Is Hip-Hop Education A Hustle? Getting Serious About Rap Pedagogy

As Hip Hop culture expands into new arenas there will always be tensions as established institutions mold parts of the culture to fit into practices ideologies that have long existed and work for them which may be in sharp contrast to the practices and ideology of its practitioners. To the chagrin of those who feel closer to the culture they see Hip Hop being compromised and diluted. Others see it as par for the course. Hip Hop is like any other tool. It reflects mores and mindset of the people who use it.

This essay below was featured on the website Rise Up Hip Hop Nation where guest blogger Dr Travis Gosa of Cornell University raises an important issue about Hip Hop and education..Is it a hustle or something that is breaking new ground and causing tensions among those who feel left behind?

-Davey D-

Is Hip-Hop Education A Hustle? Getting Serious About Rap Pedagogy

Written by Dr. Travis Gosa

Dr Travis Gosa

Sorry for the hate, but I feel obligated to ether Mr. Duey, the rapping math teacher who’s been “putting some flow to STEM subjects.” At the end of August, the white middle-school-teacher-slash-rapper-slash-party-entertainer (I can’t knock the hustle) dropped his second educational rap CD entitled “Class Dis-Missed 2.”The tracklist features 18 educational rap songs including “Big Ballin’ Planets” (an astronomy tune) and “Dewey Decimal System” (reppin’ library science ya’ll).

My beef is not with Mr. Duey’s flow on “Plate Tectonics” or “Long Division.” In fact, I would compare Mr. Duey’s lyrical ability to be similar to that of Mase, Silk da Shocker, or Sudanese-Australian rapper Bangs (“Take U To Da Movies”). Mr. Duey is no Rakim, and I’ve heard worse.

No, I’m ridin’ on Mr. Duey for doing what has become popular of late: the complete bastardization and misappropriation of hip-hop education for profit. Too often, what is packaged as “hip-hop education” and “rap pedagogy” is nothing more than what Greg Tate calls “the marriage of heaven and hell, of New World African ingenuity and that trick of the devil known as global hyper-capitalism.”

continue reading this column aRise Up Hip Hop Nation

While reading this column I was reminded of a speech KRS-One gave a few years ago about education and the many flaws we find within the system.. I thought I’d post up this speech to add to the discussion.. You can peep this excellent speech HERE.

-Davey D-

http://www.swift.fm/mrdaveyd/song/63404/

Click HERE to peep KRS's Speech on Education

Return to Davey D’s Hip Hop Corner

KRS-One: ‘Obama is a Politician He’s not your homeboy, He’s not your man’-Our Rock the Bells Interview

It’s always fun catching up with Hip Hop legend Blastmaster KRS-One. He always has something colorful and insightful to say when speaking. Some you may agree with, some you may disagree with. No matter what you have to appreciate his passion and confidence..

When we caught up with KRS during the Rock the Bells 2010 in Mountainview he was on his way to the stage to perform the album ‘Criminal Minded’. He did not disappoint. In 10 minutes we touched on a number of topics including his thoughts behind his new book ‘The Gospel of Hip Hop’. KRS noted that this was the Gospel for the new millenium. He says every generation has their Gospel and that he wanted to put forth his vision of Hip Hop and remind the world about its divine aspects. He believes the culture touches on the spirit in ways we simply cannot ignore.

I asked KRS with all the wisdom he’s garnered over the years, what aspects of Criminal Minded would he change?

KRS said, he regrets how people mistook the meaning behind the album cover which shows him and the late Scott La Rock wearing an ammunition belt, holding pistols and having a grenade on the table. He said many thought he and Scott were the jump off for what would eventually be called ‘gangsta rap’ when in fact, they were attempting to put forth a ‘revolutionary’ pose.

KRS explained, that no gangsta would walk around wearing ammunition and holding grenades. He talked about how BDP was influenced by the Black Panthers and Black Liberation Army and wanted that album cover to be symbolic of the stances they took.

KRS also talked about how he regrets the harsh, sexist  words directed at Roxanne Shante. He noted that he was young and wild back in those days  and in hindsight  cringes at some of the things he uttered. He said its something all rappers will go through as they get older. How we express ourselves without full knowledge and understanding can be embarrassing once it’s obtained.

We concluded our interview by talking about President Obama. A couple of months after Obama’s inauguration , KRS came to Oakland and did a wicked freestyle where he talked about the biggest problem the president would have is the power and control of the Fed Bank. Over 100 thousand people viewed that video which sparked a lot of discussion. KRS caught al;ot of heat and was depicted as a hater. Nowadays his insight isn’t so easily dismissed or challenged

http://www.youtube.com/watch?v=rcAGtlVqwqE

We talked about those earlier remarks and pressed KRS as to where he stands now. He stated that he respects the President, but make no mistake, Obama is a politician who runs a government.

“He’s a politician..he’s not your boy. he’s not your man”, KRS said.

He went to add, that we are now in a globalized world with a globalized economy and America has been resisting its entrance into it. KRS said, gone are the days when people could easily identify themselves as a race or religion. Things are changingas we are now in what people will deem a ‘New World Order’

written by Davey D

Here’s the link to the full interview we did with KRS at Rock the Bells.. let us know what you think..

http://www.swift.fm/mrdaveyd/song/60144/

Click HERE to hear the Breakdown FM KRS-One interview we did at Rock the Bells

Return to Davey D’s Hip Hop Corner

Documentaries-Highlight Legendary Hip Hop Nightclubs, The Fever, Latin Quarter, the Tunnel & The Good Life

Looks like 2010 may be the year of the Hip Hop club.. What am I talking about. Since the beginning of this year we’ve had two documentaries with a third on the way as well as book highlighting the legacy of three landmark nightclubs that helped shape and introduce Hip Hop music and culture to the masses. 

The first club that’s been highlighted is The Fever.  Long time writer Mark Skillz, penned an article about this pioneering hot spot in the Bronx. The article which first appeared in Wax Poetics Magazine was called ‘ When The Fever Was Mecca-The Legacy of Disco Fever ‘.  In this piece Skillz focuses on the club’s deejay Junebug who was also a drug dealer. The story was so compelling that it was made into a documentary which premiered the other week at SxSW.. It won a special Jury Award and is expected to be featured in the Tribeca Film Festival.  The Film is called White Lines and The Fever: The Death of DJ Junebug

http://www.youtube.com/watch?v=4ZGatUrAvaw 

The story of Junebug‘s double-life as a DJ and drug dealer. Recalling the Bronx in the early 1980’s, this documentary explores the old-school days of hip-hop and the dangerous underworld at the legendary Disco Fever. Never-before-seen footage and interviews with Kurtis Blow, DJ Hollywood and Sal Abbatiello tell the tragic story of one of the greatest DJ’s ever. Based on Mark Skillz‘ “When The Fever Was The Mecca,” published in Wax Poetics.

Featuring: DJ Hollywood, Kurtis Blow, Disco Bee, Sal Abbatiello, Sweet Gee, Vernice and Nydrin Barnes.

Directed by: Travis Senger
Produced by: Michael J. Mouncer
Written by: Mark Skillz and Travis Senger
Director of Photography: Sean Porter
Editor: Michelle Witten
Production Designer: Lucas Senger 

The other legendary Hip Hop night spot that has a documentary surrounding it is The Tunnel which was the destination spot in NY 1994-2001 and held down by DJ Funkmaster Flex.  

 http://www.youtube.com/watch?v=KGkWUKPKcZY 

 Flex, Choke No Joke and Streetfunk TV presents the Tunnel Documentary. The Tunnel Nightclub was a club in NYC that was open from 1994-2001. Streetfunk TV and Choke No Joke recorded the biggest names in Hip Hop every Sunday at the club most people feared to enter. Funkmaster Flex was the promoter for this weekly event that went on for seven years. Some of the biggest names in Hip Hop performed here from Jay-Z, Dr. Dre, Snoop Doggy Dogg, Puff Daddy, Ma$e, Nas, Method Man, Redman, Capone and Noreaga, Shyne, Jermaine Dupri, Da Brat and many more…. 

 The other landmark spot getting alot of attention is the Latin Quarters which had at its helm Paradise Gray of X-Clan who booked many of the acts and had DJ Red Alert and Chuck Chillout rocking the tables.  The spot flourished in the 80s and like the Tunnel which came after it, was a destination spot for Hip Hop lovers all over the world.  It was the spot that launched all sorts of careers from 3rd Bass to KRS to the Jungle Brothers to Schoolly D etc.. Long time Italian Hip Hop scribe Giuseppe Pipitone has teamed up with Paradise and are putting the finishing touches on a book which focuses on the Golden Era of Hip Hop and starts off by talking about the 1987 meeting called by Afrika Bambaataa to encourage the popular artist of the day to become more socially conscious and use their talents for greater good. It was at that meeting that KRS-One was inspired to launch his Stop the Violence Movement. A number of other meetings followed resulting in a strategy to get people to stop wearing Gold chains, replacing them with African medallions. It’s an incredible piece and when I spoke to Paradise he noted that they are lining up dates for a tour.  

Below is some vintage footage from 1986 featuring Philly rapper Schoolly D 

http://www.youtube.com/watch?v=ICY45UFakWw 

Below is a two part interview myself and Paradise did two years ago about the ‘The LQ

http://odeo.com/episodes/25663423-The-History-of-the-Latin-Quarters-Nightclub-The-LQ-pt1

http://odeo.com/episodes/25663424-The-History-of-the-Latin-Quarters-Nightclub-The-LQ-pt2

 Of course we be wrong  if we didn’t shout out the excellent documentary ‘This is the Life’ which came out a couple of years ago and chronicled what was going down in South Central LA at the Good Life Cafe during the early 90s.. This was the place that everyone from Jurassic 5 to Medusa to  Freestyle Fellowship to Abstract Rude came and launched their careers. 

http://www.youtube.com/watch?v=WTNrb3Bln9A

As we start to look at the stories behind some of these landmark destination places in Hip Hop, others will come to life. I’m thinking places like Silks in oakland, Radio in LA, the Rooftop in New York, The T-Connection in the Bronx..The Upper Room in San Francisco  The list is long.. I’m glad the stories behind these 4 places are being told.

Return to Davey D’s Hip Hop Corner

New Trials of a Hip Hop Educator-2010

New Trials of a Hip Hop Educator

By Tony Muhammad

Hiphopeducator19@gmail.com

http://tonymuhammad.wordpress.com/ 

Peace and Blessings! We are now in the year 2010; marking the beginning of a new year and the birth of a new era of intelligence in this universal culture we have come to know as Hip Hop.  Hip Hop has been best defined by one of its greatest icons, KRS-One.  In the song Hip Hop Lives, KRS-One says: 

Hip means to know

It’s a form of intelligence

To be hip is to be up-date and relevant

Hop is a form of movement

You can’t just observe a hop

You got to hop up and do it

Hip and Hop is more than music

Hip is the knowledge

Hop is the movement

Hip and Hop is intelligent movement

All relevant movement

We selling the music 

So according to this lyrical definition, in order to live and express Hip Hop to its greatest potential we must stay in tune with the modern times and act in accordance with what is most needed in those times.  As the Hon. Min. Louis Farrakhan puts it, “Time dictates the agenda!”  I have encountered many “old school heads” that argue that we need to return to the spirit and expression of Hip Hop’s golden era (late 80s and early 90s).  Time and time again I have disagreed with this assessment.  While it is enriching and inspiring to study how the knowledge and wisdom that was pregnant in the music of that time inspired many of us to become the cultivated men and women that we are today, we must keep in mind that it may not be the medium of expression needed to have a significant impact on the hearts and minds of the people today; especially young people.  The music has changed and so too the culture has changed. 

What we are countering today goes far beyond the senseless street violence of the 80s that prompted noted Hip Hop artists to produce the Stop The Violence Movement in the East Coast and We’re All In The Same Gang Movement in the West Coast.  In truth, we have just experienced a whole decade in which the minds of our people, especially the youth, have been corrupted like never before.  Corporate media on all levels has fostered an attraction and consequently an addiction to materialism, violence, sex and sexual abuse.  This is so much so, that our young Brothers and Sisters, many of whom are growing up in homes that offer very little love and guidance, are being raised to believe that it is totally acceptable, and therefore normal, for a man to inflict harm on another human being so that his own senses could be pleased.  Our young men mainly become victims to this in the streets and our young ladies mainly become victims to this domestically “between the sheets” … or literally by force in the back seat of cars.  The predominant image of a young man of color by way of subliminal media suggestion is one that is constantly in and out of jail, jobless and maintains very little responsibility for self or others.  Our young ladies are made to believe that if they do not look like Beyonce or some object that is “sexually arousing,” then they are not valuable in the eyes of anyone, including themselves.  In response, many of those of the older generations within the culture become disgusted by the new trends and in their bitterness do not take the time to drop seeds of wisdom to the youth.  Either this or in their attempts to stay relevant (A.K.A. “cool”) and therefore financially successful, the older folks pick up the negative trends that the younger generation has adopted, both in music and lifestyle.  When all of this happens, there is no true guidance.  Overall, what has been fostered for well over a decade across the board is a culture of death and disrespect and Hip Hop has been one of the main vehicles used in order to bring it into existence.   

According to a recent national report compiled by Northeastern University criminologists, “54 percent of gun violence victims are black males between the ages of 14 and 17.”  According to the same report, “the number of homicides involving black youths — as victims and perpetrators — surged by more than 30 percent from 2002 to 2007, even as overall murder rates across the U.S. have been relatively stable.”  It is also noted in this same study that guns have increasingly became the weapon of choice since 2000 (by 40 percent).  While the homicide rate among Latino youth is statistically not as high as among Black youth, it is found that the homicide rate among poor urban Latinos is still well over three times higher than the white homicide rate. 

We must pose the question, “Can we afford to lose another generation of young people of color?”  Emphatically, the answer is “No!”  However, in order to effect a change, a new breed of role modeling within Hip Hop needs to be birthed.  We can no longer compromise and simply settle with financially successful personalities who market and distribute music and fashion that promote violence, sexism and unintelligent mass consumerism to speak to young people as why they shouldn’t engage in these behaviors.  These methods have proven to be ineffective. 

This is why a national call is being made right now by a network of activists and artists within the culture to consolidate our efforts nationally and to engage young people in the process of actively rebuilding our economically wasted cities; ultimately devoting ourselves to a day of service that we claim for ourselves in which we are in control of a responsible image of Hip Hop that we can claim for ourselves. 

For anyone interested in joining these national efforts please visit www.miacampaign.wordpress.com.  We can also be reached at Musicofamovement@yahoo.com or call 754-246-0222.

Return to Davey D’s Hip Hop Corner

4 Hip Hop Songs of Advice and Reflection for the Young Black male

daveydbanner

Share/Save/Bookmark//

Digging in the Crates w/ Davey D #1

There are lots of tracks we can look at and I think folks should add to this so we can compile a list.. But here’s three songs that I feel address the plight of the inner city Black male….

The first one comes from Boston rapper Akrobatik who drops gems to the shorties he sees hanging out on the Front Steps (Tough Love)… The beat is dope and the lyrics are incredible… Its a damn shame that major radio stations never picked up this song and that way too many people sleep on one of my favorite artists Akrobatik

2Pac dropped a dope 3 minute song that thoroughly expressed the angst and plight of the young Black inner city male

2Pac dropped a dope 3 minute song that thoroughly expressed the angst and plight of the young Black inner city male

The second one ‘Streetz Are Deathrow’ comes courtesy of the late 2Pac. Its always been my favorite cut from him.  In a about 3 minutes Pac underscores the tormented mindset of a young cat trying to navigate an increasing confusing world..I wish he did a video for this song.. Not sure if I ever heard Pac do this song live..But he captures the moment on this piece

http://www.youtube.com/watch?v=GS3IZtNU_f4

I know i said I would post up 3 songs, but I couldn’t post the 2pac cut without digging in the crates and pulling out Ice Cube. His 1990 song ‘The Product’  sits right alongside this 2pac cut. It’s off the Kill at Will Ep. Cube skillfully takes us from the moment of conception to the tragic ending in a jail cell.. Coming at the tale end of the crack era Cube like Pac captures urgency of a troubled time.. Cube was arguably at his best when he flipped this song..

http://www.youtube.com/watch?v=dd1xxQpXcuc

The last one is a classic from Blastmaster KRS-One.. ‘Loves Gonna Getcha’ .. Like Akrobatik’s cut this song is one that dispenses advice as KRS lays out the all too familiar plight of the neighborhood dope dealer who’s love for material possessions leaves him blind to the realities and dangers of life..Its songs like this that made everyone fall in love with KRS and see him as one of the best Hip Hop has ever produced..

http://www.youtube.com/watch?v=RQAssqqYQ-E

Anyway enjoys these gems and feel free to post up songs that you feel need to be listened to by ‘the young black male’

Return to Davey D’s Hip Hop Corner

Ice Cube's song 'The Product' still holds true for many Black males almost 20 years after he recorded it.

Ice Cube's song 'The Product' still holds true for many Black males almost 20 years after he recorded it.

An Open Letter to the NY Daily News About KRS-One

tony muhammed Dear George Rush, Joanna Molloy, The New York Daily News and all other parties involved,

My name is Tony Muhammad, President and founder of Urban America Enterprises, Inc. and publisher of Urban America Newspaper, the first ever urban community newspaper, based in South Florida. I am responding to the inflammatory commentary made about one of the most respected teachers and leaders in Hip-Hop, KRS-ONE. The commentary appeared very recently in The New York Daily News in an article entitled KRS-One, decency zero. The article itself pertained to statements made by KRS-ONE at a recent panel lecture concerning the Hip-Hop community’s response to the 9-11 terror attacks. After careful analysis of both the article published in The New York Daily News and KRS-ONE’s response, which is currently being circulated on several sites on the internet, I can very much say that your brand of journalism is not only irresponsible, but it is “choppy” and insulting both to KRS-ONE and the Hip-Hop community. According to your biography, Mr. Rush, you have a Masters degree in Journalism from Columbia University and have been published in various magazines as well as publishing a book yourself. Tell me, how this can be true? As an experienced educator I can safely say that I have seen greater detail in 3rd grade level essays about “favorite things to do” than in your “high status” New York Daily News article about what KRS-ONE supposedly said.

His statements, I admit, would be considered “controversial” to people such as yourselves, considering your backgrounds. However, just because you did not fully understand what he said, does that give you a right to twist his words around according to your own paranoid view of reality (a syndrome from which a large percentage of Americans today suffer from thanks to the Bush Administration’s terror alert campaigns)?

If you considered KRS-ONE’s statements so shocking or feel that you may have misinterpreted something he said, why did you not take the opportunity to ask a question to receive more clarity? Even if you did not have the opportunity to ask questions, perhaps you would have done better justice by printing more fully what the man actually said. To automatically and “officially” declare “his solidarity with Al Qaeda,” the group linked with the murder of over two thousand people is repulsively sick. You are speaking of a man who has organized with his Temple of Hiphop annual days of mourning to the victims of the 9-11 terror attacks. Not only this, since 1987, I have religiously heard the man’s music, which has frequently contained lyrics emphasizing “world peace.” KRS-ONE’s statement about how “Hiphoppas” (not merely African-Americans as you put it) cheered and said “justice” when they saw the World Trade Center being attacked is indeed scary but it is very much a real view that much of today’s youth hold. Trust me. It is no coincidence that soon after this horrible act was broadcasted on television, many of my own students at the time were theorizing that the Bush Administration was responsible (Not that I believe or disbelieve this myself, but, in effect, posing the question as to why they would automatically think this way).

Why do you believe there was so much support for Jadakiss’ controversial song Why? (this song itself includes a question pertaining to why Bush blew up the towers – a song aired uncensored and highly requested on New York FM radio). Many of our inner-city youth may not know how to express themselves fully on such topics as the 9-11 terror attacks, largely due to their own lack of study. Yet and still, they are harassed enough by police to identify a common threat. Yet and still, they are annoyingly tested like genie pigs in the public schools enough to identify a common threat. This is not to mention that anger on the part of the poor world wide has built up immensely thanks to the World Trade Organization. In America we are constantly losing jobs which are being transported overseas. The result? The decrease of legal inner-city economies has led to the rise of illegal economies, which many youths participate in. The high neglect of such communities in America has left them in conditions similar to those of 3rd World Countries. In Third World Countries, as I am sure you are aware, youth are employed in factories owned by the same companies that left the inner-cities of America, where they produced products such as Nike shoes; laboring for, in some cases, two cents a day. The Hip-Hop youth of America, in turn, purchase such products twenty to thirty times more than what they are actually worth. This is partially why KRS-ONE identifies such corporate entities as “oppressors” – as you are so quick to mention.

Do you not understand now why such anger would exist in the hearts and minds of the youth? Perhaps you need to live the experience of a youth that embraces Hip-Hop culture to fully understand what I am saying. Especially ask those who grew up embracing Hip-Hop culture during the crack filled 80s what their views regarding the government were (and most likely still are). It has only been recently that we have been targeted by more “liberal” factions of U.S. politics to, for the first time, vote in a presidential election just as the Kennedy Administration targeted highly neglected African-Americans to vote for the first time (in a long time) in the 1960s. Your slanderous and abominable statements about KRS-ONE sharply resemble the way the media has historically repeatedly lashed out against African-American leaders, such as Malcolm X and countless others, who have spoken on what have been considered unexplored realities to white America.

As a note, I am certain that the anger among the Hip-Hop youth is destined to get worse once they realize fully how they are being targeted to be sent and slaughtered in a war that most do not agree with. Just take a look at where the armed forces is advertising: on BET during Rap City, in The Source and XXL Magazines; presenting the armed forces as being a party-filled experience where all the guys are rich and all drive wrapped Hummers (you know, the kind that recruiters drive up to inner-city schools in with the intent to attract attention). I don’t see such targeting towards white non-Hip-Hop youth on any form of television programming or print media. If you are to expose any scandals (or how your column puts it “gossip”) why don’t you investigate things along the lines of this matter? I am sure the experience will be like opening a Pandora’s box.

In respects to the mention of this country “must commit suicide if the world is to be a better place,” KRS-ONE was in a philosophical sense saying that the negative or “corrupt” characteristics of the United States, both in its foreign and domestic policies, must end. Taking chopped up “tidbits” of what KRS-ONE had to say and twisting them to make it seem as if he is the epitome of evil have me question your motives which may be regarded as “evil” in and of themselves. You alluding that KRS-ONE is opposed to voting is flawed. At his concerts he emphasizes the familiar phrase “Voting is the least you can do” to show and prove the type of power the Hip-Hop community has. You quoting him in saying “Voting in a corrupt society adds more corruption” must obviously be expressed in a totally wrong context.

One final note, just because KRS-ONE is not currently signed to what would be regarded a “major record label,” it absolutely does not mean that his music career is in a “downward-spiraling” motion as you put it. In fact, he has expressed much joy in being free from any corporate entities pinning him down to a recording contract. Anywhere in this country, from what I have experienced and know, he still packs concerts – mainly filled with Hip-Hop youth who are eager to know the truth as he expresses it. His career as a leader and teacher to the Hip-Hop nation is not over. It has just begun. It is not his career that is “bent on self-destruction,” as you put it, but our very lives as Americans if we do not take the time to listen to others with alternative perspectives of reality who seek nothing less than for humanity to be steered on the right path. In fact, for all readers on the internet who have the opportunity to read this and maintain an “open mind” may they “KEEP RIGHT!” I hope that you take this message as serious as many politicians have taken the Hip-Hop community serious in this up-coming election.

If you seek clarification on any of the matters presented above, you may contact me at 305-472-2566 or via e-mail at urbanamericainfo@yahoo.com. Trust me. I have much more on my mind to express on this matter and I can share it with you if you so request it. I pray that this message reaches you in the best of health, both physically and mentally to inspire drastic change in your way of thinking. I urge you to repair the damage by publicly apologizing to KRS-ONE and the Hip-Hop community.

Sincerely,
Tony Muhammad
Urban America Enterprises, Inc.

Casual of Hiero Weighs in on Museum Controversy….Furious Styles is a Jerk.

Casual of Hiero Weighs in on Museum Controversy

I also applaud the people working with the development of the new Bronx museum. I really think its important in telling the story of Hip Hop aswell. I also think that Furious Styles is a Jerk.


(Casual is referring to the article we passed around earlier which is located here:
http://p076.ezboard.com/fpoliticalpalacefrm73.showMessage?topicID=20.topic

casual-HieroTo support the exclusion of Gangsta rap from a hip hop museum is like the act of excluding the mention of African Americans in the development process of America. His erroneous assessment of “gansta music” further proves his disconnection from our society. He is like a outsider looking in. “Gangsta Music” is the opposite side of the spectrum. The Yang to our Yin. A Museum with no mention of gangsta rap will receive no merit. Not even a room?.. a wall? Gangsta rap is the fuel pushing hip hop to the front of main stream music, It has enveloped and eclipsed your traditional “Positive Hip HOP” for many reasons, the main reason being,.. The aloof attitude of the positive hip-hopper.

Positive Hip Hoppers(for lack of a better term)or should I say hip hop optimist can always point you to a time when hip hop was better, more meaningful, and artist were more positive.
But truly there was no time like this, and if there was, it didnt last long. There is no evidence that there is more gangsta rap now than there was in the 1980. (And for any hip hop historian who wants to debate this,.. We can go song for song.)But there is evidence that gangsta rap has grown into a more lucrative commerce than “Artsy Rap”.

Here is a point I would like to make. Furious Styles shares the views of most Upper Middle Class, American-College educated Black Men. This problem you have with Gangsta rap mirrors the problem you have with the lower classes of society, your own Race, even your own less accomplished family members. This is western philosophy at its best. Bottom line is-you feel you are better than the people who achieved less. Do you believe the persons singing about Murder, Guns, Drugs, Sex, Mayhem, etc,. has know place in a museum of Hip Hop History?. You want to shelter you children from this awful exposure to reality like your hiding porn. But the truth is,… N.W.A. Can save your daughters life, So Can Justice-Ice, KRS-One, Tupac, Ice Cube and even listening to Too-Short Can Help your Daughters with their street smarts. And here is a quote for Furious Styles to further expose his insensitivity to your struggles;

I understand the age old worn out statement that Gansta Hip Hop is a product of the environment, its bigger than the thugs, pimps and playas, we dont own the planes that bring drugs into our communities, the-had- a- bad up bringing, no daddy in the house, being shot, the streets, etc. etc. etc.. etc.. But the fact of the matter is that these artists are pushing stripper music into the ears of our children, they are talking about crack selling, distribution, and murder, and wonder why we have so much violence in the lives of our youth.- Furious Styles

What is your major malfunction? Do you think living with no dad helps? Or being shot? Or having a bad upbringing? Surely your dad was there, you never been shot, and you had a good upbringing, that is why you are so insensitive to others reality. Your like a inconsiderate bitch.

And SO IS THIS WHY WE HAVE SO MUCH VIOLENCE? IS GANGSTA RAP THE REASON WERE IN IRAO OR AFGANISTAN? DID GANGSTA RAP PLAY A PART IN COLOMBINE OR WAKO? GANSTA RAP SURELY DIDNT BRING DOWN THE WORLD TRADE CENTER DID IT? AND IM SURE BLACK WALL STREET AND HEZBOLLAH HAVE SOME SORT OF CONNECTION?

And whos the Judge?

Is K.R.S.-One not a Gangsta? Did he release a album called Criminal Minded? Did he tote a Uzi On the cover of “My Philosophy?” Or is he afforded a period of time to change his views that now young artist wont be allowed?

Will Ice Cube Be in your Museum? He is definitely one of the most positive Artist to Date, Yet he grew from this most awful Gangsta rap, Bitches, Hoes etc…. Shall his efforts be slighted by your Museum?

On the other Hand Tupac? was he positive or a optimist or just a Soft Thug? who’s the person to say that a particular song or artist has know purpose universally?

Go ahead and build your little “Twinkle Toes” hip hop museum and “Georgie your own wee-wee”, But the truth is, The more divisions we place, the smaller each category gets, and leaving gangsta rap out of a hip hop museum confirms your intend to lie to your children, and your successors.

P.S. All of my releases have been positive by your standard,..bet i wont be in that bitch either,… some museum.

Casual of Hieroglyphics

Return to Davey D’s Hip Hop Corner

KRS-One: Is He Potentially to Hip Hop What Marcus Garvey was to Pan-Africanism?

dbanner1newparis

KRS-One: Is He Potentially to Hip Hop What

Marcus Garvey was to Pan-Africanism?

 

By Bro. Tony Muhammad

Politrix2012@yahoo.com

 original article-May 07, 2006

 

tonymuhammedchitown-225Just hours prior to his lecture at Florida International University this past month, KRS-One and myself had a deep conversation about how controversial the topic of discussion for the evening was Hip Hop and the Art of Civilization Building.  We talked about the general feelings, beliefs and characteristics associated with being part of a culture.  We discussed how the concept of a cultural identity is by and large something invented, a process that comes into being as a result of social circumstances.  The word culture in root, means to cultivate as you would do to a tree or a plant with the purpose of making it grow and flourish.  At the lecture, which was opened up by a panel of scholars from various walks of life, all influenced greatly by Hip Hop culture, KRS-One mentioned how today Hip Hop is in every profession: teachers, lawyers, doctors, even FBI Agents.  He also mentioned how people of different religions throughout the world claim Hip Hop. 

 

From a layered perspective of what culture is, the concept of culture is much more complicated than merely claiming identification with one particular group of people.  Under this view, we can identify with different sets of people in different circumstances.  For instance, I myself am what is typically known as a Latino and I am able to relate to and identify with other people within this diverse group based on the language, customs, food and music we generally share.  In other circumstances, as a Muslim, I am able to relate and identify with others based on the Islamic traditions that they hold (i.e. prayer, fasting, social customs, religious holidays, etc.).  From a constructionist point of view of what ethnic identity and culture is, a culture includes the concept of having a common history, traditions, myths, art, music, literature (or oral traditions) and language (even merely in the form of sayings, catch phrases, or even what is generally regarded as slang).  According to Dr. Joane Nagel, cultural identification among a group of people could come about as a result of either it being imposed by others, self-realized as a result of political and social realities or simply chosen based on perception of meaning.  When analyzed carefully, Hip Hop includes all of these characteristics and the people who have entered into it in different ways throughout its history.

 

marcus-garvey-225Marcus Mosiah Garvey, the founder and leader of the Universal Negro Improvement Association (UNIA) in the early 20th century, was deemed controversial for arguing that peoples of African descent are in fact one people because they share a common racial condition and history.  Based on this, he developed a universal flag, newspaper, religion, national anthem and attempted government and economy under the banner of Pan-Africanism.  Garvey also organized world conferences which attracted and involved the participation of African peoples throughout the world who spoke different languages but identified with each other solely on the concept of being African.  Mind you, this was unheard of prior to this time and Garvey received both praise and scorn for it during his time.  Today, much of the cultural symbolisms and traditions that were birthed in the Garvey movement are found among African peoples throughout the world.  We even have an attempted unification of African countries, The African Union, which surely could not have been developed without the idea and belief that the peoples that live within the region have some form cultural connection to one another and should come together based on it.

 

 Is this much different from the path that KRS-One is headed towards?  He has already been both highly praised and scorned for introducing the concept I am Hip Hop.  Under the Temple of Hiphop, for the past 8 years, he has pushed the idea of celebrating Hip Hop Appreciation Week in mid-May.  He has even had the United Nations sanction Hip Hop as an official culture, developed what is known as The Hiphop Declaration of Peace and is currently in the final process of releasing the universally driven Gospel of Hiphop.  Just as Garvey, at one point of his life, became greatly frustrated with Blacks in the United States for being too focused on their own problems (rather than viewing the scope of their reality from an international perspective), KRS-One this year seeks to celebrate Hip Hop Appreciation Week in Europe to see if there is a difference of response to his calling.  Overall, to many of us of the Hip Hop generation in the past 20 years, KRS-One has many at times driven us to question our world views and identity within it a mental and spiritual exodus that Marcus Garvey inspired in a similar way almost a century ago.

 

krsone1smile-225Those who do not take KRS-One seriously in these endeavors typically just view him as an artist.  As you look deeper into KRS-One, you will see much more than this; a philosopher who expresses himself in the traditional ways of the West African griot breaking down history, science and universal principles backed by the popular music of the time.  Today, in our superimposed Western form of thinking we tend to separate and categorize (and sub-categorize) all of this and tend to limit each other based on one main thing that we do in our lives.

 

When we take Hip Hop a step further and say we are going to form a government and economy over it, this may not be possible at this particular time when the corporations of the world are defining for people generally what Hip Hop is supposed to be and what a typical Hip Hopper is supposed to look and act like.  When the ice of this age melts and the glits and glamour are gone, will we be able to distinguish between who the real community builders are from the trend followers?  With how diverse the Hip Hop community is and how certain members are so highly ego driven, would a political and economic system over it be successful?  How would we be able to deal with the concept of diversity itself, especially considering that racism itself continues to be a highly unresolved problem in this world?  What about dealing with issues in the community such as homosexuality, which is highly expressively unacceptable among many within Hip Hop?  How much of this can potentially become a mass movement rather than a spectator sport situation?  Truly, these questions need to be answered before we move forward in this increasingly complex and technological world.  Surely, we can not rely on just one man to answer them for us.  We must all do our part within the dialogue – The Reality!

 

Stay tuned to the Urban America Newspaper website, www.uannetwork.com, as to how you can get a copy of the historic KRS-One lecture at Florida International University on DVD in the following months.

 

Return to Davey D’s Hip Hop Corner

The Promised Land – Reflections on Dr. Martin Luther King Jr. and the Hip Hop Nation

dbanner1newparis

original article January 2006

The Promised Land – Reflections on Dr. Martin Luther King Jr. and the Hip Hop Nation

by KRS ONE

krsone1smile-225PEACE AND MUCH LOVE TO ALL GENERATIONS OF HIP HOP KULTURE! We are truly a blessed nation! In these times of war, mass unemployment and social unrest let US become the changes that we would like to see in the world. We are an international culture of new people on the earth. So let US be the civilization that we expect others to be. Together (as a Hip Hop Nation) we truly have a great opportunity to establish peace, love, unity and safely having fun with our Hip Hop activity in the world. And NOT with our “hip-hop” activities in the world, but with our collective unified “Hip Hop” activity in the world we have an opportunity to establish a “True World Order”.

Yeah, I know that there are some that shall (and have already) unjustly criticize our efforts toward peace from “behind the screens”. But civilization building is NOT for everyone, nor can everyone even comprehend the importance of such an attempt. Nevertheless, such an attempt must be made for our own security as adults and as parents as well as for the security of our children and their children’s children’s children. No criticism, debate or unjust slander can ever move US from the fulfillment of our ancestor’s dreams.

Our Hip Hop preservation movement is NOT just about the preservation of Hip Hop as Breakin, Emceein, Graffiti Art, Deejayin, Beatboxin, Street Fashion, Street Language, Street Knowledge and Street Entrepreneurialism it is also and more importantly about continuing our ancestors dreams/visions of true freedom, justice and equality amongst ALL people; this is the world’s true order. WE MUST NEVER FORGET THE STRUGGLE! Our ancestors as well as our children and the future of Hip Hop are depending upon US! TODAY! Either, you ignore this fact or you engage this fact; either way, the choices that you make and the effects of such choices shall come to pass in YOUR own life and prove the character of who YOU really are.

There is never a reason, nor is there ever time, to criticize or debate the movements of others when you are busy working at the realization of your own movement. Its funny to me how some people have so much to say about KRS ONE and his attempts to establish Hip Hop as an international community of peace, love, unity and having fun yet they have made little or no progress at all in that which they espouse as the solution to the social ills of our time. My message is clear; “Rap is something we do, Hip Hop is something we live!” Therefore, how shall we live as Hiphoppas? Sure, we can sit around and brag about the greatness of our ancestors and recount their victories of the past, but when shall we rise to our own victories in the present?

How long shall we reminisce over the glory days of the Civil Rights Movement without continuing the struggles and maintaining the victories of such a movement today? How long shall we romanticize the fact that our ancestors were civilization builders without even attempting to build any such civilization for ourselves today? All of this is a disgrace to the very greatness of our elders and ancestors! By talking about our ancestor’s greatness and not continuing in the footsteps of such greatness do we not betray the very greatness that we are speaking of? It’s better to remain ignorant of your ancestor’s achievements than to know of your ancestor’s achievements and do nothing to continue their legacy! Is this not a traitor to their very ideas? A traitor to the movement? Is this not a true sell-out?

Say whatever you like about KRS ONE (good, bad or indifferent) but one thing is for sure, no amount of criticism shall ever remove or shake him from the continuation of what his ancestors and elders lived and died for. Call me whatever you like; from “a true prophet” to “a false prophet” none of it matters when compared to the real struggle of our people to gain their rightful place at the table of peace and prosperity. And who are “our” people? This begins our reflection on the “Promised Land”.

Ya know, as I see it, the world is not terrorized by religious fanaticism; it is more terrorized by religious apathy. Too many people in the world today are not taking their religion or spiritual practice seriously. Too many people have simply lost their faith. And why? Scandals? Inconsistencies? Poverty? Sickness? All of or some of these may be the cause of such mass faithlessness but from what I see, people loose their faith when they are distant from the knowledge of their God. They don’t really know if their God truly exists or not, and within such distance created by doubt people forget what God really looks and sounds like. So when God appears to them in the form of a man or woman (or other animal), the logic of the World tells them that such an appearance is just a person espousing some really good ideas. “Oh, he was a great man” or “oh, she was a great woman” but never do they assume that they were in the presence of their “lord” and “savior”. And this, I think is the main reason why many people are faithless today; they’re forever waiting on a savior that has already appeared!

Too many people are waiting for their savior to appear in the way that their oppressors have determined when a true savior will always be at odds with an oppressive government that chooses to enslave its own people and contradict its own laws. In fact, this is the reason for a savior; to free humanity from the restraints of ignorance and oppression. Too many people have been indoctrinated in the Jesus story without really knowing anything about the life of the Christ. This is why when their savior appears they don’t recognize him/her; they’re to busy looking for Jesus. Throughout most of recorded history men and women of God alike have appeared to their people with divine solutions and remedies to rid their people of their oppression. But in ignorance, the People themselves reject their OWN savior and even assist in his assassination. As Jesus pointed out; “thou killest the prophets and stonest them which are sent to thee” (Matthew 23: 37).

A savior is a person who saves or rescues. No bells, no whistles, no hype! Just a person who saves others. “Savior: a person who rescues another from harm, danger, or loss (American Heritage Dictionary). A “lord” (throughout history) is a person who has authority, control or power over others. “Lord: a man of renowned power and authority (American Heritage Dictionary). And yes, there are other definitions to “lord” however, when it comes to a spiritual teacher or “savior” this is what someone’s “lord” would be. A “lord” is your master, your chief; the one that you submit to, the one that you deeply respect. Different from “The Lord” which is usually ascribed to Jesus the Christ, “a lord” is someone that you have entrusted your life to. They lead you.

On January 15 th 1929, my “lord” and “savior” Michael King was born. He would adopt the name Martin Luther (named after the German theologian who challenged the doctrine of the Roman Catholic Church in the 16th century which resulted in the establishment of the Protestant churches) and after attending Moore House College in Atlanta, Crozer Theological Seminary in Pennsylvania and then Boston University were he received his doctorate, Martin Luther King Jr. became Dr. Martin Luther King Jr. He is my “lord” because I give him such authority over my life. He is my King! I respect him. I believe in him! He is my “savior” because the only reason I am freely doing what I am doing and freely going wherever I wish to go is because of him and his sacrifices. In all honesty, I could NOT be KRS ONE in the way that I am if it were not for Dr. Martin Luther King Jr.! He saved me from White racism! He liberated me from self-destruction! He stood up for me when I could not stand up for myself. And to him I am forever grateful.

His strength has given me strength. His courage has given me courage. His faith has given me faith. His vision has given me vision. In truth, I am living HIS dream! I don’t need to look at a 2000 year old Christian history for instruction when I can simply follow the instructions of MY lord and savior Dr. Martin Luther King Jr. who laid his life down in 1968 so that I could live more comfortably today in 2006. Those who have benefited by Dr. King’s sacrifices yet prefer to honor Jesus as their lord and savior will be shocked when Jesus returns to them saying, “I never knew you.” For it was Jesus who said, “This is my commandment, that ye love one another, as I have loved you. Greater love hath no man than this, that a man lay down his life for his friends” (John 15:12-13).

mlkWe can talk all day about revolution and “what we gotta do” but if WE are not willing to exalt to sainthood those who lay down their lives for OUR freedom and comfort then we are truly lost! When are WE going to honor OUR own “lords” and “saviors?” Is this not the beginning of any effective revolution? Why put your faith in the sacrifices of foreign messiahs, saints and saviors when your own father has given HIS life for the advancement of YOUR well-being TODAY? Dr. Martin Luther King Jr. IS THE CHRIST! He is the “savior” of all who believe in him and his words. And as Hiphoppas, we must pay very close attention to the instructions of OUR savior if we are to grow and develop as a truly righteous nation ourselves.

In his famous “I Have A Dream” decree Dr. King said; “In the process of gaining our rightful place we must not be guilty of wrongful deeds. Let us not seek to satisfy our thirst for freedom by drinking from the cup of bitterness and hatred. We must forever conduct our struggle on the high plain of dignity and discipline. We must not allow our creative protest to degenerate into physical violence. Again and again we must rise to the majestic heights of meeting physical force with Soul Force!”

This is the essence of any true Hip Hop movement. In fact, it is our belief that Hip Hop is the fulfillment of Dr. King’s “I Have A Dream” speech. When studied closely one can see that Dr. King’s words were directed to his four children and all those of the younger generation of his time. When he said, “I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin but by the content of their character”, most people assumed that the only nation Dr. King could have been talking about was the United States of America. That one day IT would live up to its creed of “all men” being “created equal” with the “unalienable rights” of “life, liberty” and the “pursuit of happiness”. Indeed Dr. King was talking about America as a nation, but it is clear that he was NOT talking about the America that he was protesting against. He saw a radically different America than even the one that exists today! In fact, after Dr. King’s assassination in 1968 things got worse!

Dr. King’s vision of true racial unity and equal citizenship under the Law never fully materialized for the people of the United States. As much as Americans love to hear about integration and the vision of ONE America with many shades and colors, in real life Americans are more segregated as a nation today than ever before. Despite the enormous advances made by Dr. Martin Luther King Jr. and Thurgood Marshall toward a totally integrated American school system (for example) today, schools that bear their names are known to be the most segregated schools in the United States!

You can limit your analysis of Dr. King’s “I Have A Dream” decree to just being the protest speech of the day if you like. But if you were one of the Black or White children that his speech was referring to then Dr. King’s Word is to be understood in the realm of prophesy, prediction and instruction not just (as the average American mind remembers it) as protest words for his time. On the contrary, Dr. King was not even speaking for his time; he was speaking for OUR TIME! Most of what he said in that famous decree was said in future tense. Dr. King said; “one day right there in Alabama, little Black boys and Black girls will be able to join hands with little White boys and White girls as sisters and brothers”.

Most people because of their own prejudices refer to the phrase “as brothers and sisters” figuratively. They doubt that “little Black boys and girls” and “little White boys and girls” can actually be real “brothers and sisters!” And they doubt this because for Black children and White children to become real blood brothers and sisters this means the creation of a new race, a new sect of people. And this concept goes way beyond what most people can actually handle today. As prophesy, Dr. King’s “I Have A Dream” speech calls a new nation into existence. And because he was speaking to the future of those youths (us) born between 1960 and 1970 (generation X) who became the pioneers of modern Hip Hop and instinctively created the alternative multicultural, multiracial, omni-faithed community that Dr. King predicted, it is safe to say that WE are the true citizens of the nation Dr. Martin Luther King Jr. dreamed about. HIP HOP IS THE PROMISED LAND!

No where else on earth is there an international culture that is home to all races, classes, ethnicities and religious beliefs other than Hip Hop. No where else on earth is a person truly judged by the “content of their character” rather than by the “color of their skin” than within Hip Hop. Dr. King said, ” One day on red hills of Georgia, sons of former slaves and sons of former slave owners will be able to sit down together at the table of brotherhood”. Nowhere has this happened in the world on a mainstream level except within the community of Hip Hop. As pimped-out, thugged-out and drugged-out as we appear to be, Hip Hop is NOT a racist culture. Our existence as a Hip Hop community fulfills Dr. King’s prophecy philosophically and historically. Within our Hip Hop community a person gains money, power and respect through a display of high skill in one or more of Hip Hop’s unique elements. Here, you are truly judged by the content of your character (your attributes, your abilities, your reputation, who you associate with) not by your race or ethnic origin. Hip Hop is beyond all that.

But just like the original vision of Hip Hop being about peace, love, unity and having fun was betrayed by the very people that it was designed to help, so was Dr. King’s dream also betrayed. Dr. King not only saved Black folks from years of segregation and forgave America and showed America true unconditional love but he also gave America a way out of sin and laid out the foundations for a truly civilized nation. In response, Black folks booed him, President Johnson would call him a “nigger preacher”, the N.A.A.C.P. disowned him and in the end White folks killed him! DAMN!

martinlutherkingpoint-225As a result, “The Dream” of Dr. King fell upon the ground and both Blacks and Whites trampled over it! Even those of his own “Southern Christian Leadership Conference” sought after the success of their own careers rather than continue the realization of “The Dream”. And let me say right here, that I am not be overly critical of anyone’s efforts. But after Dr. Martin Luther King Jr.’s death it seems that everything went back to the way it was. People from Dr. king’s own camp seem to have forgotten the “Dream”. Proof of this is the simple fact that many Americans especially Black Americans don’t even know who Dr. King is or what he was really all about. Is this the fault of “the White Man” or is this the fault Dr. King’s own Black People?

Why do WE allow illegal drugs to be sold on those streets named after Dr. Martin Luther King Jr.? Why doesn’t every Black home have a picture or a word of Dr. King hanging upon its walls? Why have Black scholars allowed Black children to learn of Dr. King as a man who “let the dogs bite him” as opposed to teaching them the deeper meanings and benefits to not using violence as a way to solve problems? Why aren’t ALL children taught about the strengths of non-violent passive resistance? Why are we more interested in Dr. King’s sex life than we are the realization of his “Dream?”

Even further, why hasn’t Dr. King’s final campaign for the relief of poverty and the redistribution of wealth for poor Black people not followed through on after his death? When Dr. King said in his famous last decree on April 3 rd 1968 at a Masonic Temple/Church in Memphis Tennessee; “And also in the human rights revolution, if something isn’t done, and in a hurry, to bring the colored peoples of the world out of their long years of poverty, their long years of hurt and neglect, the whole world is doomed” did any one really hear him. Or is it just a coincidence that long years of “poverty” and “neglect” is also being said to be the cause of terrorism today?

Why is it that the only part of this last decree before his assassination that anyone gets to here is the very end of the decree where he says; “. I’ve been to the mountain top. And I don’t mind. Like anybody I would like to live a long life. Longevity has its place. But I want you to know tonight, that we, as a People, will get to the Promised Land. I may not get there with you. But I want you to know that we as a People will get to the Promised Land”. Why haven’t we frequently heard the other parts of that famous decree where Dr. king also said; we are asking you not to buy Coca-Cola in Memphis. .not to buy Sealtest Milk. Tell them not to buy .Wonder Bread. .We are choosing these companies because they haven’t been fair in their hiring policies. .I call upon you to take your money out of the banks .we want a bank-in movement in Memphis”. Why we ain’t hearing these messages frequently. What if every MLK day we as a People withdrew our dollar from the companies Dr. King mentions as well as from those companies that advertise on B.E.T. and M.T.V. and on local radio stations that promote crime, lust, deceit and everything that Dr. King stood against and died for. What if we really listened to our lord and savior Martin the Christ? The true M.C.!

For if we really studied the Word of our savior we would also hear him saying to the Black Church in his same April 3 rd decree; “so often, preachers are not concerned about anything but themselves! And I’m always happy to see a relevant ministry. It’s all right to talk about ‘long white robes over yonder,’ in all of its symbolism. But ultimately people want some suits and dresses and shoes to wear down here. It’s all right to talk about ‘streets flowing with milk and honey,’ but God has commanded us to be concerned about the slums down here, and his children who can’t eat three square meals a day. It’s all right to talk about the new Jerusalem, but one day, God’s preacher must talk about the NEW York, the NEW Atlanta, the NEW Philadelphia, the New Los Angeles, the NEW Memphis Tennessee. This is what WE have to do.”

So why we ain’t doin’ it! Well, that answer also rests within that same April 3 rd 1968 decree. Dr. King, referring to Luke 10: 25-37 talked about the “Good Samaritan” and how we must “.develop a kind of dangerous unselfishness.” Pointing out how a priest and a Levite passed a beaten and robbed man on the road and how a Samaritan stopped to help, Dr. King made this point: “And so the first question that the Levite asked was, ‘if I stop to help this man, what will happen to me?’ But then the good Samaritan came by. And he reversed the question: ‘if I do not stop to help this man, what will happen to him? That’s the question before you tonight (referring to the sanitation workers then on strike in Memphis). If I stop to help the sanitation workers, what will happen to all of the hours that I usually spend in my office everyday and every week as a pastor?’ the question is not, ‘if I stop to help this man in need what will happen to me? If I do not stop to help the sanitation workers, what will happen to them?’ That’s the question!”

And that’s the answer, “dangerous unselfishness” we must develop this character again. People are “.not concerned with anything except themselves” and this is how crack cocaine can be sold on Dr. Martin Luther King Blvd and the police as well as Black leadership seem to be powerless to such blatantly illegal activity. As a Hip Hop nation we must not disgrace the blood of our ancestors and elders. As Dr. King said in Chicago; “We must make it clear, WE are going to live in dignity and honor, that WE are supposed to live there because WE are GOD’S CHILDREN and if WE are GOD’S CHILDREN he loves us (Hiphoppas) like he loves ALL of his children!”

This is Hip Hop! And either we are going to interpret Dr. King’s Word literally for OUR instruction today or we are going to interpret Dr. King’s words as historical protest poetry placed more in the realm of entertainment than in the realm of true nationalism.

Dr. Martin Luther King’s Jr.’s birthday is celebrated as a Federal holiday every third Monday in January. This year it rises on January 16 th 2006. This is an official Hip Hop holiday. Let us raise the awareness of OUR “lord” and “savior” Martin the Christ in the minds of OUR children. So, in recognition of MLK Day on January 16 th 2006.

Let us fast from spending money on things we really don’t need.
Let us tend to the needs of the poor; wherever and whoever they may be.
Let us watch any of the documentaries on Dr. King with our families.
Let us repent and stop disrespecting Dr. Martin Luther King Blvd.
Let us support all museums and community centers bearing Dr. King’s name.

Let us abstain from illegal drug use as well as alcohol and junk foods.
Let us show mercy, love, care and forgiveness toward one another.
Let us honor our parents, elders and ancestors.
Let us share ideas, food, etc with someone from a different race or ethnicity.

LET US BEGIN TO ACT LIKE THE NATION THAT DR. KING SAW IN HIS DREAM!

To be continued.

Visit The Teacha KRS-ONE and The Temple of Hip Hop at www.templeofhiphop.org

Return to Davey D’s Hip Hop Corner

The Hip-Hop Hypocrisy

Marlon LeterranceThe smell of cigarette smoke and sweat spilled over into our cell block. From a distance, the sounds of young men shouting at each other and tussling and laughing filled the atmosphere with a certain sense of restlessness. Donald Williams wiped his forehead with the back of his hand then stared down at the tattered pages of an old Bible.

“I remember asking my Mom what she did to make pops hate us so much. I couldn’t have been much older than eleven at the time, but I can still remember the anger I felt. Mom broke down into tears and tried to explain it to me, but I couldn’t understand why other kids had their fathers taking them to ball games and stuff, but mine didn’t even take the time to wish me well on my birthday.”

Donald paused a moment to reflect. His expression was a mask of bewilderment and pain. “I used to think that if I could become a good enough kid, it would make my pops want to spend time with me. But the only time my pops really talked to me was when I got into trouble at school. Mom would threaten to send me away to a training school and pops would come over and beat me and lecture me on why I should stop cutting up in class. Many times I would get in trouble just so I could see him and ask him, after he beat me up, if he would come to my basketball game and watch me play. I just wanted him to be proud of me, to love me, but I ended up hating him and everyone around me because he couldn’t.”

When I first heard Donald Williams‘ story, I made a vow to one day tell it to the world. It was a painful tale of a young man attempting to somehow deal with the absence of a responsible father. Donald’s words were filled with rage and interlaced with a venomous sense of hatred. Yet, underneath the anger, there seemed to be a hint of tears. He was in pain, he was hurting, and the man responsible for this devastation didn’t seem to care.

“When I got sentenced to prison, he came here to visit me a few times. He tried to preach to me and counsel me and tell me how wrong I was for selling drugs and living the criminal lifestyle. Man, he even sent me a bible and tried to tell me to give my life to Jesus. But it was too late. After all these years without him, what made this fool feel like he had the right to step into my life now and give out fatherly advice. I would’ve worshiped Satan before I listened to a thing he had to offer. Whenever I looked at him I wanted to just grab his neck and squeeze it and squeeze it and squeeze it until every ounce of his miserable life oozed out of him. I hated that man more than I have ever hated anyone in my life.”

Donald took his father off the visitation list and swore that he never wanted to see the man again. In my presence, Donald never allowed a tear to trail down his chocolate face. But I can imagine those tears came, often, in the middle of the night while contemplating the hate that a father’s neglect created.

Horrific stories of men who refuse to play an important role in the lives of their children are well known. It is an issue that must be dealt with firmly; with serious consequences handed down to offenders. But I am writing this article because I know of another story of blatant child abuse that may hit closer to home than you realize.

It is the story of a child named Hip-Hop.

afrika-bambaataa-point

Afrika Bambaataa

It was born out of raw sense of expression that led many black kids to turn basements and dormitories and bedrooms into impromptu studios. Inner-city geniuses began experimenting with an art form that had the promise of becoming a powerful force in the community. It was fun and competitive. Street corners became the breeding ground for aspiring emcee’s to get their first taste at moving a crowd. With pioneers like Afrika Bambaataa and Kool Herc and Grandmaster Flash, along with many others leading the way, rap music exploded into the hearts of young black kids across America.

Along with the birth of Hip-Hop came the emergence of annoyed critics within the older black generation. They wrote Hip-Hop off as a fad that would die out in two or three years. They were far more concerned with stepping across the railroad tracks into the American Dream than paying much attention to the silly Hip-Hop kids with high-top hair cuts who used their mouths to beat-box. (The current Hip-Hop critics who claim to only be against “gangsta rap” are no more than intellectual hypocrites. Vocal members of the older generation disowned rap music even in its infancy – well before it became a vehicle for some artists to disrespect females and illustrate the horrors of street life.)

As a result of the older generation’s neglect, many of Hip-Hop’s leading pioneers ended up signing horrible contracts that gave opportunistic new labels total control over their lives and careers. Instead of influential black leaders using their experience and wisdom to reach back and help Hip-Hop grow into a positive, more focused force in the black community, far too many of these leaders (and rap critics) made the decision to disassociate themselves from the music. Hip-Hop didn’t seem to fit into the cultured, intelligent, and civilized image that they were trying to project to White America.

Still, Hip-Hop grew. Talented poets from all over the country were eager to contribute their vision to the music. Run DMC, LL Cool J, Kool Moe Dee, KRS One, Ice-T, Rakim, and a host of others continued to build upon the foundation of Hip-Hop. Mistakes were made, egos clashed, but rap music followed the beat of it’s own drummer and continued to make huge strides forward. Soon, rap music began reaching the ears of white suburban kids. As a result, Hip-Hop entered the radar screens of white corporate entities as a marketable (and exploitable) commodity. Money was offered, deals were made, and contracts were signed.

Nowhere in this equation did black intellectuals step in to offer guidance and “fatherly” advice. White lawyers in fancy suits shuffled tons of paperwork in front of new artists, enticing them to sign over all their publishing rights for a few pennies. Had more brothers with insight and experience stepped up to the plate to defend the rights of these early artists instead of criticizing them, maybe less rappers would have been raped financially. Tales of bankruptcy and poverty amongst the early innovators of rap music will forever be a footnote in the history of Hip-Hop.

nwa original-225Still, Hip-Hop grew; new artists contributed new things. Biz Markie and Slick Rick made kids laugh, and Ice-T explained the gangster’s plight with tracks like “Colors.” Hip-Hop expanded into new territory, and even newer, fresher voices filled the airwaves. Two heartbeats later, a group named N.W.A. stole away the imagination of fans by introducing a raw, no-holds-barred form of expression that graphically detailed the lives of gangsters. White kids in Alabama started screaming “F— Tha Police,” and politicians all over America began targeting Hip-Hop as a scapegoat for social woes. Most black leaders remained quiet during this onslaught, leaving their Hip-Hop children to be sacrificed by an angry white political lynch mob.

Still, Hip-Hop survived. Though battle-weary and bruised, the music produced prophets who attempted to fill the void left by the older generation. Groups like X-Clan, Public Enemy, and KRS One tried to teach the masses about black power and unity. “Self-Destruction” became an anthem for change as artists from across the spectrum joined together to promote positive interaction. This would have been the perfect time for the intellectual critics of Hip-Hop to reach back and steer rap music onto the Yellow Brick Road to redemption. Instead, these critics turned their backs on Hip-Hop and settled down into their little house on the prairie, beside the Waltons.

Now, in the wake of Tupac and Biggie‘s death, as Hip-Hop struggles to redefine its identity and purpose, there seems to be a resurgence of black critics banging down the door to CNN’s studios hoping to spit out a few intellectual sound bites that will impress their colleagues. Sideline opinions from people who have never even listened to rap music seem to be becoming the norm. More and more black leaders are claiming to be upset that the white corporate structure is exploiting the talents of young black males, and that most artists are too blind to recognize this.

My understanding of history is based more on facts. The truth is, it took white media outlets to embrace Hip-Hop before black-owned media outlets realized that it was “okay” to feature rap groups (the only exception being Soul Train, Ebony, and Jet). It was only after Nike and Reebok and Mountain Dew and Sprite used Hip-Hop artists in high-profile commercials did black-owned companies accept the idea. Quick research will show anyone who is interested that Forbes and Time Magazine had cover stories detailing the economical power of Hip-Hop moguls years before Black Enterprise had the courage to tackle the issue.

Donald Williams wasn’t perfect. Neither is Hip-Hop. They both traveled down a lonely road filled with foolish mistakes and very bad choices. But I understand their anger when, after years of neglect and disappointment, irresponsible father figures tap-dance their way back into the spotlight with two-cent opinions on what the young should and shouldn’t do. The words that Donald said to me, seven years ago, seem to be the same words that many Hip-Hop fans are screaming out today. “After all these years without him, what [makes] this fool feel like he [has] the right to step into my life now and give out fatherly advice.”

Marlon leTerrance is a regular contributer at BlackElectorate.com. As a product of the Hip-Hop Generation’s maverick disregard for conventional thought, Mr. leTerrance writes from the perspective of the “disenfranchised street dwellers, disillusioned by the Struggle”. He can be contacted via e-mail at MarlonLeterrance@aol.com