Thoughts on Cuban Hip Hop Being Used to Overthrow the Gov’t

Davey-D-brown-frameThere’s a been a lot of conversation about the recent revelations of Hip Hop and Hip Hop artists being via infiltrated through an agency called USAID with the goal of shaping opinions and sparking unrest to create a climate that would lead to the overthrow of the Cuban government. You can peep one of the many stories about that HERE—http://huff.to/1qMR5T7

In speaking about this case, I noted that far too many have fallen into the trap of seeing themselves and this music/culture as being unique in it being besieged, put under surveillance and being deemed a potential threat to those in power. Too many people saw the police collecting dossiers on Hip Hop as some sort of badge implying it was a reflection of power. Such assertions have been made without the context of history…

First its extremely important to note that this Government has always used culture and popular expression and mediums to undercut, destroy, marginalize, control, redirect a people and yes even help overthrow governments. What was revealed about Cuba is by no means unique. It may be unique for folks hearing about this for the first time..What we are talking about here is something that’s global..Cultural expression is serious biz..

I can say this in 2006, I went to Beirut and attended and participated in global conference on music and censorship. There I met folks who had spent many years in jail from all over the world because of their music and art which challenged those in power. You can read some of what was spoken about at that conference HERE

In order to understand this what folks need to clearly understand is that culture expression here in the US is often limited in how it’s defined. Many simply call it art. And art in the minds of many is luxury that is brought and sold and put on display to admire and debate. Our history and understanding of how we express ourselves has been erased or distorted. So instead seeing many types of cultural expressions (rapping, singing, dance, poetry, playing of music) as important and even primary ways of communication, we fail to see to see that the government sees what we do in that light..

Dr Jared Ball

Dr Jared Ball

With respect to Hip Hop as professor Jared Ball has long pointed out, its ‘mass communication’..Those in power have never ceded ground or allowed us to have too much independent control of mass comm outlets.

Second point, Hip Hop being infiltrated and aspects of it being compromised is one the latest cultural expressions in a long line to be compromised. In order to best understand this.. I encourage folks to go on-line and look up this video that came out in the 1970s with a former FBI agent named Darthard Perry talking about how the government studied culture, in particular Black culture as a way to control the people.. You can and should peep that HERE—http://bit.ly/1BKXWjM

For those who find this be a bit of a stretch.. I encourage you to peep the speech Dr Martin Luther King gave August 11 1967 to the National Association of Television and Radio Announcers about the role of culture, in this case music and Black radio deejays.. He plainly states there is no Civil Rights Movement without these deejays and the powerful influence of Soul Music, which like Hip Hop had its own challenges of being deemed unsavory, less than sophisticated and even violent.. (Folks living here in the Oakland, ask your parents or grandparents about James Brown being banned and concerts being shut down because he brought out the ‘wrong crowd’).. Check out King’s speech and the one given by Minister Farrakhan to a similar body of Black music industry folks 13 years later… http://bit.ly/1yNyLXO

Third point, Hip Hop being as popular as it is was undoubtedly going to be seen as something that needed to be derailed, distorted and used a s a tool of oppression vs allowing it to be used as a tool of liberation. Wherever large crowds are gathered, we have got to expect those in power to be sizing it up and trying to figure out how to economically exploit it and politically derail it..

Bob MarleyFrom icons like Bob Marley being followed and undermined by the CIA to the banning of the drums during slavery at Congo Square to Fela Kuti who specifically said his music was a weapon being attacked, to the Black Arts Movement being marginalized where the late Amiri Baraka and others called upon Black folks to use their poems and music as weapons and be in alignment with the Black Power Movements of the time, to French rappers coming under fire and accused of sparking the 2005 riots in Paris with their music to the way the US uses its radio arm Voice of America to undermine governments, we should be clear in knowing that obtaining and maintaining public space will and has always been a challenge. We should be crystal clear that if you can ‘move the crowd’ folks are gonna have their eyes on you…

What’s most interesting about this scenario is that in many so-called progressive enclaves, culture is still seen and treated as an after thought or sidebar to the movement. Perhaps that’s deliberate because those in power in on that side of the political spectrum like their counterparts on the right want to keep many in the back of the bus and not have a seat at the table.

cuban rappersThe solution to all this is to 1-fully understand the power of our culture. Martin Luther King talks about that in his speech. In understanding its power, one has to then move in a direction where you are not dependent on entities and individuals who fear or don’t respect our culture for affirmation, funding etc..

2-Recognize many aspects of our culture are indeed powerful forms of communication. If Hip Hop has this much influence that governments use it to move folks from point A to point B, then what role are we playing when we consciously produce it or consume it?

3-Check out an incredible book called Party Music by Prof Rickey Vincent who digs real deep into this topic. He talks about the impact the Black Panthers had on Soul Music and how cultural expression was challenged and seen as a threat by those in power and ultimately used to destroy facets of the Black Power Movement..

4-Read Jared Ball’ s Book..”I Mix What I Like!: A Mixtape Manifesto” where he meticulously details how Hip Hop Music has been colonized. It’s important for folks to understand the many forces at work to harness our expression.

5-Read Jeff Chang‘s book Who We Be the Colorization of America  where he talks about the wars, political attacks and commercialization around Art and Culture and the derailment of movements around the concept of Multiculturalism.

6-Look out for an upcoming book due out in February 2015 from Timothy Taylor aka Wise Intelligent of Poor Righteous Teachers that addresses many of these key issues.

Bottom line, we may take what we do culturally speaking for granted. We may think our songs and dances are no big deal.. But others are not. They study it, see it as a threat and know its potential to liberate and empower if left unchecked. ‪#‎staywoke‬.

The Stupidity Of New York’s Long, Expensive (And Ongoing) ‘War On Graffiti’

author Adam Mansbach

author Adam Mansbach

Thirty years ago—at the height of New York City’s “War on Graffiti,” and in an act of faith utterly incommensurate with the city’s public demonization of graffiti writers—a group of teenagers named SHY 147, DAZE, MIN and DURO met with MTA official Richard Ravitch, and proposed a deal. Give the writers of New York City one train line to adorn with their vibrant aerosol murals, and they would leave the rest alone. Let them paint for six months, then let the public vote on the merits of their contribution.

Ravitch suggested that if the writers wanted to contribute, he would give them all brooms, and hostilities resumed. The subway’s exteriors have been art-free since 1989, but the war has never really ended. New York City remains rigidly opposed to the very aesthetic of graffiti—even if the art in question is perfectly legal.

http://www.youtube.com/watch?v=6RlR1Tn2vnM

Today, advertisers have learned to faithfully, if flavorlessly, appropriate graffiti’s ethos of logo repetition, as anyone who has ridden the train lately can confirm. In the city that incubated the most important popular art movement of the 20th century, the message is clear: public space can be yours, if you pay for it.

Unless what you put there reminds them of graffiti, that is. I learned this last week, when I tried to buy space to advertise my new novel. The silver walls where “burners” used to blaze are now for rent; anyone willing to pay fifty thousand dollars to a company called CBS Outdoor can buy advertising “stripes” for a month. For considerably more, one can “wrap” an entire train in product messaging.

“The issue,” CBS Outdoor wrote in an email, explaining why my proposal had been rejected, “is the style of writing. The MTA wants nothing that looks like graffiti.”

rage-is-back-cover-320x220Admittedly, my book title is rendered in colorful, flowing letters, by the Brooklyn artist Blake Lethem. Admittedly, this would not have been the first time Mr. Lethem’s work had graced a train. But what exactly is the rubric by which the MTA judges a letter’s graffiti-ness? At what stylistic tipping point does a word becomes impermissible to the same entity that has approved liquor adverts depicting naked women in dog collars, and bus placards featuring rhetoric widely condemned as hate speech against Palestinians? And if the NYPD defines graffiti as “etching, painting, covering or otherwise placing a mark upon public or private property, with the intent to damage,” isn’t a graffiti-style letter kind of like a robbery-style purchase?

All this might seem trivial, except that the War on Graffiti’s tactics presaged a generation’s experience of law enforcement and personal freedom. Mayor John Lindsay first declared war in 1972, and over the next 17 years, the city would spend three hundred million dollars attempting to run graffiti-free trains—this, during a period when the subway barely functioned and the city teetered on the brink of insolvency. Clearly, there was more at stake than aesthetics.

Those stakes become clearer when one examines law enforcement’s public profiling of graffiti writers. They were described as “black, brown, or other, in that order,” and vilified as sociopaths, drug addicts, and monsters. This was a fight over public space, and we would do well to remember that at the time the fight began, teenagers were also being arrested for breakdancing in subway stations, and throwing un-permited parties in the asphalt schoolyards of the Bronx. Taken collectively, these three activities also represent the birth of hip-hop, the single most influential sub-culture created in this or any country in the last half-century.

Subway GrafAs historian Jeff Chang writes, the early 70s saw the politics of abandonment give way to the politics of containment in communities of color. The War on Graffiti is a prime example, and it midwifed today’s era of epic incarceration, quality of life offenses, zero tolerance policies, prejudicial gang databases, and three-strike laws. The War on Graffiti turned misdemeanors into felonies, community service into jail time. It put German Shepherds to work patrolling the train yards; Mayor Koch once suggested an upgrade to wolves. Today, the city prosecutes hundreds of graffiti cases each year, and maintains a dedicated Citywide Vandals Task Force. Nationally, writers have been sentenced to prison terms as long as eight years, and ordered to pay six-figure restitutions. In other words, the war rages on.

One cannot help but wonder what might have happened if New York City had agreed to the naïve, visionary truce those four teenagers offered, 30 years ago now. With a handful of scholarships and a press release, might the “graffiti plague” have been alchemized into a landmark public art program, to be adapted by other cities with the same zeal that zero tolerance has been? Could thousands of lives have been altered, hundreds of millions of dollars better spent?

We’ll never know, because the city didn’t listen to its young people then. It didn’t recognize graffiti as an outpouring of creativity and frustration, a simultaneous urge to beautify and destroy, to hide and be seen, that’s every bit as complicated as being shunted to the margins of the American dream. Kids are still writing graffiti today, beautifully and badly, in every city in the world; New Yorkers taught them how to do it, but they’ve always understood why. It’s not too late to listen to them now.

Adam Mansbach is the author of the #1 New York Times bestseller Go the F**k to Sleep and the novel Rage Is Back, available now from Viking.

source: http://www.theawl.com/2013/01/new-york-war-on-graffiti#more-153689

Rise Up Hip Hop Nation: 2012: A Year of Reckoning, Awakening, or Both?

One of my favorite people to build with is Professor Tina Bell Wright of Hip Hop Congress.. Her insights and political predictions are often eerily accurate and she always leaves one with lots to think about. Her mantra; ‘They don’t care about you’ is one that she says far and wide as a reminder for folks to how this system and those in power truly feel and how we must respond.. She hasn’t penned an essay in a while, but this latest one, which is actually a series of notes she plans to use for an upcoming panel discussion on Race and the 2012 Election is a keeper. It’s not a short read, but very, very necessary.. Please take some time to read it..It’s a sobering breakdown of many of social and political forces at play leading up to November and how and why the 2012 contest matters, but not in the traditional ways we’ve come to expect Will we keep counting on an ‘uncaring’ system to save us?  Its one of the realest articles I’ve read in a while.. Major props

-Davey D-

“2012: A Year of Reckoning, Awakening, or Both? — Examining White Supremacy, Corporate Fascism and the Generational Shift Defining the Political Landscape.” 

by Professor Tina Bell Wright

As you can probably tell from the title of my paper, I have a number of topics I hope to tie together. The plan is to pull together many ideas into one big theme (which is): this election matters, but not in the way it is usually framed. I don’t think this election matters politically at all, because politics as this system is now set up tells us nothing really. At best, it reflects the will of the highest bidder, or the frame of corporate media, or the effectiveness of the latest legislative tactics to manage or suppress voting (via voter ID laws or redistricting for example). Those that actually do vote do so with great skepticism, and a large percentage don’t even participate in the process at all. While the outcome of this election will not offer very different results (in terms of governance), it will illuminate two very different trajectories for this country (culturally)…and that matters greatly. That is what I want to focus on in this paper.

The Racialization of a Nation

Self inflicted wounds may be the most difficult to heal, psychologically at least. Since its inception, the United States has lived with a self inflicted wound that has defined every aspect of this society, most importantly, the distribution and control of all economic and political resources.  The racialization of this nation (or the color line as W.E.B. DuBois called it) continues to plague this country (and the globe more broadly) and the election of the first biracial president did nothing to change that reality.

But what elections won’t address, time eventually will in one way or another. As students of history, we are able to examine the effects of time and see that while it may be hard to see and feel change in the here and now, change does happen nevertheless. Historical factors are changing right before our eyes – namely the decline of the US Empire and shifting demographics. The results will define this country’s trajectory for the foreseeable future and could foster a progressive movement of the likes we have not seen in a generation. But backlash has thwarted progressive movements before, and it will this time again if the power of narrative building and cultural strategies are not properly understood

Culture Matters

After the 2010 election when the Tea Party swept into power, Colorlines.com published an interview w/ hip hop scholar Jeff Chang. The title of the article was “It’s Bigger than Politics, the Real Shift is Cultural”.

See: http://colorlines.com/archives/2010/11/jeff_chang_interview.html

Jeff Chang

In this interview, Chang argued that the culture wars were back, and basically a backlash to the election of Obama.

He also stated that culture always moves before politics.  He said:”culture impacts and often precedes political change….Or put in another way, political change is the final manifestation of cultural shifts that have already occurred.” 

Chang argues that the right understands the importance of culture and narrative building much better than progressives in either electoral or movement politics.

He states: “Sadly most progressives—whether they work in electoral politics or movement politics—have not yet figured culture into their theory of change. Unlike the right, they have no cultural strategy…..One thing progressives need to do is to understand the importance of expressing our hopes and dreams in narratives. Progressives misunderstand culture. The right is clear about it—Beck, Brietbart, and O’Reilly were long in the creation; they are the products of a four-decade long conservative movement building initiative. We need to build up an infrastructure that includes cultural strategy. We focus on facts and figures, but stories are what move the country. Culture is where ideas are introduced, values are inculcated, and emotions are attached to concrete change. It is where the national imagination gets moved. So we need cultural strategy.”

My work on hip hop and mobilization has brought me to the same conclusion.

I teach a course titled Sociology of Media and Popular Culture: Examining Hip Hop. In it, we discuss the theoretical foundation of media studies and the importance of examining media on three levels: production “the who” (who owns/produces media), content “the what” (what we get/see in media) and context “the how” (refers to the audience interpretation of media/ how audience understands media messages). That third level of analysis explains how one message can be understood very differently depending on the audience’s interpretation of it…which is a function of the (cultural – all encompassing) lens through which they view messages.

Applying the same multi-level analysis to this panel’s topic of Race and the 2012 Election, we realize that much of modern political analysis focuses on content – the “what”: elections, policies, etc.

For those that think critically, including sociologists, moving beyond the “what” level to examine “who” is in control is critical to understanding how the status quo power structure remains so entrenched. Much of our sociological analyses focus on the producers of our social woes – the corporate elite (1%), imperialists, corporate media, fascist governments, white supremacists, racists, democrats, republicans, Obama, Romney and so on.

Social structure we call it. It can change, but not easily, and definitely not overnight.  What we have not developed as well is our third level of analysis…our third eye if you will. And as they say, context is everything.  Power brokers (producers) and their power (content) may not change overnight, but how they are perceived and received can change everything. This is where a cultural strategy must come in.

The Emperor Has No Clothes

2012 is tagged the year of great transformation…apocalyptic even.  For many, the world we know ends, and if we are lucky a new and improved one begins. If we are not so lucky, it just ends or nothing changes. Interestingly enough, the fall of the US empire was not an apocalyptic event, but instead the result of a self inflicted wound that has been years in the making. Globalization and corporate fascism have weakened the nation state and the United States has itself to thank (or blame) depending on your perspective. Multinational corporations now trump the power of many nation-states …market supremacy has replaced white supremacy as the #1 global organizing principle. Everyone is in a race to the bottom which is now within reach for even middle class Americans. The concentration of wealth is in the hands of a smaller and smaller percentage every day.

The Dawn of OccupyHegemony Ends, Fascism Begins

While fewer and fewer control the world’s resources, the world has become more open in other ways, specifically due to technology. Disney was right: It’s a small world after all. 🙂 Technology has forever changed the power to control information. Propaganda is still a viable tool via media framing, but with technology, information comes quickly and much more freely via a number of sources.  The status quo power structure will have to take more drastic means to maintain its control; hence more infractions on civil liberties, police state tactics, etc.

Power via acceptance of dominant narratives is slowly eroding…people are waking up and losing faith in so-called leadership, especially politicians.

The more people challenge the system, the more police state tactics are employed. People now know better and must be physically controlled where mental control was all that was needed before. People are being beaten more because they are fighting back more.

Instead of building our own back door in compliance of a system never for us, police are forced to guard the front door with heavy artillery (see Carter G. Woodson’s Miseducation of the Negro). While it may not feel like it, this is progress. Military power is still power – a force to reckoned with to be sure…but with military power comes constant warfare – that type of power is always in danger of a coup…or a revolution…or friendly fire..a self inflicted wound that can fester and undermine its own prowess.  Hegemonic power, on the other hand, remains emboldened as long as all believe in the system as such.  Hegemonic power is not challenged if it is accepted as legitimate and right.

Shifting Demographics – Fear of a Black/Brown/Yellow/Red Planet

Census data shows us that fewer white babies are born today than babies of color. Whether the spike in hate groups and the recent mass shootings linked to white supremacists are manifestations of “white angst” over this reality or not can be debated, but much of the cultural strategy on the right seems to be a direct reaction to the shifting demographics. Nativist movements like the tea party exploit white fear to maintain a system of white supremacy in a country getting browner everyday.

So where does all this lead us with the 2012 election around the corner? Before we look ahead, let’s first look back and see how we got here.

2008 and the Election of Obama

When studies of the 2008 election were conducted, many focused on the demographic make up of the electorate…i.e. the youth vote, the black vote, the Latino vote, etc.  Three factors definitely contributed to Obama’s election in 2008. I think only the third will be a factor in 2012.

Factor #1: George W. Bush

According to some polls, many view GW Bush as one of the worst presidents in history; his two unfounded and unfunded wars and the heist of the US treasury left the mass majority ready for a DRASTIC change. Or to use the best anecdotal evidence I can cite, when asked by a pollster who he would vote for, one man from WVA or Kentucky said “I’m voting for the nigger.”

Factor #2: History

This probably was the most important factor. Most, including me placed a vote for history. This factor brought many people to the polls that would not normally go…and to be certain, many, especially young people of color will not come out again in 2012 in the same numbers.

Factor #3: The New Cultural Majority – Demographic make up of the electorate

The youth vote, the Latino vote and the black vote definitely helped Obama win the presidency. I was listening to talk radio the other day and I heard this white man admit that he even has grown tired of rich white men running everything. The New Cultural Majority represents a generational and demographic shift of this nation. In broad terms, it is less religious, more tolerant, less homophobic, and more open to diversity. The New Cultural Majority is not necessarily political, but leans more left than right, especially on social issues. George W. Bush and History will not be factors in this election. The question remains: will the New Cultural Majority show up in 2012?

Race and the 2012 Election: Cultural Strategies

Since Obama’s election in 2008, the right has relaunched their cultural strategy. With social media, the left is able to react quicker to many of the short term battles the right has waged. As well, demographic shifts and technology make it more difficult for one narrative to take hold and be the only story people get. This bolds well for short term battles, mostly the social issues. As well, with the new cultural majority, the demographic arc bends toward justice, but with ongoing economic uncertainty (with no end in sight), people’s fears can and will be exploited. Those that build the most compelling narrative will seize the nation’s imagination.

THE RIGHT: PRIVATIZE, PRIVATIZE, PRIVATIZE

The right’s cultural strategy involves both short term and long term objectives. The short term strategy consists of taking advantage of the 2010 gains at the local and state levels as well as tapping into white angst via nativist movements like the tea party. From it we have gotten a number of battles:1. Anti-immigration legislation, SB 1070 including even crazy talk about repealing the 14th amendment, 2. Ethnic study bans, revisionist history textbooks etc.2. Anti-gay legislation against same sex marriage etc…or even long lines at Chick Fil A to show support for “family values”3. All sorts of anti-abortion and anti-contraception legislation…probably the most targeted war on women since the women’s movement4. Anti-Muslim hysteria – Mosque protests in NY and TN, look up OC Hate video on YouTube, bans on Sharia law passed here and other nonsense5. Voter ID laws to suppress votes of students (youth vote), people of color (particularly black vote) and elderly (Medicare vote)

But given the generational shift, especially on social issues, the right has also embraced a LONG term cultural strategy…and that is best described by Ron’s Paul’s Revolution…Libertarianism…buzz words of anti-government, individual freedom, rugged individualism, free market capitalism, and privatization of all things.

This is a long tem strategy that keeps resources in the hands of few but promotes universal ideals that can transcend race, gender, sexual orientation, and age (generations).

In this LONG TERM strategy, the privatization of all publically controlled and resourced entities is promoted. Folks may not be ready to talk about privatizing Medicare, but Education is definitely the next major battlefield. Coming from California I have a first hand view of the war (see footnote; I have more to say on this but will leave to discussion and hopefully will have time). Again, privatization offers the right a way to control resources (and bodies) despite demographic changes.

Because the New Cultural Majority is younger and more progressive (socially at least), the window of opportunity to implement this long term strategy is closing quickly and they realize it. If there seems to be some fervor on the right to roll back civil rights or push through unpopular legislation, it is for a reason. Time is of the essence. But it is equally of the essence for progressives of the LEFT as well if we want to make sure our narrative is the one that takes hold.

THE LEFT: ORGANIZE, ORGANIZE, ORGANIZE

Succinctly stated, the left cannot depend on the weakening of the nation-state and shifting demographics alone to foster progressive social change. Demographic shift or not, white supremacy can and will manifest itself for generations to come via resource distribution and control. The LONG TERM war, the end of racialization of resources and the real healing of the wound that continues to plague this country will only be healed through changing attitudes, context, narrative building and cultural work.

The SHORT TERM strategy must include a focus on local community building and promotion of sustainable cultures. Our focus should be on localization – satisfying our basic needs within the bounds of our local environment.  But we must develop a coherent LONG TERM cultural strategy as well. If we do not, and the right is able to successfully privatize education, and subsequently Medicare and social security, game over. Or as I recommend to my students, have an exit strategy in place. You will find me in Ocho Rios 🙂

So in my view, this country heads in one of two directions on November 7, 2012.

TWO TRAJECTORIES:

Occupy v. Ron Paul’s Revolution

Democratic Socialism v. Rugged Individualism (Libertarianism)

brother’s keeper v. survival of the fittest

Saul Alinsky v. Ayn Rand

While the future is not clear, a few things are: The next generation will be more diverse; social issues will become less relevant with this next generation and hegemonic ideals that shape today’s political landscape will continue to be challenged…in other words, the younger generation is beginning to be a cultural force in politics. Does that mean the end of racialization of all aspects of this society? the end of white supremacy and corporate fascism? Not anytime soon but given the mass rejection of the political system by both sides of the spectrum, there is room for movement politics to take hold and a clear cultural strategy is required to move the movement in a progressive direction.

While demographics seem favorable for progressive change, backlash is always a powerful counterforce. The most important question = Which narrative will dominate the national imagination? If progressives do not clearly embrace a cultural strategy, I promise you the right will swoop in and push to privatize education, and instead of hailing Saul Alinsky as the example to follow to build strong people based power, and in it a more perfect union, one nation indivisible with liberty and justice for all, we will be looking at Ayn Rand as the founding mother of the United States, 2.0 version…forget the union, you’re on your own, man, woman, senior, and child.

Added Footnotes.

1. Public Education: Ground Zero in Cultural War

The Privatization of Education: About Control, not Profit

In countries considered “poor”, i.e. most countries in the world, education is a luxury. In actuality, only about 7% of the global population receives a college education (college degree) and the majority of those people are in what are labeled the “developed” world (read richer nations).  Well, while education was never really treated as a right in the United States, the electorate is now being molded to accept education as a luxury that only the most affluent of the society will be able to afford (like the rest of the world). While the push toward privatization has taken on many phases (faces) over the last few years (from charter schools to anti-union measures), the next phase (face) is probably the most deceptive: student success initiatives. Budget pressures and student success task force reports provide the cover for the most dramatic changes to the public education system we will see pass through the state legislators to date. Students who are not already excellent academically or who are not economically able to afford increasing costs will be pushed out…and expeditiously. While public schools are still public, affected constituent groups (students, parents, and educators) must educate themselves on the changing laws and organize vehemently to hold THEIR public institutions accountable to the communities they serve. Education is one of the only paths of upward mobility in class based structures that define our society.  The more access to education a society’s members have, the less rigid its class system…the less access to education, the more rigid the class system. The privatization of education in a globalized system is meant to control who has access to education…the elite, and only the elite.

 Plan B: The Privatization of Prisons: About Control…and Profit

So what does a once educated country do when it stops educating a large majority of its population? Very few countries can boast a “middle class” of the sorts that once defined the United States. But with access to education disappearing, that middle class disappears also. Now what? Plan B. The prison industry has proven to be most lucrative. It should be obvious to all that middle class Americans would never be able to accept competing for slave wages in a global economy, and seeing that steep of a decline in standard of living, a forced alternative was hatched. Legal slave wages under the guise of the prison industry complex. Call it indoctrination into the global economy. Private entities can own prisons and corporations can utilize prison labor – from manufacturing products to telemarketing. Cheap labor once outsourced finds its way back to US shores. Those we are now locking out of education, can now be locked up into private prisons as bodies to fill new buildings and cheap laborers to make products.

2. Building a Sustainable Culture

In preparation for this panel, an alternet.org article was sent out via ABSdiscourse listserv titled: The 2012 Elections Have Little to Do With Obama’s Record … Which Is Why We Are Voting For Him…As always, it sparked some serious commentary, particularly about our tendency to fall into the trap of “voting for the lesser of two evils”. Most of the comments I read that expressed that sentiment, but I believe this comment offered not only good insight, but a viable path to progressive change.

 http://www.alternet.org/election-2012/2012-elections-have-little-do-obamas-record-which-why-we-are-voting-him?paging=off

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I suggest that you are optimistic about working within the political arena. I just can’t imagine any of the key players not complying with the wishes of those who finance their elections. Those that have stormed the WH (Chris Hedges, Bill McKibben) got some press and jail time but not sure there will be any movement in domestic or international policies as a result.

 What is my answer? Good question. For me, there are really only a few ways out and voting in meaningless elections isn’t one of them.

One is revolution. It’s a nasty and brutish with an outcome that is very difficult to predict. Revolutions can be hijacked just as easily as the electoral process (e.g., Libya). It would be my last choice.

Another is global economic collapse, somewhat likely given that all empires, like this one, have a tendency to overreach and eventually do themselves in. That will also be nasty with a big price to pay by all of us who have been drawn into the industrial culture where we depend on money and jobs for the basics of life (food, water and shelter). Most of us in the developed world are very vulnerable to collapse. One benefit of a near-term collapse, however, is the planet might not be totally ransacked leaving something to work with. Again, there are no guarantees that whoever rebuilds will have learned the lessons of the past. This would be my second choice.

Lastly, we can spend what time we have left creating a sustainable culture that, in the end, will undermine the mindless, heartless neoliberalism propelling us towards the brink. There will not be any single solution. Like nature, the solution needs to fit the ecological circumstances of the niches we live in. Among movements today, this is referred to as localization — satisfying our basic needs within the bounds of our local environment. It’s the antithesis of our globalized economy. It is the way our natural world works and we have clearly demonstrated we can’t improve on that. It is time to reestablish enduring relationships with our fellow humans and with the natural world. The risks of hijack are minimal and this would be my first choice.

3. See also:

http://riseuphiphopnation.blogspot.com/2009/12/disunited-states-of-america-red-white.html

http://riseuphiphopnation.blogspot.com/2010/08/white-supremacy-from-bacon-to-obama-are.html

http://riseuphiphopnation.blogspot.com/2009/08/miseducation-of-nation-unveiling.html

written by Professor Tina Bell Wright

Our Coverage of the Global Hip Hop Conference at Stanford

OLMNews covers Stanford University’s global hip-hop Symposium where renowned author Jeff Chang, Stanford professor Samy Alim & Hip-Hop icon & activist Chuck D of Public Enemy who speak on the globalization of hip-hop and it’s effect on social & economic issues worldwide.

http://vimeo.com/23105736

OLMNews reporter Davey D speaks with Omar Offendum, Syrian American rapper, who along with other notable artists from around the globe, created a song that sparked a movement of solidarity with the people of Egypt and the middle east.

http://vimeo.com/23624908

Omar Offendum

Jeff Chang: The Influence Street Gangs Had on the Evolution of Hip Hop

Author Jeff Chang

Straight from the Davey D Archives, we pull out an interview we did with author Jeff Chang back in August of 2008 at the National Political Hip Hop Convention about his book ‘Can’t Stop Won’t Stop‘. Here we sit down and talk about his perspective on street gangs and how they influenced Hip Hop culture.

Chang talks to us about the culture of abandonment in the late 60s and early 70s when many whites fled the Bronx in what we call ‘white flight’. This left many of the areas impoverished with its decreased tax base. This in turn led to what Chang described as chaos which led to the explosions of gangs who attempted to create and enforce some sort of order.

The gangs grew in size and began to war against one another until it reached a critical point where folks reached a fork in the road. Should they make peace and transform the neighborhoods or continue down a path of destruction. In 1971 the gangs of the Bronx got together and forged a Peace Treaty. The cult movie Warriors was inspired by this Peace Treaty.

Chang noted the 71 peace Treaty paved the way for Hip Hop as it allowed folks from all over to go in various neighborhoods and artistically express themselves via dance, emceeing and deejaying. The birth of Park Jam came about.  You can peep our interview below…Chang is currently working on a book about race and multi-culturlism as a follow-up to his excellent book.

http://www.youtube.com/watch?v=OU0lINPtCb0

In our interview I made reference to the 40th anniversary of the Notorious Black Spades who was the largest gang in new York during those early days. The Spades eventually morphed into the Organization and later the Mighty Zulu Nation under the leadership of Afrika Bambaataa who at the time was a key warlord.

Karate Charlie of the Ghetto Brothers and Bam Bam of the Black Spades

We decided to include the videos to that gathering so you can get a richer understanding about the influence.. Included in these clips are members of the Ghetto Brothers who Chang writes extensively about in his book. We also see Black Spade leader Bam Bam. He was the one who gave Afrika Bambaataa permission to use the name.. In these clips you see Bam address younger gangsters in the most intense ways..

We also hear from Hip Hop legend Popmaster Fabel of Rocksteady Crew and Zulu Nation who is working on a documentary about the early gangs called The Apache Line.  In fact he was filming that day.  We also hear from original B-Boy and Zulu nation member Charlie Rock who talks about the White Gangs called Greasers who roamed the Bronx and were  mortal enemies to the large Black and Puerto Rican gangs. he explains how Hip Hop emerged from the chaos underscoring Chang’s earlier points..

http://www.youtube.com/watch?v=2nwsdYU4yKM

http://www.youtube.com/watch?v=UGYTeRUWK5k

http://www.youtube.com/watch?v=0ufPt8g617I&feature=channel

http://www.youtube.com/watch?v=ycREFrL6-RA&feature=channel

Return to Davey D’s Hip Hop Corner

 

Black History Fact: Exploring the Historic Links of Early Hip-Hop and Gang Culture

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Exploring the Historic Links of Early Hip-Hop and Gang Culture
by Davey D

According to the popular narrative, hip-hop grew out of gang culture in the South Bronx.

One of its pioneers – gang leader Afrika Bambaataa, who had turned his life around – used hip-hop to get people out of gangs and into something more positive.

Bambaataa had led a division of the Black Spades in the Bronx River Houses project before deciding to take his followers in a new direction, first by forming “the Organization“.

” Later, after learning about the Zulus of South Africa, who fought colonial rule, Bambaataa transformed the Organization into the Mighty Zulu Nation, now known as the Universal Zulu Nation.

It remains not only the oldest but the largest hip-hop organization, with chapters on every continent and tens of thousands of members.

Now on many levels that very familiar narrative is true. However, it’s so much more complicated. Most people when they hear this tend to gloss over the full significance of the gangs. Very few of us Hip Hop aficionados have rarely taken time to see how Bambaataa’s actions came about.

We don’t ask how gang culture played a role in birthing Hip Hop? Did Bambaataa bring about this turn around as a part of some government program or did he do this on his own? Was Bambaataa the only gang leader striving for positive change? Who were the other gangs and gang leaders alongside and before Bambaataa? Were the gangs in the 1970s the same as the gangs we read and hear about today in the news which are often depicted as violent prone and conduits for drugs, murder and mayhem?

Nobody will deny that much of what is reported is not true in particular instances but there is another side to the story.

Many of us caught a glimpse of that ‘other story’ when we read Bay Area author Jeff Chang‘s award winning book ‘Can’t Stop Won’t Stop A History of the Hip Hop Generation‘.

Here Chang loaned some keen insight into the Ghetto Brothers which was major Bronx gang that preceded the birth of Hip Hop.

Chang’s chronicling of the Ghetto Brothers brought to light some very important facts that are often overlooked including how highly organized the early Bronx gangs were and how they were highly influenced and politicized by the Black Panther Party and the Young Lords.

War councils, peace treaties and the forming alliances were highly structured with very few things done haphazardly. Many of the gangs were about protecting the community from the police, marauding racist white gangs that resented Blacks and Puerto Ricans moving into their rapidly integrating neighborhoods, drug addicts and drug dealers.

The most important facet Chang brought to life is the 1971 Gang Truce which was designed to unite all of the city’s gangs.

This historic gang truce was said to be loosely depicted in the opening scenes of the cult movie classic ‘Warriors‘ with the movie’s large dominant gang ‘The Rifts being a combination of the real life Ghetto Brothers and the Black Spades-New York’s largest gang.

This past month (June 28 2008) at the Mitchell Housing projects in New York’s infamous South Bronx, those of us who are dedicated to unearthing and preserving Hip Hop history and culture were treated to a landmark moment. Former gang members came from all over the city and throughout the country to commemorate the 40th anniversary of the Black Spades. It was an incredible sight to behold and gave folks an opportunity to soak up history that has long been hidden.

To start, the Spades came together because over the past few years many of the former members either through Zulu Nation or within their own organizations have been working to bring about peace and provide guidance to young people who have become attracted to New York’s new gang problem which consist of many west coast and Chicago gangs like the Bloods, Crips, MS13, Latin Kings and others.

Hip Hop dance pioneer Popmaster Fabel and a member of the East Harlem street organization the Savage Samuri, pointed out the irony of how Hip Hop provided a cultural imperative through traditional dance, music and artistic traditions helped move people away from the destructive aspects of gang life. Today through corporate co-option of the culture which manifests itself in the continuous highlighting of death instead of life, so much of commercial Hip Hop has now become a draw for youngsters to get involved with gangs.

Fabel who is putting the finishing touches of his ground breaking film ‘Apache Line From Gangs to Hip Hop‘ took time to explain in great detail why it was important to understand the inner workings of the street organizations that gave birth to Hip Hop. Fabel doesn’t use the word gang because he sees it as a media driven term that was attached to young Black and Latino youths who saw the older leadership in their community came decimated in the 1970s through the FBI’s Cointel-pro program, the Vietnam War, and War on Youth which later morphed into the War on Drugs.

Fabel painstaking details in his film how in the backdrop of that cultural and social devastation young people at that time attempted to find their voice and identity and a sense of family within the early Bronx street organizations.

Fabel then introduced me to Karate Charlie the former president of the Ghetto Brothers and prominently featured in Fabel’s film. Charlie who looks like someone in his 60s talked about how he was a former marine who went AWOL when he saw how the government had destroyed the Black Panthers and Young Lords and other leaders in the community. He talked about how it was disturbing to him to be fighting a war overseas when there was a war at home being waged on Black and Brown communities.

“I took off my government uniform and put on the uniform of the Ghetto Brothers and went about protecting our community”, Karate Charlie said.

He then talked emphatically about how he and others would teach everyone martial arts and to speak Spanish. He talked about how they fought to make sure heroin which was flooding the community much like crack did in the 80s would be kept out along with the dealers and addicts.

He also talked about how the Ghetto Brothers would patrol the subways and protect people long before Curtis Sliwa and the Guardian Angels came along.

Karate Charlie of the Ghetto Brothers has just written a book called ‘I Smile to Keep from Crying‘. He ended by talking about how it was important that they tell their own stories and not have outsiders come along and exploit them and their message. Many of the Spades were guarded and wanted to make sure that the message of the day was unity and changing lives, not glamorizing death and mayhem.

Charlie’s story were reiterated throughout the day by other gang members who talked about how they saw themselves as children to the Panthers and Young Lords who really wanted to make a change and found themselves dealing with overwhelming forces outside their control. On the stage alongside the Spade pictures and memorabilia were old flyers of the Black Panthers and Young Lords.

As I listened to these stories I couldn’t help but draw parallels to what was depicted in the film ‘Bastards of the Party‘ put out by Bone who is a member of the LA Bloods and traced the groups history. His story had some much similarity to what these old Bronx gang members were talking about.

Fabel pointed out how many of the early gangs had a cultural elements that they used to communicate and express themselves. The Ghetto Brothers had a band that actually put out records.

The Black Spades adapted James Brown and changed the lyrics to his song Soul Power to ‘Spade Power‘. We saw that actually demonstrated that afternoon with some of the Spades doing their original dances. As I watched it you could not help note that long before the infamous Crip walk and Blood dances that are ritualistically done by gangs today and glorified by rappers in their videos, the street tribes before them had their own dances. As Fabel pointed out it what we were seeing was an example of that cultural imperative. He too later joined the circle and danced and showed off the moves that he had picked up from the generation before him.

Perhaps the most incredible moment of the afternoon came when Karate Charlie came together and hooked up with Bam Bam who was an original leader of the Black Spades 1st division and the person who gave Afrika Bambaataa permission to use the name Bam. The pair had not seen each other in close to 40 years when they came together and attempted to put together the 1971 Gang Truce. Bam spoke passionately about what it meant when they all came together to unify. He talked about how the Spades protected the community. He then addressed the younger members and told them its easy to take a life, but if one is really tough try saving one. If you’re really tough try living instead of dying. Words cannot describe what was taking place.

Fabel reiterated that Hip Hop came out of the government’s attempt to crush leadership in our communities. What he talked about that afternoon clearly underscored what we heard from Spade members which is-Unity amongst disenfranchised and marginalized communities was and continues to be threatening to many who wish to keep the status quo.

But at long last many of these stories are finally coming to light in the movie Apache Line.

Fabel did his movie after coming face to face with a young Blood gang member in his class where he teaches. He saw this young man who was on a path to self destruction and wanted to help him and others like him out. Hence he spent the last few years meticulously documenting the culture and people who came before him who were in gangs. Fabel has been troubled by the Hollywoodizing of inner city gang culture which has stripped away the deeper meanings and messages. His film will force folks to go in a new direction.

Another highlight of the afternoon was talking with original Zulu King and B-Boy Charlie Rock who was once a member of Black Spades 22cd division. He talked about the early gangs like the Black Spades evolved into the Zulu Nation and later Hip Hop’s early crews. In our interview he identified many of the early Hip Hop Crews and talked about the gangs that they came from or were most likely affiliated with…

Charlie Rock

Rock also talked about how the Spades and other large gangs came under-fire from the police with some of the members assassinated. He talked about the police killings of members Wildman, Soulski and Meathead Ron.

Rock saw those murderers as part and parcel to the attacks and killings that were simultaneously happening to Panthers, Young Lords and other Black Liberation organizations. He talked about how the police hung him over a roof top and threatened to kill him. He attributed these attacks to the fact that the Black Spades were willing to confront the police and that the gang was so large and organized. They were a threat and he felt there was an attempt to cripple them by killing off members.

Rock reminded us that the Black Spades and other groups were not alone in the Bronx. There was a litany of white gangs who had proceeded them and in fact used to start trouble with groups like the Spades until they began dominating. In our interview Charlie Rock talks about white gangs like the Golden Guineas, The Ministers, the White Angels and the White Assassins. He also talked about how the police would sometimes help these white gangs in attacking the Black Spades.  Rock’s remarks were deep and reminded me of the stories we heard surrounding the origins of Black gangs in LA and in Chicago. At the center were white gangs and police reigning terror on the community. Rock speaks to this issue in our interview..

Below are some interviews we did during the 40th anniversary gathering of the Black Spades. We caught up with many of the members including original leader Bam Bam who gave Afrika Bambaataa his name. We spoke with Hip Hop legend Popmaster Fabel who is finishing up a documentary on early gang culture called ‘The Apache Line‘. We also hear from Karate Charlie who was the former President of the Ghetto Brothers

http://www.youtube.com/watch?v=2nwsdYU4yKM

We talk with Hip Hop legend Popmaster Fabel who talks to us about the important role early gang culture played in bringing Hip Hop to life. We also talk about how pop culture is exploiting gang life and leading people astray. Fabel explianed that early Hip Hop got people out of the gangs.. Today’s rap music gets people into them..We hear an impassioned Bam Bam, orginal leader of the Black Spades speaking to young gangbangers in New York, Crips, Bloods, Latin Kings etc and explaining the direction they should really be taking.. His words of warning are very powerful…

http://www.youtube.com/watch?v=UGYTeRUWK5k

At the 40th Anniversary of the Black Spades we see Bam Bam re-uniting and talking with Karate Charlie after 40 years.  They talk about how the two gangs merged together to stop the Hells Angels from coming into the Bronx and stepping to another gang….We chop it up with Popmaster Fabel about his new documentary The Apache Line from gangs to Hip Hop.. We also talk to him about the current move to try and pit Black against Brown.. Fabel gives a history of why that happens and talks about how early Black and Brown gangs came together.We also speak with Karate Charlie who is featured in Fabel’s documentary about the legacy of the Ghetto Brothers. He talks about how the Black Spades the Ghetto Brothers united and became a family. He also talked about how they protected the community against the police..

http://www.youtube.com/watch?v=0ufPt8g617I

We caught up with original B-Boy and Zulu Charlie Rock who hails from the 22cd division of the Black Spades up on Gun Hill road in the Bronx.. He talks about how the Black Spades evolved and became the Zulu Nation..He talks about Disco King Mario and the founding Spade chapters at Bronxdale Housing project which was known as Chuck City…He also talks about a segregated New York,  the white gangs and corrupt police that waged war on the Black Spades.

http://www.youtube.com/watch?v=ycREFrL6-RA

Return to Davey D’s Hip Hop Corner