MC Hammer The Vindication Interview w/ Davey D

This is one of the deepest and realest interviews you will ever hear as we sat down with MC Hammer for a candid no holds barred interview about all things Hip Hop. What he had to say was both eye opening and incredibly insightful.

Many of us within Hip Hop have severely underestimated MC Hammer and now we’re coming to see that he was light years ahead of the curve in terms of how one should approach business and even approach music. In pt1 we go over several key facets about Hammer’s career that he should be vindicated for including him being among the first rapper’s to spark endorsement deals.
He gives a serious breakdown about how folks made fun of him and wanted to ban him from Hip Hop only to turn around years later and seek these revenue streams now that they realize the music business can be extremely shady when it comes to getting paid. Hammer takes us deep by talking about how major record labels are now hijacking artists and attaching themselves to some of the lucrative endorsement deals that are being offered today.
We also talk about Hammer and his brother Louis Burrell being years ahead of artists in terms of getting clothing lines. Many did not know that the pair had a substantial stake in Troop Outfits. He and his brother were smart and actually opened up 30-40 Troop stores around the country and had the foresight to get them placed in popular locations and key malls. Just as the business was starting to really take off, Hammer and his brother found themselves the victims of what many consider corporate sabotage. Nasty rumors circulated around the country that Troop was owned by the Ku Klux Klan, when in fact Hammer, LL Cool J and Fat Joe were all owners. Outlets like MTV and urban radio did nothing to dispel those rumors and within a year of these nasty rumors Troop folded. Many speculate that it was rival clothing company like Addidas that was behind the rumors, but of course that was never proven. Many just speculated since they were the dominant urban clothing outfit at that time.

In this interview we spoke to Hammer about him being the first to put out Gospel Hip Hop on vinyl. Today we all praise Kanye West for the hit song ‘Jesus Walks’, but many overlook the fact that Hammer came on the scene using the moniker Holy Ghost Boy. His first song which was actually a demo cut passed around via cassette tape was a cut called ‘The Word’.

On his first LP ‘Feel My Power’ which was released independently in 1987-88, he had a dope hip hop gospel song called ‘Son of a King’. In our interview Hammer talks about his connection to the church and how he has struggled over the years with his own contradictions and spiritual beliefs. Also in this portion of our interview with MC Hammer, he gets deep about the connection between Hip Hop and spirituality.

We also have a lengthy discussion about the connection between Hip Hop and Funk. For those who don’t know, Hammer used to tour with a huge band that included the original horn section from Earth Wind & Fire. He goes into great detail about the history of west coast Hip Hop and how it emerged from the funk era. Hammer talks about how the Bay Area was the home of the Live Band and how every Black kid in the hood had a funk band. These bands were the equivalent to the early Hip Hop crews back East in terms of being the major platform for cultural expression by folks in the hood. Hammer talks at length about the early dance scene and the significant role it played in the development of west coast Hip Hop.

He talks about some of the early dance crews and dance styles. He also talks about how Michael Jackson used to come up to the Bay Area and get hipped to dance styles he would later incorporate in his shows. The most famous dance that Jackson got from the Bay Area was the robot.

Hammer also talks at length about New York City and why he did a song like ‘Turn this Mutha Out’. He talks about the irresponsibility of the Hip Hop press and how they tried to twist things for the general public. He talks about his friendship with Hip Hop pioneer Mele-Mel’. He also talks about the time he went up to the Latin Quarters by himself and got busy on stage right before Ultramagnetic performed. He noted that DJ Red Alert gave him a messed up introduction.

This concludes pt 1 of this interview..

Listen to pt 1 of this MC Hammer Interview on Breakdown FM

MC Hammer-The Vindication Interview pt2
East Oakland Street Life, Prisons, Police Helicopters, Cointelpro & Eazy E

In pt2 of our one on one with MC Hammer, he let’s us know about his connection to the streets. Folks outside the Bay Area saw the genie pants and the typewriter walk dance and figured Hammer was some sort of softy who could and should be dismissed. Folks in Oakland knew otherwise. Hammer was and is no joke. His old crew, the High Street Bank Boys were more than notorious. Hammer talks at length about the types of steps he took to pull his home boys away from street life and the challenges it presented. His actions by default became a full scale prison to work program. He explained how it was this sort of activity that eventually led to him going bankrupt.

Hammer spoke at length how the police along with some outside enemies tried to undermine his efforts and spread a nasty rumor about him buying OPD a police helicopter. He emphatically refutes the claim and talked about the type of corruptions that had gone on within the police department and how many officers were upset because he was providing opportunities for guys they wanted to see locked up.

We spoke at length about Cointelpro and how many of the other independent movements including Luke in Miami, James Prince in Houston and Eazy E in LA all saw themselves under fire at the same time. He spoke about the early attempts these young black entrepreneurs made to consolidate their resources and create a major distribution channel. It was at that point that the helicopter rumors surfaced and Luke came under fire for obscene material. James Prince and Rap-A-Lot records became the object of a federal investigation. Hammer gets deep with this aspect.. Lastly he talks about his close friendship with Eazy E and how the two had a lot in common because of their street background..

Listen to pt 2 of this MC Hammer Interview on Breakdown FM

 

MC Hammer-The Vindication Interview pt3
The Hustle-The Music Biz-The Hyphy Movement and 2Pac

In our final installment, we talk with MC Hammer about the city he reps and loves Oakland. He talks about the vibe of the city and the type of independent hustle-do for self mentality embraced by its residents Hammer also gives us a lot of insight about the music biz. Anybody trying to make it in the industry needs to hear what Hammer is saying with regards to this.. We also talk about the then current Hyphy Movement. Hammer gives a breakdown on this as well as updating us on his own new projects. We conclude our conversation with Hammer telling us about his friendship with 2Pac and they types of political ambitions the pair had planned out.

Listen to pt 3 of this MC Hammer Interview on Breakdown FM

Breakdown FM: Hip Hop Needs this Man Questlove

 

This is an incredible interview we did a few years back with Questlove of the Roots. He opened up and talked to us about the state of Black music, Life at Def Jam, Payola and a host of other things. Very insightful. If you are in the industry this is a must hear interview.. Special shout out to Liberator Magazine who transcribed some of Quest’s words check them out at the link below.. http://weblog.liberatormagazine.com/2006/10/uestlove-most-interesting-mind.html

Listen to the Breakdown FM Interview by clicking the links below..

 (part one)
(part two)

Questlove

Davey D: Is Jay-Z pimpin over there? [as president of Def Jam]

?uestlove:
“At the end of the day, it’s like Universal pimps them all. From L.A. [Reid] to Jay-Z, even the other presidents, I think it’s sort of like the illusion of power thing. I think everyone is just tryna hang onto their position to not upset the head honcho of Universal. Like, he really controls it and everyone just wants to keep their job. I don’t think Jay-Z necessarily sweats it, because if he lost his job, he still has like a few hundred million in his back pocket… he can go back to his day job. So I think that’s why he’s a little more adventurous in flaunting the fact that he signed us. Cause he really has nothing to loose. Like if he gets fired it’s like, oh well. L.A. Reid, he looses his job, I don’t know. He already left BMG, there’s only Warner and Lyor [Cohen] ain’t having that.

“The idea of really being cool, is that if this stopped tomorrow, I could at least maintain this particular lifestyle for 10 years. In other words, I got 10 years to find a job. I don’t wanna be in the position in which… you know, well Ja Rule right now is sorta thinking about, ‘ok maybe I should invest in online poker playing’. So I hear he’s dabbling in how to license his image to do online poker playing… no I actually think they’re trying to turn Spades into the new Texas Holdem’ thing for black people. I mean it’s cool, if that’s his passion, you know what I mean, but it’s like I don’t know. I don’t want to set a particular standard for myself that I won’t be able to maintain…

“Even a person like Michael Jackson, just on a minimum, he has to generate $12 million a month just for upkeep. Like, someone has to cut the grass at Neverland, someone has to paint the walls, there might be spider webs growing, someone has to pay the staff. You need new milk every week, someone has to buy good. The electric bills must be crazy $15,000 a month. Someone has to oil the farris wheels. Like, just for maintenance, $12 million a month. And it’s like if you’re not generating that money, you’re gonna be in trouble. I guess Mike thought ‘well ok, my supplies are gonna last forever’… so the way I choose to represent myself in public is just in a very modest way… we are people.

The Roots

“A well known manager recently had to be escorted out of his clients major label home for trashing the place because of the disappointment of the first single of his client’s new album. And the measure that they went through to make sure to make sure that that song gets played… like the song was tested on the radio and at very best, lukewarm results. But because this artist is such a ubiquitous presence… I found out from a friend of mine who works at radio that they have to play this record… even though the audience has totally passed over it… [and this record is super] recent… the reason why the office was torn up was because the label was promised that ‘we will make sure that this particular artist gets at minimum of at least 12 plays a day on all the major market.’ And when they didnt get it he came in a tore up the office… and [now] this will look like one of the highest selling records this year… I seen the soundscan results of this record coming up, I know what it’s projected to do… but that’s the thing, it’s forced and it’s forced and it’s forced… Kids on my block… they don’t have [Apple] Macs, they don’t know about Limewire [downloading software], they don’t know to google ‘new hip hop acts’… when you’re forced into a situation, you’re just doing what you’re told. Unfortunately there’s really no tastemakers to direct people… now the gatekeepers are the new tastemakers.

“But that’s what I’m trying to tell the ‘Little Brothers’ [another upcoming Hip Hop group] of the world right now… there’s a way out of this maze.

“Once you know the nature of your audience you just deal with it. Most black folks are just blinded by celebrity. And celebrity is when your lifestyle sort of supersedes or is more famous than your art. In other words people more concerned with the dress Jennifer Lopez had on last night as oppose to how good she hit that note on this particular concert… this whole winner take all mentality that the black audience, the disenfranchised people have, he [who has celebrity] is seen as a winner. And so that sort of separates your palate for what is good.

“I’ll tell you exactly how it works. You gotta take a significant amount of money… you find an agent… who does not work for the label… he takes the money and he goes to one of the 5 or 6 major radio station owners… [whose] whole goal is to maintain your attention by any means… what he does is he goes to the owner of said company and says… ‘I got a artist here, The Roots. I think you’ll really feel them. What’s the deal?’ He plays it and instantly in 4 seconds they can tell if it’s a hit or not. Now in this case we got denied. Now this is where they have to barter. They say ‘well look, here’s the deal, Jay-Z, a fellow Universal artist is gonna do a few Power 106 Jamz like summer concerts for you…’

“Whenever you hear those Summer Jamz… those are bartered deals… so what happens is the person says ‘I know that you want Jay-Z to headline the Power Jam in Denver next summer… how about this, what if we throw in Lil Jon And The Eastside Boyz and also T.I. We’ll throw them in. We’ll have them appear at your store. This is all I want you to do. I just want you to give me good look on The Roots’ signal. Play this 20 times a week and see what your audience feels…’

“And usually a song like that will get the little litmus test… and if it catches on it automatically gets added. Or you can go a little further and say, well look, here’s some money, how are your kids doing in college…

“At the end of the day my expectation level is so grounded that I’m cool with just stayin relevant…meaning like as long as we makin a living… as in the people still admiring The Roots, and can’t wait for that new record and what the hell they gon do next… as long as that’s still there and we have a home to do it, I’m cool with it.

“There’s still artists in the pop world… Sonic Youth… [Bob] Dylan… those are prestige artists. They’re allowed to make records no matter what. The record will never pressure them… they’ll just let them do them, and it’s all fine because they have respect. There is no artist in black music that has reached that level. Most black artists, their primary goal is generate us money, or else. I kinda wanna be the first artist in the pop realm to do that. I know Wynton Marsalis has that in the Jazz world. Like, Jazz records don’t sell, but it’s prestige and he’s royalty.

On Def Jam Left:
“Def Jam Left was incorporating the idea of… junk bonds, where we’d have a jam session… so you have 18 artists coming to a jam session in San Francisco and a Jill Scott happens to come outta that pack, then we take that Jill Scott and let her do a single. If there’s buzz generated, treat her like an Indie then she gets to make an album… and if it doesn’t work, keep on developin her. And that’s what we wanted to do…

On Scott Storch:
“Scott Storch was with us… once you’re a Root your always a Root… I’ll quote Kanye… ‘the kid that did that, deserves that Maybach’… Scott used to sleep on rat infested floors… I’ve never seen anyone spew out music as quick as he does. He will work on 20 song a day… he has no emotional connection to the rejection. Like me, I’ll get pissed. I’ll work on a beat and if you front on it…. we gon be fightin. With Scott, he’ll work on a beat, you don’t like it: ‘how bout this? how bout this?’ and it’s ‘Cry Me A River’ for Justin Timberlake… then it’s like ‘Baby Boy’ for Beyonce. Like he’s just a machine like that.

Last Thoughts: “I want to really stress to people. Please, please, please, please, please invest in quality music. And put somebody else on to it. That’s the joy in music making. I enjoy sharing music with other people.

Below is our interview w/ Questlove on HardKnock TV

http://www.youtube.com/watch?v=YOmeEpajf6g

Below is the Questlove interview broken up in parts…

Questlove pt1:  Game plan, work ethic and Tipping Point

Questlove pt2:  Jon Brian, working hard

Questlove pt3:  economic well being

Questlove pt4:  Michael Jackson, production

Questlove pt5:  Disposable music, connecting to fans

Questlove pt6:  white audiences, payola, staying relevant

Questlove pt7:  Jthe root of the Roots

Return to Davey D’s Hip Hop Corner

Lupe Fiasco Talked About Uganda’s NightWalkers

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Lupe Fiasco Talked About Uganda’s NightWalkers
by Davey D
original article- May 31 2006
In our interview with Lupe Fiasco, he spoke about the tragedy taking place in Uganda. He was in support of trying to help find solutions to the nightwalkers. Read about this issue where you further learn about this and hopefully get involved…

A Defining Issue for African Americans: Saving the Child Night Commuters
 
Dear Friends of Black People World Wide:
 
There are thousands of children that will travel 7 – 10 miles by foot tonight just to sleep in partial safety. Many of them will sleep on the ground. I went to bed tonight at 10pm only to awake at 2am because I could not sleep knowing that our babies are going through this hell tonight (and every night).  About 2 months ago, I interviewed some college students that were sleeping outside to bring attention to the “child night commuters in the northern region of Uganda . These college students were all white. My procrastination and inaction has caused me to lose sleep over this. So, I make this plea for your help in this most serious cause. Because these are African children, I believe African-American elected officials, media and activists must take action. And, we all should do something.

 
I ask that you please:
 
1.) Send an email and/or call the chairman of the Congressional Black Caucus (Rep. Melvin L. Watt) and ask that the Caucus take the lead and immediate action on this issue. You may even forward him this email at nc12.public@mail.house.gov or call him at (202) 225-1510.

2.) Send this email to your list of people who will forward it to others who care about Black people.

3.) Learn more about this (at http://www.Poli-Tainment.com) and mention it to one other person you know – in person.
 
Thank you for caring about OUR babies.

Your Friend,

 Opio Lumumba Sokoni 
 
  ABOUT THE CHILD NIGHT COMMUTERS

Children continue to be the main casualties in the 20-year-old war in northern Uganda between government forces and rebels who are known as the Lord’s Resistance Army (LRA). The LRA has abducted more than 20,000 children. These boys and girls are beaten, tortured, raped, forced to fight, and sometimes killed.
 
Night Commuters
Terrified of being abducted by the LRA at night, as many as 40,000 children leave their rural homes every evening. Known as “night commuters,” these children walk to neighbouring towns (including Gulu, Pader, and Kitgum). They sleep on the street or in public buildings. They hope there is safety in numbers.

 Abducted Children
Abducted children are often forced to murder their own family members and burn down their villages. The LRA does this to make the children believe they won’t be welcomed back to their communities should they escape.

 Children Who Escape
Thankfully, thousands of children have escaped or been liberated by government forces. However, these children are usually severely traumatized. There are few social services available to help them recover. Most children have little education and few vocational skills. They are often rejected by their families and communities because of the atrocities they have committed. Many girls who were raped in captivity are now mothers. HIV rates are high. Although they are free, these children have little hope for the future.
 
AGAIN, PLEASE:
 
1.) Send an email and/or call the chairman of the Black Congressional Caucus (Rep. Melvin L. Watt) and ask that the Caucus take the lead and immediate action on this issue. You may even forward him this email at nc12.public@mail.house.gov or call him at (202) 225-1510.

2.) Send this email to your list of people who will forward it to other people who care about Black people.

3.) Learn more about this (at http://www.Poli-Tainment.com) and mention it to one other person you know – in person.
 
to Learn More go to http://www.Poli-Tainment.com

Return to Davey D’s Hip Hop Corner

Wave of tragedy devastates the hip-hop community

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Wave of tragedy devastates the hip-hop community

By Davey D

original article-may 19, 2006

Davey DThe hip-hop community has been hit with devastating losses over the past few months.

Fans around the world were saddened when producer J-Dilla of Detroit’s Slum Village suddenly took a turn for the worse and died in February of complications from lupus. His death was especially painful because it occurred just days before his critically acclaimed album “Donuts” came out. The previous week, an album-release party was held in Los Angeles, where numerous artists for whom Dilla had made beats, including De La Soul, were on hand.

The sudden death in March of Professor X (Lumumba Carson), leader of the Afrocentric political rap group X-Clan, sent shock waves throughout the community. His death was especially hard to accept because many had seen him at a media reform demonstration just three days earlier, where he had spoken about his determination to step up his activism and resurrect the Blackwatch organization founded by his father, Sonny Carson.

In addition, the members of X-Clan had patched up differences that had kept them apart for more than 10 years. They were set for a surprise reunion. The week Professor X died, he was supposed to visit California to shoot a video with group members Brother J and Paradise. This coast, particularly the Bay Area, had special meaning for the group because it was the first to embrace and champion the music of X-Clan, originally based in Brooklyn.

The fact that Professor X died of spinal meningitis made headlines in New York. The Professor X case underscored the music industry’s dirty little secret: Despite the billions of dollars the industry generates annually, most musicians do not have health insurance.

Weeks after these deaths, the hip-hop community was shocked to hear about the shooting death of Eminem’s best friend, Proof, leader of the group D-12. The charismatic Proof (who played the man who gave Eminem his start in the movie “8 Mile”) had announced that he was working with other artists on a tribute album for Detroit’s J-Dilla. Sadly, people are now doing a tribute album for Proof.

Over the past two weeks, California has lost three hip-hop legends, two of them on the same day. One was DJ Dusk, who spun frequently at Bay Area functions. Dusk was also a political activist in the area of education. He died two weeks ago, when he was hit by a drunken driver in Southern California as he walked a girlfriend to her car. According to witnesses, Dusk pushed the woman out of the way but was struck himself and dragged 80 yards. His selfless act speaks volumes about the kind of man he was.

His death was widely mourned in tributes around the country. He was so well loved that hip-hop pioneers Afrika Bambaataa, Kool Herc and Jazzy Jay made rare joint appearances in New York, Los Angeles and the Bay Area, where Dusk had his biggest followings. They visited San Francisco last weekend to do a tribute and raise money for Dusk’s family.

On the day that DJ Dusk was killed, Michael “Mixin’ ” Moore, a pioneer in hip-hop radio in L.A., died at age 46 from heart failure. Best known for his Militant Mix, fusing speeches and news clips over popular instrumentals, he also is credited with inventing the 5 o’clock Traffic Jam, a mainstay on commercial radio around the country.

While the hip-hop icons were paying tribute to DJ Dusk last weekend, rap legend Skeeter Rabbit of the pioneering dance group the Electric Boogaloos died. He was an innovator in “strutting” and “popping” and was no stranger to the Bay Area, where he participated in numerous competitions.

On Saturday may 20th there will be two seperate tributes and funerals for Skeeter Rabbit and Michael Mixxing Moore

With all the deaths, many in the hip-hop community have taken time to reflect. Since no one is promised tomorrow, we must learn to appreciate what we have today. Digital Underground’s “Heartbeat Props,” which encourages us to honor the living, rings especially true these days.

Return to Davey D’s Hip Hop Corner

Yet Another Hip Hop Legend Lost-RIP Skeeter Rabbit

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Yet Another Hip Hop Legend Lost-RIP Skeeter Rabbit
by Davey D
original article-May 15 2006
 
It’s hard to say what exactly is going on as of late, but Hip Hop has been hit with some devastating loses as of late. From J-Dilla to Proof to Professor X, the losses have come quick, without warning and have left very little time for folks to grieve before being impacted with another unexpected demise.
 
Here on the West Coast, we have been hit extremely hard. The lose of DJ Dusk to a drunk driver still has LA and much of the West Coast’s Hip Hop scene reeling. This past weekend, Hip Hop pioneers Afrika Bambaataa and Kool Herc made a rare appearance on the same bill to raise money for Dusk’s family. They performed in LA on Friday and then in the Bay Area on Saturday. Also on the bill was Jazzy Jay who wrecked shop. On Friday’s show DJ Z-Trip and Cut Chemist came through and also represented. The night before the LA appearance Herc, Bam and Jazzy Jay spun at Tabel 50 in New York, where Dusk had a strong following.
 
In an eerie sense of Deja Vu, while these Hip Hop pioneers and icons were paying tribute to DJ Dusk and others were still trying to make sense of the passing of DJ Michael Mixxing Moore who passed on the same day as Dusk, unbeknowst to many of us in attendence, another Hip Hop legend-Skeeter Rabbit of the pioneering dance group the Electric Boogaloos passed away earlier that morning…
 
The word is just now getting out beyond the dance community and needless to say people are besides themselves… Everyone is asking what is going on?  Why is so much death hitting us… The details surrounding his death    are still unclear and sketchy. We’ll await an official announcement from the Electric Boogaloos and Skeeter’s family
 
In the meantime here’s some biographical information about a man who greatly impacted Hip Hop…
 
“Skeet started dancing as a young kid growing up in the streets of Los Angeles. Skeet started out locking and soon after started popping with his cousins Boogaloo Sam and Poppin Pete around 1978. In 1979 Skeet became an official member of the EB’s and has gone on to become a pioneer and innovator of the dance styles popping and boogaloo.
 
Skeet is currently helping spread funk styles knowledge through shows, appearances and classes around the world.
 
Skeet has appeared in videos by such artists as Thomas Dolby, The Talking Heads, and Michael Jackson. His movie credits include: Michael Jackson’s “Ghost,” “DC Cab,” “Body Rock” and “Fast Forward.” He was also a featured dancer on David Bowie’s Glass Spider tour. “
 
You can click here to see a couple of clips of Skeeter Rabbit dancing..
http://www.youtube.com/watch?v=rrC2PsGfXLI
 
 
You can also check the message boards of fellow EB member Mr Wiggle’s  for more info
http://p076.ezboard.com/fmrwiggleshiphopfrm1.showMessageRange?topicID=12190.topic&start=1&stop=20
 
or you can check the Electric Boogaloo’s website
http://www.electricboogaloos.com/
 
Here’s a eulogy that was written for Skeeter Rabbit.
 
A Eulogy to Skeeter Rabbit: The Man Who Saw Too Much
 
I’ve just been sitting here looking at pictures of Skeet.  For such a loud person, its interesting how he is so often in the back, off to the side.  His face looks different now than I remember it–its like another side of him has revealed itself.  Its like I can see it now when I look in his eyes–how he was haunted by the things he saw.
 
If you don’t know me, lets just say that at first glance Skeeter Rabbit, even someone with the name Skeeter Rabbit, is a pretty unlikely person for someone like me to have crossed paths with.  He is an even more unlikely one for me to have considered such a close friend.  The last time I saw him, only about two weeks ago, we both had tears in our eyes (in a choked-up manly sort of way of course) after one of Skeet’s patented hugs and a year without seeing each other.  How did two people from such vastly different backgrounds come together like that?  In my opinion, its about who Skeet (Stephen Nicholas) is as a soul and who he was as a human being.
 
My relationship with Skeet is a pretty strange one.  Its strange because Skeet’s a Crip (and I’m sure that wherever he is, he’s throwing up signs as we speak) from the black part of Dallas who was relocated to Compton, Watts, South Gate–places I’ve only heard about in rap songs even though I now live in Los Angeles.  And me, I’m a young white guy from Maine, a place where gangs live only on MTV, black people are usually African refugees, and popping is called breakdancing.
 
I found this popping thing about five years ago and instantly fell in love.  I started watching videos and practicing in my bedroom and I of course idolized my favorite dancers, like Skeet.  When I finally met him, I was SCURRRRRRRRRRED as the kids say.  I was so shy and he was such an intimidating presence, but I was immediately struck with how warm he was.  He made me feel ok, like I was welcome, like I was the star of the show.
 
As I got to know him better, this pattern continued and ultimately, more than any other single person I have met in my life (and this is not just after-death hyperbole), Skeet taught me that I am ok–just as I am.  Skeet didn’t intend to teach me this–he was more intent on me getting the mechanics of the Toyman down, learning variations on the Egyptian Twist, and of knowing how to do the ORIGINAL walkout.  See, he taught me that I am ok simply by being him.  I wrote an autobiographical play about six months ago and while I didn’t mention Skeet by name, a key passage was written directly about this experience. It goes like this:
 
so I put on this act again and it was just another one of these acts and it got harder as I got closer to these dancers as people….cuz there were all these things I wanted to say to them.. ask them about their lives and their experiences and who they were and what they thought about.. 
 
and I couldnt because of that damn voice.. all I could say was like wassup dawg.. yo,  word?? ill homie yaaah fresh… and my vocabulary was like 20 words and I couldn’t get anything out.. it just kept building until there was like one of those moments where something just finally comes to a head.. I just had to open up.. I couldnt stand it anymore so I just went out on a ledge and I tried.. I just said it.. and.. I was talking just like Im talking now.. cuz I couldnt do anything else.. the only way I could get these feelings out was to talk like this.. and the weirdest thing happened.. he was this big black guy ya know.. and he’s just listening like… uh huh word.. yup.. and he.. he took it in.. and he started opening up to me.. telling me things he didn’t tell other people.. 
and at that moment, something popped and I was just like……..
 
woah..
 
black people are just….. 
 
they’re just……. 
 
people..
 
wait a minute… maybe…. maybe people are just people… and I didn’t know what to say because
 
I just got accepted by a black guy
 
from the hood
 
as ME 
 
And that’s when it really started.. this part of me started moving to the forefront.. this part inside.. something that I wasn’t really familiar with started asserting itself more.. and.. it was really scary for me because I was coming from this if you cant touch it it doesn’t exist background right.. and this other thing wants to keep coming out.. Id get these urges… to cry… to pray… to just let go.. Sometimes… I’d just feel this indescribable longing…. like this remembrance… and before I knew it I started feeling the presence of God…
 
Now, Skeet loved telling gang stories and he told them so nonchalantly that it was hard for me sometimes to really comprehend how it must have affected him.  He told me casually that his first experience with gang violence was when he was 11 and how all he wanted to be when he grew up was a G.  He was fond of showing his scar from being stabbed and he was always proud of his collection.
 
But every so often I saw a different side of Steve.  It was like the anger and the pain could only be hidden or laughed off or run from for so long, and when he finally lost his breath and couldn’t keep up the act, there was a different person.  A deeply wounded, deeply regretful person who couldn’t help but ask why the things in his life happened as they did and why he couldn’t escape them.
 
When I got the call I was surprised, but somehow not.  I’m sure everyone can relate to that numbness that sets in.  As it started to sink in, I tried to get into his head–tried to get a peek inside and figure out how that happens and why.  And I kept picturing him reliving his past, haunted by memories he couldn’t make go away, regretting the things he’d done…  I’ll never know if this is true, but its as close as Ill probably ever get to understanding. 
 
And so I started to think that maybe there is a big lie that is sold to us about happiness and fulfillment and enlightenment.  It says that the more you open up to life, the more you let the grace of God into your heart, the easier/better/lighter your life becomes.  To me, Skeet proves that it isn’t true.  This is a man who as much as any I have encountered in my life strove for and stood for the truth.  And I know because of this, he saw an enormous amount of truth and light.  But he also saw a whole lot of dark.  He saw a lot of the ugliness of life, too much of the gritty reality that most of America and many of the people reading or hearing this are sheltered from.  And when you are open and honest and courageous enough to see the bad as well as the good, I think it is sometimes more than a human being can take. 
 
I have to say, on a far deeper level than I think words can express, I’m not sad at all–I’m not worried at all.  For I know Skeet and you and me and everyone has done this many times before and will do it many times again.  In Skeet’s eyes, I see an African warrior, a British philosopher, a Buddhist monk, an ancient martial artist, an Egyptian pharaoh.  But in this life, I see a deeply wounded man, an incredibly sensitive man who simply wasn’t able to harden or numb himself to the extent that his life experiences required him to do.
 
And last, as my duty to Stephen Nicholas, I would like to expand our scope.  As a child, this man was forced to grow up and see things that one should never see, let alone at the age that he did.  And in this regard, Skeet is just a number–another of the billions of people whose suffering and welfare are ignored and who are psychologically scarred for life by the things they experience in their childhood.  So, to those of you who mourn for Skeet, I hope you find it in you to extend that mourning to all children who grow up surrounded by war, by violence, by drugs, and by a system that tells them from day one that they don’t matter–whether the child lives in Maine, Dallas, Compton, Africa, Iraq, or Mexico.  And I hope we can use the life of someone who shined so brightly as a source of energy in our daily attempts to bring love and warmth to everyone we are fortunate enough to meet in this all-too-short little trip we call life.
 
For the dancers, Skeet always said to me that you have to find a teacher who teaches you how to teach yourself.  I’ve always seen myself as Skeet’s student and so I guess for me, its about that time now.  But I’ve been wondering about a final class, about what he might want to leave me with. It makes me think of the story Stretch told me, about how whenever they’re in Japan, Skeet is always the one going to the clubs to just get down–he just loves to dance.  And I think that’s what he’d say–that its as simple as that–just love to dance.
 
Skeet was a man of God.  His license plate read (in seven characters) I live for Him.  May we all be strong enough, courageous enough, and truthful enough–about who we really are, about what we are really going through–to do the same.  Thank you.

KRS-One: Is He Potentially to Hip Hop What Marcus Garvey was to Pan-Africanism?

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KRS-One: Is He Potentially to Hip Hop What

Marcus Garvey was to Pan-Africanism?

 

By Bro. Tony Muhammad

Politrix2012@yahoo.com

 original article-May 07, 2006

 

tonymuhammedchitown-225Just hours prior to his lecture at Florida International University this past month, KRS-One and myself had a deep conversation about how controversial the topic of discussion for the evening was Hip Hop and the Art of Civilization Building.  We talked about the general feelings, beliefs and characteristics associated with being part of a culture.  We discussed how the concept of a cultural identity is by and large something invented, a process that comes into being as a result of social circumstances.  The word culture in root, means to cultivate as you would do to a tree or a plant with the purpose of making it grow and flourish.  At the lecture, which was opened up by a panel of scholars from various walks of life, all influenced greatly by Hip Hop culture, KRS-One mentioned how today Hip Hop is in every profession: teachers, lawyers, doctors, even FBI Agents.  He also mentioned how people of different religions throughout the world claim Hip Hop. 

 

From a layered perspective of what culture is, the concept of culture is much more complicated than merely claiming identification with one particular group of people.  Under this view, we can identify with different sets of people in different circumstances.  For instance, I myself am what is typically known as a Latino and I am able to relate to and identify with other people within this diverse group based on the language, customs, food and music we generally share.  In other circumstances, as a Muslim, I am able to relate and identify with others based on the Islamic traditions that they hold (i.e. prayer, fasting, social customs, religious holidays, etc.).  From a constructionist point of view of what ethnic identity and culture is, a culture includes the concept of having a common history, traditions, myths, art, music, literature (or oral traditions) and language (even merely in the form of sayings, catch phrases, or even what is generally regarded as slang).  According to Dr. Joane Nagel, cultural identification among a group of people could come about as a result of either it being imposed by others, self-realized as a result of political and social realities or simply chosen based on perception of meaning.  When analyzed carefully, Hip Hop includes all of these characteristics and the people who have entered into it in different ways throughout its history.

 

marcus-garvey-225Marcus Mosiah Garvey, the founder and leader of the Universal Negro Improvement Association (UNIA) in the early 20th century, was deemed controversial for arguing that peoples of African descent are in fact one people because they share a common racial condition and history.  Based on this, he developed a universal flag, newspaper, religion, national anthem and attempted government and economy under the banner of Pan-Africanism.  Garvey also organized world conferences which attracted and involved the participation of African peoples throughout the world who spoke different languages but identified with each other solely on the concept of being African.  Mind you, this was unheard of prior to this time and Garvey received both praise and scorn for it during his time.  Today, much of the cultural symbolisms and traditions that were birthed in the Garvey movement are found among African peoples throughout the world.  We even have an attempted unification of African countries, The African Union, which surely could not have been developed without the idea and belief that the peoples that live within the region have some form cultural connection to one another and should come together based on it.

 

 Is this much different from the path that KRS-One is headed towards?  He has already been both highly praised and scorned for introducing the concept I am Hip Hop.  Under the Temple of Hiphop, for the past 8 years, he has pushed the idea of celebrating Hip Hop Appreciation Week in mid-May.  He has even had the United Nations sanction Hip Hop as an official culture, developed what is known as The Hiphop Declaration of Peace and is currently in the final process of releasing the universally driven Gospel of Hiphop.  Just as Garvey, at one point of his life, became greatly frustrated with Blacks in the United States for being too focused on their own problems (rather than viewing the scope of their reality from an international perspective), KRS-One this year seeks to celebrate Hip Hop Appreciation Week in Europe to see if there is a difference of response to his calling.  Overall, to many of us of the Hip Hop generation in the past 20 years, KRS-One has many at times driven us to question our world views and identity within it a mental and spiritual exodus that Marcus Garvey inspired in a similar way almost a century ago.

 

krsone1smile-225Those who do not take KRS-One seriously in these endeavors typically just view him as an artist.  As you look deeper into KRS-One, you will see much more than this; a philosopher who expresses himself in the traditional ways of the West African griot breaking down history, science and universal principles backed by the popular music of the time.  Today, in our superimposed Western form of thinking we tend to separate and categorize (and sub-categorize) all of this and tend to limit each other based on one main thing that we do in our lives.

 

When we take Hip Hop a step further and say we are going to form a government and economy over it, this may not be possible at this particular time when the corporations of the world are defining for people generally what Hip Hop is supposed to be and what a typical Hip Hopper is supposed to look and act like.  When the ice of this age melts and the glits and glamour are gone, will we be able to distinguish between who the real community builders are from the trend followers?  With how diverse the Hip Hop community is and how certain members are so highly ego driven, would a political and economic system over it be successful?  How would we be able to deal with the concept of diversity itself, especially considering that racism itself continues to be a highly unresolved problem in this world?  What about dealing with issues in the community such as homosexuality, which is highly expressively unacceptable among many within Hip Hop?  How much of this can potentially become a mass movement rather than a spectator sport situation?  Truly, these questions need to be answered before we move forward in this increasingly complex and technological world.  Surely, we can not rely on just one man to answer them for us.  We must all do our part within the dialogue – The Reality!

 

Stay tuned to the Urban America Newspaper website, www.uannetwork.com, as to how you can get a copy of the historic KRS-One lecture at Florida International University on DVD in the following months.

 

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LA Loses Two Hip Hop Icons-The Nation Loses a Freedom Fighter

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LA Loses Two Hip Hop Icons-The Nation Loses a Freedom Fighter

By Davey D

original article-May 05, 2006

Davey DThe city of Angels is in mourning as it has lost not one but two iconic figures within a week. In fact both passed away on the same day Saturday April 30th.

The first was DJ Dusk a well known member of the Universal Zulu Nation and an incredible DJ whose most recent exploits had him spinning every Thursday night at Rootdown at a club called Little Temple. Over the years Dusk made a huge impact for not only being an incredible diversified DJ who could spin everything from Salsa to Hip Hop to Reggae, he also made inroads on the radio. I believe he got down at Pacifica’s KPFK. He was one of those deejays who kept himself rooted in the community and tried to make a difference.

The circumstances surrounding Dusk’s death speak volumes to the type of man he was. The way it was explained to me, was He had a gathering of close family and friends at his home and was walking a woman back to her car when an out of control driver sped towards her. The woman was destined to be hit when Dusk leaped to her rescue. He pushed her out the way and tucked his head down to take the full impact of the vehicle which he knew would hit him. He was dragged for about 80 yards as the driver tried to escape. Luckily an alert passerby swung their pick up truck in front of the driver and prevented him from leaving. I’m not too sure about what sort of charges if any will be levied on the driver.

Last night (Thursday) all sorts of folks including Dusk’s family came out to the Little Temple to pay respects. People tried to stay upbeat, but in reality it was sad. It was sad to see his family experiencing such a major loss. It was sad to see those close to him holding it together, putting on a brave face, but inside mourning and missing Dusk greatly.

Ironically, the last time I saw Dusk was three weeks ago when he put together the annual tribute for DJ Rob One another iconic DJ from LA who passed away from brain cancer 5 years ago. Lots of people from all over including Hip Hop pioneer Prince Whipper Whip flew in from Michigan to pay tribute. The loss of Rob One, although 5 years later seemed to still be fresh on a lot of people’s minds. Dusk was the perfect host as he meticulously pulled old mixtapes and drops for the late DJ and played them for the audience. He wanted to make sure that a cat like Rob who meant so much to so many people would not be forgotten. He wanted to make sure that that those who attended would strive for the excellence that Rob One came to represent.

I’m sure no one in their wildest dreams would’ve thought we’d all be back at Rootdown paying tribute to DJ Dusk. It’s a sad thing and just underscored the importance of us not to take anything for granted.

As I sat at the bar listening to them play two of Dusk’s mixtapes… ‘Top Ranking’, a classic reggae and dancehall CD and ‘La Musica’ a classic Salsa CD, it hit me just how harsh this past year has been in terms of untimely deaths.

First it was J-Dilla, then it was Professor X and later on we lost Proof. We just lost Big Hawk down in Houston. We lost Taurus aka T who was hype man for The Coup. Atlanta rap star T.I. had his van shot up and lost one of his peoples. On top of that we lost LA Hip Hop pioneer Mixmaster Spade, Crip Founder turned Peacemaker Stanley Tookie Williams, C. Delores Tucker who fought to clean up the filth in the music industry, Rosa Parks the mother of the Civil Rights Movement and Coretta Scott King the first Lady of the Civil Rights Movement and widow to Martin Luther King. It seems like we were just talking about losing comedian Richard Pryor and heck it just a year ago I recall getting that painful phone call from Red Alert telling me that Justo Faison who was the deejays biggest advocate was killed in a car crash. Thats an awful lot of people who have meant something to us to be passing all within a year. Sadly I know I forgot a couple and I didnt include those who were close family and friends, like my cousin Michael who was like an older brother.

Again Im laying all this out so that we take this to heart and strive to make the most out of life and try and make life for those around you betterPlus I think its important that we always take time out to reflect on those who pass. I mean really reflect and not become so hardened that we see these passings as routine. I also think we need to be honest with ourselves about whether or not we actually gotten over the passings of people from a few years back.

Ill be honest its going on 10 years and I still think about 2Pac. I recall missing Rob One when we were at his tribute. The death of Jam Master J is still fresh in everyones minds. Many still mourn over Biggie. Those loses are still being processed by many of us and it gets harder and more complicated because we get hit with all these others

As we were sitting here dealing with the passing of DJ Dusk I got word that another LA legend passed away. Michael Mixxing Moore who used to spark the airwaves with his trademark Militant Mix on a number of radio stations including KKBT. This brother was all about taking Hip Hop and using it as a tool to spark social change and bring consciousness to those who needed it most. He wasnt the first to play speeches over break beats and dope Hip Hop instrumentals. But he was among the first to do it with an unmatched focus and determination to wake folks up at a time when radio was starting to dumb people down.

Im not sure what lead to Moore’s passing. Dude was only 46 years old and I hadnt spoken to him in quite sometime. I know I got hit up on Myspace and asked to be his friend. That was on Thursday or Friday of last week and in retrospect Im not sure if it was Mike or one of his peeps. I just recall getting his email and I said soon as I get back to LA, Im gonna give dude a call. He was a big part of LA history and just never got his props. By Saturday he was gone.

Because of Moore’s militant, uncompromising stance on important issues, he wont get the shine that others will get. No one should forget him getting a helicopter and dropping flyers calling out KKBT and accusing them of being racist during the Summerjam back in the early 90s after he had a huge falling out with them. No one should ever forget the passion in that exuded when he spoke about wanting to wake folks up. He was a mentor to many including DJ Mark Luv who heads up LAs Zulu Nation chapter. Damn I wish I could find copies of his militant mixes. He made his mark and should not go unnoticed. May he RIP.

damusmith-225Lastly we need to make a moment of silence for an activist who set the standard and never wavered from speaking truth to power. Damu Smith out of Washington DC may not get the accolades and praise that we have given to some of our fallen Hip Hop heroes who have passed on, but Damu was a giant figure among giants. He was known all around the world.

The work that he did and continued to do up to his recent passing where he advocated for Peace and Justice with his organization Black Voices for Peace is such that it helped elevate us all. In fact when you look at what Damu Smith stood for damn near all of his life, youll note that he championed causes that have led to so many untimely deaths. Damu was about spreading Peace and promoting both spiritual and physical health.

He was the type of cat who was knee deep in the battles along the environmentalist front. Talk about beef. He was the type of cat that fought tireless in places like Louisiana and Mississippi and throughout the south demanding that unscrupulous companies not use our neighborhoods as toxic dumping grounds. He wasnt some tree hugging hippie type. He was focused on getting rid of the dangerous toxins and chemical plants that was directed at many of our communities. Damn I wish I could run down everything this cat did. This man was an incredible organizer. And when he spoke he lit up the room. Damu was one of those cats who really set the standard because he walked the walk and talked the talk and he was humble. There were very few contradictions and discrepancies with him.

The sad part about Damus passing is that because of the dumbing down we have going on in urban radio and throughout a lot of urban media in general, he wont be given a moment of silence. No deejays are gonna play his speeches or talk about his life. Hell be one of those unsung heroes who one day well realize we came this far because of the work he put in You can peep more about Damu Smith here: www.damusmith.org/

So many deaths in so short a time I cant help but think and feel that God is asking for each of us to step up our game. Weve lost so many of our heroes to violence. We gotta do more then say RIP and play a few tribute songs. We lost so many to bad health and disease, and yet many of us are continuing down the same unhealthy paths that have taken our friends and loved ones. Many of us are not spiritually fit. We say we love the people who died but how many of us take the time and effort to carry out the sound ideals and solid effective work of those we so admired? All this is a jarring wake up call. Either we wake up or start doing the right thing or well soon find ourselves doing a lot more tributes…

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How Radio Continues to Dumb Down Blacks in Los Angeles

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How Radio Continues to Dumb Down Blacks in Los Angeles

http://www.eurweb.com/story/eur26174.cfm

original article-may 05, 2006

One need only to look at the recent booting of John Salley of “The John Salley Block Party” on Radio One’s KKBT-FM (100.3) The Beat and the chosen replacement of Dallas based personality Tom Joyner, to see the crisis in black radio in Los Angeles.

In the nations second largest media market that is home to almost one million blacks, there is only one daily talk show that focuses on issues relevant to blacks in Los Angeles and unless youre up at 4:30 a.m., you miss it. And this is not a plug for the Front Page on KJLH, but it is what it is.

Please tell me that I am not the only black person in Los Angeles to notice the gradual yet progressive downward spiral of black radio into meaningless banter by obsolete personalities who are solely focused on their own lives and use four hours during morning drive time to tell you about it. And if its not the Chatty Kathy personalities then its the celebrity who has a new movie, television show, album, video, ring tone, sneaker, or whatever that just wont shut up.

Then theres the issue of community news, you know news about issues relevant to you and me. Well, thats just about disappeared too. If radio stations read news, its usually Associated Press or City News copy that wasnt written by us and usually doesnt pertain to us. How many black radio news reporters do you know of? Off the top of my head I can only come up with one, Jacquie Stephens.

Lets be clear here. There are only two black owned radio stations in Los Angeles, Stevie Wonders KJLH and Radio Ones KKBT.

KJLH gets a pass simply because they are home to the only daily black talk show in Los Angeles and they actually have a black reporter that goes out into the community to report our news. However, KJLH would do better by moving the Front Page into the Home Teams time slot and vice versa.

Radio Ones KKBT has been a constant disappointment for years. I didnt think they could go much lower after hiring Steve Harvey but then they hired John Salley and made a fool of me. It was a bad move to nix then KKBT personality Dominique DiPrima, but Da Poetess has been trying to hold it down over there for the community.

Consider this. Spanish language radio disc jockeys were the moving force behind the mass numbers of people in attendance at the pro immigration rallies and marches. They told their people where to go, when to be there, what to bring with them, and the people came.

When was the last time John Salley, Big Boy, or Cliff Winston told you to attend a rally in support of an issue that was important to blacks? My point exactly.

Illegal immigration is all everybody is talking about these days, everybody except you know who.

So imagine my own surprise when I found myself tuning in to KFI 640 AM of all stations to get briefed on the latest immigration news. Notoriously known for being Los Angeles conservative talk station, KFI has been the only station in Los Angeles to really address immigration in a language that I can understand, English. And even though I dont always agree with their points of view, I can appreciate a station that is actually willing to at least talk about the issue. It was KFI not a black radio station that first asked blacks how they felt about illegal immigration and had blacks call in to the station to voice their opinions. Go figure?

Someone reading this article is going say, Well, these stations play music. Their focus is not news. That may be true, but if its a black station, we should also be able get our news from them as well. I dont expect KFWB News 980 or KPCC 89.9 FM to do a special broadcast on community news specific to blacks, although it would be nice. I do however expect stations that cater to this community to address the issues that are important to us and provide us with comprehensive news that we can use to educate ourselves.

Who was voted off of American Idol the night before is irrelevant when we are in danger of losing a community like Leimert Park.

Somehow I just dont think a Dallas based radio personality who has no connection to the community is who we need on the airwaves in Los Angeles. Its just a hunch.

# # #

Kennedy Johnson is a black writer who lives somewhere in Los Angeles. Kennedy can be reached at johnson_kennedy@hotmail.com.

The State of Black Radio

An instrumental part of the immigrant rights supporters mobilization was the cooperation from Spanish language media. What is black and urban radio doing in Los Angeles to educate and mobilize blacks on the issues? Or should they be educating the community?

Confirmed panelists include radio pioneer Lee Bailey of eurweb.com, KJLH Public Affairs Director Jacquie Stephens, and 100.3 The Beat Community News Director Poetess. Invited guests include Eddie “El Piolin” Sotelo of Radio la Nueva.

Join the Los Angeles Urban Policy Roundtable for a candid discussion on the state of black radio in Los Angeles Saturday, May 6, 2006 at 10 a.m. at the Lucy Florence Coffee House located at 3351 West 43rd Street in Leimert Park. For more information, please call (310) 672-2542.

Saturday, May 6 at 10:00 AM at the Lucy Florence Coffee House.

3351 West 43rd Street in Leimert Park Los Angeles
$5 donation
All Proceeds Benefit the Educational and Community Engagement work of the the Los Angeles Urban Policy Roundtable
501C-3 Non-Profit
information, please call (310) 672-2542 or visit www.laurbanroundtable.org.

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Hip-Hop’s Betrayal of Black Women

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Hip-Hop’s Betrayal of Black Women

Fights Break Out in Lemiert Park Between Black Minute Men & Immigration Activists

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Fights Break Out in Lemiert Park Between Black Minute Men & Immigration Activists
by Davey D
 
daveyd-raider2Yep you read the title right Black Minute Men. Below is an article illustrating the type of bullshit going on in LA that is making this Black-Brown situation spiral out of control. Yesterday cats were in Leimart Park boxing each other over this immigration issue. Ted Hayes a well known homeless activist, showed up with a couple of hundred people including Minute Men to lead an anti-immigrant demonstration. Of course all the media showed up and have been salivating at the jaws for this to happen- Black folks trying to smash on Brown folks in LA.
 
Fortunately a large number of brothers showed up to counter this thing and let it be known Hayes and his Minute Men aren’t speaking for the Black community. That’s when the fighting broke out. Hayes started leading a chant of ‘Communists Go Home’ while holding a big banner saying Crispus Attucks Brigade.  He also said some thing about we been hear since slavery and therefore have amoral obligation to stop alien invasions. Now these cats are running around planning a big anti-immigration rally for Thursday. The Minute Men themselves haven’t even organized such a protest-just these Negroes.
 
In addition to all that the Clear Channel station that ran the ‘Kill Tookie Hour’ are now doing a big promotion called ‘Weening Yourself Off Illegal Aliens“. They dedicate an hour a day to people calling on clowning Mexicans complete with spliced speeches and people using fake accents. Of course Ted Hayes and company are now heroes to the same station that regularly clowns the homeless and Black people in general. What people won’t do for some fame and glory.
 
Meanwhile Black owned but white run Radio One have barely touched this issue here in LA preferring to stick with their policy of only dealing with Black folks and not the Latino community which makes up 40% of Southern Cali. At least KJLH owned by Stevie Wonder has been on it.  Props to Yo-Yo who has been hitting this hard and doing her best to make sure bridges are being built and that people like Hayes don’t cast a wide shadow over all of us… She’s planning a big Cinco de Mayo event and trying bring a lot of artists out to show support. Also Brother J of X-Clan and Fidel Rodriguez of Divine Forces Radio [KPFK] and also Julio G of KDAY have been out there repping hard. Also tens of thousands took to the streets in San Francisco last night. Large numbers of Asian/Filipinos in particular came out.
 
Thank God Fred Hampton Jr. and Immortal Technique stayed in LA for a full week and toured the place and saw for themselves what’s really going on and all the power dynamics that are at work. Thank God they’ve been  aggressively speaking out on this and calling people out for their faulty analysis. As Technique pointed out ‘Juan who is selling oranges on the freeway is not taking away jobs from nobody. Look to the government shifting jobs overseas’. The hi-tech computer jobs in Silicon Valley are being out-sourced to India while other big corporations are applying for guest worker passes claiming that US worker are too dumb to work many of the jobs we as Black folks are blaming Latinos for taking. 
 
As Chairman Fred pointed out, Black folks should not be playing the role of Buffalo soldiers for white power interests who are obviously enjoying the shenanigans of having Black folks run around sounding off worse than any Klansman.
 
The perceptions and misinformation floating around LA is crazy. Case in point. I attended a meeting last week with Black and Brown press folks. Many of the Latino media folks were wondering why the silence with Black stations like KKBT.. They were shocked to know that while Black owned it’s white run from top to bottom and that the day to day silence is the call of the PD and GM. That revelation helped clarify things immensely.
 
I’m encouraging folks to peep the Fred Hampton Jr. interview if you haven’t already. Also be on the look out because a lot of Spanish speaking rappers are getting together to record a song about this issue..
 
 
Where’s P-Diddy and HSAN on this issue? Did they address this over the weekend during the Summit? I heard Russell speaking on Sudan.
 
Call your Congressman and call your local rapper and let them know how you feel about this issue.