Westside jean

Jean Grae a dope Brooklyn based rapper who finally saw the light and came out west where she got royal treatment

Jean Grae a dope Brooklyn based rapper who finally saw the light and came out west where she got royal treatment

President Obama Calls kanye West a Jackass-Wow

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BarackObama-175This Kanye scenario has one twisted turn after another.. So now its come to light that President Obama called Mr West a jackass.. mmmm I don’t know whether to laugh or cry.. Somebody lemme know if president Obama called Glenn Beck, Rush Limabaugh, preachers praying for his death, racist neo nazi types, etc.. Has he called any of them jack asses??

Now I gotta wonder is Kanye gonna get a public apology?

-Davey D-

http://www.huffingtonpost.com/2009/09/14/obama-kanye-is-a-jackass_n_286623.html

During a CNBC interview on Monday, President Obama called hip-hop artist Kanye West a “jackass” over his behavior at the MTV Video Music Awards. (Watch video of Kanye at the VMAs here.)

Obama’s colorful remark was actually made in an off-the-record portion of the interview that was tweeted — and then deleted — by ABC News reporter Terry Moran.

“Pres. Obama just called Kanye West a ‘jackass’ for his outburst at VMAs when Taylor Swift won. Now THAT’S presidential,” Moran wrote.

Politico’s Michael Calderone has ABC’s statement apologizing for Moran’s journalistic breach.

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Chris Brown Needs to Fall Back & Stay Out the Spotlight for a While

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Chris Brown needs to fall back for a while and take more time before returning to the spotlight
Chris Brown needs to fall back for a while and take more time before returning to the spotlight

Its sad that we live in a day and time where common sense is always trumped by the need to make a quick buck. Don’t get me wrong, I am by no means suggesting that Chris Brown is trying to make a quick buck, but I have to agree with the folks who are calling for Chris to fall back, take a breath and get some help. His seeming eagerness to return to the fold and repair his image seems to defy common sense.

 Should he be the poster child for domestic violence? Of course not, but like it or not he is… And just like he’s was able to rise to the occasion and be a breath of fresh air by being a clean cut viable alternative to the raunchy, in your face, over the top, crass persona that has dominated so much of urban music, Brown should rise to the occasion and be a shining example of how one properly atones and handles a troubling situation. He should rise to the occasion and be the poster child of a man who doesn’t beat women. That’ll take some time and deep soul searching that is ‘felt’ by his fans not simply seen and heard.

Right now there are some missing steps in the process Chris Brown is taking as he returns to the spotlight. What those missing steps are, I can’t say… I guess I feel he shouldn’t be in the spotlight right now. Next time I see Brown in public, I don’t wanna see him in a club partying with a bevy of women. I don’t wanna see any more Youtube videos. The one he made where he apologized was suffice.

The Larry King interview? It was a disaster. Brown seemed uncomfortable and not quite ready for primetime. The time to reflect and really deal with what he has done didn’t come across in that interview. He looked more angry than contrite.  I found myself getting upset because his mom was on there sitting next to him crying as she recalled her own abuse. 

Leading up to the interview and now afterwards,  Brown will have to deal withg the realization that he doesn’t control the media and the way things are being manipulated and the way his quotes are being chopped up and taken out of context a particular tone is  and was  set. Many of us came into the  CNN Interview with arms folded and several layers of cynicism.  Sadly Brown’s demenanor reinforced those perceptions. The only one who benefitted was Larry King who probably got a nice ratings boost to catch up up to MSNBC.

I think people are looking for action and no more talk. Brown didn’t just slap or shove Rihanna, he beat her down without mercy. He didn’t do this one time. He did it on 3 different times. Hence I agree with those who are calling for him to chill. Its too soon for him to return.

Maybe Brown should take a full year off, leave the country, or go underground for a bit. Whatever he does he should definitely be out of the headlines and allow himself sometime to grow and better mature. When I see all these appearances it reeks of big business trying to callously repair its image and not of man trying to help himself , the person he victimized and people he disappointed heal.

Personally I’d like to see him embed himself in the lives of young people who really could use a helping hand. I’d like to see him take time and maybe write a book reflecting his time away from the spotlight and showing how he’s grown from this mistake. In any case I wish Brown much luck.. From what I’m seeing and the sense I get I don’t think this Larry King interview helped him much.

something to ponder

-Davey D-

http://www.youtube.com/watch?v=S8S-G215exM&feature=player_embedded

  

Chris Brown needs therapy, not media redemption tour

A sorry sight

By Lauren Beckham Falcone

Chris Brown needs to quit his redemption tour.

The 20-year-old r & b singer, arrested for bloodying, beating and biting former girlfriend and pop star Rihanna in February, spent his first week on probation doing the media mea culpa thing, appearing on “Larry King Live” tonight and in People magazine Friday.

But instead of appearing contrite, he comes across as a classic abuser.

In a clip released Monday by CNN, Larry King asks Brown, “Do you remember doing it?”

Brown: “No.”

“You don’t remember doing it?”

“I don’t. I don’t. It’s like crazy to me. I’m like, ‘wow.

Likewise.

Brown, in a matching blue sweater and bow tie ensemble, looks like a toddler on his way to the Sears Portrait Studio – and is about as articulate.

Flanked by his mother, a victim of domestic violence, and celebrity attorney Mark Geragos, who was last seen representing baby-and-wife-killer Scott Peterson, Brown sinks even lower, taking the passive view of the assault that turned him into the Millennial generation’s Ike Turner.

“When I look at it now, it’s just like, wow, like, I can’t – I can’t believe that – that actually happened.”

“That,” by the way, is shorthand for back-seat beatdown.

Meanwhile, Toni Troop, spokeswoman for Jane Doe Inc., the Massachusetts Coalition Against Sexual Assault and Domestic Violence, wasn’t surprised by Brown’s convenient amnesia.

“We have heard all too often the denial, the dismissal, the lack of taking responsibility, the turning the tables, the justification of the outbursts,” she said.

What Brown can’t seem to recall is pretty unforgettable:

“Brown … shoved (Rihanna’s) head against the passenger window of the vehicle … punched her in the left eye,” according to the police report. “(He) … continued to punch her in the face … (causing) her mouth to fill with blood and blood to splatter all over her clothing and the interior of the vehicle. Brown … stated “I am going to beat the (expletive) out of you when we get home … placed her in a head lock … bit her on her left ear … punching her in the face and arms applying pressure to her left and right carotid arteries causing her to be unable to breath … she began to lose consciousness … bit her left ring and middle fingers … continued to punch her on legs and feet.”

By the way, this was the third such incident.

Brown issued a statement yesterday claiming CNN took his words out of context. Too late.

In both the statement and the “Larry King” segment, Brown’s sincerity is like, crazy to me, it’s like, wow.

Brown should take a break from the talk show circuit, get some therapy and return to the spotlight when he has something meaningful – and sincere – to say.

Anything else is just a slap in the face

Return to Davey D’s Hip Hop Corner

How I feel bout Regionalism, East vs. West Coast & topic of East Coast Bias!!

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How I feel bout Regionalism, East vs. West Coast & topic of East Coast Bias!!

By DLabrie – www.hiphopcongress.com – Comment & RT

I’ve been processing the roots of the East vs. Westsince getting into Hip Hop or I’d say at least shortly after, being that I came of age during the rise of West Coast dominance. I also caught the East Coast movement in full swing when I was younger back in elementary. Despite being  from Oakland, California like many others my favs wereGangstarr, Poor Righteous Teachers, KRS, Kid N Play, Salt & Pepper, and Big Daddy Kane.

I’d say a lot of early West Coast Hip Hop favored the East coast sound the beats and rhymes were much faster and grittier from Hammer to Cube, Ice T, even N.W.A, King Tee and Too Short. There was definitely influence, love, and admiration for N.Y. It was a rap thing, as we all rooted for the underground phenomenon that would soon grow to sweep the world. Most of the music that was big at the time was East Coast that was the standard. There was even a battle between Self Destruction and All in the Same Game. Which one was better? However that doesn’t mean that hip hop wasn’t goin’ on in its own way in other places and it doesn’t mean that N.Y. has all the rights to Hip Hop.

Hip Hop is a hood thing a black culture (and now multi cultural) thing. KRS told me himself when I toured w him in 2005 that Elements of Hip Hop were already firmly embedded in places like Oakland, Chicago, Texas and Seattle. No doubt the East pushed the movement 1st. Afrika Bambaataa and the Zulu Nation being credited with being the 1st crew to take Hip Hop around the world. It was nothing to hear or see X-Clan, Mc Lyte, LL Cool J, Dougie Fresh, on the radio or on a video as the standard of Hip Hop back then. I was a fan, and I would say I liked it more than West Coast rap because I myself was brain washed by the biased back then, but also because the music was dope and the East was runnin’ shit.

 I had this convo with Crooked Iat Rock the Bells jus a day after the altercation (between Budden & Raekwon) in L.A about West Coast lyricism and growth and how that is perceived by fans. I felt that him coming from the Death Row, but also finding respect amongst Hip Hop purist it was a relative discussion.

My and my cuzzin Ayinde who got me into rap in The Town (Oakland)
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Weezy & DLabrie All Star Weekend in Denver,CO
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As I started to emcee early in high school the tide was turning. Snoopwas out (who for yall who don’t know was label mates w Crooked at one point)…and every car goin’ by was “bumping” The Chronic by Dr. Dre, but I had Redman What TheeAlbum in my walkman, I was into the wild styles of N.Y. which had lyrics u had to decipher, I was tryna escape the harsh realities of West Coast in your face rap, which I lived amongst everyday not just in rap but as a young man in East Oakland.

My older cozen’ Ayinde who knew EVERYTHING about rap started playing what he called underground rap for me I specifically remember 93 til’ Infinity, Protect Your Neck, Come Clean singles. I was hooked this was the same cuzzin’ who used to sneak play me “Davy, Davy Crockett bring on the wild frontier” and “You don’t have to front on me bitch” when I was arguably too young by our parents standards. But by now I was gravitating to groups like Pharcyde, Souls of Mischef, Tribe Called Quest and The Alcoholiks. The1st thing I heard from E-40, Mac Mall or RBLfans was “You like dat East Coast soundin’ shit, you aint from Oakland.” (all this while I’m standing on Oakland soil lol).

Funny thing is I had E-40, Too Short, The Luniz, Spice 1“tapes” too, all whom I see to this day as some of the best lyricists ever. It was like u had to choose. When I would spit everyone would say u can rap but you got that East Coast flow. I was seen almost like a traitor, niggaz would say “move to NY”, or “Your raps make no sense”, “you be usin’ them metaphors” (too quote Common“These is Similes”). I didn’t all the way get it. I jus liked the sound. Maybe I was denying my roots, or maybe the West was being generalized. I didn’t have a Jeri Curl (Lauryn), gang bang , slang crack or even smoke weed at the time. I rocked oversized head phones, wore 1 pants leg up, and freestyled, tagged, and played hoop w non hangin’ dreds and there were many like me.

Baatin of Slum Village (R.I.P) & DLabire @ both performing University of Michigan
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To this day I realized I wasn’t the norm but I also wasn’t alone. This was all part of my growth as an artist at some point The “Box”became the medium you could see East Coast, South Booty Shake, West Underground, local Oakland indie music… It actually almost turned the tide because for once you could rep your coast and not be forced to hear East Coast only. Finally things were evening out a little. The Bay was full of home pride Mob Music compilations, Hiero was doin’ songs w Tribe. and the East was kinda quiet in the mainstream outside of the Native Tongues / Nas/ Wu movement which wasn’t as big out west (at least amongst West purists). The west was sellin’ unbelievable amounts of records. The boom-bop sound of N.Y started bein’ known as Underground rap and you had to listen to the Wake Up Show or go to Berkeley to hear that here.

Long before the Southern dominated radio waves of today West Coast raised groups from the South who also followed in the footsteps of The Geto Boys & Luke started making noise w groups like Outkast, who were once accused of sounding like Hiero, and Swagger Jacking the Bay w “Players Ball”and groups like UGK, Eightball & MJG, Master P, Mystical, Goodie Mob, Trick Daddylines were getting blurred. The East even then was not really feeling the South and this formed a common bond between West and South. I recall Outkast was booed for winning “Best Rap Group” Source Award in 1995 where the event was hosted at Madison Square Garden in N.Y

M1 of dead prez, DLabrie and Dave Chapelle in San Francisco,CA

Of course 2pac played a big role during this time he was uniting the West Coast and after being shot in N.Y, going to jail and signing with Death Row he emerged a cult like figure especially out West. Suge vs. Puff became Pac vs. Biggieand eventually Death Row vs. Bad Boy. 2pac was warring with the East with much success along with Westside Connection(Ice Cube, Mack 10, WC super group formed to finally address all the East Coast hating, and set the record straight). But Tupac Shakur was originally from Brooklyn, came up in the Bay and soon became the spokesman for L.A. He had Meth and Red on his classic ALL EYES on ME. Death Row was SMASHIN on the game.

Hmmmmm how did this happen? I almost missed the East coast sound at times. Pac went at everyone with a vengeance and the “WESSSYDE” tradition and throwing up the dub was formed. He even had public feuds with West Coast counterparts Snoop and Dre at some point who were no strangers to feuds w the East Coast. It seemed as if the East Coast was on the ropes. Especially after Hit Em Up, Pac had a lot of fans not feelin’ Notorious, Junior Mafia, Jay-Z, Nas, Mobb Deep, and cosigning venomous lyrics spit at other East Coast legends.

When Makaveli passed a lot of people felt the West Coast died with him. Think back of all the artists who were a part of that movement (not the dissing movement, but the One Nation Movement) on a national scale. The Outlawz, Yukmouth & Numbskull aka The Luniz, C-Bo, Dru Down, E-40, B-Legit, D-Shot,Suga-T aka The Click, Doggpound, MC Breed, Bone, Richie Rich, Digital Underground, Even east Coasters like Boot Camp Click and Treachto name a few. You can basically refer back to his rap army by hearing any Pac CD or peeping his many cameos. Many would argue he single handedly took on the East and settled the score. One thing that can not be argued he inspired a whole generation.

Mistah F.A.B & DLabrie at Bay Area Rap Summit in Oakland,CA

Let’s back track a little. When I 1st saw Biggie’s video Juicy(long b4 I knew who Puffy was) I jus knew for sure he was from the West Coast the flow, the sample, the laid backness of the song. Who knew he’d become the “King of N.Y” one day. I remember when Jay Z dropped Aint No Nigga, in Oakland we were like “this nigga stole Dru Down beat” at the time Dru Down was a signed artist nationwide I’d say maybe bigger than Jay-Z (this is up for debate).

My OG homie Lil Jof the group Flawless (who at the time was the number 1 example of West Coast bias lol ) out the blue came thru bumpin Reasonable Doubtin his firebird. I wasn’t interested at 1st, then I heard the slaps and was like okay. I noticed that Biggie, Jigga, and the East Coast sound was appreciating what we do out west and our style (Biggie said on Ready to die he was tryna’ figure out “how to sell record like Snoop”). the music was becoming less abstract more in your face. Pun, Mase, DMX, The Lox,Camron, Ja Rule, Lil Kim, Evewere all giving the West props and kickin in your face gangster shit (which I realized over time was always in East Coast music just spoken in different slang). The remix era was here and artists were working together from ALL Coasts!!

DLabrie signin autographs in Seoul, South Korea

The East Coast bias was losing steam more and more. Too Short was on Jay-Z and Biggie’s albums – Bonewas out (everyone had a Bone flow song for a minute lol), shit was everywhere. The Midwest was coming up Eminem, Nelly, Twista, Commonwere on the scene hard. The internet and technology era emerged ushering in the true “independent” artists we are more familiar with today. Fans began finding there music online, and artists were able to burn there own CD’s and push music thru early Music & Social Networking sights like Rap Station and Black Planet. This was the beginning of the Digital era. At this time I didn’t even know how to use email. Groups who were not on major labels started seeing opportunities for indie expansion. Groups could tour without a deal and get music to fans without distribution.

To say u listen to East Coast style rap was becoming a statement a lot harder to define. In these days that term doesn’t even stick with artists like Jim Jones, Murs, Jay Electronica, Mistah F.A.B and Slaughterhouse even w me DLabrie– I get love in N.Y. for my True lyricism and also for my Hyphy ties. My Homies from the Bronx, Brooklyn, Queens they go dumb w me when they hear my single Pity Patt produced by Bay Heavyweight Traxamillion – (Check it out here – http://bit.ly/YW0nC ) they even ask me to spit that “Bay” shit and show them the town flavor. Sometimes I have to remind them I grew up on N.Y. rap and some of my fav MC’s ever are Hip Hop purists like Wu Tang, Def Squad, and Da Bush Babies. My point is this….it’s Hip Hop……. West borrowed from East, South borrowed from West, Midwest soaked game from all over, East borrowed from Jamaica, Disco, Cowboys, R and B, Soul, Rock. We have covered the gamut, now International MC’s are borrowin’ from American Hip Hop. It’s a cycle. We have to let the old terms go. It’s been a journey for me to find my voice as an emcee. I can rock on a cut with Mos Def or Luda, hood homie Keak da Sneak or a cat who don’t speak English Overseas. I’m still Hip Hop. “Backpackers/Conscious” rappers are fed up w the stigma, “Political” rappers are sick of being held to unreal expectations, “Gangsta” rappers are pourin’ they heart out. No one wants to be put in a box anymore. All bets are fuckin’ off now. I hear rappers sayin’ when will the real rap come back, or bring back the real hip hop? Jus do you!!

Promoter Victory & DLabrie in Times Square, N.Y

Let’s evolve and stop this bullshit. If you old school do you, if you with the new shit do you. I rep the Bay hard as fuck all day to the point where I still get mad when Bay cats diss Hyphy or the Bay in general but to each they own. I don’t take it personal. I don’t decide no 1’s opinion on hip hop and how they feel and vice versa. But also I don’t wanna hit the road and be seen as jus the “Hyphy” dude either just cuz im from Oakland ‘cuz then u think im one dimensional. That’s not like my MC tag or nothin. Nor is it the Bay’s only style anymore than Crunk is ATL’s only style.

I rep the whole West Coast now Seattle, Oregon, Vegas, Cali, AZ, Southwest ! Im still pissed XXL did a whole article on Hip Hop and R and B and didn’t mention the West Coast AT ALL (barely the South) and acted as if the 1st big song of this nature was Method Man and Mary J. Blige or Rakim and Jody Watley(with all due respect). At the Same time a lot of my favs new and old are in N.Y. and the East Coast in general and I always get my game face on, and get a lil’ kid like when I touch down in the Hip Hop Mecca. I always bring my best for them. Although the playing field is a lot more leveled out now and N.Y artists and fans complain that N.Y is being overlooked in 2009, overall there’s still an East Coast bias in general, especially with a lot of the dinosaurs, publications, shows, etc. This has caused a rebellion that lead to cats formin’ they own media (Hot Block Magazine), websites (WetheWest.com) and outlets (Bring your A Game Tour) to counter that mentality. Its like lets rep our own hoods not to diss nowhere else but if the mainstream aint gonna do it like N.W.A, Cash Money, Thizz, or G.O.O.D you have to put on for your city.

It’s like affirmative action give a fair chance to everyone. Some of yall are right, it’s not comin’ directly from the artists and not always the fans either. You can’t like what u don’t know about. Some cats I met in N.Y thought the Bay was just E-40, Too Short and I Got 5 on It. Maybe the Occasional Humpy/Hammerreference cuz that’s all they hear in the mainstream but many rappers get shine on the internet from other places now. This is why it’s important that no matter where you’re from get out of your area and spread your movement. Don’t blame anyone else for not having exposure take matters into your own hands. One thing I like about the Bay is Different types of Artists from ALL OVER THE WORLD travel here every day and WE SHOW LOVE. It makes for a good scene where everyone can grow as artists and see different perspectives. Let’s allow for a bigger mind state then jus Biggie, Jay Z and Nas, grimy street raps with beat breaks, break dancing and grafitti.

 Even in N.Y that’s not the only thing crackin’ anymore. That will always be the foundation – but let rappers sing, do auto tune, dance, have fun, krump, snap, go dumb, Earl Flynn, say Tech 9 is the best, T.I or Wayne, San Quinn or Mac Dre, let a nigga make a song for the harmony and not jus for complicated lyrics, or just be different then what you like. It’s hard to look past your own opinion but don’t be “The Mad Rapper” or the Closed minded type of fan that can’t handle Wayne playing guitar or Andre 3000 doin’ falsetto in 2009. After I say all this shit I’m still gonna throw on my Illmatic tape listen to it a week straight on repeat and say its better than almost every album ever made and hold myself to that standard. ALL EYES ON ME is my shit too, and SouthernPlayalistic and Resurrection. Much respect to ALL regions, WE ALL have something to offer. It’s hip hop better yet its music…………

by DLabrie

DLabrie Debut coming soon

Original Article by Davey D – LINK –

http://hiphopandpolitics.wordpress.com/2009/08/11/before-there-was-50-there-was-tim-dog-remembering-the-east-west-coast-war/

Juelz Arrested For Threatening Girlfriend; Released

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JulezSantanaObviously in light of Chris Brown sentencing and the incident at 50 cent’s mansion, we need some help. Women being threatened and beat is something that needs deeper attention from everyone, men and women, mothers and fathers, sisters and brothers. ..

Juelz Arrested For Threatening Girlfriend; Released

By Roman Wolfe

http://allhiphop.com/stories/news/archive/2009/08/25/21910943.aspx

Harlem rapper Juelz Santana was arrested this morning (August 25) after allegedly threatening to kill the mother of his child.

 According to reports, the woman called 911 this morning during a domestic dispute at their Teaneck, New Jersey home.

 Although the wife did not need medical attention, Juelz, born LaRon James, was officially arrested on domestic battery charges.

 “Police were called to Juelz Santana’s home in Teaneck, New Jersey at 10:00 am after an argument between him and his son’s mother,” a rep for Juelz confirmed with AllHipHop.com. “LaRon James p/k/a Juelz Santana was then arrested and after review of the incident, police quickly released him. Santana is now resting comfortably at his home.”

Return to Davey D’s Hip Hop Corner

Obama to Reform Hutto and other Detention Centers

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In what appears to be a shrewd calculated decision by the Obama administration folks who have been demanding Immigration reform and an end to some harsh anti-immigration policies have been smiling.

As pointed out in the NY Times article below, President Obama plans to reform the way notorious detention centers operate. Most notably is the Hutto detention center near Austin.

Luissana Santibanez has long been protesting the closing of Immigration detention centers

Luissana Santibanez has long been protesting the closing of Immigration detention centers

We caught up with long time activist Luissanna Santibanez who noted that she and numerous organizations have been holding lots of protests in front of this facility since 2006 when started locking up kids and entire families.

Santibanez who’s family was profiled in the short film ‘Exiled In America’  is no stranger to these facilities. As was shown in the movie her mom spent two years in a detention center leaving Santibanez barely 20 years old to look out for her 4 brothers and sisters.

In our brief conversation this morning she noted that she can’t believe this change is happening especially since many Immigrant organizations were beginning to openly challenge and criticize the Obama administration for appearing to further the Bush policies toward immigration. His appointment of former Arizona governor Janet Napolitano to head up the Department of Homeland Security where she promised to ramp up the 287 G policy which paired up ICE and local police agencies. Currently the city of Houston is undergoing such a program as this was recently approved by the city council. That’s not a good look Houston

Santibanez noted that there is still a long road ahead as she revealed that the detention center that incarcerated her mother is still intact and will go unchanged. But she does think this was a big move in the right direction.

I posed the question to Santibanez as the timing of Obama’s decision on the same day that votes will be taken to confirm Sonia Sotomayor to the Supreme Court. At issue is the fact that our two state Senators Kay Bailey Hutchison and John Coryn will not be voting for the nation’s first Latino judge. One can’t help wonder if Obama’s move was a way to send a strong signal to the Latino community and draw a sharp contrast both in Texas and around the country as to where he stands on issues important to Latinos and where the GOP stands.

Santibanez acknowledged that this is very possible. She added that almost everything Obama does is politically calculated  and that he could’ve made this move when he first took office. She noted that he probably had a long range goal in mind and the timing in bringing about these new changes worked out now. 

In anycase the move was a breath of fresh air for those have long been protesting Hutto and detention centers like it

-Davey D- 

U.S. to Reform Policy on Detention for Immigrants

By NINA BERNSTEIN

http://www.nytimes.com/2009/08/06/us/politics/06detain.html?pagewanted=1&_r=1&hp

The Obama administration intends to announce an ambitious plan on Thursday to overhaul the much-criticized way the nation detains immigration violators, trying to transform it from a patchwork of jail and prison cells to what its new chief called a “truly civil detention system.”

Details are sketchy, and even the first steps will take months or years to complete. They include reviewing the federal government’s contracts with more than 350 local jails and private prisons, with an eye toward consolidating many detainees in places more suitable for noncriminals facing deportation — some possibly in centers built and run by the government.

The plan aims to establish more centralized authority over the system, which holds about 400,000 immigration detainees over the course of a year, and more direct oversight of detention centers that have come under fire for mistreatment of detainees and substandard — sometimes fatal — medical care.

One move starts immediately: the government will stop sending families to the T. Don Hutto Residential Center, a former state prison near Austin, Tex., that drew an American Civil Liberties Union lawsuit and scathing news coverage for putting young children behind razor wire.

“We’re trying to move away from ‘one size fits all,’ ” John Morton, who heads the Immigration and Customs Enforcement agency as assistant secretary of homeland security, said in an interview on Wednesday. Detention on a large scale must continue, he said, “but it needs to be done thoughtfully and humanely.”

Hutto, a 512-bed center run for profit by the Corrections Corporation of America under a $2.8 million-a-month federal contract, was presented as a centerpiece of the Bush administration’s tough approach to immigration enforcement when it opened in 2006. The decision to stop sending families there — and to set aside plans for three new family detention centers — is the Obama administration’s clearest departure from its predecessor’s immigration enforcement policies.

So far, the new administration has embraced many of those policies, expanding a program to verify worker immigration status that has been widely criticized, bolstering partnerships between federal immigration agents and local police departments, and rejecting a petition for legally binding rules on conditions in immigration detention.

But Mr. Morton, a career prosecutor, said he was taking a new philosophical approach to detention — that the system’s purpose was to remove immigration violators from the country, not imprison them, and that under the government’s civil authority, detention is aimed at those who pose a serious risk of flight or danger to the community.

Janet Napolitano, the secretary of homeland security, said last week that she expected the number of detainees to stay the same or grow slightly. But Mr. Morton added that the immigration agency would consider alternative ways to assure that those who face deportation — and are not dangerous — do not flee.

Reviewing and redesigning all facilities, programs and standards will be the task of a new Office of Detention Policy and Planning, he said. Dora Schriro, special adviser to Ms. Napolitano, will become the director, assisted by two experts on detention management and medical care. The agency will also form two advisory boards of community groups and immigrant advocates, one focusing on detention policies and practices, the other on detainee health care.

Mr. Morton said he would appoint 23 detention managers to work in the 23 largest detention centers, including several run by private companies, to ensure that problems are promptly fixed. He is reorganizing the agency’s inspection unit into three regional operations, renaming it the Office of Detention Oversight, and making its agents responsible for investigating detainee grievances as well as conducting routine and random checks.

“A lot of this exists already,” he said. “A lot of it is making it work better” while Dr. Schriro’s office redesigns the detention system, which he called “disjointed” and “very much dependent on excess capacity in the criminal justice system.”

Asked if his vision could include building new civil detention centers, he said yes. The current 32,000-bed network costs $2.4 billion a year, but the agency is not ready to calculate the cost of a revamped system.

Vanita Gupta, an American Civil Liberties Union lawyer who led the lawsuit against the Hutto center, was jubilant over the decision to stop sending families there, but cautious about the other measures.

“The ending of family detention at Hutto is welcome news and long overdue,” she said in an e-mail message. “However, without independently enforceable standards, a reduction in beds, or basic due process before people are locked up, it is hard to see how the government’s proposed overhaul of the immigration detention system is anything other than a reorganization or renaming of what was in place before.”

Ms. Gupta said the changes at Hutto since 2006 illustrated the importance of enforceable rules. Before the A.C.L.U. lawsuit was settled in 2007, some children under 10 stayed as long as a year, mainly confined to family cells with open toilets, with only one hour of schooling a day. Children told of being threatened by guards with separation from their parents, many of them asylum-seekers from around the world.

Only through judicial enforcement of the settlement, she said, have children been granted such liberties as wearing pajamas at night and taking crayons into family cells. The settlement also required the agency to honor agency standards that had been ignored, like timely reviews of the decision to detain a family at all. Some families have been deported, but others were released or are now awaiting asylum decisions in housing run by nonprofit social service agencies.

That kind of stepped-up triage could be part of the more civil detention system envisioned by Mr. Morton and Dr. Schriro, who has been reviewing the detention system for months and is expected to report her recommendations soon.

But the Hutto case also points to the limits of their approach, advocates say. Under the settlement, parents and children accused of immigration violations were detained when possible at the country’s only other family detention center, an 84-bed former nursing home in Leesport, Pa., called the Berks Family Shelter Care Facility. The number detained at Hutto has dropped sharply, to 127 individuals from as many as 450.

Advocates noted that Berks, though eclipsed by the criticism of Hutto — the subject of protest vigils, a New Yorker article and a documentary — also has a history of problems, like guards who disciplined children by sending them across the parking lot to a juvenile detention center, and families’ being held for two years.

The Hutto legal settlement expires Aug. 29. In the most recent monitoring report last month, Magistrate Judge Andrew W. Austin wrote: “Although the use of this facility to hold families is not a violation of the settlement agreement, it seems fundamentally wrong to house children and their noncriminal parents this way. We can do better.”

Mr. Morton, a career prosecutor, seemed to agree. Hutto will be converted into an immigration jail for women, he said, adding: “I’m not ruling out the possibility of detaining families. But Berks is the better facility for that. Hutto is not the long-term answer.”

Return to Davey D’s Hip Hop Corner

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The Audacity of Post-Racism

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The Audacity of Post-Racism

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     By Adam Mansbach 

 adammansbach-225I watched Barack Obama’s “Toward A More Perfect Union” in my living room, on a laptop computer with tinny speakers.  Like millions of other Americans, I felt a surge of amazement, a sense of expanding possibility, at the sheer fact that a black man with a good chance of becoming president was speaking about race and racism on national television for half an hour.  Such an eloquent and thoughtful discourse on any topic far exceeds what we have come to accept of American politics; to hold forth on an issue so pernicious and so seldom approached with honesty is remarkable.

 My enthusiasm held until Obama let white people off the hook. Though I grasped the political necessity of the move, my expectations of this man were sufficiently high that it was disheartening to hear him fudge the difference between institutional racism and white bitterness.  Three weeks earlier, I’d felt a similar sense of letdown when, challenged at a debate in Ohio to further denounce Minister Louis Farrakhan, Obama responded by articulating the need to mend black-Jewish relations, then proceeded to reinscribe the very paradigm that has served to rend them. 

 I say this as a white person, a Jew, and an enthusiastic Obama supporter.  My reaction, it also bears mentioning, was colored by the fact that when the Ohio debate aired I had just published a novel entitled The End of the Jews, which chronicled three generations of a Jewish-American family and also took as its subject the evolving relations between black and Jewish artists throughout the 20th century. Toward A More Perfect Union marked the first time I’d sat on my couch in weeks; I had just returned from a book tour speckled with dates at Jewish Community Centers and synagogues, in addition to the standard bookstores and universities.

Satch Sanders

Satch Sanders

This level of interaction with Jewish communities was utterly new to me. No one had ever considered me a Jewish writer before, except the white supremacists who’d protested the speaking gigs for my previous novel, Angry Black White Boy, and accused me of “masquerading as white.”  I was raised by secular parents raised by secular parents, and at the age of twelve I was expelled from the Sunday School And Half-Price Car Wash For The Children Of Agnostic Cultural Jews after getting into a fight with my teacher about whether Satch Sanders of the 1940s Boston Celtics was the only black person in history not to abandon his community after achieving success.  It was the culmination of a lesson devoted to the great Jewish Exodus – from Roxbury, Massachusetts in the 1950s, when the blacks moved in.

 

I won’t blame the encounter for souring me on Judaism; more accurate would be to say that as a kid growing up in a largely Jewish suburb, I simply conflated Jewish with white, and thus my frustration with the complacency and hypocrisy of white liberals (I didn’t know any conservatives) extended automatically to Jews.

The pervasiveness of injustice was something I had always intuited; obsessing over fairness on a personal level is a childhood instinct that can remain personal and fade, or broaden into an analysis of the world and grow stronger. But my absorption in the still-underground culture of hip-hop was what allowed me to confirm that things were not well, very close by and yet in another world altogether. 

Public Enemy

Public Enemy

I believe the music to which one is exposed at twelve is the most important one will ever hear; I was that age in 1988, when Public Enemy, Boogie Down Productions, Stetsasonic, The Jungle Brothers and N.W.A. were articulating the insidious realities of police brutality, a Eurocentric school system, American collusion in South African apartheid, and ghettos ravaged by crack and guns – all over unbelievably dope beats. Thanks to METCO, a busing program that constituted Boston’s uni-directional form of school integration, these tapes made their way to the suburbs and to me.

 

Hip-hop, at the time, was one of the only sites in American life to dislocate whiteness from its presumed position of centrality. By listening, I was listening in. And only by physically seeking out the parties, the shows, and the record stores that sold 12” singles – all located in the aforementioned Roxbury and other equally un-white neighborhoods – could I hope to participate. Doing so meant venturing outside of comfort zones, rendering myself visible as different. 

Soon, it also meant a chance step away – semantically, momentarily – from the nimbus of skin privilege and the complicity in injustice it afforded me.  This is to say that hip-hop became a different kind of comfort zone: contested, and all the more beloved for it.  Hip-hop demanded that I cast off romantic notions of colorblindness and investigate oppression.  Not just as a relic of the past, as it was presented in school.  Nor as something held at bay by regular donations to the NAACP or the Southern Poverty Law Center.  But as something monstrously alive, a fact of life even a fool could see  – so long as that fool knew where to look. 

By taking casual and institutional racism for granted, hip-hop created space for follow-up questions – quintessentially hip-hop questions like how do we flip this? Well, by exploiting exploitation: by using the black kid as a decoy in the art supply store, while the white kid steals the spraypaint.  By having the black kid buy the beer in the white neighborhood, since the old white store owner can’t tell fifteen from twenty-one so long as fifteen is darker than blue. 

Of course, nobody ever got carded at Giant Liquors in the ‘Bury; you could ride in on a tricycle and leave with a case of Olde English 800.  The realization was sobering, and it was not the only one.

Though it opened my eyes, hip-hop also let me bullshit myself.  It permitted me to believe that the opposite of white privilege was not working to dismantle that privilege, but embracing and being embraced by blackness. Thus, as long as my friends were black people who didn’t like white people, I figured I was doing my part. The experience of being a token whiteboy was one of being identified, tested, and ultimately accepted; it was about feeling exceptional, in the word’s truest sense. Had I pondered my status a bit harder, I might have concluded that it was not to be attributed to an uncanny understanding of the plight of black people and the true nature of racism, but rather to the fact that I was a little less oblivious and smug than the average white kid, a little more willing to put myself on the line.  Also, I could rap.

It would take me years to realize the flawed nature of some of the racial equations by which I lived, but one thing I did grasp immediately, given the company I kept, was the unspoken difference between the political and the personal.  Between Whiteness, as a concept that engendered fury and pointed jokes, and an individual white person, who would be judged on his merits – if he stuck around long enough to realize that a rant about The White Man didn’t mean he ought to leave before he got his ass kicked, but rather the opposite.

I delve into the race politics that marked my adolescence (and hip-hop’s) because the manner in which their sharpness has blurred is the backdrop for “Toward A More Perfect Union.”  Hip-hop is now America’s dominant youth culture.  It still dislocates whiteness, but in a way far less conducive to personal growth or rigorous assessment of injustice.  White hip-hoppers of my era constructed elaborate rhetorical structures intended to accommodate paradox, to acknowledge the devilishness of white supremacy without condemning ourselves.  Today, white youth are confounded by a different paradox: the divergence of cultural capital and hard capital in American life. 

Levi Johnston

Levi Johnston

Largely because of hip-hop, American coolness is coded and commodified more than ever as American blackness.  White kids all over the country believe, based on the signifiers flashing on their TV screens, that blackness equals flashy wealth, supreme masculinity, and ultra-sexualized femininity – interrupted occasionally by bursts of glamorous violence, and situated in a thrilling ghetto that is both dangerous and host to a constant party.  They feel locked out of the possibility of attaining that lifestyle, because of the color of their skin.  They don’t know where to find a workable identity, unless they embrace the “I’m a fucking redneck” ethos of Levi Johnston, Sarah Palin’s future son-in-law.  All this strikes them as oppressive, and their resentment is compounded by the fact that they possess no language with which to discuss it. 

 

Were any of this utterable, one could present them with reams of evidence demonstrating that in all the important ways, white people in America are anything but marginal.  Traditional markers of prosperity – the inheritance of wealth, the rates of home-ownership, the comparative levels of education and income and incarceration – reveal just how privileged whites remain relative to blacks.  A recent study conducted at Princeton University revealed that a white felon stands an equal chance of being granted a job interview as a black applicant with no criminal record, and there are dozens of other studies that each speak volumes.

Nonetheless, confusion persists even among the kind of coast-dwelling, liberally-raised, relatively well-educated white kid I once was about the basic facts of racism today – to say nothing of everyone to their ideological right.  They want to know if the playing field is level; they can’t tell, and they’ve got their fingers crossed that it is because if it’s not they’ve got to confront things no one has prepared them to face.  Many of them would rather believe, and in fact suspect, that it is slanted in black people’s favor.

At the very least, they’re eager for a kind of moral compromise, one with an air of the fairness so appealing to young minds: racism cuts in both directions.  Anyone can be its victim, just as anyone can refuse to perpetrate it.

This is what Barack Obama provided on March 20th in Philadelphia.  After a succinct but powerful summary of institutional racism’s history and its practical and psychic effects on black people, he added that 

      “a similar anger exists within segments of the white community. Most working- and middle-class white Americans don’t feel that they have been particularly privileged by their race… as far as they’re concerned, no one’s handed them anything…. So when they are told to bus their children to a school across town; when they hear that an African-American is getting an advantage in landing a good job or a spot in a good college because of an injustice that they themselves never committed; when they’re told that their fears about crime in urban neighborhoods are somehow prejudiced, resentment builds over time… to wish away the resentments of white Americans, to label them as misguided or even racist, without recognizing they are grounded in legitimate concerns – this too widens the racial divide, and blocks the path to understanding.” 

Obama’s insights about white anger are salient, but to characterize ire at affirmative action and at the thought that others might think them prejudiced as ‘similar’ to the frustration felt by the victims of entrenched structural racism is disingenuous, and even irresponsible.  I don’t dispute that white resentments should be addressed, if only because white people will refuse to grapple with race unless they are allowed to centralize themselves.  But to begin such a discussion – the mythic National Dialogue on Race – without acknowledging that structural racism is a cancer metastasizing through every aspect of American life is impossible.  Call it, to borrow a catchphrase from the foreign policy side of the election, a precondition. 

Implicit in the resentment Obama identified is whites’ belief that they should be significantly advantaged because of their race.  They are not angry because people think they’re advantaged when they aren’t, they’re angry because they don’t feel advantaged enough.  The essence of white privilege is not knowing you have it; white people in America are bicyclists riding with the wind at their backs, never realizing that they owe part of their speed – whatever speed that is – to forces beyond their control.  By no means does this guarantee success.  But few whites are conditioned to contemplate how much worse off they might be if they had to grapple with factors like police profiling and housing discrimination, in addition to the other travails of being an American in 2008.

To place the experiences of white and black Americans on an equal footing, Obama must abandon the empirical and speak the language of the emotional. Hence, the focus on how people ‘feel’ – privileged or not, racist or not – rather than on the objective realities of what they have and do and say. 

The soft-focus abstraction of racial realities goes beyond Obama’s speech.  It has been a hallmark of the entire presidential campaign, with its musings on whether Obama is too black, black enough, or ‘post-race.’ Naturally, one must be black to be ‘post-race,’ for the same reason that no one thought to ask whether Hillary Clinton or Mitt Romney was too white or not white enough.  The purpose of abstracting race is to obscure racism, to elide the fact that a black person is never so lacking in blackness – culturally, personally, politically, or by any other standard – to find himself exempt from discrimination.

The desire for personal post-race status is an impulse I encounter frequently.  Without fail, it comes from well-intentioned white people looking to be absolved of whiteness – not through their politics, but their biographies. They listen studiously to my take on race privilege, then raise their hands to identify themselves as white but gay, or white but Irish and thus part of an ethnicity that was once considered nonwhite, or white but from an all-Dominican neighborhood.

My response to such statements is always the same.  I have no desire to belittle any aspect of your identity, I say, but either you walk through this world with white skin privilege or you don’t.  There’s no such thing as being pulled over for Driving While Wanting To Be Black. Sometimes how you ‘self-identify’ is irrelevant.  You could be a gay Irish dude from the heart of Washington Heights, with a Senegalese lover and a degree from Morehouse to boot.  The cop and the judge and the loan officer and the potential employer are only going to check one mental box. And when they do, you’re going to benefit from the way they see you, like it or not.

‘Post-race’ suggests, not without an air of self-congratulation, that we are moving toward an acceptance of the multifaceted nature of identity – learning to assimilate, for instance, the idea that a human being can be both Kenyan and Kansan. This may be true.  The problem is that post-race inevitably implies post-racism. To conflate the two ignores the very nature of oppression.

I witnessed this perspective recently at a talk I gave in Minneapolis.  A woman in the audience stood up to explain that racism would soon be vanquished without any concerted effort on our part, and cited the infant on her hip as proof.  She was Korean, she said, and her husband black and Italian.  Their son was all three.  Any machine that attempted to categorize him would explode. 

 The sad truth that this child will someday be forced to color in a single bubble on a Scantron form like everyone else speaks to the particular insidiousness of race.  It is a construct, not a question of biology or self-image.  It will not vanish in the face of multi-ethnicity, because it exists for a purpose, and that purpose is hierarchy.

Had Obama not lent so much currency to the notion of a kind of equality of racial bitterness, enacted on a field that everyone thinks favors the other team, the case of Geraldine Ferraro might not have played out as it did: as a spectacular example of racist action forgiven because racist ‘feeling’ is not found, and an abject, to-the-political-death refusal to acknowledge the difference between structural racism and white resentment. 

 The former Congresswoman and vice-presidential nominee forfeited her place in the Clinton campaign when she told reporters that “If Obama was a white man, he would not be in this position,” just as she would not have been tapped for the vice presidency by Walter Mondale had she not been a woman.  The difference between being appointed to a ticket and winning a record number of primary votes across the entire nation seemingly escaped Ferraro, who elaborated on her remarks a few weeks later in a stunning Boston Globe op-ed: 

“Since March, when I was accused of being racist for a statement I made about the influence of blacks on Obama’s historic campaign, people have been stopping me to express a common sentiment: If you’re white you can’t open your mouth without being accused of being racist. They see Obama’s playing the race card throughout the campaign and no one calling him for it as frightening. They’re not upset with Obama because he’s black; they’re upset because they don’t expect to be treated fairly because they’re white.” 

Contrary to Ferraro’s recollection, the most striking aspect of the media’s response to her initial comments was the consistency with which pundits and commentators across the ideological spectrum fell all over themselves to avoid accusing her of racism.  Seldom, in political life, has the sinner been granted such immediate distance from her sin. 

But this has become the blueprint for public figures who make inflammatory remarks about race – as long as they’re white.  First comes the claim that their words do not reflect their hearts. This puts the ball in the commentariat‘s court. The commentariat duly concurs that the figure is not racist, despite all evidence to the contrary. Then, after a probationary period of a few months, the figure quietly resumes his or her role in public life.

 “I am not a racist.” So said Bill Clinton on ABC News shortly after the conclusion of his wife’s presidential bid, defending himself against accusations of race-baiting.

 “I’m not a racist, that’s what’s so insane about this.” So said Seinfeld’s Michael Richards in 2006, explaining himself on The David Letterman Show after a video surfaced of him dropping multiple n-bombs on a black heckler at a comedy club.  Mel Gibson, who disgraced himself with an anti-Semitic rant the same year, put forth the same argument: I’m not a racist, merely a guy who said something racist. It came out of nowhere, for no reason, and it doesn’t reflect who I am. Ditto Don Imus, after his 2007 “nappy-headed hoes” remark. And Senator Trent Lott, whose pro-segregation comments cost him his role as Majority Leader in 2002, though not his job.

It is a dramatic reversal of the standard criteria for judgment. Usually, we seek to be judged by our actions, not our thoughts, and we accept that the former is a manifestation of the latter.  The success of this strategy, it would seem, hinges on the fact that it has become more acceptable to spout racism in the public arena than to accuse someone else of spouting racism.

On to the thesis Ferraro put forth: that whites in America have been rendered voiceless, that to be black is to be ‘lucky’ (to paraphrase another of her comments about Obama), that whites are the new racial underclass, that “they’re attacking me because I’m white.”  They are notions that rhyme neatly with the identity frustrations of white youth. And Obama’s speech would seem to grant them legitimacy, if we accept the argument that whatever people feel about race must be treated with the same respect as the facts.

I have no problem believing that people have been stopping Ferraro – although I suspect ‘sidling up to’ would be more accurate – to voice this ‘common sentiment.’  One might well ask, though, how she has been so unaffected by the racial gag order against which she rails.  One might wonder why her silent majority of whites can so readily muster outrage at their own ‘unfair treatment,’ yet remain so blissfully unruffled by anyone else’s.  If one is feeling particularly optimistic, one might contemplate how to turn such complaints into what’s known as a “teaching moment.” Could white America’s cresting indignation at its own marginalization be the Rosetta stone that allows it to understand how other people in the country feel?

Eh.  Probably not.

On the other hand, the pressure on Obama to denounce Minister Farrakhan – which directly preceded the pressure to denounce Reverend Wright – offered the candidate a chance to speak a difficult truth to a valuable constituency and play a role in genuine healing. Certainly, Obama’s rhetoric spoke to such a desire: 

      “What I want to do is rebuild what I consider to be a historic relationship between the African-American community and the Jewish community. I would not be sitting here were it not for a whole host of Jewish Americans who supported the civil rights movement and helped to ensure that justice was served in the South. And that coalition has frayed over time around a whole host of issues, and part of my task… is making sure that those lines of communication and understanding are reopened. 

But rather than turning to that task, Obama proceeded to do precisely what the current, sorry state of black-Jewish relations demands. He iterated his rejection of Farrakhan’s endorsement, citing the Nation of Islam leader’s anti-Semitism, and left it at that.

For twenty-five years now, the specter of black anti-Semitism has been used as the rationale for tremendous Jewish disinvestment – practically, emotionally, financially – from the black community and the legacy of progressive work that blacks and Jews once shared. A handful of comments from civil rights-era black leaders provide most of the evidence. For many in the Jewish community, Jesse Jackson will always be the man who called New York City “Hymietown” in 1984.  Al Sharpton will always be the man who inflamed a tense situation in Crown Heights in 1991, and Farrakhan will always be the man who, in 1983, called Judaism a “gutter religion.” 

 The fact that all three have apologized, moved on, and made amends does not seem to matter – that Jackson was instrumental in restoring peace to Crown Heights, that Sharpton’s 2004 presidential run was an exemplar of inclusiveness, that Farrakhan has been meeting regularly with a group of rabbis for more than ten years now, in an effort to mend fences.

Nor does it seem to matter than none of these men speaks for the black community at large, or that Obama’s candidacy and the emergence of hip-hop generation leaders and grassroots political organizations prove that the civil rights generation is no longer in the driver’s seat. They remain central in the Jewish memory of my parents’ and grandparents’ generations. Their comments are frozen in amber, never to be forgotten or forgiven.  Thus, denunciations of Farrakhan – despite the declining influence of his organization and his own outreach to the Jewish community – remain red meat for many Jewish voters.

How can this be, when the Ferraros, Imuses and Lotts of the world tiptoe back into the mainstream after a few probationary months, their best intentions unimpugned?  Even Gibson, whose anti-Semitic rant was truly epic, had his incoherent, responsibility-dodging apology promptly accepted by the Anti-Defamation League, a Jewish watchdog group that has never stopped vilifying Farrakhan.

The story behind the story is complex, one of changing identity in a changing country. Perhaps no two groups in America share such an intimate history as Jews and blacks; by turns it has been beautiful and tense, unified and vituperative. Both groups have been shattered and scattered, displaced and enslaved, and both have made outsized contributions to the cultural life of America. Both communities, perhaps by the nature of diaspora, have wide margins, in addition to existing on the margins of American life.  By this I mean that the ratio of people who feel ambivalent, ambiguous, full of unresolved questions about their blackness or their Jewishness, is high in relation to the number of people nestled snugly in the bosoms of those communities. The pain and perspective engendered by this double marginality are important ingredients for art, and in the desire for social justice.

Jews and blacks have been united by this shared Otherness, and also pitted against one another because of it.  At the root of the Jewish retreat from the coalition of which Obama speaks is the way in which Jewish assimilation has relied on the immutability of black Otherness as a foil.  It has been an Other more Other than their own, and sometimes one to measure progress by their distance from. 

As the Jews have been accorded more and more of the privileges of whiteness, many have decided, consciously or otherwise, that it behooves them to change their bedfellows. Fifty years ago, it was far more difficult for Jews to be complacent or hypocritical about race: they didn’t have the option to pay mere lip service to the cause because they understood that they were implicated in it, both as potential victims and potential oppressors. The benefits of whiteness were fewer for Jews, and more readily contested.  Thus, the morality of allowing them to accrue was easier to address honestly, and find lacking.

There is, of course, much more to the story – more than I have the space to go into, and also more than I know.  I realize, too, that I have addressed the reasons for Jewish pullback from Obama’s “historic relationship,” and said nothing of black actions or motivations.  This is not because I wish to cast all the blame on one side, but simply out of a desire to stick to what I know, as someone who has discussed race with Jewish audiences quite a bit lately.

One question I was asked regularly at JCCs, as I proposed that more disturbing than the pickled comments of Farrakhan, Jackson, and Sharpton was the reasons Jews held so dearly to them, was “What about Jeremiah Wright?”

The query was always met by nods and murmurs of agreement from the audience – which, I should add for the sake of context, tended to be made up largely of people born well before the Truman administration.

“What about him?”

 “Well, he’s said some things… some anti-Semitic things…”

 “Like what?”

Silence.  Had my interlocutors responded that Wright’s church had honored Farrakhan as “exemplifying greatness,” that would have been something.  But it never happened.  Rather, the logic at work seemed to be that a black religious leader was in the news for inflammatory statements, and therefore he must be an anti-Semite.  Even if no evidence to that effect came to mind. 

What will it take, then, to reverse the “fraying?”  What more could Obama have said in Ohio about blacks and Jews, or in Pennsylvania about the larger conundrum of race?

 Any answer begins with radical honesty of the sort most politicians can ill afford to muster.  In Ohio, Obama could have risked declaring himself committed to moving beyond the old politics of suspicion and condemnation, detailed the reasons for the splintering of the black-Jewish alliance, and laid out a plan for reestablishing trust and a commonality of purpose. In Pennsylvania, he could have framed the road to racial reconciliation in the same terms he has been brave enough to apply to climate control: as a journey that will require real sacrifice, profound reevaluation of our lifestyles and the unsustainable practices on which they’re built.  He could have looked into the living rooms of white America and declared that institutional racism is alive and well – that it benefits all those considered white, and also exacts from them a high moral toll.

 But the political costs of such statements would have overwhelmed Obama’s campaign. And while the senator’s commitment to presiding over a sea change in America’s racial climate appears to be perfectly sincere, it is the level of commitment for which he is willing to call that matters.  Soft-peddling the reality of white privilege might help bring people to the table, but if they come under false pretenses, they won’t stay. 

All of this points up the fallacy of a national conversation on race led by a president, no matter how thoughtful or inspiring. Not just because political constraints prevent him from addressing the issue with the candor we need, but because a chief executive’s role in moving the country toward a state of post-racism should be to address structural discrimination on the level of policy. Dismantling the system of racist policing and biased judiciary that has lead to the epidemic incarceration of black men will do more to heal the nation’s racial wounds than even the most compassionate and sustained dialogue. So will revamping a dysfunctional educational system that reinforces racial and economic disparities.

If President Obama wants to attack the issue on all fronts – as he must – then he should use his healing hands to sign over funding for a national program of community forums, to take place in town halls and high school gyms, JCCs and YMCAs, mosques and movie theaters. The structure and facilitation of these events would be delegated to people like Vijay Prashad, Tim Wise, Tricia Rose, Robin Kelley,  bell hooks, Van Jones, Rosa Clemente, and hundreds of others who have made drawing people into compassionate dialogue on race their life’s work.

There would be incentives for attendance: whatever it took to get people in the door, from parking-ticket forgiveness to free-cable vouchers. The conversations would need not tackle race head-on; the issue’s pervasiveness is such that almost any topic of universal concern raised in a multi-ethnic setting will intersect with it, from law enforcement to primary school education to jobs.  The appetite for dialogue is there, as surely as the bitterness; what we lack is the language and the context to engage. And nothing can tap the veins of goodwill running through the body politic quite like genuine interaction, particularly in this age of technological mediation and shrinking public space. 

What’s fascinating is how quickly the imagination falters in anticipating the direction these conversations might take.  What happens, for instance, after a young black man in need of employment testifies about the difficulty of overcoming the perception that he’s a thug, and a white soccer mom raises her hand to asks “well then, why do you dress like that, with your pants so low and your T-shirt so big?” Who speaks next?  Does the black man’s grandfather concur with the soccer mom?  Does the woman’s fourteen-year-old son – attired just like the job-seeker – realize, at this moment, that black people don’t have it as easy as he thought? What do the local business owner, the high school guidance counselor, the policewoman have to say?

Our access to one another is so limited, so constrained, that the journey into uncharted territory is a swift one.  It is a journey on which Obama’s “Toward A More Perfect Union” is an important stop, but the road stretches well beyond it – toward racial critiques more daring, policies more radical, and healing more profound.  

Adam Mansbach is the author of several novels, including The End of he Jews, winner of the California Book Award for Fiction, and the bestselling Angry Black White Boy

Sad News-Beastie Boy member Adam Yauch has Cancer

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By Nolan Strong

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We wish Adam Yauch a speedy recovery from his cancer

We wish Adam Yauch a speedy recovery from his cancer

The Beastie Boys have announced that their upcoming tour and album Hot Sauce Committee Part 1 have been postponed indefinitely, after a cancerous tumor was found in group member Adam “MCA” Yauch.

Representatives for the group told AllHipHop.com that a cancerous tumor was found in Yauch’s left parotid (salivary) gland.

 Luckily, the tumor was caught early and is localized to one area, but the treatable tumor will require surgery and several weeks of treatment.

 Also, reps said the tumor was in an area that would not impact Yauch’s vocal cords.

 “Our thoughts, love and prayers are with Adam Yauch, his family and the Beastie Boys,” representatives for the group’s label, EMI told AllHipHop.com in statement. “The most important thing is to allow Adam to focus on staying healthy. We wish him all the best and a speedy recovery.”

 The news comes as the group also prepares to launch a limited pressing of the track “Too Many Rappers” (featuring Nas), from the Hot Sauce Committee Part 1 album.

 The single was recorded live at Bonnaroo in 2009. Only 5,000 vinyl pressings of the single are being distributed.

Source:http://www.allhiphop.com/stories/news/archive/2009/07/20/21821958.aspx

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Two Thugs Start Fight Get Beaten By Everyone in Store

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Two Thugs Start Fight with Man in Store,
Get Beaten up by EVERY man in the store (vid)

Filed Under: Life Changing Ass Kicking

These thugs had no idea of … (laugh)… what was going to happen when they tried to punk one man down. I’m sorry, we need to see a LOT more of this from other men stepping up to the plate.  In this video there are no guns just a straight up fist fight and the end result is hilarious as every man in the store is obviously sick of this shit and shows these thugs their proper place.

Click Link below to see Video

http://www.dimewars.com/Video/2-Punks-Start-Mess-Then-Get-Jumped-By-Every-Customer-In-The-Store.aspx?bcmediaid=181a3f19-3283-41dd-90eb-894bec5737f9

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BET Denounces Lil Wayne & Drake Performance But Only to AHH

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So today after recieving news that  a whooping record breaking 11 million viewers checked in to watch the BET Awards this past Sunday night in anticipation of seeing a Tribute to Michael Jackson just 2 or 3 days after his death, BET has finally responded to all the criticism.  It responded by giving an exclusive statement to All Hip Hop where they denounce the performance of Lil Wayne and Drake.  An exclusive statement to AHH?  Wow.. there was no press release issued by Debra Lee or Stephen Hill.. There was no notification on their website BET.com as of 7:45 am PST… All I can do is shake my head..  Of course they do this on the day of our three day holiday when everyone is out and about..

In the meanwhile Drake has issued an apology of sorts. He says he regrets what happened and that the timing was poor. Thank you Drake for taking some sort of responsibility. You can read the BET apology below.. Shout out to the fam over at All Hip Hop.. Please do us a favor.. can you ask BET to exclusively apologize to all of us via their network? Also can y’all please ask them who made the call to put Drake and Lil Wayne on to do the song. Drake notes in his apology that they were being pressured to do the song. pressured by who? The Label? BET? Friends and family?

-Davey D-

Exclusive: BET Denounces Lil Wayne Performance, Drake Apologizes

By Houston Williams
BET CEO Debra Lee- Not sure if it was Ms Lee, but BET denounces Lil Wayne and Drake's performance at the BET Awards

BET CEO Debra Lee- Not sure if it was Ms Lee, but BET denounces Lil Wayne and Drake's performance at the BET Awards

BET has expressed remorse over a performance by Lil Wayne, Drake and Young Money Records that involved underage girls during songs “Best I Ever Had” and “Every Girl.”

The songs, which have overt sexual references, were performed during the Sunday BET Awards ’09 show as a bevy of young girls danced on stage. The group of girls consisted of Lil Wayne’s daughters and her friends.

In an exclusive statement, BET has responded to the criticism and the public outcry over the segment.

“BET Networks deeply regrets the performance by Young Money at the BET AWARDS ’09 (featuring Lil Wayne, Drake, Gudda Gudda and Mack Maine),” a BET representative told AllHipHop.com exclusively. “Elements of the performance were unplanned and should not have happened.”

In the aftermath of the show, many have expressed outrage over the outing by Young Money, which was set amid a show dedicated to the late Michael Jackson.

Activist and filmmaker Byron Hurt lambasted the network earlier in the week in an open letter to Debra Lee, the President and Chief Executive Officer of BET Holdings, Inc.

“In a culture where one out of four girls and women are either raped or sexually assaulted – and where manipulative men routinely traffic vulnerable women into the sex industry – it is not okay that BET allowed this to happen,” Hurt said. “BET owes its entire audience – particularly girls and women around the world – an apology for its failure to intervene.”

A representative said generally the company has found such opinions useful.

“We value and appreciate the feedback from our viewers and have edited Young Money’s performance for all BET Awards ’09 encore presentations.”

Drake has apologized and taken responsibility for the performance, admitting it was in poor taste.

Drake says he regrets what happened at the BET Awards. he says it was poor timing

Drake says he regrets what happened at the BET Awards. He says it was poor timing

“That…was a terrible idea that I’ll never do to myself again. But I was being pressed from different areas to perform, and I think what really happened at the BET Awards is with the passing of Mike, the climate really changed, as far as the award show goes,” he told Complex. “I don’t think it called for us to perform “Every Girl” and “Always Strapped,” and I think it was an award show filled with tributes and music and these genuine heartfelt speeches. And to sort of climax out of a very tongue-n-cheek point, and then people misconstruing Wayne’s daughters and her friends coming out on stage — it was just timed very poorly and it definitely wasn’t planned like that, but with that being said, it is what is. I believe in Wayne and myself and it’s nothing we can’t bounce back from. To anyone who was offended, my personal apologies, it wasn’t intended to offend anybody.”

An edited version of the show will re-air on Monday July 6. The BET Awards saw a 61-percent increase in viewers this year fueled by the sudden death of Michael Jackson. Ten percent of all turned on television sets watched the show Sunday, a remarkably high number

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