New Boondocks takes a Hard Shot at Will I am, Barack Obama and Tiger Woods

Aaron McGruder has long spoke out against Barack Obama and his ties to Wall Street and corporate America. Long before the 08 election McGruder was letting his feelings be known. Looks like he’s know coming back with heat.. He takes a swift shot at Will I am of the Black Eyed Peas as he gears up for the new season of The Boondocks. In another clip McGruder spoofs the Tiger Woods commercial.

http://www.youtube.com/watch?v=08S4poMGvwA

http://www.youtube.com/watch?v=w9D_857I0b0

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Jay-Z Beefing w/ Boston Redsox David Ortiz Over Club name 40/40

David Ortiz steals Jay-Z’s 40/40 Club name for Dominican Republic hotspot Forty-Forty: suit

BY ALISON GENDAR
DAILY NEWS STAFF WRITER

Yankee fan Jay-Z is suing Red Sox star David Ortiz for ripping off the name and reputation of his star-studded sports lounge, the 4-0/40 Club.

Papers filed Thursday in Manhattan Federal Court claim Big Papi visited the sleek hotspot in the Flatiron District and liked it so much, he stole it like Jeter steals second base.

After enjoying the rap mogul’s hospitality, Boston’s designated hitter opened a club called Forty-Forty in his native Dominican Republic, the $5 million suit says.

Lawyers said it can’t be a coincidence.

“David Ortiz was at the club at least twice, and certainly knew of it,” said Jay-Z‘s lawyer, Peter Raymond, of the firm ReedSmith.

Ortiz stopped into the W. 25th St. hangout when the Red Sox were in town to play the Yankees and was there during an All-Star Game celebration, the suit claimed.

The lawyers even included photos of Ortiz living it up at the real 4-0/40 Club.

They say the Web site for his copycat club “blatantly trades on the goodwill and fame” Jay-Z and his partners have built up.

Ortiz could not be reached for comment.

The Web site of the Santo Domingo club says it boasts “the best ambiance in the Caribbean” with VIP areas.

Manhattan‘s 4-0/40 club has a virtual parade of VIPs coming through, with the likes of Alex RodriguezNaomi CampbellMariah Carey and, of course, Jay-Z’s wife Beyoncé, hanging out there.

The club – which has branches in TokyoAtlantic City and other cities – has been showcased on MTV and in Forbes and Vanity Fair.

The name of both clubs is based on baseball’s 4-0/40 club for players who have stolen 40 bases and hit 40 home runs in a single season.

There are four players in the elite group. Ortiz, who has stolen only 10 bases in his entire career, is not one of them.

Read more: http://www.nydailynews.com/gossip/2010/04/15/2010-04-15_david_ortiz_steals_jayzs_4040_club_name_for_dominican_republic_hotspot_fortyfort.html#ixzz0lGmOsHTW

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This Year the South Gets Honored at the VH1 Honors-What Groups Will they Highlight??

Outkast kicked down lots of doors for Southern rap

Every year the VH1 Honors pay tribute to Hip Hop pioneers from various aspects and eras of  its musical culture. Last year they paid tribute to Def Jam records.. The year before they gave dap to West Coast artists. In other years they paid tribute to many of the early pioneers out of New York.. The show brings forth a unique mix of Hip Hop elders to be honored while some of today’s most popular artists pay tribute by re-doing one of their popular songs.

According to Hip Hop pioneer Fab 5 Freddy, one of the driving forces behind this event, its one of the ways they attract a younger audience that otherwise may bypass the honors altogether. It’s not like other commercial outlets that normally present Hip Hop music are routinely educating their audience to have a deeper appreciation for bygone eras. Hip Hop on the commercial side is no where like its Rock-n-Roll counterpart where classic material and pioneering figures in the genre are held in high esteem.

Today there are far too many young cats in Hip Hop who have no idea who the pioneers are. Sadly many don’t even care. Hip Hop has been positioned as a music genre that is supposed to only be for one people. Case in point are the recent potshots we’ve heard younger rappers take at veterans like Jay-Z. Most notably artists like Game have referred to him as an old man over 40 who should not be rapping. You rarely hear those slights taken at Rock artists many like Mick Jagger, Bruce Springsteen or Paul McCartney who still tour while well into their 50s and 60s. That needs to change. We need to change.

This year the VH1 Honors, normally held in the fall are taking place in June during Black Music month. This year pioneering figures from the South aka the Third Coast will be honored. According to Fab 5 Freddy, he has long wanted to feature artists from this part of the country. They have been dominating for a number of years. he didn’t say exactly who will be on the show, however, I do know when I ran into Houston artists Chamillionaire and Paul Wall the other week they mentioned having to do something for VH1 around the honors… We’ll keep you posted as things unfold.

Here’s the interview we did with Fab 5 Freddy

http://www.youtube.com/watch?v=rvjcaVYJXn0

If it was up to me I’d love to see them dig deep and pull out seminal figures like Magic Mike, Clay D, Afrorican, The M4sers and all those folks who were key in the evolution of what was once known as Miami bass. Also included would be 2Live Crew and MC Shy D who I feel has long been overlooked and all but forgotten when his records once upon a time were mainstays.

Geto Boys for years was the dominant group from the South that most of us knew about

Of course we have to pay tribute to Texas..The Geto Boys, UGK,  Lil Keke the late DJ Screw immediately come to mind. Michael Watts is another who we need to look at.

It would be a major oversight to not honor Arrested Development. Outside of the Miami Bass era I think they were the one group that initially captured the essence of that down home feeling that many of us came to associate with the South. I think Arrested Development is underplayed. In that same vein we have to honor  Outkast and the Goodie Mobb.  Dap has to be given to the entire The Dungeon Family which includes Organized Noise. Here’s what Speech had to say about Southern music and whether or not its getting a bad rap.

http://www.youtube.com/watch?v=GMj4S6CXfhs

If I had to pick someone from New Orleans it most definitely would be Juvenile who’s career goes back to New Orlean’s humble bounce music days.

In places like Kentucky I would love to see props be given to Underground Mafia.. I think they were way ahead of their time. and unfortunately only had that one album. Below is one of my favorite songs by the group

http://www.youtube.com/watch?v=cD3-VU-KPmE

We cant forget 8Ball and MJG out of Memphis.

Finally we have to look at looming figures from Virginia and Washington DC.. DJ Kool, Missy Elliot and Timbaland are names that come to mind.

http://www.youtube.com/watch?v=Vh6hgorQTos

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Mystic, Freestyle Fellowship, 2 Mex, LA Breakers Come Together for Earth day Celebration

SOUTH LOS ANGELES GRASSROOTS ORGANIZATIONS, SCHOOLS, AND COMMUNITY MEMBERS COME TOGETHER TO CELEBRATE EARTHDAY AND TO EXPLORE THE THEME OF WATER

The 2nd Annual EARTH DAY SOUTH LOS ANGELES EVENT, Saturday April 17th 2010 from 11am to 6pm will be at Normandie Avenue Elementary School, 4505 S. Raymond Ave, Los Angeles, CA 90045. A growing movement in South Los Angeles area has serious momentum and is being expressed through the arts, workshops, and food culture.

Over a hundred artists will participate in performances and ceremonies of Music and Dance, Community Mural, Graph Art Pieces, Recycled Art Exhibit and Fashion Ahow, and an Art Sale. Local food will be showcased with recipe demos, food vendors and produce for sale. Information tables will showcase the work of our partners and other community organizations.

Earth Day South LA (EDSLA) will include performances by Aceyalone of Freestyle Fellowship, Mystic, La Santa Cecilia, 2Mex, Rifleman, Dyane P, Buyepongo, the Caribbean Dynamics, LA Samba Kids and the Normandie Avenue Elementary School Student Orchestra. Dance features the World Famous LA Breakers, Just Wanna Step and Bharata Natyam.  The event will begin with a gathering call from the Freedom Sounds Korean Drumming and an opening ceremony by Azteca Dancers.  A featured project will be the Southern California Library’s Sounds of Justice presented by Jeremy Sole (KCRW) and Kaos Network Beat Cypher Collective.

Normandie Avenue Elementary will be beautified with live graffiti art by Cre8, Duce, EnkOne, and Jeyd curated in collaboration with I.C.U. Art and a Community Mural, Art Sale, Recycled Art Exhibit and Fashion Show by Liliflor Collective. A Hip Hop Poetry Room will feature an Open-Mic and workshops from BessKepp, NHS Poetry Club and the Get Lit Players. A mini EDSLA Film Festival will show films that reflect the work for a sustainable community, for example, A Drop of Life and The Power of Community. Workshops include Composting, Fruit Tree Pruning, Yoga, Capoiera, Healing With Herbs, Son Jarocho Dance, Recycled Art, How to Start a Food Not Bombs Chapter, Bike Safety and Maintenance and African Drumming. Also on offer will be activities for kids and a local fruit pick.

“Beyond organic” local produce will be featured in cooking demos by chef Gino Campagna (star of Kitchen Kids on AOL.com), Chef Jason Michaud of Local, a Chef from Chi Dynasty, Sirena Pellarolo from East Side Café and Lisa Nunez Hancock and youth of U R What U Eat. Produce will be available for purchase at the South Central Farmers booth. Pure fruit smoothies, iced herbal/fruit teas, tamales and salads will be on sale.

Our Partners include Councilmembers Jan Perry and Bernard Parks, Bike Oven, City Year, Caracol Marketplace, Community Build, Eastside Café, Food Not Bombs, Hunger Action Los Angeles, Garden School Foundation, Hip Hop Association, ICU Art, LA Conservation Corps, Kaos Network Beat Cypher Collective, Lilliflor Collective Studios, NAES Environmental Club, SOL Cooperative, South Central Farmers, The Tree People, USC Student Activists for a Beloved Community, Southern California Library, Women Organizing Resources Knowledge and Services.

Together we envision an annual Earth Day event where community residents in South Central come together in a safe environment to have fun, celebrate our foods and cultures, learn about and participate in sustainable practices, and connect with each other and organizations working to make positive change in our neighborhood.

The Merger of Hip Hop & Punk..an Interview w/ Fab 5 Freddy

The meeting of Punk and Hip Hop cultures in the late 70s early 80s is an overlooked often downplayed facet of Hip Hop History. Most people think of Run DMC‘s Rock Box and later their collaboration with Aerosmith when they think of Hip Hop merging with Rock-N-Roll. The truth of the matter is that in a very organic way, artists from both cultures broke bread and came to respect each other not so much because of the music, but because of the ‘rebellious’ attitude and spirit that personified both groups.

With last weeks passing of punk icon turned Hip Hop icon Malcolm McLaren, the details of punk Hip Hop unions began to be revisited. We sat down with one of the key bridge builders to both worlds Brooklyn native Fab 5 Freddy to get his perspective.  Fab started out as a graffiti artist and later went on to rap and produce. His record Change the Beat is a classic. here Fab raps in French and at the end provides us with the classic line that every DJ worth his weight has used to scratch.. Ahhh This Stuff is Really Fresh. It was one of the earliest instances of a vocorder being used in Hip Hop. later on Fab5 became the face of Yo MTV Raps.

Fab 5 Freddy

He now heads up the VH1 Hip Hop Honors. He noted that this year they will be honoring the pioneers of the South. We spoke to him about those pioneering days and he noted that his love of art is what took him downtown to the thriving Village scene that hosted Punk, New Wave and artsy types..Fab 5 noted that his partner in crime (art crime) was the late Jean Michel Basquiat and together they attended a lot of the shows and parties and met folks like Deborah Harry and her man Chris Stein from the group Blondie.  The group would later immortalize Fab 5 in the song Rapture where they shouted him out. In our interview Fab 5 explains how that song came about.

Kool Lady Blue

We talked about Fab’s first encounter with Malcolm Mclaren. He noted that it was a promoter named Kool Lady Blue best known for her work at the Roxy and the Negril who introduced the pair and that Fab wasn’t really feeling McLaren. He explained that  his good friend Johnny Lydon aka Johnny Rotten of the Sex Pistols and later PIL had accused McLaren of ripping off the group. As a result when McLaren explained to Fab 5 that he wanted to go uptown to the Bronx and experience the emerging Hip Hop scene, he wasn’t gonna be ‘that guy’ to make it happen.

Fab went on to explain that he was impressed with the way Mclaren maneuvered. Not only did he make it up to the Bronx but he eventually teamed up with two guys Larry Price aka Se’Divine Price and Ronald Larkins Jr aka JazzyJust the Superstarwho were members of the 5% Nation who had started doing one of the earliest Hip Hop radio shows back in 1979 on WHBI. . The duo went by the name World Famous Supreme Team and they along with Mclaren made history by putting out some of Hip Hop’s ealiest hits including ‘Buffalo Gals’ and ‘Hey DJ’.. Fab explained what made Mclaren such a genius was his ability to capture not only the early feel of Hip Hop but also the groups popular radio show . He was ground breaking in his production and willingness to push the envelop.

Fab added that the Hip Hop -Punk fusion came about because there was a community of artists who were open minded and willing to collaborate.

The Clash

We talked about the groundbreaking role the Clash played. Fab noted that the London based group was influenced by reggae and saw similarities with that and early rap.  They did a weeks long stint at a club called Bond  where they decided to show support for Hip Hop by inviting a popular artist or deejay to open up for them each night. The line up included Grand Master Flash, Kurtis Blow, Afrika Bambaataa, Spoonie G and Funky 4 Plus One More.  he said rthe crowd was hostile. It would be like a rapper performing at a Tea Party. Things got so bad the Clash had to come out on one of the nights and let folks know they were in full support of Hip Hop. Later on Mick Jones would hook up with Futura 2000 to do a song called ‘Escapades of Futura’ http://www.youtube.com/watch?v=gR9K2ISCUqg

During our interview Fab talked about how the merger of Punk and Hip Hop helped paved the way for early Hip Hop journalism primarily with writers Barry Cooper and Greg Tate who were fixtures in the downtown art scene and started penning stories about Hip Hop.

Click HERE to Here Breakdown FM podcast featuring Fab 5 Freddy

Below is a link to the interview we did with Fab 5..

Breakdown FM Interview w/ Fab 5 Freddy How Hip Hop Met Punk

Here is a shortened video version of the podcast

http://www.youtube.com/watch?v=EyxNc-7cA7E

http://www.youtube.com/watch?v=3niRdoFgYoQ

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Inside Music Media: Conan on TBS — Smart?

As you read this story about Conan O’Brien for those who are in the music biz, keep a couple of things in mind 1-) Jerry Del Colliano the author of this piece’s expertise is the music industry. He’s a ‘G’ in that world and has been dead on with his assessments and analysis.. He’s  been preaching to folks in this crumbling industry to make some moves and think outside the box. What Conan is doing is something many of us need to be looking at in terms of identifying audience, owning them versus renting them and then being shrewd enough to set up shop and go in deep where they are at… It’s still baffling to me that in 2010 I still run into cats who are gung-ho trying to get signed or get their songs on commercial radio. Its 1996 game that has come in gone.. In the next few days we’re gonna be posting a series of interviews that focus on this aspect more. In the meantime,  wet your palettes with this article and we’ll build later

-Davey D-

Inside Music Media: Conan on TBS — Smart?

By Jerry Del Colliano

http://insidemusicmedia.blogspot.com/2010/04/conan-on-tbs-smart.html

For Conan O’Brien, getting pushed out of his Tonight Show digs at NBC has turned into quite a profitable business.

NBC paid him off — $45 million to O’Brien and staffers — when the network decided to reinstate Jay Leno to Conan’s spot after Leno’s ill-fated months in the 10 pm weeknight slot.

Everyone thought Conan was headed to Fox — including Fox — according to Deadline Hollywood’s reporting. More talks were said to be scheduled between Conan and Fox after the NAB Convention now underway in Las Vegas.

Then the shocker.

In about less than two weeks, according to news accounts, Conan O’Brien’s people decided to take an offer from TBS to bring his offbeat, youth-oriented comedy to cable.

Smart?

Obviously for O’Brien, it was.

He’s getting a reported $10-12 million a year in a five-year deal that also gives Conan’s production company ownership of his show with TBS taking a smaller stake in it. Not to mention the four-day workweek.

This is more than a story about a spurned TV comic who was pushed out of his Tonight Show chair and rose to get revenge.

It’s about the changing audience, the unusual appeal of paid cable in a free world and, well — the growth of the Internet.

How so?

Since leaving NBC with all that money, Conan has miraculously discovered the Internet.

He’s been attracting over a million people to his online antics and has embraced Twitter like never before. See, his youthful fans are watching more cable and obviously, they are also the Internet generation.

So far so good.

Conan pulled a friendlier coup when George Lopez’ current 11 pm TBS show was designated for midnight. Lopez, being the good solider (perhaps better than Conan when NBC decided to restore Leno to The Tonight Show) said he’d love to have Conan as a lead-in come this Fall.

O’Brien cannot be on live television until September under his NBC exit agreement, but he can tour and he’s using the Internet to drive his “Legally Prohibited from Being Funny on Television Tour.”

As shocking as the Conan announcement was to the traditional television community, you had to see it coming.

Conan’s audience grew up on cable — niche programs more so than the homogenized fare the major TV networks have been used to offering.

They reside on the Internet and as soon as O’Brien figured it out, they flocked to him.

Now it’s a win-win-win.

Conan gets rich again with approximately the same salary NBC would have paid him that they already had to pay him to leave.

One win.

The audience gets a cult-figure, quirky, cable-ready O’Brien.

Two wins.

TBS gets to sell advertising and stands to make a profit from the get-go with a former big network talent who is not aging. In fact, he was too old for NBC’s audience.

Three wins.

The Wall Street Journal reports:

“The defection of a big-name broadcast TV talent to cable TV comes amid a creep of programming and advertising dollars to pay TV. Cable networks have invested billions of dollars in original scripted shows, high-profile sports events, kids’ programming and late-night shows”.

O’Brien is quoted as saying, “In three months I’ve gone from network television to Twitter to performing live in theaters, and now I’m headed to basic cable,” Mr. O’Brien said in a TBS statement announcing the late-night show. “My plan is working perfectly.'”

Tongue planted firmly in his cheek but absolutely true.

Here’s the future:

1. Cable is a great interim step, but soon an Internet-only video shows like the kind Conan (and other genres) can do will reside only online and on mobile entertainment devices. But they can’t be like traditional television. Read on.

2. The content will resemble an assembly of YouTube clips that can be viewed in one session, or individually at the whim of fans exercising their right to get content on demand.

3. Social networking will be included and I’m not just talking Twitter and Facebook. More like a separate “nation” for, in this case, Conan fans to communicate with each other.

4. New forms of ad revenue such as performing in public venues with sponsorship tours. By going to cable, Conan gets to enter the new space while being funded by the traditional advertising model of spot TV. Believe me, advertisers are more than interested in finding their way to new media.

5. Mass communication over traditional media is waning. The future is programming delivered where people now live and will soon reside — online, on phones and iPads.

Conan saw the future and you see it, too.

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Fear of An Arab Planet: 5 Videos & Groups Speaking Truth to Power & Repping Hip Hop to the Fullest

Here’s some hype videos and groups from the Arab world people should be up on. I’m always amazed at how so many groups from around the world use rap as a crucial communications tool to speak truth to power and now in the digital age provide images that let us know how life is in their neck of the woods. Below you have cuts from some of my favorites including Lowkey out of Britian, Narcy out of Montreal / Iraq, Clotaire K out of Lebanan/ France, Salome out of Iran and Dam out of Israel/ Palestine.. There are lots more to peep but we’ll start folks off with this batch..

Lowkey ‘Obama nation’ (Britain)

http://www.youtube.com/watch#!v=z4OI0GUCI_A&feature=related

The Narcicyst P.H.A.T.W.A. (Montreal/Iraq)

http://www.youtube.com/watch#!v=TtoHCUMpNMY&feature=related

Clotaire KLubnan’ (Beruit)

http://www.youtube.com/watch?v=hT6AfnssdYk

Salome Scream To Let Your Voice Be Heard (Iran)

http://www.youtube.com/watch?v=7_FR23x7Nvk

Lowkey & Faith SFXAlphabet Assassin (Britain)

http://www.youtube.com/watch#!v=ToZUIdbgqjE&feature=related

Dam I was Born Here’ (Israel/Palestine)

http://www.youtube.com/watch?v=zIo6lyP9tTE

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Rising Dissatisfaction Among Post Apartheid Blacks. Is South Africa On The Brink Of A Bloodbath?

Last week we ran a couple of stories that detailed some of the racial tensions brewing in South Africa. We also included a couple of videos. What was most disturbing and noteworthy was seeing the extreme anger being expressed by white Afrikaners who are claiming they want ‘their country back’. Does this sound familiar? Does it sound like the rhetoric being expressed by Tea Party types who seem to have been motivated by having a Black man in the White House  as opposed to the corporate heads (many of them white) who caused much of the economic upheavals they are railing about. Its hard not to hear about this anger among White South Africans and not compare that with what’s going on here. They want to celebrate and highlight what they claim is a unique culture and here in the US we have sitting governors publicaly harking back to the ‘the good ole days’ when the Confederate South was on the running things.

Sadly here in this country race trumps all logic and as we seen time and time again folks will vote against their own self interests rather than share power and resources with racial rivals. call it a warped sense of entitlement where some whites feel that they have a God-Given right to be economically, politically and socially better off then people of color. From what I’m reading about in South Africa, it seems like a resentment of no longer being in charge. In any case here’s a recent Africa Watch blog laying out some of what’s going on in South Africa…

-Davey D-

http://www.youtube.com/watch?v=RjDVnqEpHkY

Rising Dissatisfaction Among Post Apartheid Blacks. Is South Africa On The Brink Of A Bloodbath?

http://africawatch53.blogspot.com/2010/04/rising-dissatisfaction-among-post.html

Julius Malema

Julius Malema, the African National Congress Youth League (ANCYL) leader, and the recent brutal murder of the African Resistance Movement (AWB) creator Eugen Terreblanche may be the spark that lights the fuse of dissatisfaction at the limited gains received by blacks in post apartheid South Africa.

First Terreblanche is a white racist Afrikaner whose viciousness and brutality toward the killing of unarmed black South Africans came to light under the Truth and Reconciliation Commission – he confessed his sins and walked away a free man.

Malema has received much scrutiny in the South African and British press lately, for, among other things, calling for the nationalization of South Africa’s mining industry, the singing and then banning by the courts of the song that includes the lyrics “shoot the boer,” and traveling to Zimbabwe and being met at the airport by 500 Zanu-PF youth members singing the above song, as well as being received on the tarmac by Zimbabwe’s president Robert Mugabe.

The AWB (at their height they claimed a membership of 70,000) or what is left of it vowed to avenge Terreblanche, as the group has since toned down their call for revenge. According to news reports, “fear of growing racial tensions and polarization grew as condolences streamed in,” and the General-Secretary of the AWB blamed Malema. During a phone interview, he said to expect “revenge.” We are going to finish with funeral arrangements and thereafter have a summit conference on May one in Pretoria, where all of our leaders and members of the AWB will come together and decide on what actions we will take to revenge Terreblanche’s death.” He then linked the song with the lyrics “shoot the boer” reported News24.com, sung until recently banned by Malema as directly responsible for the killing.

“There were mixed reactions from political parties,” reported News24.com. Those included the Azanian People’s Organization (Azapo) that said Terreblanche died in a similar manner in which he murdered blacks. We are sad that Mr. Terreblanche died in the manner in which he died, murdered in cold blood. Sadly, this is how he killed black defenseless farm workers in Venterdorp.”

The Afrikaner author and political commentator Dr. Dan Roodt accused the ANC youth wing of creating “a crime of hatred towards Afrikaners” which, reported News24.com, could lead to “anarchy (and) Zimbabwean-style land evasions.”

In addition, the country is at the crossroad, he said, and appealed to the international community, including the European Union, the United States, and the United Nations to intervene and stop the potential for a bloodbath in South Africa.

Eugene Terreblanche

But all of this talk of a blood bath fails to consider that in post apartheid South Africa, the economy including 87 percent of the productive farmland, continues to be in the hands of whites. So Terreblanche might be the spark that lights the fuse, but the powder keg representing the unmet needs of black South Africans has been simmering for some time.

Then there is the land question, and all of the ink being abused in order to discuss white fear of a black takeover of the economy.

This question prompted then President Mandela to say in 1997 that: “Their task is to spread messages about an impending economic collapse, escalating corruption in the public service, rampant and uncontrollable crime, a massive loss of skills through white emigration and mass demoralization among the people… because they are white and therefore threatened by the ANC and its policies which favor black people.”

http://www.youtube.com/watch?v=JPbExwBJiwY&feature=fvw

The current public discussion appears to be geared toward masking “racist narratives,” with a tendency to portray black wealth as something to be regarded with suspension, said Black Management Forman deputy president Tembakazi Mnyaka.

This is being couched in calls for “lifestyle audits,” which is a “smokescreen,” that Mnyaka claims, “the purveyors of this narrative seek to silence the emerging black economic elite and middle class, lest they are blackmailed by the now exposed banner that says: blacks cannot be wealthy.”

Mnyaka believes those that support calls for lifestyle audits “manipulate” and “de-historize the context.”

He also says, “We are made to question whether apartheid and its attendant policies that dehumanized blacks and created the most unequal society in the world really happened: and if the conclusion is that it did, we are made to feel guilty about correcting its wrongs.”

This narrative includes post apartheid blacks being made to feel guilty for desiring ownership of productive farmland 87 percent of which is in the hands of white South Africans.

President Zuma has promised to overhaul the governments’ land reform program, as a government minister said, “one of the most visible legacies of apartheid that has failed.”

This land distribution program to date, according to land reform minister Gugile Nkwinti, has not been “sustainable and has not provided the anticipated benefits to the recipients.” In addition, Nkwinti says, of the 15 million acres that has been distributed, most of which is non-productive land, and “has been transferred through restitution and redistribution… and has not created any economic benefit for many of the new owners.”

So this doomed from the beginning  – failure at the redistribution of land stolen by whites under the 1913 Natives Land Act called, “the original political sin” by many, has no chance of meeting its mark. And at market prices, repurchasing one-third of that land and resettling black farmers by 2014 at a rate of $9.6 billion, is all but out of the question.

So maybe, ANCYL leader Julius Malema, with all his flaws, “is in fact the most appropriate leader,” according to South Africa’s Politicsweb, “for the moment.” Since he is unlike “the passive (Bantustan leaders) to the apologetic (liberal reformists like Desmond Tutu and Memphela Ramphela), the time has come for an explosive and radical character who will advocated for social equality without compromise.”

So the Youth League leader hits a nerve for his willingness to speak his mind regardless of the consequences. His criticism of the Zuma administration for under-resourcing of the National Youth Development Agency when President Zuma said he would support the NYDA during his State of the Nation speech shows why he has mass appeal among blacks and why whites fear his brand of leadership.

And then there is last week’s trip to Zimbabwe and his most recent call for he nationalization of South Africa’s mines. “We hear you are going straight for the mines, he said during a rally in Harare organized by the youth component of the Zanu-PF, “That is what we are gong to do in South Africa.”

“They have exploited our minerals for a very long time. We want the mines, now it’s our turn,” he said. The Sunday Times reported, Zimbabwe last month put in operation a law that requires foreign companies valued at over 500,000 US dollars to divest 51 percent of shares to non-white locals within five years.”

Malema apparently is taking his show on he road. In a tour designed to look at “nationalization programs,” the ANC Youth League leader will also visit Brazil, China, Chile, Cuba and Venezuela.

But of all the things, Malema has been criticized in the South African press, it is the media coverage of the “shoot the boar” song, the subsequent connection of the song to Terreblance killing, that has received the most ink. Malema’s singing of the song last month, according to published reports, in front of college students sparked a legal battle in which the ruling ANC challenged “a high court that ruled the lyrics as unconstitutional.” Boar means farmer in Afrikaners, and has negative connotations referencing white Afrikaners.

The killing of Terrblance appears to be in response to his unwillingness to pay two of his black farm workers, not motivated by listening to a song.

Jehron Muhammad can be reached at:Africawatch53@gmail.com

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KRS-One Explains why Bambaataa & Zulu Nation-boycott Nat’l Museum of Hip Hop

KRS1 speaks on behalf of the Hip Hop Pioneers the reason why they are boycotting the National Museum of Hip Hop. It sure changed the direction of the night.

http://www.youtube.com/watch?v=-y_e7Z7coek&feature=player_embedded

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Malcolm McLaren the Man Who brought Us Buffalo Gals and Fuzed Hip Hop and Punk is Dead

Malcolm McLaren was an important figure both in Hip Hop and early punk.. Many outside the US knew him for his work in the punk world. Most of us who were around in the early 80s  knew McLaren because of his work with the World Famous Supreme Team radio show and his hit records Buffalo Gals, Hey DJ and Hobo Scratch which for many outside of New York was the first time they heard scratching. A true pioneer on a number of levels..McLaren to me was one of those crucial bridges between punk and Hip Hop. That’s a history that is often overlooked and down played..

http://www.youtube.com/watch?v=-DeTR8n7eTU

http://www.independent.co.uk/news/people/news/malcolm-mclaren-dies-aged-64-1939621.html

Malcolm McLaren, the former manager of the Sex Pistols and impresario, has died. He was 64.

McLaren had had cancer for some time. His condition recently deteriorated rapidly and he died this morning in New York. His body is expected to be brought home to be buried in Highgate cemetery, north London.

Born in North London, McLaren was best known as the manager of the iconic punk band The Sex Pistols. After attending and dropping out of several art colleges in 1971 he opened a clothes shop on the King’s Road , Let It Rock, with Vivienne Westwood.

He achieved the notoriety that never left him when The Sex Pistols’ anti-establishment single God Save The Queen stole the number one spot during the Queen’s silver jubilee in 1977. His spokesman Les Molloy told The Independent: “He had been suffering from cancer for some time, but recently had been full of health, which then rapidly deteroriated. He died in New York this morning. We are expecting his body to be brought back to London and buried in Highgate Cemetery.”

http://www.youtube.com/watch?v=FHMVkqCKknc

http://www.youtube.com/watch?v=eIdaOI_BbLU

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