The Godfather of House, Frankie Knuckles Has Passed-He Will Be Missed

Frankie KnucklesI’m at a loss words as I’m just getting word that House Music pioneer Frankie Knuckles has passed away..Man this hurts my heart. Known as the Godfather of House,  Knuckles who was originally from the Bronx, New York moved to Chicago in the late 70s (1977) and started deejaying at a club called the Warehouse.

It was here that Knuckles introduced a style of deejaying accompanied with emerging uptempo soulful disco. This is not to be confused with the John Travolta/Bee Gees sound popularized in the movie ‘Saturday Night Fever‘ that led to the infamous slogan ‘disco sucks‘ and ironically a disastrous Disco Demolition Night by a notorious rock jock Steve Dahl in Chicago at Comiskey Park. The outcome of that event led to record companies abandoning disco and dance oriented music. The music being pushed by Knuckles survived and prospered.

What Knuckles highlighted was classic Black, urban, Philadelphia (Gamble and Huff) style R&B. It was disco as defined  by artists like First Choice, Loletta Holloway, Barbara Roy and MFSB. In fact many considered the drum patterns used in MFSB’s ‘Love is the Message‘ as a primary building block around House.

Knuckles brought his New York style mixing and sound to a city that was already into cutting edge music. This sound became popular and picked up by other deejays like Kenny ‘Jamming’ Jason, Chip E, the late Ron Hardy and Keith ‘Funkmaster’ Farley to name a few and paved the way for what initially was known as ‘Warehouse music‘ and was later shortened to ‘House’.

Knuckles deejayed at the Warehouse up until the early 1980s and then later his own club called the Power Plant. He also started producing his own records. What really helped put him on the map was the release of an underground classic that was only on tape of one of House music’s early anthems ‘Your Love‘ by Jamie Principal.

https://www.youtube.com/watch?v=LOLE1YE_oFQ

By the late 80s early 90s House music started to explode worldwide and Knuckles was a key reason as he started to travel and do residencies in cities like London. he also developed his skillz not just a producer but as an incredible remixer. He touched everyone from Michael Jackson to Chaka Khan to Diana Ross to the Pet Shop Boys to Janet Jackson on down. There are simply to many to name.  One thing was certain a Frankie Knuckle’s remix was almost always good to go. His own projects released on Virgin records like the Whistle Song and Rain Falls are classics 20 years after the fact.

https://www.youtube.com/watch?v=WXatWr1JJ5c

https://www.youtube.com/watch?v=QIdimVDuSEU

https://www.youtube.com/watch?v=rC0iX_JvYaE

Since its humble beginnings House music has evolved and splintered into numerous sub-genres with its history so distorted in terms of its history that many forget its a Black music genre rooted in deep soul and was the heart of the Windy City Chicago with Frankie Knuckles was the center piece. So admired was Frankie Knuckles is that he has a street named after him in Chicago, Frankie Knuckles Way.

The Godfather of House will be missed.. With his sudden passing I only folks all over the planet are stunned. Today House is a multi-billion dollar a year industry under the umbrella of what people called EDM (Electronic Dance Music). Names like Dave Guetta and  Deadmau5 are the big names that everyone likes to mention, but make no mistake there’s none of this EDM stuff if it wasn’t for the groundbreaking, pioneering efforts of Frankie Knuckles. He transformed music for the better.

RIP Godfather

Below is our HKR Interview and tribute to Frankie Knuckles

https://www.youtube.com/watch?v=Y1HpY65cXDA

Hip Hop History 101: Jitu of Ten Tray Explains the Origins of Hip Hop in Chicago

chicago_sunsetskylineNowadays it’s hard to turn on the radio and not hear music from one of Chicago’s many music superstars. Kanye WestLupe Fiasco, Common, Rhymefest, Twista, Da Brat, Shawnna, Doe or Die and Crucial Conflict  seem to have firmly positioned themselves over the years as household names within the mainstream..In recent days many have come to know Chicago rappers via the exploits of Chief Keef.

If you dig a little deeper and check out Hip Hop’s underground, you’ll discover that very few people are willing to roll up and do battle with esteemed Chi-town lyricists like M’Rald and of course Juice. On the political front acts like Rebel Diaz and Lah Tere have proven to be no joke..Others like DJ Third Rail, DJ Illanoize, and the late DJ Pinkhouse to name a few have not only made names for themselves as deejays not to be toyed with but also provided important platform for local artists.

Yes, the Chi seems to have established itself in the world of Hip Hop, but it wasn’t always like that. In fact much of the Chi-Town’s success is a direct result of organized effort by it’s pioneering Hip Hop community that grew frustrated from being locked out by the industry that saw Chicago, more as a consumer market as a opposed to a place where stars are born.

Many within the music industry were only willing to embrace the nation’s third largest city as the Mecca for House Music and somehow managed to disconnect that music form from Hip Hop when in many ways the two are intertwined, especially along the lines of deejay culture.

cashusd-225The battle to establish ‘Tha Chi’ within Hip Hop was about as brutal as its political landscape. Unsung heroes like Dr Groove, Lord Cashus D, DA Smart, Black Allies, Sugar Ray Dinky, George Daniels, World wide Posse, God Squad, The Chi Rock Nation, Ill State Assassins, and the late DJ Pink House all played crucial roles in organizing, pushing the envelop and seeing to it that the Windy City get its respect. They used to roll up on nightclubs, radio stations and even label executives demanding to be recognized. Many will forget that back in the late 80s there was a movement called the New World Order which brought many of Chicago’s Hip Hop community together as they fought for change and respect.

Sadly despite those heroic efforts of the past, today, many local artists who are not signed to a major record label or coming out of Kanye or Common’s camp find that many outlets like radio and even nightclubs are closed to them. This is now spurning up a new generation of Chi-Town Hip Hoppers to start organizing to bring about change.

Jitu of Ten Tray 8.40.21 PMDuring the recently held National Hip Hop Political Convention (2006) we sat down with one of Chicago’s premier pioneering emcees, Jitu the Juggernaut of the group Ten Tray. For those who are unfamiliar ten Tray was the first group to be signed to major label. Back in 91, Jitu the lead rapper was and to this day remains an activist who saw the power of Hip Hop and decided to use his talents to spark political thought and hopefully change.

In our interview he gave a serious rundown of the city’s history. He also cleared up a lot of perceptions. For example, he talked about Hip Hop first emerging in the Chi around the late 70s. He talked about how Afrika Bambaataa’s Universal Zulu Nation set up a chapter under pioneer Lord Cashus D in ‘78.

Jitu broke down the important connection between Hip Hop and House. He reminds us that House is a Black music genre that at least in the Chi was enjoyed by cats that lived in the hood. He talked about the Hip House movement that came about in the late 80s with key players like Fast Eddie, Tyree, JMD and the late Kool Rock Steady being not only household names in the Chicago, but in many ways ambassadors for the city around the world. Jitu goes into depth about the important role Kool Rock played.

He also talked about how the House music deejays forced everyone to step up their deejay skillz and that it was not unusual to have b-boys and b-girls at House music parties and events. He also drew parallels to how the lack of public school after school programs and music classes forced many to turn to deejaying as a way to express themselves musically. A good part of House music was born out of that void.

Jitu also talked about The Chi’s early graf scene with pioneers like Warp One.

What really stood out in our conversation was Jitu talking about the early club and open mic scene. He talked about how the now defunct El Rukins street gang (originally the Blackstone Rangers) had a building on the Southside complete with an auditorium where they would hold weekly emcee battles.

Jitu freestyling8.44.02 PMJitu details the influence Chicago’s highly organized, legendary street gangs have had the scene. He also talks about how other groups like the Nation of Islam and the legacy of the Black Panthers which had its largest and most organized chapter in the Chi have also had influence on folks as they were coming up and into Hip Hop.

Lastly Jitu goes into detail about the politics and the layout of the city. He talks about the differing cultures that exist on the historic Southside, the Westside and the Northside of the city. He also runs down a report card of sorts about some of Chicago’s famous people and organizations and the role they played or ‘have not’ played in terms of elevating Hip Hop.

Jitu finds himself back on the scene after coming out of retirement and ready to drop a new album called ‘Necessary Ingredients’ which is being backed by the Universal Zulu Nation.

Here is our 2006 Interview which first aired on Breakdown FM..

We also posted this interview on Youtube..

http://www.youtube.com/watch?v=6WnAZFgCBAY

Below is a brief timeline of Jitu and his career courtesy of decentexposure.com http://www.decentx.com/artist.asp?id=472

Jito tha jugganotJitu is an African name, given to him in 1995 meaning “A giant among men.” Jitu is a youth program coordinator and community organizer on the south side of Chicago. He swarmed the game in 2002, entering battles and open mics. Leaving crowds in a state of disbelief, Jitu has humbled emcees all over the country, blending a once in a lifetime voice with an expansive vocabulary and ferocious delivery. On the underground, many call him the best they have ever heard! A short look at his accomplishments: • 1986-Winner of “Battle of Chicago Rappers” at El Rukn Fort

• 1989-2nd Place-“Battle of Chicago Rappers”

• 1989-Formed “New World Order” along with Cashus D of the Universal Zulu Nation, to organize rappers, dancers, singers and dj’s in Chicago. Was the largest such organization in the country with over 200 members.

• 1989-Organized, with Dr. Groove (Source Magazine) and DA Smart, a massive hip-hop community protest of the opening of “Sarafina” at the Regal Theatre for refusing to recognize DA after he won a national talent competition with his rap, “Black People ain’t Prejudiced, They Just Mad.” They recognized DA as the winner of the contest.

• 1991-With group Ten Tray, signed to Smash Polygram records to become the first rap act in Chicago on a major label.

• 1992-Appeared on Rap City, The Box and Yo! MTV Raps.

• 1992-Album, “Realm of Darkness” recognized as album of the month in Rapmasters magazine.

• 1992-Song, “Ain’t Nothin’ Like a Sister” was number one song in Las Vegas region and other west coast markets for 4-9 weeks.

• 2003-Winner-“Battle of the Iron Mic”

• 2003-4 Time Champion-Emcee Battle @ Wild Hare

• 2003-Winner-1st Annual Kool Mix Emcee Battle

• 2003-3 Time Champion-Microphone War @ Subterranean

• 2004-Represented Chicago in national BRAINSTORM rap battle in Seattle (semi-finalist)

• 2004-2nd Place-Rhyme Spitters emcee battle and documentary (see enclosed DVD…we got shafted!)

• Joined and helped develop veteran hip-hop alliance, “FIGHT CLUB”

• 2005-Begin work on album, “NECESSARY INGREDIENTS.”

On this album, entitled NECESSARY INGREDIENTS, Jitu brings pure, unbridled passion and energy with ridiculous beats provided by the likes of Harvy Allbangers, Tony Baines, Joe Blaque, Ty Hill and Issues. Jitu blends real street cuts and bruises, consciousness, passion and skillz to deliver the gz-noods on this project. This album is a holy book for emcees, as Jitu blends subject matter, lyrics, delivery, flow, energy, breath control to give you what we believe, is ONE OF THE BEST ALBUMS IN THE HISTORY OF HIP-HOP.

Contact Information: Jitu tha Jugganott 4356 S. Lake Park, Suite 1N (yeah, right!) Chicago, IL 60653 (773) 317-6343 jitubrown@yahoo.com (Respect the Art of Emceeing!)

Breakdown FM.. Fear of a House Music Planet

Here’s a nice lil mix we did the other day on All day Play FM.. we dusted off some of the old house joints and had some fun.. Please enjoy.. Click the link below to listen or download the ADP/ Breakdown FM House Music Mix

http://www.alldayplay.fm/episodes/episode-78-fear-a-house-planet

Playlist

01-Donna Summers… MacArthur Park Siute
02-Jamie Principal  Your Love (Frankie Knuckles Presents Director’s Cut)
03-Black Science Orchestra – New Jersey Deep
04-Joe Smooth Promise Land
05-KC Flight-Summer Madness
06-Liz Torres-Can’t Get Enough
07-Hashim-Chateau Vie (Castle Life)
08-Butch Quick – Higher (Club Mix) (
09-House of Venus – Dish And Tell
10-Green Velvet – Preacherman
11-Salsa D (Brian Tappert Edit)
12-Sade-Slave Song
13-Kay Gee’s – Tango Hustle
14-Earth People – Dance (Beats) Classic House
15-Barbara Tucker – I Get Lifted (The Bar Dub)
16-Adonis-No Way Back (Vocal)
17-Ira Levi-Free Your Mind (club mix)
18-Todd Terry – Walk out the Door
19-Eskimos And Egypt – Fall From Grace
20-Jamie Principal-Baby Wants to Ride-
21-Sound Factory – Take Me To The Top (Original Mix)
22-Marshall Jefferson-Revolution (Mike Monday Goodman remix)
23-Planet Soul -Set U Free
24-Global Deejays feat. Rozalla – Everybody’s free-
25-Pace Setters-Push On Jesse Jackson
26-Orbit-The Beat Goes On
27-Jamie Principal-Bad Boys
28-Join Three – Movin On
29-Global Deejays-San Francisco
30-MC Shy D-Shake It (wicked mix)