Editorial: Stop Calling These Imposters Hip Hop

STOP CALLING THESE IMPOSTERS HIP HOP ARTISTS,

they do not do or cover all its elements of the hip hop culture

Emile YxThis version of Hip Hop that the worlds media promotes globally, is a strange sissified version of its true self. It consists of middle-class fakers acting like gangsters, so-called hardcore rappers, so-called underground heads and so-called superstars killing each other, while the white controlled global media celebrates. Who are these imposters?

Hip Hop is the MC (not rapper), DJ or turntablists, B-boys or B-girls (not breakdancers), Writer (not graffiti artists), BeatBoxer and students of Knowledge of Self. These according to the founders of the culture are the main elements of the culture. Now you have world media calling EMINEN, 50cents and the rest of the multi-nationally backed “rappers”, the upholders of HIP HOP CULTURE. Excuse me, but do they b-boy, write, MC and DJ ? HELL NO! so why do we perpetuate these lies. They have no right to call what our ancestors created and gave as a voice for the people, whatever the hell they wish to call it. Strangely enough we just allow this bullshit to continue without any protest. We even reduce ourselves to speak their names and titles they named what we do. Hip Hop elders have not been approached in their research about the culture, they just named things as they wished. We sit in front of the TV and hear them spread these lies to the world and accept this powerless position they have put us in. I HAVE HAD ENOUGH. It is time to set the record straight. These titles that make up the HIP HOP CULTURE are titles that practitioners of writing, MCing, B-boying, DJing, Beatboxing earn and no just given to anyone. It is something that is earned with time, dedication, research and sacrifice. Nowadays everyone is a rapper and maybe they are right, because an MC earns that reputation for skill as well as ability to be the “master of the ceremony” (Where the name MC comes from by the way). Many of these rappers are studio rappers that have no stage, microphone or crowd/ audience control skills.

Afrika Bambaataa & Kool Herc

Afrika Bambaataa & Kool Herc

A true MC or Hip Hop head would not lie to the audience about fake bling, bling that he or she does not have, especially knowing how many youths are listening to them on the radio and watching them on the TV. A true B-boy or Hip Hopper learns the history of the culture and gives respect to those who have gone before. Those like Afrika Bambaataa, Kool DJ Herc, Grandmaster Flash, Grand Wizard Theodore, MC Cowboy, the Rock Steady Crew, The Nigga Twins, Pop Masters Fabel, Phase 2 and Mr Wiggles to name but a few who contributed to the REAL HIP HOP culture.

There are also hip hop histories in countries around the world and those contributions by those individuals have to be given the credit that they deserve. This new mentality of forgetting the past as quickly as a new song hits the number 1 spot on radio or MTV, is a global mentality. This eliminates respect for elders and those that pave the way. It also separates the younger practitioners from those who have experience and who could help them not repeat the mistakes that they have made before these young kids who are now earning millions. It is my opinion that it is for this very reason that the gap between the elders and next generation are made bigger by record companies and the entertainment industry. Their intention is to keep these younger artists as blind to the realities of the industry as possible. EXPERIENCE CAN NOT BE DOWNLOADED.

Aerosoul Art Do you think that classical music lovers would allow the world media to call their music “Screeching noise” or simply rename it whatever they wish, without putting up a fight ? I think the arrogance of the world media is because HIP HOP is considered a black sub-culture or street culture. Even the usage of the prefix “sub”, implies something that is lesser than or under what might be considered cultural. Think about it a bit more. We name it b-boying/ b-girling, they rename it breakdance, we name it writing, they rename it graffiti, we name it MCing and they rename it rapping. It is an insult to our creative ability. They control the media and thus feel that they have the power to name whatever they wish and get away with it. Like Michael Jackson being called Wacko Jacko, this is like calling us “Nigger”and “Kaffer” all over again. We internalize the lies they feed us and start to believe what they call us. Attached to the medias version of hip hop are gangs, profanity and violence. The REAL HIP HOP is a powerful tool globally bringing youth together and enlightening them to their true selves. REAL HIP HOP is educating youth, fighting AIDS, exchanging cultures, breaking down racism, protesting against global dictators.

I do this call out to all defenders of the TRUE HIP HOP CULTURE to use the correct terminology and free our culture from their verbal enslavement of it. Only once we do this will we be able to regain the financial control of this multi-billion dollar industry that they have almost taken complete control of. I know that everywhere in the world there are true soldiers of the REAL HIP HOP. Like Mr Devious, from South Africa, who was prepared to die for what hip hop has taught US. In the USA is the Universal Zulu Nation, Eazy Roc and Asia One that started the B-Boy Summit, also from the USA is Poe One and Cros One from the Freestyle Sessions event, in Germany is Storm and Swift of Battle Squad, also in Germany is Thomas of Battle of the Year, in Japan is Dance Machine, in Spain is Kapi, in Holland is Timski, in New Zealand is Norman, in South Africa is myself Emile of Black Noise, we have brothers in Brazil, Mexico, Sweden, France, Denmark, Zimbabwe, Australia and every other country on this planet. We are many my brothers and sisters and our voice can never be silenced, but we have to RE-IGNITE THE FIRE OF TRUE HIP HOP REVOLUTION. We have to insist that MTV Awards and Grammy Awards remove the false labeling of the best Hip Hop Artist, until they are willing to call up a group that have writers, DJs, MCs, B-boys, etc.

I hope that you will forward these thoughts to all those concerned with HIP HOP getting the respect it deserves.And hopefully we will enlighten more youth to the REAL HIP HOP and not the FAKE one that is spread MTV and other media.

Yours in the REVOLUTIONARY HIP HOP
Change must come
Emile YX?
Black Noise (South Africa)

Sept 2008

Comments

  1. True.

  2. Hmmmm……

  3. very true! Imposters! -seeme

  4. Renegadepr says:

    Preach! Finally the appropriation of hip hop music & culture has been put on blast. When corporations & the media act as gatekeepers what you get are imposters. There is no art in that scenario whatsoever.

  5. A true PROPHET OF DA CITY…u speak da truth brotha. An excellent written piece, just when I thought this site was goin all Piers Morgan and Bill Gates on that ass, you restored my faith. Yes, HIP HOP is in a STATE OF EMERGENCY and has been since 1997. TO THE EAST BLACKWARDS…

  6. long overdue, but much needed….here’s hoping those imposters read this, but I seriously doubt it….now if we can get those fake azz awards shows to correctly label the current hip hop awards as just best rapper or rap album instead of insulting us by referring to them as hip hop…..

  7. Eminem writes his own lyrics as does 50cent. Culture is a person’s expression of their human personality. When people can no longer take oppression they stand up and make a joyful noise. Is that a wig? Did you fight alongside black south africans or did you spite them and call them kaffirs thinking that you would benefit for doing the Europeans dirty work of eliminating the native tribes of South Africa?

  8. 50 cent and Eminem are two of the worst perpertrators who have watered down HIP HOP and I for one will NEVER buy an album by those two. Their content, the sing songy lyrics and Pop crossover is too much for me. Eminem has the most annoying voice I have ever heard. Ur comment about the writers stance on affairs in SA is a low blow as the article wasn´t even about that and it´s obvious that he is in his words ” A defender of hip hop culture”. I got absolutely no prob with that and it begs the question how many REAL HIP HOPPAZ we got left. REVENGE OF DA BADD BOYZ…

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