Archives for February 2010

Dr Dre Wants His Damn Money-Sues Death Row for Unpaid Royalties

All I can say is the music business is the messiest biz you can get into… It operates on the premise of not paying people what’s due  while simultaneously taxing and collecting money on behalf of everyone..For example, all those law suits that the RIAA was doing for people who were illegally downloading.. How much of those millions were given to artists? Which artists and how much?  This is sad but not surprising that even the most successful figures in this industry are still owed money because of the way money is kept, not kept and spread around for superfluous expenses.. I suggest anyone trying to get into this biz head on over to www.rapcoalition.org and read everything Wendy Day has posted.. If anyone tells you NOT to learn about this industry or they insist on doing it for you while suggesting you go away and focus on making art and not business, I say run away in the other direction..

-Davey D-

Dr Dre Sues Death Row Over Unpaid Royalties

http://news.yahoo.com/s/ap/20100212/ap_on_en_mu/us_people_dr_dre_7

LOS ANGELESDr. Dre sued the new iteration of Death Row Records on Thursday claiming the label failed to pay royalties and released a new version of his iconic album “The Chronic” without his permission.

Dre, whose real name is Andre Young, filed the suit in federal court in Los Angeles against WIDEawake Death Row Records and its parent companies.

Young has not been paid royalties on the original “The Chronic” album since he split with Death Row in 1996, the lawsuit states. The label, a one-time powerhouse of rap music artists, eventually fell into bankruptcy but was bought by WIDEawake and re-formed.

Young’s lawsuit claims his attorneys notified the new owners that he was owed royalties, but they have never paid him. He also claims the label issued “The Chronic Re-Lit” and a greatest hits collection without his permission or the proper rights.

WIDEawake Death Row Records has also sold digital copies of “The Chronic” without having the proper rights, the lawsuit states. Young’s original contract with Death Row didn’t include digital distribution rights, according to the suit.

“When it came to paying artist royalties and honoring limits on Dr. Dre recordings that could be released, the “new” Death Row Records, to quote our client, ‘forgot about Dre,'” Young’s attorney Howard King said in a statement. “This lawsuit will make sure they remember.”

An after-hours phone message left for Wide Awake was not immediately returned.

Young’s lawsuit seeks unspecified damages of more than $75,000 for several claims, including breach of contract, false advertising, trademark infringement and misappropriation of publicity.

“The Chronic” was first released in 1992. Since then, Young has remained a top rap producer working with best-selling artists such as Snoop Dogg, Eminem and 50 Cent.

Return to Davey D’s Hip Hop Corner

Breakdown FM w/ Davey D-All Day Play #8: There Goes the Neighborhood

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Click HERE to Listen to Podcast

As we kick off our 3 day weekend  and with so many people snowed in, we decided to put some funk in your trunk with this week’s show.. We took it back to the old school and came with some vintage joints that’ll have you really appreciating this thing we call Hip Hop…Highlights include the Public Enemy. When you listen beyond their most well known hits you realize Chuck D and company have a pretty deep catalogue of songs.. Almost all of them address some sort of issue.. I think they are underestimated..

Had to dig deeper and pull out something from the late Pumpkin. he was Hip Hop’s first official drummer and of course we had DJ Cheese and his landmark cut ‘King Cut’

We kick things off with a special back to Africa remix I did featuring Malcolm X and music from the late J-Dilla..

Its all butter folks.. please enjoy

http://www.alldayplay.fm/episodes/breakdown-fm-w-davey-d-there-goes-the-neighborhood

Breakdown FM w/ Davey D on All day Play#8

There Goes the Neighborhood

01-J-Dilla ‘J-Dilla Meets Malcolm X’-(DaveyD remix)

02-Dr Dre w/ Ice Cube ‘Natural Born Killa’

03-Public Enemy ‘Assault Mix’

04-Public Enemy ‘House of Rising Son’

05-Public Enemy ‘How to Kill a Radio Consultant’

06-DJ Punisher ‘The Cutting Edge’

07-DJ Pumpkin ‘King of the Beat’

08-DJ Cheese ‘King Cut’

09-Bobby Jimmy ‘We Like Ugly Women’

10-Digital Underground ‘DooWhatchalike’

11-MC Lyte ‘10% Diss’

12-Lost Boyz ‘Music Makes me High’

13-Ice Cube ‘The Mack’

14-Outkast ‘Players Ball’

15-Ice T ‘Colors’

16-‘Dr Dre w/ Snoop Dogg ‘Next Episode’

17-Marley Marl w/ MC Shan ‘The Bridge’

18-Ice T  ‘6 In the Morning’

19-Eric & Rakim ‘ The Ghetto’

20-Conscious Daughters ‘Something to Ride To’  ‘(Davey D Screwball remix)’

21-Snoop Dogg ‘Gin & Juice’

22-Mystical ‘Shake Your Ass’

23-Black Sheep ‘The Choice Is Yours’

24-Grandmaster Flash ‘Girls Like the Way he Spins’

25-Donald D ‘FBI’

26-Whodini ‘Friends’

27-Dogg Pound ‘Lets Play House’

28-Kool Moe Dee ‘Go see the Doctor’

29-The Doc ‘ It’s Funky’

30- MC Lyte ‘Cappucino’

31-Craig Mack ‘Get Down’

32-Heavy D ‘Black Coffee’

33-Mobb Deep ‘Shining’

34-Gang Starr ‘Words I Manifest’

35-KRS-One ‘Outta Here’

36-Kool G Rap ‘Road to the Riches’

37-Brand Nubians ‘To the Right’

38-Schooly D ‘Megamix’

39-Ice Cube ‘Megamix’

Return to Davey D’s Hip Hop Corner

An Interview w/ David Banner-Contrasting Katrina and Haiti Recovery Efforts

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Click HERE to Listen

With all eyes on Haiti and the horrific devastation that has taken place there, it was natural for many to think back to how government officials and leaders handled recovery efforts in the aftermath of Hurricane’s Katrina, Rita and Ike and see what lessons could be gleaned as we move forward with Haiti. Within our generation, one of the first people who came to mind was popular rap star/producer/ actor  David Banner. Best known for hit records like ‘Cadillac on 22s’, ‘Like a Pimp’ and ‘Play’, Banner is better known for the heroic efforts he put forth in the recovery efforts that took place in Mississippi after Katrina. So much so that he was awarded a prestigious Visionary Award by the National Black Caucus of the State Legislature.

In 2005 Banner was on a roll and was at the height of his career. ‘Play‘ was a number one record, his soon to be released album ‘Certified‘  was anticipated to be a huge success and the doors to Hollywood were starting to open.  Banner was on tour when Katrina hit. He immediately suspended all operations and turned his tour buses into rescue vehicles. Banner personally delivered water, clothing and food to those in need, spending tens of thousands of dollars of his own money…Ironically this caused tension between him and his record label because Banner stopped promoting his much anticipated album when appearing on popular media outlets like MTV or BET  and instead talked about relief efforts and what fans could do to help Katrina victims.

David Banner

As Banner often pointed out, New Orléans went through her immense suffering and death by the destructions of the levees which flooded the city and not the Hurricane itself which by the time it hit was downgraded from a category 5 to 3.  It was his native Mississippi that experienced Katrina at level 5 and bore the resulting devastation half way through the state.  The horrors suffered by Mississippi has not really been spoken about or fully documented. But Banner saw it all and was on the ground helping out just days after. He is still helping out in recovery efforts to this day..

When we sat down to talk with David  Banner, he explained that Haiti has been going through earthquakes ever since she freed herself from slavery and established that country.  She’s gone through economic and political earthquakes caused by the policies of our government including some put forth by George Bush and Bill Clinton who are heading up recovery efforts now. It’s like they were sent to finish a job they started. 

 Banner cautioned that all of us need to keep an eye on and be careful about the people and organizations we send our money. He reminded listeners that many of the recovery agencies involved with Katrina  made money and pimped the victims. He sees and hears many of the same troubling behavior with Haiti. Banner also recounted his own experience of seeing lots of money coming into organizations and it not being delivered to the people. He noted he saw how food and clothes that he brought to these organizations were taken away from poor parts of town and delivered to places where people were a little bit more well to do.. This is a complaint we are hearing over and over in Haiti.

Click HERE to listen to David Banner Interview

Banner also talked about all the money and opportunities that were granted when it came time to rebuild. He cautioned that we should all pay attention to the contracts being given out in Haiti, because after Katrina many of the people who were displaced and lost their homes did not get opportunities to work on the rebuilding. Banner said companies like Halliburton made tons of money while people most in need were left with nothing.

Banner also talked about the psychological damage that victims of Katrina had to endure. He explained that while people were still in shock after seeing a loved one drowned, eating by alligators or seeing their homes and personal effects destroyed, unscrupulous developers flooded the areas offering to buy people’s home for cheap and turn the areas into mini Las Vegas with expensive homes popping up and poor people being permanently displaced.

Banner said the solution to all this is for us in Black America to be prepared and understand Katrina and Haiti will happen again.  He said we will see some sort of catastrophe happen and that we need to be preparing ourselves now, because at the end of the day we’re gonna have to help ourselves..

We concluded by noting how fellow artists like Nelly, T.I. and Young Jeezy came to Banner’s help when he ran into road blocks and red tape by the government who tried to put all sorts of restrictions on the way he could help his own community. He talked about how his Heal the Hood foundation got hit with all sorts of red tape and that Nelly came along and absorbed Banners charity into his and helped him get all the paper work correct.

You can hear the full interview HERE

http://www.swift.fm/mrdaveyd/song/21400/

Return to Davey D’s Hip Hop Corner

Black History Fact: When Hip Hop Took on Everything from Hollywood to Education.. Remember these songs?

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 Public Enemy meets Big Daddy Kane and Ice Cube

Burn Hollywood Burn.. This video speaks for itself.. An incredible song and video..

http://www.youtube.com/watch?v=k6MlwT1lBk0

http://www.youtube.com/watch?v=_BxBs4f4RIU

Grand Puba founding member of Masters of Ceremony and later Brand Nubian kicked off one of the dopes  songs about education I ever heard… Here he talks about what we’re being taught and how it has major impact did one of the dopest songs aboutt education & the pyschological effects of  racism..The name of the cut is called ‘Proper Education’ click link to hear:  http://bit.ly/cknaJy

In ’92 The Dismasters sampled Martin Luther King & did a Hip Hop version of Black Nat’l Anthem The name of the song was ‘Black and Proud’ …click link to hear:  http://bit.ly/bF1yuz

This is one of the most underrated groups to come out during the Golden Age of Hip Hop… They were Philly based 3xDope.. They had a cut I would rock all the time called ‘Increase the Peace’ where they sampled both Malcolm X and Martin Luther King.. It was the first time I had heard the two slain leaders in the same songs..  And incredible piece click link to hear: http://bit.ly/d4CtCO

My home girl DJ Chela from North Carolina turned me onto this song from her fellow North Carolinian .. Its from a dope artist named K-Hill.. The cut features lots of quotes from Malcolm X.. The song is called ‘My People’ click link to hear: http://bit.ly/bbv4JD

Erase Racism featuring Kool G Rap, Big Daddy Kane & Biz Markie.  

A land mark song that spoke honestly and scared folks half to death back in 199o

click link below to watch..

http://www.youtube.com/watch?v=aFUg6EuYEKk

Return to Davey D’s Hip Hop Corner

NYC Councilman Charles Barron being Dissed by Fellow Democrats who Denied him Chairmanship

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When I read this story about Charles Barron the first thing I thought of was the irony of this happening on the watch of a majority minority city council line up and not seeing any outrage…I guess one shouldn’t be surprised, we are in a day and time where folks feel the best way to play the game is to be safe and be corporate… So a guy who is as outspoken as Barron finds himself at odds with those who feel that if ‘he’d only keep quiet’ things would be better..

I personally like and admire Barron for his brashness and fearlessness especially in the areas of police brutality. He was absolutely right in accussing the NYPD of allowing terrorism within the department. With all the madness that has gone on from outlandish killings of Amadou Diallo to Sean Bell… what else do you call it?

As far as him calling for the naming of a street after Sonny Carson why not? lets just say for aminute you actually believe the reduction of Carson to being a thug… Shouldn’t it be up to the community to decide? In addition, we have all sorts of streets, airports and buildings etc named after former domestic terrorists and slave owners.

Below is a speech Barron gave at the first Hip Hop convention in 2004 in Newark, New Jersey… He came in and talked about the importance of voting and how to hold people accountable.. 

http://bit.ly/dxDAFd 

Former Black Panther & NY City Councilman Charles Barron has always made himself accessible to the people in the community.. Boo to the City Council for denying him a chairmanship..

City Council slaps down Charles Barron, the only Dem without committee seat
BY Frank Lombardi
DAILY NEWS CITY HALL BUREAU
Monday, February 8th 2010, 4:00 AM
 
Hermann for News

Charles Barron got a stinging slapdown from the City Council; he’s the only Dem without a committee chairmanship or a lucrative annual “lulu” stipend. 

In a City Council that for the first time has a nonwhite majority, black empowerment activist Charles Barron now finds himself a minority of one.

After eight years of boat-rocking incumbency as councilman for Brooklyn’s 42nd District (East New York, Brownsville), Barron is the only Democratic member without a committee chairmanship or a lucrative annual “lulu” stipend.

That took some doing, given the Council now consists of 45 Democrats and five Republicans. (A vacancy in the Borough Park district will be filled in a March 23 special election.)

Barron, 59, was bounced as chairman of the Higher Education Committee last month and stripped of his $10,000 lulu in a 47-to-1 vote engineered by Speaker Christine Quinn (D-Manhattan). His was the only “no” vote.

Barron was not named chairman of any other committee, though all 11 Democratic newcomers were. The only other members without a committee or lulu are three of the Republicans.

As Council slapdowns go, it was a stinging one. But Quinn and his colleagues can cite a litany of offenses for Barron’s penalty-box punishment, including:

Organizing a City Hall reception in 2002 for Zimbabwean despot Robert Mugabe; a failed attempt to give the same honor to vilified Venezuelan strongman Hugo Chavez in 2008, and saying at a 2002 rally in Washington that he was so angry at resistance to reparations he wanted to slap “the closest white person.”

There are more, his critics say: fueling a raucous Council session in 2007 by championing a failed push to co-name a Brooklyn street after the late Sonny Carson, a self-professed “anti-white” black activist; accusing Quinn of “a form of ethnic cleansing” for firing his chief of staff, Viola Plummer, in the aftermath of the Carson street-naming clash, and accusing Police Commissioner Ray Kelly at a 2007 hearing of allowing “terrorism of the Police Department to take place in our community.”

More recently, Barron engaged in an angry public confrontation with CUNY trustee Jeffrey Weisenfeld, who denounced him as “a disgrace.” Barron called Weisenfeld a “sickening racist.”
Punishment or not, Barron has no intention of being a silent minority of one.

“I have a right to dissent,” he said last week. “I have a right to be black, to be bold, to be radical, to speak my mind, to be a revolutionary, to be socialist – whatever I call myself, I have a right to be that. …I have a right to be all that and speak my mind in a body without being punished. That is my First Amendment right.”

flombardi@nydailynews.com

Chuck D speaks on Cointel-Pro, Global Politrix & Oscar Grant

A conversation with Chuck D of Public Enemy, and Davey D the media activist. We discuss Cointelpro, Media, and More. Big shout out to kingofblaxmedia for rocking this..

Chuck D drops science at SF State

Return to Davey D’s Hip Hop Corner

Think Hip Hop Songs Cause Violence? Frank Sinatra Songs Causing Lots of Killings

People always like to point fingers at things that are convenient, fit a narrative and have no voice to respond back… Case in point, there have been lots of studies, numerous discussions all the way up to the halls of congress and even within the office of the President about the so harmful effects of Hip Hop. Artist like 2pac were even sued as their songs were cited as the cause for violent crimes..I guess one should suspend all their judgement and explain whats going on in the article below..

While your doing that please note there are genres of music all over the world from Oprah to folks songs that extol unsavory themes.. Yes, Lil Wayne and his buddies should probably pull their pants up and not rap about sipping on syrup, but then again we can’t say their the sole fault or even the worse that’s out there..Big shout out to the folks from Playahata.com for bringing this to our attention

-Davey D-

Sinatra Song Often Strikes Deadly Chord

Jes Aznar for The New York Times

Rodolfo Gregorio, right, at a General Santos karaoke bar. Filipinos, who pride themselves on their singing, may have a lower tolerance for bad singers.

Published: February 6, 2010

GENERAL SANTOS, the Philippines — After a day of barbering, Rodolfo Gregorio went to his neighborhood karaoke bar still smelling of talcum powder. Putting aside his glass of Red Horse Extra Strong beer, he grasped a microphone with a habitué’s self-assuredness and briefly stilled the room with the Platters’ “My Prayer.”

Next, he belted out crowd-pleasers by Tom Jones and Engelbert Humperdinck. But Mr. Gregorio, 63, a witness to countless fistfights and occasional stabbings erupting from disputes over karaoke singing, did not dare choose one beloved classic: Frank Sinatra’s version of “My Way.”

“I used to like ‘My Way,’ but after all the trouble, I stopped singing it,” he said. “You can get killed.”

The authorities do not know exactly how many people have been killed warbling “My Way” in karaoke bars over the years in the Philippines, or how many fatal fights it has fueled. But the news media have recorded at least half a dozen victims in the past decade and includes them in a subcategory of crime dubbed the “My Way Killings.”

The killings have produced urban legends about the song and left Filipinos groping for answers. Are the killings the natural byproduct of the country’s culture of violence, drinking and machismo? Or is there something inherently sinister in the song?

Whatever the reason, many karaoke bars have removed the song from their playbooks. And the country’s many Sinatra lovers, like Mr. Gregorio here in this city in the southernmost Philippines, are practicing self-censorship out of perceived self-preservation.

Karaoke-related killings are not limited to the Philippines. In the past two years alone, a Malaysian man was fatally stabbed for hogging the microphone at a bar and a Thai man killed eight of his neighbors in a rage after they sang John Denver’s “Take Me Home, Country Roads.” Karaoke-related assaults have also occurred in the United States, including at a Seattle bar where a woman punched a man for singing Coldplay’s “Yellow” after criticizing his version.

Still, the odds of getting killed during karaoke may be higher in the Philippines, if only because of the ubiquity of the pastime. Social get-togethers invariably involve karaoke. Stand-alone karaoke machines can be found in the unlikeliest settings, including outdoors in rural areas where men can sometimes be seen singing early in the morning. And Filipinos, who pride themselves on their singing, may have a lower tolerance for bad singers.

Indeed, most of the “My Way” killings have reportedly occurred after the singer sang out of tune, causing other patrons to laugh or jeer.

“The trouble with ‘My Way,’ ” said Mr. Gregorio, “is that everyone knows it and everyone has an opinion.”

Others, noting that other equally popular tunes have not provoked killings, point to the song itself. The lyrics, written by Paul Anka for Mr. Sinatra as an unapologetic summing up of his career, are about a tough guy who “when there was doubt,” simply “ate it up and spit it out.” Butch Albarracin, the owner of Center for Pop, a Manila-based singing school that has propelled the careers of many famous singers, was partial to what he called the “existential explanation.”

“ ‘I did it my way’ — it’s so arrogant,” Mr. Albarracin said. “The lyrics evoke feelings of pride and arrogance in the singer, as if you’re somebody when you’re really nobody. It covers up your failures. That’s why it leads to fights.”

Defenders of “My Way” say it is a victim of its own popularity. Because it is sung more often than most songs, the thinking goes, karaoke-related violence is more likely to occur while people are singing it. The real reasons behind the violence are breaches of karaoke etiquette, like hogging the microphone, laughing at someone’s singing or choosing a song that has already been sung.

“The Philippines is a very violent society, so karaoke only triggers what already exists here when certain social rules are broken,” said Roland B. Tolentino, a pop culture expert at the University of the Philippines. But even he hedged, noting that the song’s “triumphalist” nature might contribute to the violence.

Some karaoke lovers are not taking chances, not even at family gatherings.

In Manila, Alisa Escanlar, 33, and her relatives invariably gather before a karaoke machine, but they banned “My Way” after an uncle, listening to a friend sing the song at a bar, became enraged at the laughter coming from the next table. The uncle, who was a police officer, pulled out his revolver, after which the customers at the next table quietly paid their bill and left.

Awash in more than one million illegal guns, the Philippines has long suffered from all manner of violence, from the political to the private. Wary middle-class patrons gravitate to karaoke clubs with cubicles that isolate them from strangers.

But in karaoke bars where one song costs 5 pesos, or a tenth of a dollar, strangers often rub shoulders, sometimes uneasily. A subset of karaoke bars with G.R.O.’s — short for guest relations officers, a euphemism for female prostitutes — often employ gay men, who are seen as neutral, to defuse the undercurrent of tension among the male patrons. Since the gay men are not considered rivals for the women’s attention — or rivals in singing, which karaoke machines score and rank — they can use humor to forestall macho face-offs among the patrons.

In one such bar in Quezon City, next to Manila, patrons sing karaoke at tables on the first floor and can accompany a G.R.O. upstairs. Fights often break out when customers at one table look at another table “the wrong way,” said Mark Lanada, 20, the manager.

“That’s the biggest source of tension,” Mr. Lanada said. “That’s why every place like this has a gay man like me.”

Ordinary karaoke bars, like the Nelson Carenderia here, a single room with bare plywood walls, mandate that a singer give up the microphone after three consecutive songs.

On one recent evening, at the table closest to the karaoke machine, Edwin Lancaderas, 62, crooned a Tagalog song, “Fight Temptation” — about a married man forgoing an affair with a woman while taking delight in their “stolen moments.” His friend Dindo Auxlero, 42, took the mike next, bawling songs by the Scorpions and Dire Straits. Several empty bottles of Red Horse crowded their table.

“In the Philippines, life is difficult,” said Mr. Auxlero, who repairs watches from a street kiosk, as he railed about government corruption and a weak economy that has driven so many Filipinos to work overseas, including his wife, who is a maid in Lebanon. “But, you know, we have a saying: ‘Don’t worry about your problems. Let your problems worry about you.’ ”

The two men roared with laughter.

“That’s why we come here every night — to clear the excesses from our heads,” Mr. Lancaderas said, adding, however, that the two always adhered to karaoke etiquette and, of course, refrained from singing “My Way.”

“Misunderstanding and jealousy,” in his view, were behind the “My Way” killings. “I just hope it doesn’t happen here,” he said.

Return to Davey D’s Hip Hop Corner

Remembering How Hip Hop Took on and addressed the issue of Apartheid

One of the most under appreciated and least talked about collaborative efforts that involved Hip Hop was the Artists United Against Apartheid  and the The boycott of Sun City. For those who don’t recall Sun City was this ultra lavish resort  in this ‘phony’ country set up by the South African government called Bophuthatswana.  This was like a country inside a country kind of like an Indian Reservation of sorts. Sun City was basically South Africa’s version of Las Vegas and was set up to be this place where rich folks could go ‘play and get decadent and then return back to SA proper.

In South Africa under the Apartheid regime there were 4 or 5 of these fake/ reservation like countries called Homelands where Blacks were forced to live in overcrowded miserable conditions. They were moved off their traditional lands onto these ‘independent’ homelands while still being  still forced to work  amongst Afrikaners and subjected to her harsh Apartheid rules that called for strict racial separation.  It was in South Africa that Blacks who were the 75%  of the population and native to the land were subjected to all sorts of humiliations including not being allowed to live on any of the good land and having to show a special ID everytime they traveled from one place to another. These rules of racial separations were brutally enforced with the Afrikaner government going all out to crush any and all rebellions.

Many asked how was it that a country where Blacks were the overwhelming majority they could be under such harsh rule.. Sadly the South African Afrikaner government had two staunch prominent allies who stood in solid support. They were the US and Israel. Both these countries supplies weapons, resources and protection. Israel worked with the Afrikaner government to develop nuclear weapons and signed some sort of secret treaty to test them.

Worldwide condemnation picked up at the time President Ronald Regan was in office and he stood firm, vetoing any attempts to smash on Apartheid via the United Nations. He said the US had a constructive engagement policy..which basically meant business as usual..while they would say ‘Apartheid was the most desireable way to govern. At one point he even sent prominent minister Jerry Falwell over to South Africa to insure the Afrikaners the US was behind them. Both Israel and the US justified their stance because they didn’t want SA to get help from the Soviets.

South Africa’s Afrikaner government used Sun City as a way to give the country a nice look and by inviting A-list entertainers and showing them a good time, they would further highlight themselves via these defacto ambassadors.  Since Regan wasn’t going to back any attempts to officially boycott South Africa, the music and entertainment industry’s launched their own boycott.. people like Steven Van Zandt of Bruce Sprinstein’s E- Street Band kicked things off and formed the group.  He gathered up prominent rock musicians like;  Bob Dylan, Bono,  Peter Gabriel,  Bonnie Raitt, Hall & Oates,  Jackson Browne, Ringo Starr Pat Benatar, and Joey Ramone to name a few.. Joining them were legends like Miles Davis, Eddie Kendricks, Bobby Womack, Nona Hendryx, Herbie Hancock, George Clinton, Jimmy Cliff, and David Ruffin.

Rounding out this all-star line up were prominent Hip Hop artists, including pioneers DJ Kool Herc, Africa Bambaataa, Mele-Mel, The Fat Boys, Run DMC, Kurtis Blow and Gil Scott Heron.. Arthur Baker who is best known for producing Planet Rock along with Afrika Bambaataa was also on board.

The overall gist was to shame any entertainer or athlete who defied the UN sanctioned boycott and played Sun City for the large sums of money they offered. For the most part it worked, but there were a few like Queen, golfer Lee Travino, Frank Sinatra,  Linda Ronstadt, the O’Jays, Ray Charles and Rod Stewart who had no qualms breaking the boycott and in doing so giving credibility to the South Africa regime.

Here are two land mark songs from the landmark  Sun City album where Hip Hop left its footprints.. Props out to the pioneers who really put it down especially Mele-Mel and Kurtis Blow. What I like most about this joint is hearing Gil Scott Heron who was an obvious precursor to modern day rap doing his thing along side them. His commentary underscored everything that was happening. I was impressed with the way he paralled the struggle for equality here in the US along with what was going on in South Africa.

In order to fully appreciate this other cut Revolutionary Situation which is basically sound clips and samples over hard hitting beats is to hear it in full stereo. That wasn’t fully captured during this particular recording. Produced by drummer Keith Leblanc who did the song Malcom X on Tommy Boy record, this  the entire songs has sounds coming out of left and right speakers. They range from Nelson Mandela’s daughter Zindi , Bishop Desmond Tutu,  Alan Boesak, and Steve Biko and Ronald Regan.  You get this sense of urgency that at any minute South Africa is gonna explode if the walls of Apartheid don’t crumble. Hearing Ronald Regan inside this song makes you realize how utterly out of touch and mean-spirited we sounded as a country.. . Sadly it was because of this exposure of Regan’s insensitivity that ‘Sun City’ got limited airplay and PBS refused to air the documentary that went alongside making this album.

Afrika Bambaataa

Afrika Bambaataa

Coming off the Sun City album which raised about a million dollars many in Hip Hop kept the message alive. there was the big divestment movement at UC Berkeley. myself and my crew did an anti-Apartheid song that was played during rallies. Others like Afrika Bambaataa who’s pioneering Zulu Nation organization was named after the South African tribe who fearlessly fought the British, took it a step further and started doing concerts overseas where he raised money for the African National Congress. Bam will be the first to tell you that he was inspired after seeing the movie Zulu to form his organization and later adapt certain things including battle strategies from them. Hip Hop had been acknowledging South Africa and her freedom struggle from day one..

Also in that vein was Arrested Development  who also donated money to the ANC and if memory serves me correctly performed when Mandela came to Oakland at the conclusion of his Free South Africa tour

One of the most prominent groups to address the issue of Apartheid was Stetsasonic the original Hip Hop band.  They did a song that sampled Jesse Jackson who had just come off making a historic run for President. The song was called Free South Africa and was not only a 12 inch single that was promoted and pushed, but had an accompanying video..

Y’all remember this?

http://www.youtube.com/watch?v=73HGCLeapBs

Chuck D & Paradise at the LQ

Chuck D & Paradise at the LQ

The Setsasonic single came out during the hey day of Hip Hop’s Golden Era’ which was ushered in because of a series of secret meetings held at the Latin Quarters, the biggest and most popular nightclub in New York during the mid 80s.. Top artist of the day from The Jungle Brothers to KRS-One to Bambaataa and many others came together and agreed to stop wearing the popular gold dookie chains which were made with gold from South Africa. A fast and hard rule was agreed upon which forbade anyone from performing on the stage wearing gold.. The chains were replaced with leather African medallions and essentially ushered in Hip Hop’s Golden Era..

The primary architect behind that was Paradise Gray of the legendary group X-Clan who ran the nightclub. He is finishing up a book and documentary along with writer/activist Giuseppe Pipitone about that special period..

Also coming out of that Afrocentric/ Golden Era in Hip Hop was Queen Latifah and her song ‘Ladie’s First‘.. many may have forgotten the video that she did which was directed by Fab 5 Freddy who was also hosting Yo MTV Rap.. The imagery used in the video shows the resistance to Apartheid..

http://www.youtube.com/watch?v=hLB5bUNAesc

Here’s an incredible posse cut featuring Afrika Bambaataa, Brother J, Professor X, Lakim Shabazz,  Jungle Brothers, UTFO, Master Rob of Ultimate Force, Grand Puba of Brand Nubian, Kings Of Swing, Queen Latifah, Solo, Revolucien, Lin Que, Arthur X called Free South Africa from the group Hip Hop Against Apartheid

https://www.youtube.com/watch?v=kleLfGbdWmA

Hip Hop/ New Wave icon Malcolm McClaren best know for the landmark song Buffalo Gals which came out in 83, had on the flipside this song about Soweto

http://www.youtube.com/watch?v=Tij6wdlniHQ

Here’s another video which I forgot.. Straight outta of the UK is Brotherhood in the form of the Black Rhyme Organisation To Help Equal Rights (B.R.O.T.H.E.R ) was a collection of some of the most talented UK Hip Hop artists around in 1989. Instigated by the political ragga-rap group Gatecrash, the main purpose of their debut record, “Beyond the 16th Parallel” was to raise awareness of the racial inequalities of the South African apartheid regime. Assembling an all-star line up, including the late Bernie Grant MP, each of the separate groups had the task of tackling the specifics of the Botha government.

http://www.youtube.com/watch?v=1T0JARInwz8

Another group out of the UK that strong addressed Apartheid was the Cookie Crew with one of my all-time favorite songs ‘How Long Has this Been Going On’

http://www.youtube.com/watch?v=D-IW9zo4Sbk

In South Africa, there were scores of rappers, but the most potent and most political was Prophets of Da City (POC) who wound up being banned by the government because of their lyrics.. They wound up performing at Mandela’s inauguration, but remained critical of the government which they felt had been too forgiving to the Afrikaners.. They remained banned and were recently the subject of a documentary put together by South African film maker Dylan Valley talking about their plight .

http://www.youtube.com/watch?v=nhG0IDrKiaI

We will leave out with a new song from Jasiri X and his new song about Mandela called Listen to what the Drums Say

http://www.youtube.com/watch?v=oyMNYvkNfdY

 Return to Davey D’s Hip Hop Corner

It’s About to Get Nasty:How Corporations Are Secretly Gearing up for the 2010 Elections

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There’s so much one can say and write about last month’s Supreme Court ruling that allows corporations to weigh in and spend unlimited amounts on campaign contributions. One thing is certain-it’s about to get nasty and ugly.  The bottom line is, no matter how many ways people try to justify this ruling under the umbrella of ‘free speech’, it’s only a matter of time before the realization hits that it’s not exactly Free Speech when only the rich and powerful have access and can afford to voice their opinions on traditional powerful mediums.

We often forget that radio and other media outlets are corporations and with all the criticisms we have about the bias of news outlets like Fox or if you’re on the other side of the political spectrum, the so-called ‘left leaning’ media, that in itself should be proof  that an unbridled corporate voice could be really, really bad. The fact that our airwaves are now dominated by over-the-top political pundits who have become more and more strident and divisive over the past 5-10 years should have rung a few alarms, but sadly we are at a day and time where people have been lulled into believing that

1-There’s always opportunity to lay out one’s ideas via the internet.

2-Things aren’t  so bad as long as they can see or hear their own political viewpoint.

Look for corporations like AT&T to take full advantge of the new Supreme Court Ruling by campaigning to eliminate free speech on the Internet

A couple of things to keep in mind… First and foremost, we better make note that some of these corporations who are now free to spend billions are spending billions of dollars on law makers via lobbying efforts to cripple the internet and stifle the opportunity for the little guy to reach millions. Companies like AT&T and Comcast have been working night and day to get rid of Net Neutrality, which has allowed a free and open internet up til now. As we noted in recent stories thse corporate telecoms outfits are spending millions to sponsor events put on by law makers that represent communities of color as well as traditional Civil Rights organizations.

As unbelievable as it sounds, the end result has been the majority of members in both the Congressional Black and Hispanic Caucuses siding with AT&T and other telecoms that want to bring about a restricted and consolidated internet.  Even more disturbing is seeing organizations like LULAC and the NAACP who have held events heavily sponsored by AT&T take supportive positions.

What’s even sadder is noting that these expensive lobbying efforts were happening before the Supreme Court ruling, where these corporate telecoms still had constraints and rules that limited them. All thats about to change big time. One of the first places you are likely to see the impact of this Supreme Court decision will be in the form of aggressive campaigns launched by the telecoms supporting lawmakers who are willing to eliminate Net Neutrality and cripple ‘free speech’ for the average John Doe on the internet. How ironic that the granting of unrestricted speech to corporations will result in them using  likely their far reaching destructive power to shut down free speech for others.

2 or 3 years ago AT&T brought computers for Chicago congressman Bobby Rush who then turned around and voted to eliminated Net Neutrality via the COPE Act

Many of these corporate telecoms simply don’t want a blogger who writes from home to be on the same playing field as a big newspaper or giant media outlets.  They want faster and more efficient access to be granted to those who can pay and like I said earlier,  millions of dollars have already been put in the coffers of Black and Brown leaders in both Congress and Civil Rights organizations who have had their votes and support brought and paid for…

Now that the Supreme Court has unbridled these corporations, you will see these efforts increase as these corporations will start looking for influencial groups and individuals who desperately need money in these economically challenged times for crucial projects and events or as was the case with Congressman Bobby Rush in Chicago, new computers for a school and write them big checks in an ‘unspoken’/’Unwritten’ exchange for votes, support or silence.  Many law makers will go for the short-term relief  and not concern themselves with long-term damage.  We all need to pay close attention because we are about to see some strange and disturbing political pairings.

The other widely held viewpoint is-as long as one can see or hear their own political viewpoint via a popular media outlet, then there’s no reason to trip off the Supreme Court’s ruling.  This is shortsighted and rooted in the belief that one’s favorite medium will always be forever and in a position to effectively champion ‘the cause’. The recent closing and filing of bankruptcy by progressive leaning Air America should serve as a strong reminder this is not always the case.

 Air America was supposed to be a viable alternative to the increasing use of right-wing talk show hosts on corporate radio, many who were accused of being racist, homophobic and carriers of ‘Hate Speech’.  With Air America gone there has been no replacement and even if one makes the argument that it wasn’t as popular as its right-wing counterparts, it nevertheless served an audience and represented an  important voice and political perspective that is now is gone. Where does one go now, keeping in mind the assault to corporations to cripple free sppech and control the Internet?

Glenn Beck led a corporate backed assault against political foes in the Obama White House. The end result was two were forced to resign

How bad can things get?  Well, we’ve all seen the type of damage that can be inflicted when a corporation pours money and resources into unrelenting attacks in political arenas. Fox News host Glenn Beck‘s vicious on air assaults on White House appointees Van Jones and Yoshi Sergent are two prime examples.  Beck was relentless and there was very few opportunities and outlets for Jones and his supporters to really strike back. The end result was both Jones and Sergent resigning and an emboldened Beck promising to intensify his crusade and go after other White House appointees. If Beck’s attacks weren’t an example of  corporate free speech gone wild then I don’t know what is.. What i do know is that after last month’s ruling  such attacks will increases tenfold with very few protections for those lacking resources and access.

On the political flipside to the Beck’s attacks, within urban America we have Radio One, the largest Black owned radio outlet which has long come under fire by leadership in the African American community. many have lambasted the outlet for not taking advantage of its enormous reach and influence within the Black community to help raise political awareness and social consciousness on a variety of important  topics versus dumbing down the audience and relying on the constant ressurection of troubling stereotypes of ignorance and buffonary. Radio one has noted that they have a well respected talk show line up which includes Civil Rights leader Al Sharpton and lawyer Warren Ballentine among others..However, that  punditry is rarely shared or exposed on their day-to-day music oriented stations which attract the largest number of listeners.

Radio One owner Cathy Hughes is using her popular media corporation to try and unseat Black lawmakers who she disagrees with over a proposed bill that she says will weaken her radio stations.

Last year Congressman John Conyers introduced a bill HR 848 which would force radio stations to pay an extra tax to record labels for each song they played. It’s a policy I definitely don’t agree and it sparked a big debate within many communities. Some took the proposed bill as a referendum against lack of politicalness of Black radio and Radio One in particular and came out in full support.  This resulted in Radio One owner Cathy Hughes taking to the airwaves and running a series of in-house political ads and editorials designed to unseat Black lawmakers including Conyers and  Houston’s Sheila Jackson Lee.  Hughes took things a step further by refusing to run ads or editorials that countered her concerns. The 2010 elections will show how impactful those ads were. It was the topic of discussion during a heated panel I sat on during the most recent Congressional Black Caucus gathering where there was a lot of back and forth and haggling to squelch the assaults. Again I bring this up because all this took place  prior to the Supreme Court ruling. Imagine how much crazier it will get now that corporations are free to say and do as they wish…

White House appointee Van Jones was a victim to vicious corporate sponsored attacks

The Supreme Court ruling that allows corporations the right to weigh in and contribute to elections unrestricted is not only dangerous, but one that many including those who seem to think its ok will come to regret sooner or later.  Those who support this ruling are those who simply have not been on the receiving end of such attacks and influence. The nature of corporations in America is grow and make as much profit as possible and eliminate an and all obstacles in way of its goals. Right now its easy to dismiss this because a Yoshi Sergent, Van Jones, Sheila Jackson Lee etc, don’t impact the day to day lives of most people. But after those victims of corporate assaults are eliminated who’s next? Will it be your church? civic group?, union? or son, daughter, mother or father voicing a strong opinion to an important issue?

What happens to the voice of coal miners in West Virginia when the owners decide they wanna drown out the complaints of  workers about low pay or shoddy work conditions and put someone in office who will reinforce their policies via legislation?  What happens to voice of nurses and doctors who find themselves drowned out by powerful  HMOs or Big Pharma companies who may be cutting corners or doing something that workers find unsettling?  What happens when you live in a small town or community and have elected rep who you like because he or she speaks to your needs, but those opinions rub some corporate owner the wrong way and he decides to launch a crusade against that small town official even if he lives thousands of miles away. Folks better start taking note.. The price for freedom is to be forever vigilant. In 2010 we best note that not all attacks are made with guns and swords.  Sometimes it comes with a pen as demonstrated by the Supreme Court  and their reckless decision last month.

-Davey D-

below is an article detailing some of the moves being made as corporations gear up for the 2010 election season..

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How Corporations Are Secretly Moving Millions to Fund Political Ads

Gaping legal holes allow corporations to spend enormous sums on politics without leaving a paper trail.
  

original Aletrnet/Raw Story link http://bit.ly/d8nQy6

 stockwallcorporate Exclusive: How corporations secretly move millions to fund political adsThe Supreme Court’s seismic January ruling that corporations are free to spend unlimited amounts of their profits to advertise for or against candidates may have been the latest shakeup of campaign finance – but gaping holes already allow corporations to spend enormous sums without leaving a paper trail, a Raw Story investigation has found.

Campaign finance experts confirmed that though disclosure rules remained intact in the new Supreme Court decision, there are effective methods to circumvent them.

Ciara Torres-Spelliscy, an attorney and campaign finance expert at New York University’s Brennan Center for Justice, said corporations already effectively end-run campaign finance law by shuffling money through trade associations.

“One of their favorites right now is spending through trade associations,” Torres-Spelliscy said.

Trade associations are considered tax-exempt non-profit organizations under US law. While they must report contributions received from other corporations to the Internal Revenue Service, the document itself remains confidential and is not

“Money coming through the trade association doesn’t get disclosed,” Torres-Spelliscy explained. “You can’t tell if it came from particular corporations.”

For example, she said, “The disclaimer form is likely to just say, ‘This is brought to you by the Chamber of Commerce,’ with no extra ability to see behind that.”

The Chamber of Commerce is the world’s largest trade association representing at least 300,000 businesses and organizations.

A fellow non-profit that works on campaign finance, the Center for Political Accountability, calls trade associations “the Swiss bank accounts of American politics.”

“What was the lesson from Watergate?” Torres-Spelliscy quipped. “Follow the money?”

Health insurers, pharmaceutical companies embrace loophole

Trade associations such as America’s Health Insurance Plans (AHIP) and Pharmaceutical Research and Manufacturers of America (PhRMA) have had an enormous impact on the health insurance reform bills pending in Congress. In fact, AHIP was recently found to have solicited $10 million to $20 million from leading health insurance companies — UnitedHealth, Wellpoint, Aetna, Cigna and Humana among them — and funneled it secretly to the US Chamber of Commerce to underwrite anti-reform attack ads.

Asked about the story, the Chamber’s top lobbyist told the reporter, “No comment. We never disclose funding or what we’re going to do.” The Chamber of Commerce did not respond to a Raw Story request for comment.

Raw Story’s 2008 award-nominated investigative series The Permanent Republican Majority noted that, “Despite its seemingly bipartisan name, the Chamber of Commerce has operated as a pro-Republican powerhouse since the fervently anti-regulation Thomas J. Donahue became president in 1997.” Raw’s Larisa Alexandrovna and Muriel Kane uncovered, for instance, that the Chamber, under Donahue’s leadership, had an indirect role in the defeat and political prosecution of Governor Don Siegelman and in targeting sitting judges in contested state elections.

President of the Center for Political Accountability Bruce Freed told Raw Story that trade associations also use other trade associations in this manner as “blinds for ads” to “launder their money.”

“It’s a way for the industry to avoid responsibility for those ads,” Freed remarked.

Karl Sandstrom, the Center’s lead counsel, noted that it isn’t only the public that remains in the dark over the “Swiss bank” loophole. He said that when the Center surveyed boards of directors of companies, the majority of them just assumed their businesses’ contributions supporting political ads were being disclosed.

“It’s just almost a working assumption,” Sandstrom said.

Most of the boards of directors, he said, were “shocked to learn there is no disclosure.”

While these types of contributions prior to the new Court ruling could only be used for “issue ads” — political advertisements that do not expressly advocate for or against a particular candidate — many such ads were often accused of blurring this line and having nearly the same impact as express advocacy ads.

Christian Hillard, spokesman for the Federal Election Commission (FEC), confirmed Tuesday that the FEC has “no authority over issue ads.”

Corporate funding of issue ads through trade associations has “no filing requirements with us,” he told Raw Story.

New ruling’s impact on the trade association loophole

Now that corporations, including trade associations, are free to spend funds on political ads – which cannot be coordinated with a candidate or political party but which expressly advocate the election or defeat of a candidate – the line between funding issue ads and express advocacy ads has been largely erased.

Campaign finance experts expressed grave concern in conversations with Raw Story.

Paul S. Ryan, an attorney and expert in federal election law at the Campaign Legal Center in Washington, D.C., asserted that Congress did not contemplate this new Court ruling when it wrote the laws for disclosure related to independent expenditures or electioneering communications, because at the time such corporate spending was prohibited. Ryan said that it’s imperative that the FEC addresses disclosure requirements pertaining to this decision.

“Take hypothetically a group like the Chamber of Commerce,” he explained. “The Chamber collects money from lots of other corporations. So the question becomes: What kind of disclosure are we really going to get when the FEC gets around to promulgating rules to implement this Supreme Court decision?”

“Yes, the Chamber needs to file paperwork with the FEC saying we ran an ad saying Vote for Candidate Smith,” he continued. “But does the Chamber need to tell the FEC where it got its money to pay for that ad? And when the FEC adopts its rules to implement this new Supreme Court decision, the FEC will likely say, ‘Chamber of Commerce, you only need to tell us where you got your money if that money was given to you specifically designated to run election ads.’”

Ryan and other campaign finance experts told Raw Story this is a simple dodge.

“It’s child’s play to get around that type of disclosure,” Ryan said, adding, “It’s unclear whether the Court was being naive or disingenuous” when it touted disclosure provisions during its decision.

He explained that, for example, all the Chamber of Commerce has to do is tell other corporations, “Give us money and we’ll make sure it advances your business interests.”

“So as long as the donors don’t say to the Chamber, ‘We’re giving you this money to run political ads,’ as long as they refrain from saying that, then their identity can continue to be shrouded or hidden from the public.”

The Center for Accountability’s Sandstrom agreed, saying this type of disclosure “is easily avoided” and adding, “As long as you don’t designate it, you won’t be disclosed.”

The Chamber of Commerce, in fact, argued against any disclosure in the Citizens United case.

“Their first brief filed in Citizens United is on the disclosure issue,” Sandstrom said. “They argued that they would raise substantially more money the more they could keep it anonymous.”

FEC spokesman Hillard said that the FEC was still examining the impact of the Supreme Court’s decision and would not comment on anything pertaining directly to that ruling, including disclosure provisions.

 Brad Jacobson is a contributing investigative reporter for Raw Story

Return to Davey D’s Hip Hop Corner

Today is Dream Day-Remembering Graf King Mike Dream

Dream DayFebruary 5th, 2010 at The New Parish, Oakland, California. Celebrating the life and legacy of Mike “Dream” Francisco.

Art exhibition by TDK crew + more

Music by DJs: Apollo, ShortKut, Sake One, Fuze, Myke One, Platurn, Namane, and Willie Maze. Live drums by Big G of the 808 Band!

Performances by Equipto, F.A.M.E. and The Bangers.

The Bay Area’s best DJs and Artists have assembled to pay tribute to life and legacy of Oakland’s beloved Graffiti King and Bay Area legend, Mike “DREAM” Francisco. Recognized worldwide as a style master, Dream’s graffiti established the visual aesthetic of Oakland’s Hip Hop culture, and put The Town on the map in what is now the fastest growing art movement in human history.

This event marks ten years since Dream was tragically murdered, and all proceeds from the event will benefit Akil Francisco, Dream’s only son, now 10 years old. The TDK crew is also proud to announce the forthcoming book on Dream’s art and life: “The Title of My Book Reads: Advanced Vandalism.”

All proceeds benefit the Dream Book Fund and the Dream Legacy Fund for his son Akil, 10, who recently lost his mother to breast cancer.

If you are unable to attend and want to support, please make checks out to The Dream Trust Fund, or Akil Francisco.

Art Show 6pm-9pm, All Ages, Free
Showtime 9pm-2am, $10 (dontations accepted) All Ages (with parent)

 
Here’s the original story of when Dream was taken from us…
 
 
RIP Dream…
One of Hip Hop’s best is Gone!
by – Billy Jam
2/22/00 9:39:57 AM
The Bay Area hip hop community was in mourning over the weekend with the tragic news of the murder of Mike “Dream” Francisco who was shot and killed on Thursday night, Feb. 17th, in a robbery in West Oakland. Dream was 30 years old and is survived by his family, his girlfriend Nikki and their infant child. Dream, a prominent and prolific graffiti artist since the late eighties, was best known for his association with the TDK [Those Damn Kids] graffiti crew and the Hobo Junction hip hop collective. (Note: a photo of a bombed Amtrak train by Dream graced the cover of Saafir’s 1994 album “Boxcar Sessions”). The ever prolific Dream had done literally thousands of pieces over the years from throw ups all around Oakland and the Bay to works on canvas or paper for such entities as the Invisibl Skratch Piklz, 11/5, Hip Hop Slam, KMEL and Dogday Records. In recent years he had earned a reputation as an equally talented tattoo artist operating out of East Oakland tattoo studio Built To Last with partner Done Carlo. “I’m just in shock. I can’t believe it,” said Done outside La Pena cultural center on Saturday night where a last minute benefit/tribute to Dream was held with such friends/performers as Naru, Company of Prophets and Boots from the Coup all paying their respects.

 “Dream was a very humble and charismatic writer,” said Refa 1; Dream’s close friend and graffiti partner with whom Dream had scheduled a new show at Oakland’s Asian Resource Center (310 8th Street @ Harrison) this week. “He put so much love and dedication into a form that many of us had taken for granted and he had taken it to new heights,” said Refa 1. “He excelled in that and he gave the world so many beautiful pieces coz he himself was a beautiful person. And he always loved the culture!” The one day art show, scheduled for Thurs 2/24 5PM to 8PM, will now become a memorial and its pieces, no doubt, will take on profound new meaning. “In the new exhibit there’s a piece dedicated to 2Pac and Plan B and now I’m gonna have to do a piece dedicated to him,” said Refa 1 shaking his head.

 Sunday (2/20) at the Future Primitive Sound Session at the Fillmore in San Francisco friend and fellow graffiti artist Doze titled his live onstage graffiti installment “DREAM” in his honor. “He wasn’t just a great artist. He was also a great person,” said Doze. Later that night onstage DJ Disk, another longtime friend of Dream’s, paid homage to the slain artist by stopping the music and leading the soldout crowd in a moment of silence. In fact all weekend, all over the Bay people, touched by Dream’s art and ever warm personality, were shocked as news of his sudden death reached them. Many pointed to the sad irony of how Dream always made mention in his art to Plan B who was also slain.

 Emcee/graffiti artist & fellow Hobo Junction member Plan B (real name Jesse Hall), who was murdered in 1992, was a close friend of Dream’s and often the topic of his art. The PBS documentary “Jesse’s Gone” from a few years ago about the death of Plan B, which features interviews with Dream, will rebroadcast on KQED San Francisco on Tuesday Feb 22nd. In an interview broadcast on Hip Hop Slam in 1993 from at the anti-police brutality art exhibit “No Justice No Peace” Dream noted that for many of the attendees at the downtown Oakland art gallery that this was their first exposure to graffiti as art and a dose of “reality” for them. “But to brothers like us reality is watching people die on the streets everyday, everyday,” he said. Billy Jam (2/21/00)

 (NOTE: for updates on Dream’s memorial service and other info related to the artist call the Hip Hop Slam offices at (510) 658-4293, ext 2 or e-mail HipHopSlam@aol.com)