Archives for 2013

Zion I Holds It Down For Oakland

This is from the Breakdown FM Vaults.. We did this interview with Oakland’s Zion I in August of 2005.. They had lots to say about a variety of topics.. Enjoy..

Zion I: True & Livin’ Holding It Down for Oakland
By Davey D

Zion I stoop When we talk about West Coast Hip Hop, oftentimes the face to it has been limited to just a few individuals like Snoop Dogg, Dr Dre and more recently The Game. When we start trying to expand the vision a little and look to places outside Los Angeles to regions like the Bay Area we still find a limited view. Hence, in 2005, when you say Bay Area Hip Hop, people outside the region still think of groups like Too Short or Digital Underground.

Through all this narrowcasting we as a Hip Hop community has far too often by passed the brilliance and innovativeness of the West Coast’s underground. In other words, everybody in LA is not a ‘gangsta’ and everybody in the Bay Area is not ‘turfed out’ or ‘hyphy’. One such group that does not fit the mode and has been grinding away for the better part of 10 years is Zion I.

Over the years, group members Amp Live and Zion now known as Zumbi have taken their musical journey from Texas to Atlanta and back to the Bay Area. They’’ve been signed to labels like Tommy Boy and smaller boutique outfits like Nu Groove. They’’ve done everything from perform at huge anti-war rallies, teach class in some of the Bay Area’s most troubled schools and do radio mix shows on rock oriented stations that found an appreciation for the drum and bass records they have occasionally released.

Through it all, Zion I although critically acclaimed has not been able to break the confines and stigma attached to being ‘just another regional underground act’ from Bay Area. However, this time around things may be different. For starters, the group has upheld the Bay tradition by establishing their own independent record label Live Up. Second, many are saying that their latest offering ‘True and Living’ is their dopest album ever and will help carry them to the next level.

We sat down with group members Amp Live (producer) and lead rapper Zion to get the full 4-11 on the group’s history and future plans. Here is a run down of what they had to say…:
breakdownFM-logo-podcast-30

Breakdown FM- Zion I 2005 Interview

————————————————————-

Zion I Breakdown FM Interview pt1

ZionI-largeProducer Amp Live who originally hails from Texas, talks about the first incarnation of Zion I, which was under the name Metaphor and consisted of four members.

They initially formed back in the early 90s at Morehouse College in Atlanta where they went to school. He noted that back in those days the crunk sound wasn’t in and that the Luke-style booty shaking music associated to the south at that time was eclipsed by the large numbers of New Yorkers in the area. The result was Metaphor having more of a New York inspired Hip Hop sound as opposed to one reflective of other regions. The cool thing about Hip Hop back in those days was that it all was in one bucket. You didn’t have all these industry driven sub genres separating the music

Amp talked about how the group became popular and did work in famed producer Dallas Austin’s studio. They also would frequently cross paths with Hip Hop icon Erick Sermon. Eventually Metaphor was signed to Tommy Boy Records

Lead rapper Zion I talked about how the group got played big time by Tommy Boy. He noted that they were young and hungry and did not prepare themselves properly. He speaks about how the four members signed a 20-page ‘pre-contract’, which laid the groundwork for a 75-page contract, which gave the label full authority over the group.

Zion talked about the way Tommy Boy tried to force a new producer on the group even though Amp Live was their producer. Zion talks about how Tommy Boy kept rejecting their music and would send the group back into the studio with strict instructions as to what songs to sample and what subject matter to cover in their raps. He noted that Tommy Boy forced them back in the studio so many times that the group was forced to go over budget and were left to languish with little promotion from the label.

Zion noted that the group took their bad experiences with Tommy Boy and applied it to the independent rap game when they came back to Oakland. Their new song ‘The Bay’ reflects their love for the diversity and independent spirit of the region. He also notes that people sleep on the Bay way to often.

————————————————————-

Zion I Breakdown FM Interview pt 2

Zion I pointThe group explains where they got the name Zion I from. They note that it came from their understanding of the Bible where it talks about Mt Zion being a place where everyone gathered before Armageddon. They say they want Zion I to symbolize a place in Hip Hop where everyone can gather to hear some tight music.

They noted that when they first chose the name they had very little knowledge of the political implications that are associated with Zionism. Over the years, numerous people have approach the group thinking they were Jewish or connected to reggae. They talked about one incident where a Muslim group wanted to hire the group but ask to either downplay or change their name because of the political association connected to Zionism

The pair also talked about their stint as elementary school teachers. This is a path followed by several other high profile artists including Mystic, David Banner, Asheru, Defari and J-Live to name a few.

Zion explained that the pair have taught underprivileged kids in some of the most impoverished areas in the Bay Area and as far as Zion was concerned that was good because they got to give back something meaningful to the community while at the same time gaining valuable insight and perspective. Amp Live explained that teaching has also kept the group youthful and that by teaching they had the privilege of seeing up close and personal the essence of what Hip Hop is about.

The pair also talked about the current move to try to make Hip Hop more useful in the classroom. It’s a direction they feel is needed because it allows one to make a variety of subject matter addressed by Hip Hop artists, relevant to the students.

Zion spoke about his Uncle and the work he does with math. He teaches kids math by using rhythms as a way to help children retain information. He says that this technique is rooted in African traditions.

Finally, the group talks about the inspiration behind their new song ‘Luv’. They said they wanted to give their audience something uplifting and they dedicated to all those who are struggling day to day.

————————————————————-

Zion I Breakdown FM Interview pt 3

zion-i-true-livin Here, producer Amp Live talks about the Bay Area’s rap sound and how it’s extremely diverse. From the street oriented turf music to underground backpack, he notes that all of this is centered around Funk Music. He goes on to explain the significant role funk plays and how its long relationship to the Bay Area.

Zion expands upon these points by talking about how the Bay Area is made up of so many ethnic groups and people from all lifestyles. He notes that’s going to be reflected in the music. He also noted that as a group, Zion I wants to bridge the gap between Hyphy and ‘turfed out’ music and underground acts. He says he hates the term backpack, which is a label often, attached to groups like his.

Zion went on to explain that his group is from the old school and that they yearn for a time when it was all this was seen as Hip Hop and not divided. He says Zion I is Hip Hop and makes good Black music. He says it’s a challenge for the group to overcome the limiting industry driven definitions that have put the group in a box.

Amp added that he feels the group is like Outkast in the sense that they push the envelope musically and that they manage to get a little bit of everyone that includes the thugs and the back packers.

The group talks about performing at lots of community events and social justice rallies. This too sometimes results in the group being stigmatized as an act that is incapable of laying in the cuts and just kicking it. Once you get to know Zion I, you’ll quickly find that they really don’t hold up to many of these assumptions.

They explain the background to the song ‘What U hear’ which features Del tha Funkee Homosapien. They say it’s a straight up Hip Hop song that took shape once Zion and Del started rapping.

————————————————————-

Zion I Breakdown FM Interview pt 4

Zion gives a run down about the art of emceeing. He builds upon the legacy of dope rhymesayers of the past like Hiero, Saafir, Motion Man and Living Legends. He gives props to the modern day bay spitters like Balance, MTV Freestyle finalist Locksmith and Oakland Freestyle King Mista FAB.

Zion explains that he tries not to get into battles. Instead, he wants to build with all these artists and help forge a new Bay Area coalition. Zion also talks about how a good emcee is one that brings new perspectives and styles to light.

Zion I Breakdown FM Interview pt 5

Amp Live talks about his production style. He says that his audience appreciates the fact that he has always pushed the envelope and brought new sounds like Trip Hop and Drum and Bass to the table. He says a true musician knows no boundaries and is all about making good music. He noted that he plays the piano and often replays riffs that he many would sample.

Zion talks about the new album ‘True and Living’ and notes that it’s a reflection of where they are mature wise and that it was important for the group to release this on their own label. He explains that the group wants to celebrate Hip Hop and not get caught up in being angry about the way corporations dominate and exploit the culture.

The group concluded by talking about their new movie which was scheduled for a fall release, but will probably be complete in time for a spring 2006 release. The movie is a sarcastic look at the group’s journey through the music industry. They play caricatures of themselves…

—————————–

http://www.youtube.com/watch?v=DMmZuKUzeXE

 

 

Where Was Bloomberg’s Private NYPD Army During the Westside Hwy Biker Chase?

Bikers chase SUVBy now many have seen the video of the altercation on the Westside Highway in NYC where enraged bikers chased down a man and his family driving an SUV after he ran over one of their comrades. It’s a scene out of a movie and for many its frightening.. In watching the six-minute video, a lot of questions are raised starting with ‘Where the hell was NYPD?’

This question is asked in the backdrop of knowing how intrusive and well-resourced NYPD is said to be. Here we have a department that is 40 thousand deep in personnel. We have department that has stopped and frisked NYC residents over 5 million times. In some neighborhoods it seems like police are stopping and frisking people darn near ever 3 minutes.

We have a police department that rivals the FBI and other federal law enforcement divisions in terms of its surveillance capabilities . They make no bones about spying on American-Muslims and their organizations, which has led many to accuse NYPD of being in violation of a number of laws and to say the least over the top in its practice.

We have a department that left no stone unturned when it came to surveilling, containing and in the end bashing on the Occupy Wall street Movement.  We saw the city’s Mayor Michael Bloomberg brag that NYPD was his private army that is unmatched by any police agency in the world..

It’s with that in mind that one needs to wonder how there were no police insight on one of the city’s most heavily traveled freeways? In the video we see a chase that lasts for 6 long minutes with no law enforcement in sight. One has to ask where are all the surveillance cameras that NYPD has been using to spy on citizens? They have cameras on the floors over every housing project but none on the Westside Highway which runs along the Hudson River? Isn’t that freeway of point on entry that should be watched in case of ‘terrorist’ attacks?

Domain Awareness System

NY’s Domain Awareness System

It was just last year that NYPD bragged to the world that they had teamed up with Microsoft to set up a top-tier all-seeing state of the art, Domain/ Domestic Awareness System that does everything from read license plates to face recognition. Over 3000 cameras have been placed in lower Manhattan alone.. You can read about that system HERE and HERE.

One would think if there was anytime that these domestic spying systems would’ve been used would’ve been over the weekend when close to 60 bikers held court on a freeway and chased down the SUV, especially if the reports of them blocking off freeway entrances are true..

Take a look at the video and ask where’s Bloomberg’s Private Army?

http://www.youtube.com/watch?v=f5ftcC2I0hc

Injured biker Edwin Mieses

Injured biker Edwin Mieses

With respect to the attack there are a number of conflicting reports.. The bikers are claiming the man in the SUV, Alexian Lien who is an executive at an internet company, bumped one of the bikers with his car. When the bikers went to help, Lien hit the gas and ran over several men including Edwin Mieses who was bent over his fallen friend helping him. Mieses had his spine severely injured and is now permanently paralyzed. His wife is calling for Lien to be arrested and charged.

The bikers are claiming that’s why they chased down Lien and his family. They didn’t want him to get away. They claim what took place was a road rage incident.

Biker chase SUVThe flip side to this story was the bikers had already been riding around swarming cars prior to getting on the freeway. Once on the freeway they had blocked off entrances and one of the drivers went and brake checked the SUV driven by Lien.  When the bike was hit from behind, bikers surrounded the vehicle and that’s when Lien whose 2-year-old daughter and wife were in the car with him hit the gas running over the bikers.

Lien was eventually caught when he exited in upper Manhattan. That’s when bikers smashed the window, dragged him out the car and beat him in front of his daughter and wife.

Eventually all that really happened will come out in the wash..Who was right and who was wrong will be sorted out. In the meantime all of us should be asking how a major freeway was shut down in the Big Apple for more than 6 minutes with a police agency notorious for conducting surveillance on everyone inspite of concerns and objections, was no where in sight?

This police agency conducts millions of stop and frisk where 90% of those detained are found to NOT be in violation of any law. Police commissioner Ray Kelly says he wants to increase Stop and Frisk, but a major incident like this jumps off and they are nowhere to be seen? Something ain’t right in Gotham

 

Breakdown FM: Zion I: True & Livin’ Holding It Down for Oakland

This is from the Breakdown FM Vaults.. We did this interview with Oakland’s Zion I in August of 2005.. They had lots to say about a variety of topics.. Enjoy..

Zion I: True & Livin’ Holding It Down for Oakland
By Davey D

Zion I stoop When we talk about West Coast Hip Hop, oftentimes the face to it has been limited to just a few individuals like Snoop Dogg, Dr Dre and more recently The Game. When we start trying to expand the vision a little and look to places outside Los Angeles to regions like the Bay Area we still find a limited view. Hence, in 2005, when you say Bay Area Hip Hop, people outside the region still think of groups like Too Short or Digital Underground.

Through all this narrowcasting we as a Hip Hop community has far too often by passed the brilliance and innovativeness of the West Coast’s underground. In other words, everybody in LA is not a ‘gangsta’ and everybody in the Bay Area is not ‘turfed out’ or ‘hyphy’. One such group that does not fit the mode and has been grinding away for the better part of 10 years is Zion I.

Over the years, group members Amp Live and Zion now known as Zumbi have taken their musical journey from Texas to Atlanta and back to the Bay Area. They’’ve been signed to labels like Tommy Boy and smaller boutique outfits like Nu Groove. They’’ve done everything from perform at huge anti-war rallies, teach class in some of the Bay Area’s most troubled schools and do radio mix shows on rock oriented stations that found an appreciation for the drum and bass records they have occasionally released.

Through it all, Zion I although critically acclaimed has not been able to break the confines and stigma attached to being ‘just another regional underground act’ from Bay Area. However, this time around things may be different. For starters, the group has upheld the Bay tradition by establishing their own independent record label Live Up. Second, many are saying that their latest offering ‘True and Living’ is their dopest album ever and will help carry them to the next level.

We sat down with group members Amp Live (producer) and lead rapper Zion to get the full 4-11 on the group’s history and future plans. Here is a run down of what they had to say….
breakdownFM-logo-podcast-30

Breakdown FM- Zion I 2005 Mixdown

Zion I Breakdown FM Interview pt1

ZionI-largeProducer Amp Live who originally hails from Texas, talks about the first incarnation of Zion I, which was under the name Metaphor and consisted of four members.

They initially formed back in the early 90s at Morehouse College in Atlanta where they went to school. He noted that back in those days the crunk sound wasn’t in and that the Luke-style booty shaking music associated to the south at that time was eclipsed by the large numbers of New Yorkers in the area. The result was Metaphor having more of a New York inspired Hip Hop sound as opposed to one reflective of other regions. The cool thing about Hip Hop back in those days was that it all was in one bucket. You didn’t have all these industry driven sub genres separating the music

Amp talked about how the group became popular and did work in famed producer Dallas Austin’s studio. They also would frequently cross paths with Hip Hop icon Erick Sermon. Eventually Metaphor was signed to Tommy Boy Records

Lead rapper Zion I talked about how the group got played big time by Tommy Boy. He noted that they were young and hungry and did not prepare themselves properly. He speaks about how the four members signed a 20-page ‘pre-contract’, which laid the groundwork for a 75-page contract, which gave the label full authority over the group.

Zion talked about the way Tommy Boy tried to force a new producer on the group even though Amp Live was their producer. Zion talks about how Tommy Boy kept rejecting their music and would send the group back into the studio with strict instructions as to what songs to sample and what subject matter to cover in their raps. He noted that Tommy Boy forced them back in the studio so many times that the group was forced to go over budget and were left to languish with little promotion from the label.

Zion noted that the group took their bad experiences with Tommy Boy and applied it to the independent rap game when they came back to Oakland. Their new song ‘The Bay’ reflects their love for the diversity and independent spirit of the region. He also notes that people sleep on the Bay way to often.

Zion I Breakdown FM Interview pt 2

Zion I pointThe group explains where they got the name Zion I from. They note that it came from their understanding of the Bible where it talks about Mt Zion being a place where everyone gathered before Armageddon. They say they want Zion I to symbolize a place in Hip Hop where everyone can gather to hear some tight music.

They noted that when they first chose the name they had very little knowledge of the political implications that are associated with Zionism. Over the years, numerous people have approach the group thinking they were Jewish or connected to reggae. They talked about one incident where a Muslim group wanted to hire the group but ask to either downplay or change their name because of the political association connected to Zionism

The pair also talked about their stint as elementary school teachers. This is a path followed by several other high profile artists including Mystic, David Banner, Asheru, Defari and J-Live to name a few.

Zion explained that the pair have taught underprivileged kids in some of the most impoverished areas in the Bay Area and as far as Zion was concerned that was good because they got to give back something meaningful to the community while at the same time gaining valuable insight and perspective. Amp Live explained that teaching has also kept the group youthful and that by teaching they had the privilege of seeing up close and personal the essence of what Hip Hop is about.

The pair also talked about the current move to try to make Hip Hop more useful in the classroom. It’s a direction they feel is needed because it allows one to make a variety of subject matter addressed by Hip Hop artists, relevant to the students.

Zion spoke about his Uncle and the work he does with math. He teaches kids math by using rhythms as a way to help children retain information. He says that this technique is rooted in African traditions.

Finally, the group talks about the inspiration behind their new song ‘Luv’. They said they wanted to give their audience something uplifting and they dedicated to all those who are struggling day to day.

Zion I Breakdown FM Interview pt 3

zion-i-true-livin Here, producer Amp Live talks about the Bay Area’s rap sound and how it’s extremely diverse. From the street oriented turf music to underground backpack, he notes that all of this is centered around Funk Music. He goes on to explain the significant role funk plays and how its long relationship to the Bay Area.

Zion expands upon these points by talking about how the Bay Area is made up of so many ethnic groups and people from all lifestyles. He notes that’s going to be reflected in the music. He also noted that as a group, Zion I wants to bridge the gap between Hyphy and ‘turfed out’ music and underground acts. He says he hates the term backpack, which is a label often, attached to groups like his.

Zion went on to explain that his group is from the old school and that they yearn for a time when it was all this was seen as Hip Hop and not divided. He says Zion I is Hip Hop and makes good Black music. He says it’s a challenge for the group to overcome the limiting industry driven definitions that have put the group in a box.

Amp added that he feels the group is like Outkast in the sense that they push the envelope musically and that they manage to get a little bit of everyone that includes the thugs and the back packers.

The group talks about performing at lots of community events and social justice rallies. This too sometimes results in the group being stigmatized as an act that is incapable of laying in the cuts and just kicking it. Once you get to know Zion I, you’ll quickly find that they really don’t hold up to many of these assumptions.

They explain the background to the song ‘What U hear’ which features Del tha Funkee Homosapien. They say it’s a straight up Hip Hop song that took shape once Zion and Del started rapping.

Zion I Breakdown FM Interview pt 4

Zion gives a run down about the art of emceeing. He builds upon the legacy of dope rhymesayers of the past like Hiero, Saafir, Motion Man and Living Legends. He gives props to the modern day bay spitters like Balance, MTV Freestyle finalist Locksmith and Oakland Freestyle King Mista FAB.

Zion explains that he tries not to get into battles. Instead, he wants to build with all these artists and help forge a new Bay Area coalition. Zion also talks about how a good emcee is one that brings new perspectives and styles to light.

Zion I Breakdown FM Interview pt 5

Amp Live talks about his production style. He says that his audience appreciates the fact that he has always pushed the envelope and brought new sounds like Trip Hop and Drum and Bass to the table. He says a true musician knows no boundaries and is all about making good music. He noted that he plays the piano and often replays riffs that he many would sample.

Zion talks about the new album ‘True and Living’ and notes that it’s a reflection of where they are mature wise and that it was important for the group to release this on their own label. He explains that the group wants to celebrate Hip Hop and not get caught up in being angry about the way corporations dominate and exploit the culture.

The group concluded by talking about their new movie which was scheduled for a fall release, but will probably be complete in time for a spring 2006 release. The movie is a sarcastic look at the group’s journey through the music industry. They play caricatures of themselves…

 

Recent Suicides on Oakland Police Force Raises Major Concerns

Oakland Police Crazy to hear that there have been a number of police officers within OPD (Oakland Police department) who have committed suicide..There hasn’t been a whole lot of talk about this, but from what I gather it’s because of stress on the job..Here’s what a recent article laid out in Contra Costa Times http://bit.ly/1bVXUc8

Documenting officer suicides is an imperfect science because many departments don’t report them accurately. A 2012 report by the police suicide watchdog group Badge of Life documented 126 officer suicides that year, but Violanti estimated that the true figure was about 17 percent greater.

In Oakland, Weston’s suicide was not included as an “officer death” in the department’s monthly staffing report to the City Council.

Over the past five years, four Oakland police officers have taken their lives — the same number as those killed in the line of duty.

This leads to a few concerns..

1-How stable are the officers patrolling the streets.. Are the suicides isolated or are they tip of the iceberg? If officers are not in the right mind-set, how safe are we when we come in contact with them? Do they lash out in anger? Are they overly paranoid? How are they triggered?

2-If officers are under stress because of the dangers they face.. One can only imagine how stressed those are who live in ‘high crime areas’ who deal with the threats of dangers without having the powers to carry a gun and arrest those who do wrong..

3-The police suicides can not be seen in isolation and disconnected from the massive amounts of suicides that are taken place within our military.. More suicides have taken place in the military than what we lost in combat? How secure is our security??

4-It’s been pointed out that 150-200 police officers kill themselves each year.. There are so many that  a support group has been set up with recommendations for officers to avoid this tragedy. The question we should all be asking is how many officers are actually getting mental health check ups? What’s the standard?  how many have met them or not? With all the incidents of police brutality being reported in Oakland, one needs to know as to what was the mental conditions of the officers accused..

http://www.youtube.com/watch?v=QKe1FvtaEYI

Drama at the UN; Caribbean Nations sue for Reparation, US Walks Out on Mugabe

Prime Minister Ralph Gonsalves

Prime Minister Ralph Gonsalves

Today everyone is talking about the Breaking Bad finale, which is cool if you’re into the show. What we should pay attention to is how the national media and other outlets are doing full coverage of this ending complete with reporters and interviews and comparative analysis of this ending vs other show endings in the past..

Following on the heels of that story is the media doing full stories about Amanda Knox, the young woman accused of killing her room-mate in Italy..The Italian govt is going to retry her..Many are not sure as to exactly how her plight impacts the average person who is wondering if they will have access to payments and services if the government shuts down..

What’s not being covered today is the fact that 14 Caribbean nations are suing European nations for reparations due to slavery… In my opinion the goal is to avoid any and all convos about that topic…

Here is what Al Jazerra America is reporting :

In a speech Friday at United Nations General Assembly, Prime Minister of Saint Vincent and the Grenadines Ralph Gonsalves said the European nations must pay for their deeds.

“The awful legacy of these crimes against humanity – a legacy which exists today in our Caribbean – ought to be repaired for the developmental benefit of our Caribbean societies and all our peoples,” Gonsalves said. “The European nations must partner in a focused, especial way with us to execute this repairing.”

The lawsuits – which are likely to amount to a lengthy battle – are being brought by The Caribbean Community, or Caricom, a regional organization that focuses mostly on issues such as economic integration. They will be brought to the U.N.’s International Court of Justice, based in The Hague in the Netherlands. It is not immediately clear when court proceedings will begin. Read the entire story at the link below

http://america.aljazeera.com/articles/2013/9/27/14-caribbean-nationssueeuropeancountriesforreparationsoverslaver.html

You can also hear the entire speech given by Prime Minister Ralph Gonsalves where he lays out the United nations Millenium Goals and how ‘developing nations are crippled. he gets into the reparations part about 9 minutes into the speech..

http://www.youtube.com/watch?v=rU0Rp8ydGWU

Prime Minister Robert Mugabe

Prime Minister Robert Mugabe

The other issue not being covered in the mainstream media is Robert Mugabe, President of Zimbabwe smashing on the US and UK for imposing sanctions on his country.. He talks about the land reform movement. He talks about how economic sanctions are a hypocritical move by those imposing it.. As he boldly stated ‘Shame Shame Shame’ on the US and Britain, the US delegation walked out of the speech… Apparently the US is good at giving lectures and telling folks how to behave while ignoring pointed accusations at her.. In fact many are pointing out that the US is in violation of her own Human Rights laws.. http://mg.co.za/article/2013-09-27-us-walks-out-of-un-address-after-mugabe-speech

Below is an excerpt

http://www.youtube.com/watch?v=RbR6j_OI2NE

Here is the full speech:

http://www.youtube.com/watch?v=7odlcABg10w

Here’s a film and debate about Mugabe

http://www.youtube.com/watch?v=ywev9OSOwFg


Breaking Bad and Amanda Knox vs Reparations and Human Rights,  the choice is yours

Kanye West Opens Up in BBC Interview -Talks About Creative Limitations

Kanye WestKanye West is always colorful and leaves no stone unturned when he does an interview.. I recall the first time I interviewed him, he was just starting to get known and he was talking about how folks confuse his confidence with being cocky and that he intended to do great things… There’s no doubt, Kanye has been doing his thing..

In recent days folks are talking about Kanye’s interview with the BBC‘s Zane Lowe. He covers a range of topics including whats driving his art and what he’s challenged with.. He breaks down the concepts behind the Yeezus album..He also talks about the glass ceilings he’s hit not just in music but in other areas of his life.. He says he shouldn’t be limited in his creativity and that he’s trying to knock down doors and have impact..He talks about the things he’s created and designed what he hasn’t been credited with.. He also talks about classism, racism and self hate. He opens up about who his mother and father are…Very insightful

http://www.youtube.com/watch?v=K2T0fMkZoMo

http://www.youtube.com/watch?v=nx3X4r-eCYQ

Will the New Face of Terrorism Now be Somalis?

Somalian New terroristBetween the horrific drama playing out in Kenya with the mall shooting, this new Tom Hanks movie Captain Phillips which is showing commercials every 5 minutes and is about US/European ships being victims of pirates and the US media highlighting the exploits of Al-Shabaab, the new terrorist boogie man is gonna be Somalia in a big way.

http://www.youtube.com/watch?v=-WT8NYn9Wf8

The fact that there are reports surfacing saying that Somalian-Americans are rolling with or have sympathies with Al Shabaab, means this war on terror will increase and domestic spying will be justified especially if it’s a Black face being spied upon..We have already seen increased surveillance activities in large Somali communities in places like Minneapolis.

Congressman Peter King

Congressman Peter King

It was just the other day we heard Congressman Peter King chairman of the House of Representatives committee on counterterrorism and intelligence has already come out and urged the FBI to watching Somali-American communities. He asserts that Al Shabaab has been recruiting amongst Somalian Americans and thus all Americans should be wary of them.. Of course King is not too vocal about us needing to be wary of white Americans who may be recruited by Neo-Nazis, KKK members or other white supremacist organizations which routinely are involved in acts domestic terrorism.

Words like lawlessness and ungovernable are routinely used to describe Somalia and her people. What’s often missing in the analysis are the stories about extreme drought and poverty which were exacerbated by polluted waters caused by world commercial vessels passing through the Horn of Africa, which has depleted fish supplies which has long been a main sources of food and commerce.

Pay attention as all this unfolds… It’s in the mist of chaos that serious, oppressive moves are made..

http://www.cnn.com/video/data/2.0/video/world/2013/09/21/nr-intv-savidge-francona-al-shabaab-mall-shooting.cnn.html

http://www.youtube.com/watch?v=D87knFnlSAE

Does Macklemore represent an Eminem/Elvis situation for Seattle hip-hop?

Sir Mix a Lot

Sir Mix a Lot

When Sir Mix-A-Lot reached number one on the Billboard chart and won the 1993 Grammy Award for Best Solo Rap Performance with his song “Baby Got Back,” Seattle hip-hop was placed on the national and international stage in a way that few places outside of New York and California had been to that point. With this accomplishment came questions, and some assumptions, about who would be the next figure in Seattle hip-hop to receive this kind of mainstream recognition. Given the immense power of the Seattle music scene as a whole at that moment, few would have guessed that it would be nearly 20 years before someone from the 206 would approach Mix-A-Lot’s prop levels.

Fast forward to 2012, the release of the album The Heist by Macklemore and Ryan Lewis and the song “Thrift Shop.”  In terms of popularity, “Thrift Shop” had the necessary universal thematic and sonic ingredients to compare favorably with “Baby Got Back’s” ability to make an impression on the mainstream.  In terms of theme, “Thrift Shop” touched upon the increasingly popular concept of pushing back against designer clothing labels and supporting second hand stores like Goodwill and Value Village.  Sound-wise a catchy, looping saxophone melody made the sound of “Thrift Shop” easy to bob your head to and remember.

http://www.youtube.com/watch?v=reTx5sqvVJ4

Almost exactly in between these two book-end Seattle songs, Eminem emerged from Detroit, Michigan.  His wave of success in the early 2000s revived a discussion about the white MC that had been essentially tabled since Vanilla Ice’s brief run in the early 1990s.  However, the key difference between Eminem and Vanilla Ice was that Eminem was recognized as a highly skilled rhymer.

Eminem

Eminem

This was certainly not the case with Vanilla Ice, even by 1990s standards.  With millions of records sold, a handful of Grammy Awards and even an Oscar for the song “Lose Yourself” off the soundtrack from his film 8 Mile, talk began to swirl around Eminem’s place in hip-hop history.  With this discussion came the inevitable comparisons to Elvis Presley.

After following in the footsteps of and borrowing liberally from pioneers like Chuck Berry and Little Richard, Elvis used movies and music to eventually become acknowledged by the mainstream as ‘the king’ of rock and roll.  These comparisons were not lost on Eminem, who in his song “Without Me” noted:

I am the worst thing since Elvis Presley, to do Black Music so selfishly
and use it to get myself wealthy (Hey)
there’s a concept that works 20 million other white rappers emerge

http://www.youtube.com/watch?v=YVkUvmDQ3HY

From its beginnings in New York City hip-hop culture has always been much more multiracial than mainstream media gave it credit for.  However, as a descendent of the legacy of privilege, power and oppression that led to the creation of hip-hop in the first place, the white male MC has always occupied a complex space in the culture.  This is in large part due what Charles Aaron, in his article “What the White Boy Means When He Says Yo,” describes as black people’s suspicion of “whites who identify too closely with African-American culture, primarily because those same whites often want to boost the culture wholesale.”

Traditionally this suspicion has taken two forms; the previously mentioned “Elvis Syndrome” and what Aaron refers to as the “White Negro Problem,” a Norman Mailer idea from the 1960s, or culture appropriating ‘wiggers’ as they have been renamed in hip-hop terms.

Macklemore

Macklemore

Although it is true that in the time between Mix-A-Lot and Macklemore the Seattle hip-hop scene has produced a variety of impact players who reflect the diversity of the greater metro area, its the lily white image and population percentage of Seattle that brings an added element to this dynamic.

In some ways, questions around the likes of Eminem and Macklemore begin to center around the status of the subculture of white hip-hop.  For example, in a larger historical context think of the cultural beginnings of the United States.  On certain levels early American culture was essentially a subculture of British culture until at some point, U.S. culture matured and stood on its own.  Similarly, hip-hop culture began as a subculture of African-American culture until, probably sometime in the late 1980s, it became a culture unto itself.  Have we reached a point where white hip-hop culture has begun to stand on its own?  If the answer is yes then what, if anything, does that mean?

In the 20 years since “Baby Got Back” was released, the song has been elevated to the rarified air of iconic pop cultural status.  The white girl saying, “Oh my God Becky, look at her butt!” at the beginning is one of the most repeated lines in recent music history.  The continued appeal and relevance of the song over the years is clear as it continues to make appearances in various form of popular media such as commercials for Burger King, Charmin Bathroom Tissue and Target as well as in movies like the Ben Affleck/Jennifer Lopez bomb Gigli, Scary Movie 4, and probably most famously danced to by Cameron Diaz in Charlie’s Angels.

http://www.youtube.com/watch?v=MCAvWd_53Xw

With the video for “Thrift Shop” at well over 400 million views on YouTube and the song and video nominated for all types of awards, this song appears well on its way down the path of “Baby Got Back.”  But with this, how will the various media elements document the history of hip-hop in Seattle in the post “Thrift Shop” era?

The ‘newest, latest is the greatest thing ever’ crowd who frequently populate social media could certainly have the potential to reduce over 30 years of history to essentially ‘the Macklemore show.’  However, Macklemore himself does not come across as the type who would approve of this approach having thoroughly acknowledged the richness of this history in 2009’s “The Town.”  In addition, the fact that the beginning scenes for the “Thrift Shop” video take place in front of the Northwest African American Museum is significant.

http://www.youtube.com/watch?v=QK8mJJJvaes

With songs like “Thrift Shop” and “Same Love,” Macklemore has risen to massive prop levels by going directly against two of the most well established norms in mainstream rap, namely bling and homophobia.  While it took longer than some may have thought for the city’s next hip-hop superstar to arrive, Macklemore is a great representation to the world of what Seattle hip-hop was and is, though not the only one by far.

written by Dr  Daudi Abe

Dr. Abe teaches at Hip-Hop Theory & Culture at Seattle Central Community College and is author of the book ‘6 N the Morning which chronicles West Coast Hip Hop History‘  Email:  daudi.abe@seattlecolleges.edu

6NtheMorning-Cover

 

More Than a Movie: ‘The Beat’ Isn’t Art… So What’s The Word?

Scene from The Beat

Scene from The Beat

Ten years after it’s theatrical release in 2003, a directorial debut from one of the youngest filmmakers to have a feature film accepted to the Sundance Film Festival retains its buzz as a classic among online and niche markets, gathering a following through social media & television almost as if the film itself was a brand new release.  A common question that typically follows is:

How come I never saw this movie before?

It’s a good question.  When “The Beat” featured in Park City, Utah in 2003, the year after many prospects at the previous Sundance Festival flopped, distributors were understandably hesitant to invest in new films, especially from unestablished filmmakers.  So when Symbolic Entertainment was offered a deal with Ardustry in 2005 for the video and television release of “The Beat” it was a welcome negotiation considering that nearly everyone involved in the film– from the producers, the writer/director, and even the star– were first-time filmmakers (many of them still undergraduates at the USC School of Cinema-Television at the time).

The accomplishment of getting an independent film picked up for television was a major achievement, so much that several of the collaborators went onto pursue successful careers in Hollywood, such as Scott Speer, assistant director on “The Beat” who directed last year’s blockbuster, “Step Up Revolution“, and writer/director Brandon Sonnier who currently writes for the NBC drama “Blacklist”.

Any professional in Hollywood can tell you that “making it” in this industry is no guarantee, let alone a walk-in-the-park.  Success has less to do with your academic degree and more to do with your networking and savvy negotiation… or simply being at the right place and the right time, such as the case with the film’s lead, Rahman Jamaal, a colleague of Sonnier’s that earned respect for his ability to rhyme and was eventually asked to contribute to the vision of the film during their freshman year of college.

The result of this collaboration added 6 original songs to help carry the underlying theme throughout the film.  The rap lyrics provide social commentary acknowledging the difficulties and pitfalls independent artists face when attempting to succeed in the music industry:

 “…when the only opportunity for you to speak
Is through a beat commodity starts with the high marketing
All cuz we like pocketing profit that’s sky-rocketing
When artistry starts to be properly signed property…”

One particular piece entitled “This Isn’t Art” defends rap music as a legitimate art form by merging conscious poetry to a classical piano piece called “Prelude In G Minor” by Russian composer Sergei Rachmaninoff.   The lyrics assert that the cultural form of social expression known as “Hip Hop” deserves to be recognized and given the same respect as all musical genres in high regard:

http://www.youtube.com/watch?v=Rw8FDr5VUCU

While some assert that Hip Hop is dead, “The Beat” is a modern-day artifact showing us the opposite by encouraging artists to follow their dreams.  This is certainly easier to pursue today when you consider that more independent artists are able to find popularity through online media.  The real question is whether “bucking the industry” with an uncompromising message of social awareness poses a risk for major corporations who usually draw the line somewhere in the artist’s lyrics to maximize profits in a capitalist economy.

Today, “The Beat” persists as the story of underground success in a mainstream society that could easily boost its conscious sentiment to the spotlight if enough people watched it.  The fact that a movie over 10 years old is still a breath of fresh air to the fans who have grown weary of the same old rap clichés saturating the market is a testament to how “The Beat” was ahead of its time.  This may explain why it can steadily & consistently build an international buzz and still manage to remain relatively underground to this day.

 The power of Hip Hop has always evolved the social landscape from within, and this movie has only become more relevant with time.  It deals with controversial issues of race, class & justice in America that have continued to come into the public light as we’ve witnessed drastic social changes over the last ten years (Occupy Wall Street, Arabic Spring, Oscar Grant, Trayvon Martin, etc.).  “The Beat” is a fictional story of a young black man following his dream despite the odds of his environment, an American myth so common to the consuming public and younger generation that it speaks to the human ability to make sense on a world struggling with notions of authority and justice.

Something has been brewing in the fabric of society that a group of young filmmakers touched upon early on in their careers.  Time will tell if this artistic vision finds its place in a larger mainstream reality of rapidly changing norms & innovative technology, as the message of the film quite literally represents “the dream” of succeeding without needing to compromise for popular appeal.

One anecdote used by the main character Flip in “The Beat” is the slang phrase “word” to identify a statement of truth.  Throughout the film, Flip holds fast to the idea that he is going to “bring it back” as if “the word” has been lost to the ages.  Whether or not you agree, something keeps bringing “The Beat” back.  Perhaps it is the word.  As the industry chooses to invest in the marketing appeal of young artists, the street keeps supporting the message in “The Beat”, and that may be all that is needed for an artist to “Flip” the script, so to speak…

“The Beat” will air next Wednesday, 9/25 at 12:25pm on STARZ In Black.

written by Rahmaan Jamal

NYPD Attack CUNY Students Who Are Protesting General Petraeus

Police attack CUNY studentsNEW YORK, 17 September — Six students were arrested this evening in a brutal, unprovoked police attack on a peaceful protest by City University of New York students and faculty against CUNY’s appointment of former CIA chief ex-General David Petraeus. Students were punched, slammed against vehicles and against the pavement by police captains and officers, after the NYPD forced them off the pavement and into the street. The demonstration was called by the Ad Hoc Committee Against the Militarization of CUNY.

The arrested students are presently being held and are to be arraigned this Wednesday, September 18, at some point between 9:00 a.m. and the afternoon at the Arraignment Court in the Manhattan Criminal Court at 100 Centre Street. All defenders of students’ basic right to protest are urged to come to the arraignment and show their support.

“As students were chanting ‘War Criminal Petraeus Out of CUNY Now,’ I was shocked to see several police officers grab and brutalize one of the demonstrators,” said City College student Yexenia Vanegas. “This was completely unprovoked, as demonstrators made clear that they were there to defend our university in a peaceful protest.” The attack occurred in front of CUNY’s Macaulay Honors College, where Petraeus has been appointed to teach a class on public policy.

“Protesters were marching in a circle on the sidewalk and chanting, but the police forced them into the street and then charged. One of the most brutal things I saw was that five police officers slammed a Queens College student face down to the pavement across the street from Macaulay, put their knees on his back, and he was then repeatedly kneed in the back,” said Hunter student Michael Brian. The student was one of those pointed out by “white shirt” officers, then seized and brutalized. A Latina woman student was heaved through the air and slammed to the ground.

http://www.youtube.com/watch?v=2cisT-Fl1Sw

A broad range of CUNY students, faculty and staff members have been carrying out a campaign of “protest and exposure” against the Board of Trustees’ appointment of Petraeus, whose documented actions as Iraq/Afghanistan war commander and CIA chief include drone attacks upon civilians, and the creation of torture centers and death squads. When Petraeus was setting up special police commandos, the “dirty tactics” that were used included the use of white phosphorus, a chemical weapon, against the population in Fallujah. “Petraeus’ man” Col. James Steele, who organized death squads in Central America, had been brought to the area to organize death squads there.

With the NYPD being sent to brutalize and arrest CUNY students on behalf of a certified war criminal, organizers state that this blatant use of police brutality against peaceful protesters will not intimidate or deter those who expose the truth about the actions of David “Death Squad” Petraeus and oppose attempts to turn the City University into “a war college.”

For more info contact Ad Hoc Committee Against the Militarization of CUNY adhoccunycommittee@gmail.com

written by Denise C. Ford

http://www.youtube.com/watch?v=IPtn5–IVDo