that, I’ll just feel a little better, but whether I do or don’t I’m not mad at nobody…

Davey D: Is this a lost generation? Are we a lost generation?

Afeni Shakur: Absolutely not!.. Thank You Treach for your song.. Thank You Scarface for your song.. Thanks for the respect Bones Thugs N Harmony.. Thanks for the respect and at least musically understanding what my son was about and saying.. They’ve done that.. I thank them from the bottom of my heart…

Davey D:So tell us about the foundation…

Afeni Shakur: I just wanted to tell people that outside of music, Tupac was about the business of helping families and helping people.. We would like to continue that… We started the Tupac Amuru Foundation. We will be giving you notice about how people can get in touch with the foundation, whether they are interested in either obtaining or giving assistance.. We are really excited about that.. One of the first things we want to do with the foundation, is to build an Art Institute in the name of Tupac over in Marin City where that little boy was killed. We would like to leave something there that is an institution that goes on everyday and provides help for somebody in that community.. Tupac wanted to build Ghetto Heavens and Thug Heavens all over the country.. So that’s the stuff we are going to do…

Davey D: Any idea who might have taken his life? Do you think the government had some connection with it?.. They talk about the rappers being the revolutionaries of the 80s and 90s..do you see the same type of forces that divided the Black Panther Party at work with today’s rap artists..?

Afeni Shakur: Yes I do.. But I just don’t want to simplify things by saying that it was the government.. because that’s another reason why I would like people to study The Art of War by Son Zu, and The Prince by Machavelli, so that they would have a better way of looking at things.. I don’t think it’s just the government.. I don’t think our enemies are just in the gov’t.. I believe it was in someone’s interest to play this card out like this.. The other side of that is that whoever the person was that pulled the trigger and whoever participated in it and knows about it; those people will have to deal with that from here to eternity.. Not only will they have to live with it, but so will their children and their children’s children.. I would not want to stand before God and say that I’m the one who took Tupac’s life.. So what I have to say is more power to them..

2pac’s sister Set rolls through and some questions are directed at her…

Davey D: What was it like growing up with 2Pac? What type of person was he? Was he the same type of person we got to know through film, records and video?

Set: If you listen hard and look..well yeah.. You grew up with him the same way I did.. It’s just that I grew up with him longer..But everyone else grew up with him the same way I did.. Everything from Souljah’s Story to Brenda’s Got A Baby to Against All Odds. Everything he told may not have been his own, it may have been the way God wanted him to do it…You know they way of written law and stone that is truth, but the truth is your life… If it wasn’t his truth, it was your truth, my truth the girl down the street truth, it was true to him…If he didn’t go through it, I went through it. He felt what other people felt whether it was him or not….

Davey D: Did you grow up with him all your life?

Set: I am not too sure of the years.. but when my mother started to use drugs.. I started puberty and Pac started to become a star.. He was working on his career.. And it wasn’t even a year before he went on the Japan tour with Digital.. It was the only year of my childhood that we were apart.. Besides then he got his own apartment and became an independent man

Davey D: Is there an expectation or pressure on you to try and continue to be an embodiment of 2Pac?

Set: I really feel like if anybody put that pressure on me, it’s me. Religious people say, you’ve been touched by Jesus and proof is your life will never be the same again.. and you have changed another person’s life. I feel like I’ve been touched by a Saint.. I have a son to raise and Pac was the man in my life as well as my sons.. Well, now I have to make myself learn how to deal alone…

Davey D: Any last words that you like us to know or any last things you would like us to keep in our hearts and minds about your son?

Afeni Shakur: Remember the words of my son.. Remember to Keep Your Head up.. Remember Against All Odds.. Nobody Can Judge You.. that’s God’s job.. Remember, the things 2Pac said..I just really ask people to really study his music and to listen to his music with an open heart and soothed mind.. Thank you very much.. Peace

APRIL FOOLS !!!

APRIL FOOLS 2016 FOLKS…

AIN’T NO RAIDER BEER GARDEN COMING..AT LEAST ONE THAT I KNOW OF..  SADLY THE OTHER STUFF IS TRUE.. BUT DON’T TELL NOBODY IN YOUR COMMENTS.. ENJOY THE DAY

Notorious BIG Killed in LA

Notorious BIG DiddyLast Tuesday March 4 1997 Notorious BIG rolled through KMEL’s Breakfast Club and did his last radio interview. I recall him being upbeat and playful… He was in good spirits and he seemed to have an air of optimism about him. He mentioned that he was ready to take the rap world by storm. He spoke about how he had put a lot of hard work into his upcoming album ‘Life After Death‘. The album was recorded over a 9 month period.

Biggie spoke very passionately about the importance of putting God in your life… ‘A lot of people are surprised to hear someone like me say that.. they think it makes you soft’, he said.. ‘But if God is with you no one can be against you..no one is stronger then God’.

He mentioned that it was his good friend and the man he managed Sean ‘Puffy’ Combs who introduced this drug dealer turned rapper to God. It was a Biggie Smallz most have rarely seen or heard. It was an introspective Biggie who seemed to have matured…The Biggie I recall in his last radio interview was a Biggie who spoke emphatically about the hell he had been through with the this whole East/West Coast civil war within hip hop. He spoke frankly and earnestly about what it was like being in the middle of this whole drama…

2Pac in the movie Juice

2Pac in the movie Juice

He told our audience that most people didn’t really understand the relationship between him and 2Pac.. He spoke on the fact he and Pac were nothing more then rappers and that a lot of things were blown out of proportion by the media. However there was one comment that was a bit disturbing.. When asked directly as to whether or not he had a hand in the killing of his arch rival 2Pac Shakur, Biggie responded in a coy type of fashion that ‘he wasn’t that powerful yet’. When asked again he responded the same way. He didn’t put forth that unequivocal, undeniable answer of ‘No’. It was almost as if Biggie wanted to keep some mystery about him. It was as if he wanted people to somehow think that he was somehow capable of carrying out such a heinous crime’. Personally it wasn’t a very constructive thing to do… considering there were still so many people here on the West Coast that were both still grieving and somehow thought that Biggie had something to do with PAC’s demise.

This is not to say that his answers which incidentally were said on the Wake Up Show in LA the week before had anything to do with him being killed…but it leaves one to wonder…why he would go there.. Why not permanently put all those rumors to rest.According to witnesses, Notorious BIG was hanging out at an after party for the Soul Train Music Awards. The party was being thrown by Vibe Magazine at the Automotive Museum in downtown LA and Biggie was in full swing with an entourage of about 30 people including Lil Caesar, and Lil Kim.

Notorious BIG GangsterMany claim Biggie and company had been ‘flossin’ big time [steppin’ out]..by adorning fancy ‘gangster outfits’ and showing little concern for their safety in LA. Biggie and most of his entourage had been chillin’ in LA for the past couple of weeks laying down the groundwork for the promotion of his upcoming album. From the outside looking in, Biggie’s visible presence in LA indicated that everything was squashed and there’s was no longer any more bad blood between LA based Death Row and the New York based Bad Boy record companies who had embarked on a new and more peaceful direction for hip hop. A lot of this was reinforced by the recent ‘coming together’ of Snoop Dog and Sean Puffy Combs.. on the Steve Harvey Show. Folks simply felt it was all good…Industry insiders said such was not the case.The word on the streets was there were still a number of individuals angry at Biggie.. His high visible in Los Angeles was viewed by some as a smack in the face to 2Pac. People holding such sentiments may have been small in number…but they were nevertheless dangerous enough that Biggie should’ve been concerned and aware of his surroundings…

The actual shooting occurred when a drive by assailant let loose at Big as he sat in his Suburban. Biggie was on his way to 92.3 The Beat to do an interview. Lil Caesar was apparently with him but was unharmed. Nearby was a vehicle with Foxy Brown inside… The windshield to that vehicle was shattered… After the shooting, many of the NY based artist became very concerned.. Most left the LA area the next day [Sunday] as opposed to Monday when they were scheduled. The word was out that NY rappers best beware..

DJ Quik

DJ Quik

The fallout of this tragedy has left many within the hip hop community shocked and despaired. Rumors immediately began to surface. Witnesses claim that Notorious BIG has earlier that evening engaged in a heated argument with DJ Quik.. The rumors speculating that Quik had something to do with the shooting immediately circulated around the Bay Area.. Other rumors surfaced saying that Suge Knight was the mastermind behind the shootings.. It was a message from his jail cell to let Biggie and everyone else know that he was very much in control despite being handed a 8 year prison sentence.. Another theory was that Biggie was gunned down by LA Crips because him and Bad Boy refused to pay an extortion fee to members of the LA Based gang. Other speculated that it was a Mafia hit. The most outrageous and yet persistent rumor is that it was someone connected to 2Pac… perhaps even Pac himself was involved if you believe the rumors about him being alive. Ironically Biggie was killed 2 weeks before the release of his lp like 2Pac… It also occurred 6 month and a day after 2 Pac’s untimely demise. Another disheartening speculation is that there would be retaliation from the East Coast… Artist like Ice Cube and Mack 10 have been said to be next on the hit list of this on going saga. Whatever the case the shooting took place in front of a lot of people within the music industry.. and that Biggie was the intended target… Many are refusing to talk..

The Vibe on the streets out here in the Bay Area has been one of frustration.. Many have gotten fed up with a situation that has gotten totally out of hand.. Many have pledged to help bring about some substantial changes.. Still others have sadly celebrated Biggie’s death claiming that it was just revenge for PAC’s death.. ‘Now folks back east know how it feels’ was what many said. In San Francisco Fillmore district there were folks actually getting drunk and partying over the fact that Biggie got shot.. Things have definitely gotten bad within some circles.What’s so sad is that Biggie at age 24 leaves behind two children, a wife and his mom.

Harry Allen

Harry Allen

Hip Hop based radio station around the country immediately addressed this issue. Here in San Francisco on KMEL’s Street Knowledge Show, Public Enemy‘s Harry Allen and Christopher Mohammed from the Nation Of Islam… help set the tone and bring about a proper perspective on this scenario. As tragic as this even was.. many within the hip hop nation have taken a stance to recommit themselves to uplifting and bringing about redirect people down a more positive path.

Christopher Mohammed spoke about the influence of outside forces. He reminded people about the counter intelligence programs of the 60s in which African American organizations were deliberately pitted against one another. Through media manipulation the so called East/West Coast war has been brought to new and dangerous heights.. Brother Chris let it be known this whole incident was bigger Biggie and 2Pac and that the whole East/West coast war is an attempt to keep Black folks from uniting..

Harry Allen spoke about many people being left to feel powerless and how hip hop has become something that they no longer control. He stressed the importance of folks getting some sort of spiritual grounding and to resist the temptation of trying to fit into this whole East West War just to garner a reputation.

Sway and King Tech

Sway and King Tech

The following morning… Dr. Dre and Red Alert appeared on KMEL’s Breakfast Club morning show as did Chuck D from Public Enemy. The main topic at hand was parental responsibility and the role those of us in media play in helping solve or bring about problems. Red Alert noted that its important that the lines of communication between East and West be kept open.. The result has been the calling a radio summit… Currently Sway of the Wake Up Show and program director Michelle S of KMEL and others are trying to assemble key hip hop djs and artists from around the country for a soon to be announced on air town hall meeting/ hip hop summit. The plan is to have it air live in as many markets as possible simultaneously. Most important of course is Cali and New York.. Dr Dre took things a step further and insisted that this summit be televised as well as aired on the radio.. People are working to see if this can happen.. We will keep you posted as this on air summit develops.

In another strange twist of events…Suge Knight has reportedly been stabbed seven times while on lock down yesterday… The weapon was sharpened chicken bones…There has been no official report on his condition and who the assailant was…Death Row Records as of today 3/12/97 has issued a statement denying such an event has taken place…. Check out their official press release… [editor’s note]

Also KRS-One who is scheduled to do a concert here in the Bay Area has supposedly expressed some concern about being here out west…

Here at KMEL a commitment and a pledge of sorts have been taken by the on air staff to help foster a new change.. The station is getting ready to start accentuating positivity within hip hop.. The challenge has been issued to listeners to try and make a difference.. The underlying goal is to help increase consciousness amongst the hip hop generation.. Things are getting ready to change… Hip Hop is at a turning point… Either we’re gonna turn things around.. or we’re gonna continue down a path of destruction with the worse yet to come…

written

by Davey D

3/10/97

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What Is Hip Hop? Grandmaster Flash’s Definition Of Hip Hop

Grandmaster Flash yellowGrandmaster Flash‘s Definition Of Hip Hop

As one of the pioneers of who was known for his ability to mix music I mixed anything from Billy Squire to Michael Jackson to Thin Lizzy to Sly And The Family Stone to Glen Miller to Tschochosky..

When I laid this foundation down.. the key was we could take almost anything musically just as long as it had a beat to it.. so that the rhymer who flowed over the top of it could syncopated.. For anybody to say that whatever they’re doing in Florida is not hip hop..or whatever they’re saying in LA is not hip hop.. Who are these people to say that?.. There were songs that Bambaataa played that to this day I still don’t know.. They were so funky.. Some of the ones I got the privilege to know..I was surprised…You take a song like ‘Apache‘ for example which was considered to be one of the hip hop main themes..Those were a bunch of white guys.. The Incredible Bongo Rock Band were white guys.. There was one person there who was Black.. He was King Erickson who was a percussionist…

For anybody to say ‘this is not hip hop’ or ‘that is not hip hop’ is wrong. That is not the way the formula was laid down.. It was for the people who were going to continue this to take anything…by all means necessary and string it along…

September 1996

What is Hip Hop?: Afrika Bambaataa’s Definition of Hip Hop

afrika-Bambaataa-GangAfrika Bambaataa’s Definition Of Hip Hop?

Hip Hop means the whole culture of the movement.. when you talk about rap..Rap is part of the hip hop culture..The emceeing..The djaying is part of the hip hop culture. The dressing the languages are all part of the hip hop culture.The break dancing the b-boys, b-girls ..how you act, walk, look, talk are all part of hip hop culture.. and the music is colorless.. Hip Hop music is made from Black, brown, yellow, red, white.. whatever music that gives you the grunt.. that funk.. that groove or that beat.. It’s all part of hip hop….

Are artist from the West Coast and Miami
considered Hip Hop?

Too Short, E-40 all the brothers and sisters that are making that hip hop and coming from the funk part of it are all hip hoppers.. The Electro Funk which is that Planet Rock sound which is now considered the Miami Bass sound is also hip hop.. The GoGo sound that you hear from Washington DC is also hip hop.. New Jack Swing that Teddy Riley is R&B and hip hop mixed together…So hip hop has progressed into different sounds and different avenues.. People also have to recognize from hip hop music..inparticular the electro funk came House music and Freestyle music with a lot of our Pueto Rican hip hoppers…

The freestyle music really comes from Planet Rock..If you look at all the freestyle records its based upon Planet Rock.. If you look at all the Miami Bass records it’s based upon Planet Rock.. It’s all based upon electro funk… which came from hip hop music…

Hip Hop has experimented with a lot of different styles of music and there’s a lot of people who have brought different changes over time with hip hop.. which have brought out all these funky records which everybody just started jumpin’ on like a catch phrase.. For example when ‘Planet Rock’ came out you had all of the electro funk records.. When you had Doug E Fresh with the show and ‘La Di Da Di’.. a lot of rappers went that way…When Eric B came out with ‘I Know U Got Soul’… all the way up to Run DMC and Wu-Tang. All these people brought changes within hip hop music… Unfortunately today a lot of the people who created hip hop..meaning the Black and Latinos do not control it no more…

Afrika Bambaataa
Sept 23 1996

Hip Hop History: Interview w/ Afrika Bambaataa Hip Hop’s Ambassador

Everyone in Hip Hop owes a bit of gratitude to Hip Hop pioneer Afrika Bambaataa and his Universal Zulu Nation. Here’s a guy who came out of New York’s ruthless gang culture and succeeded in creating something positive when there was so much negativity around. He took former gang members put them under one umbrella initially called the Organization and later Zulu Nation. He was the one who attempted to bridge the generation gap between a resistant older Black community and it’s innovative young. He along with DJ Kool Herc was among the first use Hip Hop as a way to provide a positive for the local neighborhood thugs.

Bam was known as the Master of Records because of his huge vinyl collection and his willingness to expand Hip Hop’s musical boundaries. He was the first deejay I ever heard take a Malcolm X or Martin Luther King speech and play it over a Hip Hop break beat. He was creative enough to take the ‘Theme to the Pink Panther‘ and rock it over Hip Hop drum beats. Bam was the first to really take Hip Hop beyond the boundaries of The Bronx and Harlem’s Black and Puerto Rican communities and make it multi-cultural. He was the first to take Hip Hop downtown to New York’s trendy Village district. He was also the first to provide a safe haven for folks outside the community to come up and see what Hip Hop culture was really all about.

Bambaataa was the one who gave birth to the Electro-Funk aspect of Hip Hop when he dropped his uptempo landmark record Planet Rock in 1982. True to his moniker Master of Records, Bambaataa used a sped up riff from the German dance group Kraftwerk and their classic song Trans-Europe Express. He’s the one who attempted to keep the soul of Black music, in particular the funk, from being compromised, diluted and watered down during the Age of Disco. Before folks were really up on George Clinton and The P-Funk era, Bam was a full fledged Funkateer. Before folks really developed a deep appreciation for James Brown whose music became a major backbone for early Hip Hop, Bam was making records with him.

DJ Afrika Bambaataa was the one who spread the word about this new style of music and culture thus making him Hip Hop’s first Ambassador. This is the same Bambaataa-The Grandfather of Hip Hop, who recently came to the San Francisco Bay Area [November 1999] to perform at a club with less then 100 people. It was sad to see the man who did so much for this culture wasn’t given the respect from one major radio or video outlet that now makes a living peddling Hip Hop culture. They didn’t bother to seek him out and grant him an interview. No one bothered to build directly from his experience, expertise and wisdom. This is the same Bambaataa who laid down much of the blue print for Hip Hop but now when his name is mentioned to today’s Hip Hopper he/she will arrogantly dismiss Bam and accomplishments and say ‘He’s Old School’.

Over the years I have interviewed Bambaataa numerous times. This particular day was telling because it Bam was on his way to a peace summit of sorts. He was doing his part to quell a growing feud between East and West Coast rappers. At the time of this interview [September ’96] things were kind of hectic because Hip Hop had just lost 2Pac to senseless violence.

Davey D: How did you get involved with Hip-Hop?

A. Bambaataa I am one of the founders of Hip-Hop along with my brothers Kool DJ Herc and Grandmaster Flash. Kool Herc came to the shores of America from the island of Jamaica in 1969. He started jamming these slamming types of b-beats that we call break beats. I knew that as a DJ from 1970 on up that I would eventually come with this sound. I brought out all these other break beats that you hear so much on a lot of these records. It was for this reason I am called the Master of Records.

Davey D: A lot of people don’t realize your reputation. Back in the days you use to shock everybody because you had so many records and so many beats from different sources of music. You definitely earned that title. When we talk about Hip-Hop how would you define it? Is it just one type of music? Is it a way that you present it? Or is it a conglomeration of a lot of different things?

A. Bambaataa People have to understand what you mean when you talk about Hip-Hop. Hip-Hop means the whole culture of the movement. When you talk about rap you have to understand that rap is part of the Hip-Hop culture. That means the emceeing is part of the Hip-Hop culture. The Deejaying is part of the Hip-Hop culture. The dressing, the languages are all part of the Hip Hop culture. So is the break dancing, the b-boys and b-girls. How you act, walk, look and talk is all part of Hip Hop culture. And the music is colorless. Hip Hop music is made from Black, brown, yellow, red and white. It’s from whatever music that gives that grunt, that funk, that groove, that beat. That’s all part of Hip Hop.

Davey D: So is music on the west coast considered Hip Hop? I ask that cause you have a lot of people who keep insisting that artist like Too Short or E-40 is not real Hip Hop. Is that a false definition?

A. Bambaataa Yes, that’s a false definition. Too Short, E-40 and all the brothers and sisters that’s making Hip Hop and coming from the funk side part of it is all Hip Hop. The electro-funk, which is that ‘Planet Rock’ sound which is led to the Miami Bass sound, is also Hip Hop. The GoGo sound that you hear from Washington DC is also Hip Hop. The New Jack Swing that Teddy Riley and all them started is R&B and Hip Hop mixed together. So Hip Hop has progressed into different sounds and different avenues. Also people have got to recognize from Hip Hop music came the birth of House music and Freestyle dance music that is listened to by a lot of Puerto Ricans.

Davey D: Now can you repeat that again. I keep telling people all the time that Latin Freestyle and Hi Energy music is part of Hip Hop. I keep telling people that a lot of the early freestyle producers were original Hip Hoppers. I keep telling them how the Puerto Ricans took the fast uptempo break beats from songs like ‘Apache‘ and developed freestyle.

A. Bambaataa Actually freestyle really comes from ‘Planet Rock‘. If you listen to all the freestyle records you’ll hear that they are based on ‘Planet Rock’. All the Miami Bass records are based upon Planet Rock. So freestyle came from Electro Funk, which as you know came from Hip Hop.

Davey D: How has Hip Hop changed over the years? What do you like about it? What do you think is hurting it? What do you think we need to do to take things to the next level?

A. Bambaataa The thing that’s good about Hip Hop is that it has experimented with a lot of different sounds and music. There’s a lot of people over time who have brought out all these funky records that everybody has started jumping on like a catch phrase… When Planet Rock came out, then you had all of the electro funk records. When you had Doug E Fresh doing songs with Slick Rick like ‘La Di Da Di‘, you had all the people going in that direction. When Eric B and Rakim came out with ‘I Know You Got Soul‘ and all the way up to Run DMC all the way to Wu-Tang…All these people gave little changes that effected Hip Hop music. The thing about Hip Hop today and music in general is that the people who created it meaning Blacks and Latinos do not control it no more. A lot of them have made companies and sold it out to the money devils. Now we act like we have freedom of expression within Hip Hop but there’s actually censorship in Hip Hop.

Davey D: What exactly do you mean by that?

A. Bambaataa Well, a lot of people within government and big business are nervous of Hip Hop and Hip Hop artists, because they speak their minds. They talk about what they see and what they feel and what they know. They reflect what’s around them. That means if you see drugs in your area, your gonna come straight with it. If you see something is going wrong within politics and the world today, then some Hip Hop artist is gonna come along and get straight with it. If they think that there’s a lot of racism going on then there’s another Hip Hop artist who’s gonna come out and speak their mind. A lot of people fear this. So they (big business types) go together in their secret meetings like Warner Brothers and they came down on people like Ice T or Sista Souljah. They came down on the Zulu Nation. They came down on Public Enemy. They came down on NWA and The Geto Boys. All these Hip Hop artists were bold and demanded freedom of expression. But now you see censorship going on.

Ice T made a record called ‘Cop Killer‘ which was really a heavy metal record done by a Black heavy metal band so they came after it because it was Ice T and said it was rap.

Davey D: How are you seeing this censorship coming about?

A. Bambaataa You have to look at the fact that Hip Hop is under attack. It’s not just Hip Hop but Black people, Latino people and all people are under attack for different things. We’re attacked within Hip Hop music. We’re attack within our minds by what they put on television to accommodate you and ‘supe you up’ [tell you lies]. We’re attacked within our bodies and health. They attack our natural food source so that it’s hard for people who want to get into holistic herbs or natural healing. Since the pharmaceuticals don’t make any money and they control the doctors. If the doctors don’t make any money then all hell breaks loose. In communities like LA and New York they are using a lot of the youth for a test sight. By that I mean, they are flooding the communities with drugs. We are under attack in all fields of our life.

Davey D: Today there’s a meeting taking place at the Mosque in NY and I know you’re going to be playing a significant role in this Hip Hop Day of Atonement, Can you explain to everyone what this is all about and what you hope to accomplish?

A. Bambaataa Well basically The Hip Hop Day Of Atonement at Mosque 7 in New York City is basically bringing a lot of the Hip Hop artist together to talk about this East/ West coast mess and to talk about our brother 2Pac Shakur. We want to give him a memorial.

We also want to try and slow down all this foolishness that’s going on between the East and West. We gotta understand that Hip Hop is now universal. Hip Hop is not East coast or West coast. Hip Hop is in the North of America and in the South of America as well as all around the world. It’s in different countries from Europe to Africa to the West Indies to the Pacific Islands. It’s now a universal thing. It’s what you put in your lyrics that makes it a Black or white thing. Or it can speak to all people on the planet. That’s what this day of atonement is about-to bring our people together.

We want you to sit down and leave your egos at home and let’s get an understanding as to where all this is foolishness coming from. There are others who are putting things out there or throwing a stick and hiding their hand and keeping things built up in the media. They’re keeping friction going between people from the East and the West. One thing we all got in common is your color, which is Black and Latino, which is our family.

Davey D: Can you speak on the relationship between Hip Hop and violence?

afrika-bambatta-pointA. Bambaataa Well, the continuation with violence is America itself. They tell you you’re not supposed to have guns or you’re not supposed to have knives, yet they still show guns and all sorts of weapons in all these movies. They allow us to have guns and weapons in our videos. They allow us to disrespect our Black woman. A lot of these things would be considered criminal if it were to be carried out in the streets. That’s like when they tell you after you buy your VHS and you rent movies they tell you not to copy the movies. But here they come with a scrambler that allows you to make illegal copies. Life in the American system is just crazy and ‘wild out’. There are certain things that they say you can’t do, there are all these secret people behind the scenes who make things available for you to do. That’s why you have so much crime and violence.

Black people didn’t come up with the first drive by shooting. A lot of this was taught from watching the movies from the 1920s when they had so called ‘real’ gangsters like Al Capone. All this is played in your subconscious mind. There are people who think less of themselves and don’t know their real self and they tend to fall victim these traps that are being put on television or in a lot of these movies.

Davey D: Any last words…Where do you see Hip Hop going in the next couple of years?

A. Bambaataa If we do not sit down, meaning our people as a whole and unite and form a Hip Hop united front or police our own self and organize, I can definitely see Hip Hop becoming destroyed and a lot of frictions getting bigger. I can see a lot of people going out and hurting each other. Sooner or later we need to wake up and know what’s going on. We need to do what brother Malcolm X, The Honorable Elijah Muhammad, Minister Farrakhan and many others had suggested–read books. You better know what’s going on with this New World Order cause there’s something serious going down and believe me all of y’all that’s out there with all this foolishness. They got a lot of big concentration camps (prisons) just waiting for you. So get ready for the new age and the next Millennium. In the year 2000. The New World Order.

c 1996

What is Hip Hop? DJ Kool Herc’s Definition Of Hip Hop?

Click HERE to listen to pt of our interview w/ Kool Herc

Click HERE to listen to pt of our interview w/ Kool Herc

DJ Kool Herc‘s Definition Of Hip Hop?

Hip Hop.. the whole chemistry of that came from Jamaica… I was born in Jamaica and I was listening to American music in Jamaica.. My favorite artist was James Brown. That’s who inspired me.. A lot of the records I played was by James Brown. When I came over here I just put it in the American style and a perspective for them to dance to it. In Jamaica all you needed was a drum and bass. So what I did here was go right to the ‘yoke’. I cut off all anticipation and played the beats. I’d find out where the break in the record was at and prolong it and people would love it. So I was giving them their own taste and beat percussion-wise.. cause my music is all about heavy bass…

How Did The early Hip Hop Scene of The ’70s Kick Off?

It started coming together as far as the gangs terrorizing a lot of known discotheques back in the days. I had respect from some of the gang members because they used to go to school with me.. There were the Savage Skulls, Glory Stompers, Blue Diamonds, Black Cats and Black Spades. Guys knew me because I carried myself with respect and I respected them. I respected everybody. I gave the women their respect. I never tried to use my charisma to be conceited or anything like that. I played what they liked and acknowledged their neighborhood when they came to my party….I would hail my friends that I knew. People liked that… I’d say things like..’There goes my mellow Coke La Roc in the house’, ‘There goes my mellow Clark Kent in the house’, ‘There goes my mellow Timmy Tim in the house’..’To my mellow Ricky D’, ‘To my mellow Bambaataa’.. People like that sort of acknowledgement when they heard it from a friend at a party.
What were the early rhymes like?

Well the rhyming came about..because I liked playing lyrics that were saying something. I figured people would pick it up by me playing those records, but at the same time I would say something myself with a meaninful message to it. I would say things like;

Ya rock and ya don’t stop
and this is the sounds of DJ Kool Herc and the Sound System and
you’re listening to the sounds of what we call the Herculoids.
He was born in an orphanage
he fought like a slave
fuckin’ up faggots all the Herculoids played
when it come to push come to shove
the Herculoids won’t budge
The bass is so low you can’t get under it
the high is so high you can’t get over it
So in other words be with it..

Who were the first modern-day rappers?

My man Coke La Rock.. He was the first original members of the Herculoids. He was first known as A-1 Coke and then he was Nasty Coke and finally he just liked the name Coke La Rock. There was Timmy Tim and there was Clark Kent.. We called him the Rock Machine…He was not the same Clark Kent who djs for Dana Dane… An imposter.. I repeat he’s an imposter. The real Clark Kent we called him Bo King and only he knows what that means. There was only one original Clark Kent in the music business. This guy carrying his name, I guess he respects Clark Kent…

June 1988

What is Hip Hop? A Historical Definition Of The Term Rap pt1

A Historical Definition Of The Term Rap pt1

microphoneWhat is rap? Depending on who you ask and from which generation the word  ‘rap’ will take on different meanings. At one point in time ‘a rap’ was a set of excuses a con artist handed you in an effort to deceive you.

In the 70s rap were the words a person used when trying to persuade you. This particularly applied to the persuasive efforts of a young man trying to obtain sexual favors from a female..

Today rap means saying rhymes to the beat of music making it’s one of the four major elements within hip hop culture. Because the other elements which include deejaying, breakdancing and graffiti aren’t as widespread, the words Hip Hop and Rap have been used interchangeably over the years..

The truth of the matter is the word rap wasn’t always used to describe this activity. The act of rhyming to the beat of music was initially called emceeing. The term rap first became associated with Hip Hop around 1979 with release of two records in ’79. The first was called King Tim III [Personality Jock] which is considered Hip Hop’s first record. This was track put out by the Brooklyn based Fatback Band. This song was said to be inspired the old rhyme styles of popular Black radio disc jockeys of the 50s and 60s  like Jocko Henderson, Jack The Rapper, Magnificent Montague and Daddy O to name a few. These Black radio deejays would eventually go on to influence pioneering club deejays like DJ Hollywood..

http://www.youtube.com/watch?v=UcTP4cvXSP0

Suagrhillgang-old-225The second song that popularized and associated the term Rap with Hip Hop was the landmark song Rapper’s Delight by Sugar Hill Gang. I’m not quite sure how Sugar Hill came up with the term ‘Rap’. Some say it was already being bantered about within the mainstream media who were then mystified by this new phenomenon.

Others say that the term was coined by older folks within the community, in this case, Sugar Hill record label owners Sylvia and Joey Robinson who saw similarities between young hip hoppers from the ’70s and the word manipulators of earlier generations where the term rap was used…
Rapper’s Delight

H-rap-brown-yellow

H Rap Brown

Ironically within the song Rapper’s Delight contains a well-known rhyme which appears to have been borrowed from the former Black Panther and SNCC chairman H.Rap Brown now known as Jamil Abdullah Al-Amin. The rhyme in question appears in Brown’s autobiography written in 1969 called  ‘Die Nigger Die‘. It spoke about his militant approach toward solving some of the ills afflicting Black America. Within his book, he spoke about how he obtained his name ‘Rap’. He detailed that when he was growing up in Louisiana people used to play a variety of word games including one called The Dozens.

The purpose of the game was to totally destroy somebody else with words. He noted that in his neighborhood and bear in mind we are talking about the early 60s, there would be close to 50 guys standing around competing against one another in this rhyme game in which people talked about each other’s mothers. The winner was determined by crowd reaction… Rap Brown got his name his name because he was considered to be one of the most skilled…

In his book, H.Rap Brown gives some examples of his rhymes…

I fucked your mama
till she went blind.
Her breath smells bad,
But she sure can grind.

I fucked your mama
for a solid hour.
Baby came out
screaming, Black Power.

Elephant and Baboon
learning to screw.
Baby came out looking
like Spiro Agnew.
[Spiro Agnew was former Vice President under Richard Nixon]

Brown also explained another verbal game called Signifying. He noted that this was a verbal game which was more humane than The Dozens because instead of dissin’ someone’s mother you would dis your opponent. He also explained that a skilled signifier knew how to skillfully put words together so you could accurately express your feelings. He concluded that signifying could also be used to make someone feel good. He dropped a rhyme which was used in the movie ‘Five On The Black Hand Side‘ and later immortalized several years later by the Sugar Hill Gang.

Yes, I’m hemp the demp the women’s pimp
women fight for my delight.
I’m a bad motherfucker. Rap the rip-saw the
devil’s brother ‘n law.
I roam the world I’m known to wander and this .45
is where I get my thunder…

The fact that H.Rap referred to his .45 caliber gun may have inadvertently been a precursor to what we call gangsta rap. (This, of course, is being said with tongue in cheek)

http://www.youtube.com/watch?v=PkbKKnKg7dk

Isaac Hayes

Isaac Hayes

As was mentioned earlier the term rap has changed from generation to generation. In the 70s the term not only meant the art of persuasion but it was also used to describe the monologue talking styles used by singing artists like Isaac Hayes, Barry White, Bobby Womack, Lou Rawls and Millie Jackson. Albums like Isaac Hayes’ ‘Hot Buttered Soul’ and Millie Jackson’s ‘Still Caught Up’ best personified these styles called ‘Love Raps’.

Below is an example of Isaac Hayes delivering a ‘love rap’

The art of rappin’ with respect to hip hop was characterized by one’s ability to syncopated to a beat. Ideally, an emcee rapped from the heart. His rhymes were spontaneous, not memorized or read aloud from a written document.

Of course, we now know that most of the great pioneering emcees like Mele-Mel, Grand Master Caz and Kurtis Blow to name a few, all rehearsed and pre-wrote their rhymes. But the approach was to present yourself as if the rhymes were coming off the top of the dome. ..

Ideally a rap is a group of rhymes that are thrown together so everything has meaning. Nothing said is frivolous. It reflects the here and now and ideally the lifestyle of the one rapping. Rap’s ideally projected the emotions and feelings experienced by the rapper. Ultimately and historically an artist rapped for no one but himself. His rap was a call for attention to himself.. He was ideally saying..’Hey look here I am world-Somebody hear my song!’.

And the beat goes on an on an on
It don’t stop rocking till the crack of dawn
when the people hear me rock the funky rap song
The whole damn world wants to hum along
Cause I’m e-lectricic..I’m bigger than life
An everyone calls me Jesus Christ
To The beat y’all check me out..
To the beat y’all check me out..

-Davey D-
Double D Crew..’78

c 1984.. The Power Of Rap..
By dave ‘Davey D’ Cook

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