Archives for 2005

Breakdown FM: Mike Shinoda & Fort Minor Step Into the Hip Hop Arena

Mike Shinoda and his group Fort Minor did a song paying tribute to those Japanese -Americans interned at War Re-Location CampsWe caught up with Mike Shinoda who many of you know as the lead rapper for the group Linkin Park. He has embarked on a new project which allows him to completely focus on Hip Hop called Fort Minor and their new album called ‘Rising Tides‘.

Shinoda deliberately downplays his name in connection to this project even though this is his idea and concept. He says this is being done so that fans will focus on and judge the project strictly on the merits of its music. In fact, he went so far as to scratch out his face on much of the artwork. He also noted that he wanted not dilute what they he does as a member of Linkin Park. Ideally people needed to see Fort Minor as a separate project even though Mike is the lead rapper and he works with the group’s deejay Mr. Hahn.

Shinoda starts off the interview by reminding us of his long connection to Hip Hop. He notes that he was doing Hip Hop long before he became a member of Linkin Park. In fact he was kicking up dust with the members of the underground rap group Styles of Beyond who he recently signed to his label and are prominently featured in the Fort Minor project.

Shinoda also talks about growing up and being taught how to play piano. He says he later went on to transfer that skill set to sampling and producing. He notes that over the years he and fellow band member Mr. Hahn have developed a technique for producing Hip Hop songs which includes the pair making their own samples which they press onto vinyl and now CD and replay back. He notes this approach gives them the sound and style they want while at the same time saves them lots of money on sample clearances.

Shinoda talks about the reason he decided to do this Hip Hop album minus Linkin Park. For many, this seemed a bit strange considering that the group did a Hip Hop oriented remix album for their landmark album ‘Animation’.

Shinoda explained that the group is not in anyway broken up; however he felt that there were a number of ideas that he had related to Hip Hop that simply would not be appropriate for Linkin Park. He said he would never want to do songs that would not include input from all the members and some of the songs on the ‘Rising Tide’ album are just too personal. It would be unfair to ask everyone to comment or pitch in.

Shinoda cites the song ‘Kenji‘ which brings to light his Japanese heritage and his family’s history. Many of us were not aware that Shinoda’s grandparents were forced to spend several years in California internment camps during World War II. They way he breaks things down in this track is absolutely incredible and it is easily one of the most political oriented songs I have heard in a long time.

Shinoda talks about other songs on the album including ‘Cigarettes‘ which he describes as a long metaphor for the way Hip Hop music and culture is mass marketed. He also notes that ‘Cigarettes’ is the favorite song of Jay-Z who is the executive producer.

In our interview Shinoda talks about his close relationship with Jay-Z. They became super tight during the ‘Collision Course‘ mash up album in which they mixed rock and rap. He says that he gave Jay-Z the option to come on the ‘Rising Tides’ album, but the role he really needed him to play was to give him a ‘yeah’ or ‘nay’ on song selections.

Shinoda wrote and produced all of the songs and used live instruments on many of them. He’s a perfectionist and hence needed the fresh ears and honest opinion of someone like a Jay-Z who could tell him what was ready to go and what needed more work.

During our interview we went into depth about the importance of having socially relevant messages in the music. This is what you will hear on Fort Minor’s album. He says that he has noticed that people really want something different. They are seeking music with meaning that does not sound like the run of the mill cookie cut projects that are currently flooding the market. He calls what Fort Minor does ‘Organic Hip Hop’, because of the subject matter and live instrumentation. He also includes groups like The Roots and Kanye West as examples of rap groups that have moved in that direction.

Shinoda concludes this interview by talking about the diversity of fans that the group has and basically how far Hip Hop has reached. He also talks about his approach toward emceeing and what it was like being in the studio with Jay-Z who he confirms does go into the booth with a pen or pad.

You can listen or download this interview by going here:

 

Straight Outta Beirut-Hip Hop in Full Effect w/ Clotaire K

Listen to our Interview w/ Clotaire K on Breakdown FM:

Breakdown FM-ClotaireK-05

Clotaire K

For most of us the city of Beirut has an interesting connection to Hip Hop in the sense that it often mentioned in rap songs as a way to describe toughness or indicate how violent prone a particular neighborhood is..¦What’€™s so crazy is that hardly any of the rappers in the US who raise up the name of Beirut have ever traveled there and have very little knowledge of the people or its Hip Hop scene. Sadly, most don’€™t even know what country Beirut is in-which is Lebanon for those who don’€™t know.

Recently I got a chance to visit Lebanon and get the 4-11 on the politics that have come to shape this country and its music scene. First, let me say this, Beirut is an incredibly beautiful city. Before I came there I thought it was gonna be nothing but bombed out buildings and folks running around in fatigues ready to bring the drama. There are definitely those areas. And yes, you do see soldiers in the streets carrying machine guns, but other then that, the place is on fire. It’s not what you think.

At the height of Beirut’€™s infamous wars less then 5% of the city was impacted. Since those dark days, everything has been pretty much rebuilt. The nightlife is off the hook with clubs getting packed around 3am and closing at 7 the next morning. Everybody is dressed with all the latest styles and are amazingly beautiful especially the women. And as I was told prior to arriving, that once I set foot in Beirut, I would not want to leave. That prediction was right. Beirut is easily the Miami Beach or Los Angles of the Middle East-Nuff said.

We sat down with well known local rapper Clotaire K who gave us the breakdown of Beirut’s burgeoning Hip Hop scene. Clotaire K has made major inroads with a slamming album called ‘Lebanese’€™ which has a lot politically charged lyrics rapped over boomin’€™ beats.

He noted that he a long with many other middle east rappers have a love for old school Hip Hop from the US, but Southern France is where he spent most of his days. It is also Hip Hop’€™s epicenter in that part of the world. Clotaire who spits many of his rhymes in French felt it was vitally important to also include music and references reflecting his native Lebanon. The mixture is music that will not only make your head bob, but also let anyone who thinks Hip Hop begins and ends in New York or in the US, that it’€™s a new day and time.

Clotaire K explained that most people in Lebanon are influenced by mainstream US culture which is imported via TV and videos. Hence rappers like Eminem have huge following amongst the general public. During our interview Clotaire pointed out the irony of Eminem mentioning Beirut in his raps followed by gun shots, yet for all his tough talk has not set foot in the country. Clotaire K noted that if he showed up he would get lots of love from the people.

Clotaire K also spoke about touring and how he’€™s focused a lot of his efforts in countries throughout South America, Africa and the Middle East. When I last spoke to Clotaire K he had just embarked on a two week tour throughout Egypt. He noted that it was a shame that more US artists have not blessed these places with their presence and while he understand it’s not always easy to touch down in far off lands, US rap artists have left an impression of being paranoid.

Clotaire also noted that for many, Hip Hop is seen as truthful expression that is easily accessible and has allowed people to make important political statements in an overtly politicized region. With regards to him, he says that he was influenced by Public Enemy and has great love for Bay Area rapper Paris who he feels has never been given his full props.

During our interview Clotaire K gives a full rundown about the very tricky and volatile political situation that involves Syria, Palestine and of course Israel. He notes that since the city has been rebuilt, there has been huge separation between rich and poor and that while Lebanon has evolved to this trendy destination spot for the rich and famous, the stark reality is that 95% of the population is poor. Gentrification out of the downtown area seems to be the order of the day and that these are the types of conditions that lead to conflict as well as anger being reflected in the music.

You can holler at Clotaire K by visiting his website http://www.clotairek.com/ or drop him an email at clotairek@clotairek.com

Below are links to our Breakdown FM intv on YouTube

Lastly.. when I met Clotaire K I was apart of the Freemuse Music conference on censorship.. in october 2005… Below is a link to the report they issued on their findings from that year..

http://www.freemuse.org/sw11193.asp

Breakdown FM: E-40 the Ambassador of the Bay Speaks His Mind

This is classic Breakdown FM interview we did with E-40 a few years ago…He gives a great run down of the Bay Area Hip Hop scene, We also talked to him about his new businesses which include a burger franchise and new nightclub in San Jose..

E-40 also gives some great history on the Bay and the origins of what he calls mob music. He also talks about the challenges of garnering national recognition and the perception of the west coast. he also talks about the art of emceeing, freestyling and recent collaborations.

Click the Links Below to Listen to E-40

E-40 Interview pt1

E-40 Interview pt2

Below are excerpts of the this E-40  interview

 

E-40 pt1: owning a franchise, opening a new nightclub

E-40 pt2: national recognition, staying ahead of the game

E-40 pt3: origins of mob music, working w/ Lil jon working w/ jive records

E-40 pt4: creativity, slang terms, battling, freestyles, collaborations

E-40 pt5: The Bay Area scene, E-40 new radio show,  perceptions of west coast artists

E-40 pt6: update on e-40 and the family

E-40 pt7: players ball

Now that Lil Kim is Free Will She Fight For Other Prisoners?

Now that Lil Kim is Free Will She Fight For Other Prisoners?
by Davey D-

Davey D Archived articleLast week during the BET Awards, Lil Kim’s mother and brother came into the press gallery to field questions about her incarceration. They emphasized how unfair it was for her to be locked up and how the justice system is screwed up.

I think it was her brother who pointed out how all sorts of people who have committed heinous crimes do very little time, while Lil Kim got locked down for perjury. It was also pointed out how there are many who done more egregious white-collar crimes and have gotten off the hook.

When the BET press monitors finally called on me, I asked them what sort of plans they or Lil Kim had to do work with prison advocacy groups now that they’ve seen first hand how jacked up the system is. Could you imagine they type of attention some one like Lil Kim could bring to the plight of political prisoners like Mumia Abu Jamal, Herman Bell or 2Pac’s father Matulu Shakur just to name a few of the many? Can you imagine the type of attention that she could bring to the plight of the legions of Black and Brown folks who routinely get railroaded by the system?

Lil Kim’s mother said she was not aware of any plans Lil Kim had in the works and they moved onto the next question. Granted things are still early and the Queen Bee is probably still recovering from her 10 month bid. However, it’s an idea that should be seriously considered. After all, her incarceration was highlighted with a BET reality TV show which netted high ratings.

Many big time celebrities ranging from comedian Kat Williams on down to celebrity gossip reporter and former MTV host Ananda Lewis have spoken out about how the system was unjust and was railroading Lil Kim. Very few of us within the community who have family and friends who have done time, would argue with the assessment. Ideally it would be nice if the spotlight to the criminal justice system doesn’t start and end with Lil Kim.

Now that shes out she has a great opportunity to bring attention to those who dont have a celebratory rap career. Hopefully she wont follow in the footsteps of Martha Stewart, who talked about how unfair the system was and how she lived alongside women who were unfairly locked up, but once she left she went back to being the media diva and multi-millionaire business woman she was prior to going in.

lil kim

lil kim

If Kim speaks up, she would not be alone in terms of speaking out. In the past there have been a few rappers who have done prison advocacy work including Hip Hop pioneer Afrika Bambaataa who back in the early days of his career routinely took a lot of brothers who were getting out the pen and put them to work. Many of them went on the road with him as he attempted to stir them away from their troubled environments. Later on artists like Ice T and MC Hammer did similar things. One of the reasons Hammer went bankrupt was because he had employed scores of people with nice paying jobs who were fresh out the pen. This was in addition to paying for cats lawyer fees and related expenses.

Of course we cannot overlook some of Hip Hops biggest champions of prison advocacy work, The Geto Boys, Michael Franti and Spearhead, Boots of the Coup and dead prez stand out. Many people don’t realize that over the years the Geto Boys along with Rap-A-Lot CEO James Prince have sunk hundreds of thousands of dollars paying for legal expenses in their attempt to get brothers out of prison. While their advocacy work hasn’t been well publicized, it was and is well-known by folks in power who have grown angry with the group for reaching out.

A couple of years ago I spoke with Bushwick Bill about this and he speculated that the groups willingness to underwrite legal fees and try and prove the innocence of those railroaded into Texas jails may be one of the reasons that Rap-A-Lot found itself being aggressively investigated by the feds several years ago. Things got so heated for them that Scarface launched a song putting them on blast and naming one of the chief haters within the FBI who was pursuing them. The song was called Look Into My Eyes. Later on Congress woman Maxine Waters intervened on their behalf to help turn the tide, but not before it set off a storm of controversy that landed on the feet of former Vice President Al Gore. But as Bushwick confidently pointed out their decision to help out folks behind bars is not one they regret or would change if they could do it all over again. What the Geto Boys was doing is ideally what more artists in their position should do, especially when you consider how out of the 2.5 million people on lock down damn near half come from our community.

A couple of years ago when Suge Knight was on lockdown he actually took out ads in several magazines offering to pay lawyer fees and related expenses to help get cats out of jail. In his ad he had noted that there were way too many innocent people on lock down who needed help and he was throwing his hat into the ring.

Michael Franti has not only dedicated entire albums to addressing the Prison Industrial Complex, but for the past 8 years he has done a 9-11 Festival which includes a free concert at Golden gate Park in San Francisco which draws more than 40 thousand people. The festival started off as a way to bring attention to the plight of political prisoner Mumia Abu Jamal and has since expanded in both concept and sheer number of people who show up. Over the years everyone from Digital Underground to Talib Kweli to KRS-One have all graced the stages of Franti’s 9-11 festival.

deadprez-uk-225The work of groups like the Coup and Dead Prezs is more than obvious and speaks for itself. Over the years Boots has not only done concerts to raise money for Prison advocacy groups, but he himself was known for doing his own political education classes to help bring people up to speed on impending legislation like California’s harsh 3 strikes law and later Prop 21-the juvenile justice bill, which allows for the incarceration of 14 year olds in adult prisons.

In the case of dead prez, their songs as well as their direct involvement and membership in organizations like the POCC (Prisoners of Conscience Committee) have set the standard for the type of work artists like Lil Kim can either support or be involved in. Both M-1 and Boots are quick to point out that they are organizers first and artists second. In fact during a recent Hip Hop conference at Stanford University, Boots noted that if Hip Hop wasnt the platform being embraced by people hood, he would be doing another genre of music, as long as he could reach the people that need him most.

Now granted Lil Kim may not be ready to do the type of work we associate with groups like dead prez or the Coup. However, it would be ideal if someone like her who has such high visibility and is now having the spotlight put on her because of her situation would consider taking things a step further by aligning herself with those who fight the prison industrial complex and criminal injustice system everyday.

what do you think?

Return to Davey D’s Hip Hop Corner

 

Breakdown FM: An Intv w/ Oakland Freestyle King Mistah FAB (Son of a Pimp)

mistah-fabWe sat down with Oakland’s Freestyle King Mistah FAB who has just released his new album ‘Son of a Pimp‘… Here he talks about Oakland’s New Bay Rap scene and the direction in which it’s headed. He talks about the Bay’s independent hustle and his close relationship with the Late Mac Dre who was a Bay legend.

He also talks about the misconception that some have about street cats being able to flow on the mic. Mistah FAB makes no bones about his ability to rock the mic and take fools out.. If you don’t believe us talk to Jin who went up against Masta FAB and came away clearly understanding this Oakland Emcee is a ‘real problem’.

Mistah FAB also breaks down the meaning behind his album. His dad was a former pimp who died a few years back of AIDs. His mom is a recovering drug addict… and he has seen more then his share of death and hardships over the years. In spite it all Mistah FAB has kept it moving with a whole lot of flair and style.

Download and listen to Breakdown FM Intv

Download and listen to Breakdown FM Intv

Mistah FAB 2005 Interview

Hot 97 Protest…Now Sharpton Wants to Jump in-What’s the Hustle?

Now Sharpton Wants to Jump In… What’s the Hustle? Hip Hop Activists Respond…
by Davey D

DaveyD-Raider-frameToday the NY Daily News ran an article about the Reverend Al Sharpton wanting to write letters to the FCC and call for a 90 day ban on ‘gangsta rap’ and anything that reeks of violence and has the potential to spill out in the streets.

This sounds good on the surface and considering what took place last week at Hot 97 in New York it sounds damn near practical… But there’s always a catch and a behind the scenes story to the one being sold to us.

First we have to ask ourselves where Sharpton was over the past few years when these media reform campaigns were first conducted, the most prominent being the ‘Turn off the Radio Campaign‘ that was launched and supported by community activists Bob Law, the December 12th Movement, Chuck D of Public Enemy, dead prez, The Zulu Nation and numerous others community organizations in New York.

A huge tribunal featuring a number of NY City Council members, artists ranging from Hip Hop luminaries like Stetsasonic, Public Enemy and Afrika Bambaataa to legendary R&B crooners Ray, Goodman and Brown who filled a church on Madison Avenue in Harlem in January of 2003 to address the important issue of how Black folks were being depicted in media outlets serving New York.

There were at least a 1000 people in attendance and the tribunal went on for at least 5 hours with community member after community member speaking and airing out their grievances. Sharpton was no where to be seen. Nor was he around to lend his considerable clout in the months that followed when Law worked tirelessly to get this campaign off the ground. Sharpton was not around when the Turn off the Radio Campaign sparked off in other cities like Kansas City, and Cleveland to name a few. Sharpton was no where to be seen when similar efforts were launched in places like Detroit (Black Out Fridays), Seattle, Chicago and most recently Miami.

Al Sharpton

Al Sharpton

Sharpton was absent from the fight when the huge media reform campaign called the ‘People’s Station Campaign‘ sparked off in San Francisco. Here members of the Hip Hop community including artists and numerous organizations got together monitored the Clear Channel owned Urban Music stations in the area and issued a report to the community and various media outlets. The efforts not only forced change on the big Urban giants KMEL and KYLD, but it was the subject of numerous media stories including a huge front page story penned by author Jeff Chang called Urban Radio Rage How Clear Channel Wrecked KMEL on front of the Bay Guardian.

Many of the issues that Turn off the Radio campaign as well as the other efforts around the country, were similar to the ones raised by the coalition that protested against Hot 97 last Friday at Union Square Park. People have grown tired of the racist remarks directed at the communities of color this station serves. They were tired of the type of degrading music that is constantly being pumped. The recent shooting in front of Hot 97 involving 50 Cent and Game’s entourage was just icing on the cake for the momentum that had already been brewing within the Hip Hop community.

Hopefully people do not forget that what was the real catalyst behind Friday’s March 4th protest was the insidious, racist Tsunami song that Hot 97’s executives allowed Miss Jones and her morning crew to put on the air. Initial complaints to the station were ignored and dismissed until websites like Okayplayer.com owned by the Grammy Award winning Hip Hop band the Roots and WBAI DJ J-Smooth and his blog HipHopmusic.com alerted their readers what was going on.

This in turn sparked more people to come forth as Smooth, Okayplayer and other Hip Hop oriented websites began chronicling the tireless efforts of organizers with the Asian and Southeast Asian communities that had now taken up the fight against Hot 97. Because of the similarities and concerns raised in previous efforts, folks from all backgrounds were able to come together and re-address the grievances at Hot 97.

Protest at Hot 97

Protest at Hot 97

Again Sharpton was absent. During the whole Anti-Asian Tsunami incident there were no headline making statements from Sharpton about media reform or restraint. He was absent from this highly publicized fight. No phone calls, no letters, no nothing. He didn’t even come to the first protest at Hot 97 which was attended by City councilmen Charles Barron and John Liu who helped organized this effort along with Asian Media Watch. He certainly wasn’t at any of the planning meetings or any other media reform gathering.

In addition to all this, let’s go back into time when the Turn Back the Radio efforts were underway and we had all these FCC hearings about how many stations Radio station owners could have in a market, you did not see or hear Sharpton raising this issue. You certainly didn’t see him at too many of the hearings. I know because we covered most of them on our airwaves at Pacifica and I spoke at three of them. (Monteray, Seattle and San Francisco)

So what’s this all about? Why is Sharpton jumping in at the 12th hour? Is it because this is the hot topic of the day and he wants to be a part of it? Maybe… Maybe not. The media reform and media justice argument has been around for the past 3 years and have been hot topics. He could’ve ran to the bank with this during his Presidential campaign. But he didn’t. He certainly never had any of the main Hip Hop activists who have been dealing with this from day one come on his Sunday night 3 hour radio show on WLIB which is now home to Air America. We spoke with Bob Law who let us know that not once did Sharpton ever help out with the widespread efforts behind this campaign.

So what’s the motive behind Sharpton suddenly wanting to write the FCC and call for a ban on gangsta rap? Well, he’s seems to be redirecting the argument back to the artists and away from the media owners and executives who are really responsible for giving them air time.

Jeff Smulyan CEO of Emmis

Jeff Smulyan CEO of Emmis

In the NY Daily news article, you don’t see him calling them into question the role Jeff Smulyan, Rick Cummings and Barry Mayo who are executives at Emmis. You don’t see him calling for a meeting with John Hogan, Steve Smith or Doc Winters who are key executives at Clear Channel. You don’t see him calling on Cathy Hughes or Alfred Liggins or Mary Catherine Sneed (MC Sneed) who run things at Radio One. He covers his steps by saying, he doesn’t wanna mediate between the artists and that this is a recurring problem, but he stops short of placing blame where it really belongs on the owners of these outlets. Many of them not only grant platforms to these artists but they also grant platforms to other activities that help promote beef like the infamous Smackfest where they have sistas from around the way smack each other for cash prizes. Everyone knows this hence the protests and objections over the past three years.

This is important to note, because folks who have been organizing around media reform are very clear that artists like 50 Cent and Game have to own up to the role they play in these conflicts, but this is bigger then them. This goes back to those who have final say so as to what gets aired and how they ultimately profit off of these divisions. So now we have Sharpton who has good working relationships with Kathy Hughes at Radio One and Barry Mayo the General Manager at Hot 97 coming to the rescue.

Sharpton was strangely silent and didn’t shoot off letters to the FCC a few weeks ago when members of Game’s entourage brutally beat a deejay (Xzulu) and hospitalized him after an interview they conducted on Radio One’s WYKS in DC. He never asked for a 90 day ban when Radio One banned and then un-banned the Game’s record from being played on the air. Industry insiders are wondering if pay for play tactics were behind that move.

Many see Sharpton’s involvement as a subtle but soon to not be so subtle smoke screen to protect the attacks on his media buddies at these outlets. Today he’s calling for ban. Tomorrow he’ll start focusing on the artists and will do all that he can to downplay the role and responsibility of this executive friends at these stations. Who knows perhaps they will even grant him a weekly show so he can air out these important issues.

My point being is that what sort of ‘off the record’ conversations has Sharpton been having with these folks that he has not been able to come forth and say something like ‘I just got off the phone with Radio One and they agreed to do a 90 day ban, or I just spoke to Barry Mayo and convinced him to do an on air truce and dedicate a day to conflict resolution which is what Pittsburgh radio station WAMO did the other day. ‘.

One would hope and suspect that Sharpton had these conversations with them before making his announcement about going to the FCC. One has to wonder what’s really going on? Did he speak to them and they told him ‘No Way’? I find this hard to believe.

In the words of Public Enemy.. ‘Don’t Believe the Hype’ and ‘Can’t Truss It’ cause we aren’t.

https://www.youtube.com/watch?v=A4Yv1ay0CmM

=======================================
Rev. Al airs gangsta ban plan

BY TRACY CONNOR and BILL HUTCHINSON
DAILY NEWS STAFF WRITERS

The Rev. Al Sharpton

The Rev. Al Sharpton is calling for a 90-day ban on radio and TV airplay for any performer who uses violence to settle scores or hype albums.

“There has to be a way to step in and regulate what’s going on with the airwaves and with violence,” Sharpton told the Daily News yesterday. “The airwaves are being used to romanticize urban violence.”

The activist minister plans to ask the Federal Communications Commission and the country’s major radio broadcasters to back his proposal.

His call follows last week’s shooting outside Hot 97 radio’s SoHo studios that apparently was sparked by a feud between rappers 50 Cent and The Game.

A member of The Game’s entourage, Kevin Reed, 23, of Compton, Calif., was shot in the buttocks after 50 Cent bad-mouthed The Game during an on-air interview at the radio station.

Bad blood between 50 Cent and The Game continued to boil over the weekend when The Game challenged his former mentor to “Come get me, you little bitch!” during a concert in Long Beach, Calif.

Last night, 50 Cent was escorted through LaGuardia Airport by Port Authority cops “for his own protection” when he arrived on a plane from Detroit about 8 p.m., a Port Authority spokesman said.

Said Sharpton, “We may not be able to stop people from shooting, but we can stop people from profiting from the violence.” Sharpton declined to comment specifically on the beef between 50 Cent, who was born Curtis Jackson, and The Game, whose real name is Jayceon Taylor.

Sharpton said he has no intention of trying to broker peace between the two rap stars, who have both recently released top-selling CDs.

“You can’t deal with this on an artist-by-artist basis,” he said. “I’m not going to become a mediator between artists. This is a recurring problem.”

In a letter Sharpton plans to send to the FCC and broadcasters, he said the outcry against violence among entertainers should be just as loud as the response last year to Janet Jackson’s breast-baring Super Bowl stunt.

“I recall the outrage that the FCC and others displayed in response to the Super Bowl performance of Janet Jackson,” Sharpton wrote. “Yet, when acts of violence happen around radio stations that actually have caused bloodshed, there has been a strange and disturbing silence from all quarters.”

http://www.nypost.com/news/regionalnews/40700.htm

HOT97

An on-air personality at one of Hot 97’s sister stations says he was booted off the air after complaining about a song that features the lyric “Beat that bitch with a bat.”

Paul Porter said his falling-out with KISS-FM came after being told by the embattled hip-hop outlet, “Make up your mind: Do you want to stand up for kids or the company?”

The freelance announcer, who is also a volunteer instructor at a public school in Queens, told The Post that he voiced his concern last year after a 12-year-old student asked him, “Why does Hot 97 play these records?”

The offending song, “Party and Bulls- – -” by rap artist Rah Digger, was a favorite of the little girl’s father – who had recently beaten her mother, Porter said.

“I was shocked that a sixth-grader was so aware, but saddened that I had no answer,” said Porter.

Although the announcer’s complaint led to a new zero-tolerance policy for on-air profanity, Hot 97 just five months later launched a violent on-air contest called “Smackfest.”

That’s where young women compete for a $500 prize by striking one another in the face, not only to try and produce the loudest slap but do the most physical damage – including drawing blood.

These revelations come less than a week after an associate of rapper The Game was shot outside Hot 97’s Manhattan studio by a man believed to be an associate of rival rapper 50 Cent, while “Fitty” was inside promoting his new album.

50 Cent had just said on the air that he was ejecting The Game, a former protégé, from his posse.

Six weeks earlier, the station came under fire for playing “The Tsunami Song,” a twisted “We Are the World” parody mocking victims of the natural disaster that killed more than 200,000 people.

Porter says the Hot 97 DJs told him soon after the shooting that the controversies stem from programming director John Dimick’s inexperience with hip-hop.

Emmis Communications, the parent of Hot 97 and KISS-FM, hired Dimick in November from Jefferson-Pilot Communications in San Diego, where he oversaw country, jazz and alternative-rock stations.

“It’s been a zoo up there since Dimick took over. He doesn’t know what he’s doing,” Porter says one DJ told him.

Breakdown FM: Our Interview w/ Kam ‘We Must Save Tookie’

We sat down with former LA Crip Gang member turned rapper Brother Kam. Many of you may recall him as one of the first artists to sign up under Ice Cube’‘s Street Knowledge Record label.

Kam gave us an in-depth perspective on how the system works especially when it comes to dealing with LA gang members wether they are reformed or not. He says that the end game is to keep people wherehoused and to not rehabilitate them.

He speaks about why LA Crip founder, Tookie Williams, a Noble Peace Prize nominee who is currently scheduled to be executed on December 13th is feared. Kam says his wisdom and ability to turn his life around and survive in the belly of beast has been troublesome to a government and system that seeks to keep Black people in a constant state of confusion and disarray.

He goes deep and explains how the government worked night and day to undermine the 1992 Peace Treaties which came about in the aftermath of the Rodney King Uprisings.

Kam explains how organizations ranging from the Nation of Islam to Bloods and Crios to ViceLords and El-Rukins in Chicago are honeycombed with agents who are there to disrupt.He talks about how many of these agents specialize in behavior science and they honed their skillz during the cold war when they were undermining soviet sponsored governments. He says after the cold war, many of those agents returned home and have been assigned to inner cities.

Kam also talks about why we have not seen or heard from more rappers who like to claim Crip and LA gang culture in their music, but have remained silent around the campaign to save Tookie. He talks about how many artists and entertainers can be brought off for a few peices of silver and the opportunity to be famous.

Kam concludes the interview by speaking about why it is important for everyone who is righteous to link up and get organized. he notes that our enemies although wicked are extremely organized. He also cautions us to not try to out Devil the Devil, but to stand for truth.

To listen to this interview go to the link below. You can either stream this or download it..

http://www.youtube.com/watch?v=QJ3CF_5hUj4

Stanley Williams is scheduled to be executed by the State of California on December 13, 2005.

Stanley Tookie Williams‘ petition for clemency will be filed with California Governor Arnold Schwarzenegger on Tuesday, November 8, 2005.

The petition will be available at 1:00 p.m. Pacific Time on November 8 at www.cm-p.com/clemency.htm and at www.tookie.com/ . Additional information will continue to be posted on these sites.

written by Davey D