Plies: Why They Really Hate You
The Education of Algernod Washington
by Paul Scott
Like many of the commercially successful rappers coming out of the South, a release from Plies usually guarantees heavy radio and video play. However, I doubt that his latest release is going to be welcomed with open arms by the powers that be.
Last week, Plies, born Algernod Wahington, released one of the most thought provoking videos to come out of the “Dirty South” since the days of Outkast and the Goodie MOB called “Why U Hate ?” The song and video, which features the artist rapping with a noose around his neck , poses the question, “what is white America’s beef with black folks?
Although the self proclaimed “goon’s” sexually explicit songs such as “Becky” and “Bust it Baby” have received heavy airplay, one has to wonder what reaction “Why U Hate ” will get from Hip Hop radio stations and video programs like BET’s 106 and Park . The concern being, it might inspire Plies’s fellow goons to begin to conduct in-depth analyses of America’s race problem. In other words, it might make people think.
The question that Plies has posed is complex and can be answered on many different levels. However, to get to the root of white hate you must go back thousands of years. According to Canadian writer Michael Bradley, in his book “The Ice Man Inheritance: Prehistoric Sources of Western Man’s Aggression, the problem stems from the hyper-aggressive nature that the European developed as a survival technique for coping with a frigid climate. This led to their need to conquer the whole planet.
Also during the Transatlantic slave trade the Europeans used the myth of racial inferiority to justify slavery. After the Civil War, according to WEB DuBois in his book, “Black Reconstruction,” Northern industrialists and members of the Southern aristocracy (the planters) manipulated poor whites into hating the newly freed “slaves” in order to exploit them.
It must be noted that much of the hatin’ on black people is based on fear. Dr. Frances Cress Welsing author of “The Isis Papers” has suggested that Caucasians have a fear of genetic annihilation; believing that eventually ,through the amalgamation of the races, the white race will cease to exist.
Also there is the fear of “the big pay back” where African Americans will seek revenge on whites for the atrocities committed against them. Over 200 years ago, as Bradford Chambers writes in “Chronicles of Black Protest,” Thomas Jefferson predicted that the “deep rooted prejudices of whites” and the “10 thousand recollections by the blacks of the injuries they have sustained” would produce a division that “would probably never end but in the extermination of one or the other race.”
Also, black psychiatrists William Grier and Price Cobbs wrote in their 1968 book “Black Rage,” “long after slavery, many whites are haunted by a vision of being oppressed, exposed to the whims of a powerful cruel black man.”
It must also be noted that this fear also influenced public policy, as during the Civil Rights/Black Power Era, FBI director, J. Edgar Hoover, set up COINTELPRO (Counter Intelligence Program) to prevent the rise of a “black messiah” that could electrify the youth. Which leads us to why “they” hate political Hip Hop, since it has the potential to convert rap fans into revolutionaries.
However, white America does not really hate “gangsta” rappers like Plies; she created them. What they fear most is Algernod Washington, the business man who is rumored to have been valedictorian of his high school class and a former college student; the proverbial “fear of an educated black man.” The Plies’s of the world are just thugged -out versions of Frankenstein’s monster who have been programmed to never turn on their masters.
That is until one of them is deprogrammed and starts making songs like “Why U Hate ?”
For most folks, Plies is an unlikely candidate to spark the Hip Hop revolution. However, the same might have been said about Detroit Red before he became Malcolm X or Eldridge Clever before he wrote “Soul on Ice” We must also remember that many black leaders from Abubadika Sonny Carson to Bunchy Carter and John Higgins were former gang members. Even one of the fathers of Hip Hop, Afrika Bambaataa was a gangsta at one point.
As Jabari Natur, chairman of Solvivaz Nation said “The spirit of Black Liberation is in all of us. ” This is a chance for something to blossom in the millions of people who will watch the video.”
What Hip Hop needs is a movement to raise what the late chairman of the Illinois Chapter of the Black Panther Party, Fred Hampton, would call “antagonistic contradictions.” We must aggressively question radio stations who will play Rick Ross‘s “BMF” every five minutes but refuse to play “Why U Hate.” Since many DJ’s claim to play negative Hip Hop because “that’s what people are requesting” we should immediately start calling and tweeting radio stations, asking them why they aren’t playing Plies’s song. That way we can monitor the tweets and expose Hip Hop radio’s hypocrisy.
Perhaps this is a one shot deal for Plies and next week he’ll go back to being “the thug you love to hate. Time will tell.
But as Kwame Ture once said, “Every “negro” is a potential Black Man.”
I guess that goes for goons too…
TRUTH Minista Paul Scott can be reached firstname.lastname@example.org or (919) 451-8283