Occupy Skid Row: Public Enemy’s Historic Concert Exposing LA’s Dirty Secret

Chuck D Occupy Skid RowLos Angeles Community Action Network and Public Enemy came together last year for a historic event called Occupy Operation Skid Row. It was a musical festival featuring legendary hip hop acts like Cypress Hill, Kid Frost, YoYo, Mellow Man Ace along with General Jeff of Rodney O & Joe Cooley.

Jeff for those who don’t know is dubbed the Mayor of Skid Row, because of the work he’s done for years to try and alleviate the harsh conditions of one of the nation’s largest concentrations of homeless and LA’s dirty little secret..As Chuck D pointed out the overwhelming majority are Black and they are shunned and ignored.

Below is a short documentary that brings the event to life.. It also touches upon some of the challenges facing those on skid row as well as how this large homeless population gets used by police to manipulate crime stats. Many are arrested for petty crimes like sleeping on sidewalks, urinating or drinking in public.. Their arrests get entered into crime databases and help highlight favorable results.. This was a tactic former LA Police Chief William Bratton did when he was running the department.. He arrested over 27 thousand people in LA skid row in a 3 year period and gave out 36 thousand citations.. Skid row is home to 15 thousand people.

You can peep the interview we did with Chuck D on the eve of the event...HERE 

You can also peep the concert /documentary as well.. Enjoy and Reflect

http://vimeo.com/57948440

Editorial: How Cristal Hustled Hip Hop

Everybody in Hiphop Hates Chris, but so what?!
How Cristal hustled Hiphop
By: Hadji Williams aka Black Canseco-June 22 2006

Hadji Williams author of Don't Knock the Hustle

Hadji Williams author of Don’t Knock the Hustle

After spitting its virtues for ten summers, Jay-Z and his hiphop minions are now boycotting Cristal, a hiphop staple after Frederic Rouzaud, the brands managing director made what many are calling elitist and racist comments against the hiphop community’s economic support of Cristal in a recent interview in The Economist magazine. (www.targetmarketnews.com)

What can we do? We cant forbid people from buying it. Im sure Dom Perignon or Krug would be delighted to have their business. Rouzaud said of hiphops pallets.

Well, as a 15 year marketing vet, I’ve got a scoop for Marcy’s all-time great: Your boycotts too late, fam. In case you havent noticed, it works like this, folks: Hiphop, like the Blues, like most everything from the black community before gets mined for its cool cache. And this time, y’all been strip-mined and pimped as corporate cheerleaders. And basically for free, no less.

Rouzaud never cut any brother a check for any of those mic checks. The nouveau rich and the not-so riche been chasing Cris and those uppity brands because Jig, Puff and every other bruh with some BDS and MTV said the bottle was hot. And it workedCristal is the 8th most popular brand in 2005 behind Mercedes, Nike, Bentley and Rolls Royce. Meanwhile most of the Hampton’s, Hollywood and Wall Street are, as Mr. Rouzaud, put it curiously serene.

Fact is Rouzaud is shooting his mouth off now, because he knows Cristal doesn’t need hiphops praises anymore. The Jigs up and they’ve moved on. The whole black kid made good angle is played and upscale consumers aren’t feeling us anymore. You can only play dress-up for so long before the clock strikes. Theres a reason someone like David Beckham now carries more marketing muscle than any handful of ethnic celebs you can name. (Read KNOCK THE HUSTLE I warned y’all this was coming.)

Secondly, its called luxury for a reason, folks. Luxury always excludes. Luxury excludes by class, by price, and yes, by race. And I don’t care how much money you got, IT stops being luxury once enough negroes cop it. Sorry, but its true.

But young heads are still sleeping: In the eyes of most marketers Hiphop (and black folks at large) are just disposable media outlets. It’s all about reach, frequency and brand equity. Hov don’t have the reach n frequency he used to; in fact, hiphop doesnt. (Hate if you want, you know I’m right.)

Therefore most luxury brands are starting the slow steady exodus back to more exclusionary brand strategies paler faces in their ads, more upscale and selective partnerships and cross-promotional opportunities. They want their swagger back.

See, I know this game. While my cats hustled on the streets, I got my grind on the suite stoo many brands to mention. Never Cristal, but I did help a certain, +A vodka get mad bullish few summers back. (Yep, that was me. See KNOCK THE HUSTLE.)

Anyway, once I got hooked up with some Euros who owned a hard cider brand called K. You know why they called me?

We know that in order to really push this in the states we need to get it in the black community. That’s what these Irish cats told us, point-blank. They’d never been to the US but they knew that much. They asked me for a list of hiphop stars, hot urban clubs, etc. Their plan was simple: Get slick brothers and sisters hyping it up knowing full-well everybody else would be on it in a couple of years, if not sooner.

Unfortunately cats weren’t really feeling the hard cider so it never popped. But that’s how that part of the game works. We sit in rooms and politic and scheme. Sometimes checks get cut and next thing you know your favorite rap superhero is dipped in [INSERT BRAND HERE]. Rouzaud and his kind are no different. No matter what they say.

Now, I’m not saying that’s how/why Jay got with Cris. I’m sure Hov was a Cris fan back when he was just hyping Jaz; just as Run was lacing up Adidas before their contract, and LL rocked Kangols while he was slicing up Kool Moe

Anyway, Mr. Rouzauds sentiments are an orchestrated shout out to his base that he’s putting the velvet ropes back around the Cristal. But he’s not alone. While his my-clothes-arent-for-black-folks/Oprah-interview was a hoax, Tommy Hil’s announcement that the Hilfiger brand is moving out the urban arena and back to its upscale mainstream roots is quite legit. (Google the press releases for more info.)

You cant slam a door on folks that are walking out on you. Most of the companies that have gotten cool and rich off of hiphop cosigning are cashing out and moving on. Some are looking to Hispanic consumers. Many are going for NASCAR Dads and Soccer Mom sets. Others are chasing upscale Anglo roots. Some are trying to revive the X-treme thing, etc. But make no mistake: The bachelor party’s over and hiphop just got run thru by half the cats in the house. And now, they’re going home. So who cares if you don’t want to put out anymore?

My advice to the hiphop community is this: Keep these companies names out of your mouth and don’t ride for any INC until you know exactly who you’re dealing with. Do your due diligence. Most of these folks have no regard for you, your community, your culture, or your art. Youre just a means to an end; and when push comes to shove, theyre mean and focused about getting their ends.

And to every crime nigga that rhyme: they’ll touch your mic every time, cuz their minds are quicker. Much quicker.
——-

A 15-year vet of the marketing industry, Hadji Williams is author of KNOCK THE HUSTLE: How to save your job and your life from Corporate America. Email him: author@knockthehustle.com

Return to Davey D’s Hip Hop Corner

An Open Letter to Hip Hop from Afrika Bambaataa

afrika-bambaataa-pointPEACE AND BLESSING TO All of Our Family of Warriors, Thinkers and Leaders:

Hope your are in the best of Health and your families. I was sent your e-mail by the Zulu-staff . I have been living in Europe for the past couple of months and been waking as many up to what we’re, doing in the states cause in some places they have the same problems with radio,especially the ones that copy The United States formats or programming of music. Then there are those specials stations that do have a balance of Ma’at on the airwaves and you hear it all.

One thing that did bother me is that these so called Rap /Hip Hop radio stations here in some parts of Germany, France, Estonia, Croatia, Spain and even good old Great Britain underground play alot of the rap records with cursing. Their excuse is the people do not know the language anyway and my answer to them is, that is bull and you DJ’s know there are many that do know some type of English and many of your are playing the curse version cause your think that makes your hardcore and down with the tuff side of what your think the United States Hip Hop/Rap is all about. That your all are helping with the conspiracy to mess up minds all over the world. After I got finish with some of these so called Hip Hop/ Music show host ,you know they could not wait to get me out of their radio stations. Especially some of the jive ones who think they know it all about Hip Hop/Funk/Soul/Rock/Latin/Soca/Jazz/House/Techno in England and other places to many to name.

You can feel the phony in all of them and their are a very few I can say who really do not know what their doing but there are the rest of them that exactly know what they are doing to the airwaves. Guess what! their are many and I mean many over here in Europe who are also tired of their radio stations that play the same music over and over again,as well as their media of television. Also Family The NWO is getting in full swing here and Mr. Tony Blair of the United Kingdom (England) is talking strong now about their Smart cards that are coming and if he is speaking strong now about it, you know their children of the UK= USA will be following to.

Family there is so much work to be done that it is disgrace-full to see with all this chaos all over the world going on,all the problems in MaMa Afrika, In India, The States and South America with crazy things happening in Europe to and those of us that do have the serious knowledge, we know what is really going on and have to prepare now if we are to survive the onslaught that is coming. All the things I have been talking for years is on the move right before us and if you hear what brother Phil Valentine, Bobby Hemit,and many of the Meta physical community of higher learning have been dropping, it is about to get super serious. The people’s mind set all over this Great Planet is jacked up and the programming of these radio and T.V shows is playing a super big role to destroy Human mentality to think and to reason. If we can not get a movement of Humans to try and change the programming of these radio and T.V. stations which is just one step of many ,then we have some serious reactions of hell that will be all over this Earth.

I would like for your if you can and whomever else to put a list of solutions that we can put together with others on a cross the board scale that all states even other countries can follow in letting people know what can they do to help change the situations of programming of Radio and Television. We want to put as many things out with flyers to give out to all that will come out in November for The Meeting of The Mind, The Balance Of Ma’at. We are going for two days to address this situation and with these papers of solutions we are calling on everyone to be accountable to what is going on in their respected Cities, Towns, States, Countries to move into action cause if they do nothing ,Then They Deserve What They Get. Also we need to reach out to many Leaders, Thinkers, Activist, Religious Heads, Movers, Actionist to represent and come out with solutions to this event for Hip Hop History Month and to all that are doing something to make change, we must push, salute and help back to the fullest our support. Stop the Killing of the Mind.

I will be back soon. If Allah willing, but you can start speaking to Brother Yoda, Dr. Shaka (zulustaff@earthlink.net) and to whomever else for we can make a movement more successful. We all have been speaking, fighting, teaching,s truggling, winning some for a moment, losing some but keep on pushing to keep what we know is right to do.

As I said many times before The Lucerferians are on the move and the Armies of Almighty RA/Allah/Jah/Yaweh/Elohim/Anu/Theos/Shango/Zeus/Oden and whatever else people want to call the Supreme Force must Rise or The Empire will Strike Back to bring Hell all over This planet so called Earth.

May The Supreme Force Bless Us All and keep Us All Always Protected against All our Enemies.

Peace ,Unity, Love, Freedom or Death, Justice
The Spirit Of Professor X Lives On

Afrika Bambaataa
The Amen Ra of Universal Hip Hop Culture
Each One Teach One,Feed One,Help One,Live as One,Leave all Egos in the Garbage
Save Planet Earth

Return to Davey D’s Hip Hop Corner

 

3 Dope Songs from KRS-One that You Should Find Useful and Inspiring

KRSOne-bfresh2

KRS-One photo by B-Fresh

One thing we should do in this coming year is shed the industry frame-work that has been attached to our music. By that I mean we need to see Hip Hop offerings as timeless and something to be embraced when our spirits move us and not something that needs to be consumed to further a record label’s bottom line.. Far too many of us have been caught up in measuring the success of an artists or the importance of a particular song by artificial criteria like first week’s album sales or heavy rotation on the radio station claiming to be home to Hip Hop and R&B..

Even amongst folks who say they shun commercialism there is still a short-sighted criteria where the name of the game seems to be who got an album first or who got an exclusive..It’s a self-serving criteria that allows one to appear ‘hip’ and ‘cool’ but unfortunately what gets lost is the important messages and concepts put forth by an artist who finds him or herself quickly discarded and deemed irrelevant by the hipster type with the same reckless abandon as their commercial counterpart.

Music at its best is communal..It’s to be shared and upheld. It’s a sound track to our lives. Its healing to our wounded souls. It’s inspiring, in a world that seems hell-bent on keeping us down..Hopefully artists don’t get discouraged and start changing up their process by abandoning expressions that reflects what’s on their hearts to create throwaway product that fulfils the needs of  fast food consumers and not those who need true mental and audio nourishment.

So for folks who are tired of the same ole same ole, please keep in mind there’s a treasure chest of good solid music waiting to be discovered.. Lets go back to browsing and digging for music that moves us vs waiting for it to be served by the tentacles of an industry that doesn’t have our well-being in mind..

Click HERE to hear the Breakdown FM KRS-One interview we did at Rock the Bells

Today we wanna celebrate a tireless champion and prolific artist.. Blastmasta KRS-One tha Teacha ... Here’s 3 songs you should take in..The lyrics and video are on point, uplifting and stand the test of time.. Shout out to his producer who is also a dope artists Mad-Lion.

The first song is Aztechnical.. It came out late last year and addresses the issue of the Mayan calendar and prophecy and the Earth supposedly ending. Well as you know that day Dec 21 2012 has come and gone.. But as KRS explains, what was supposed to take place was us reaching a higher consciousness in our thinking.. He takes you there in this song..

The second song ‘Just Like That‘ deals with a topic that KRS has addressed on at least 3 or 4 different occasions.. His upbringing. For those of us who know KRS, we might be tempted to say ‘I heard this story’ before.. But for folks who are just getting acquainted to KRS, its inspiring as and gives us insight on how we might overcome rough times.. In short the message is timeless

The third song was released a few days after Hurricane Sandy… It’s probably his most important song and shows KRS at his best.. Here he gives sound advice as to what we should be doing in preparation for a natural disaster..The song is called ‘Disaster Kit

KRS-One Aztechnical

http://www.youtube.com/watch?v=5M7MZh_bvjg

KRS-One Just Like That

http://www.youtube.com/watch?v=1q_C0o9GHsw

KRS-One Disaster Kit

http://www.youtube.com/watch?v=2g8cplYa_DE

Separating the Darkness So That We May See the Light: Guidance for the Hip Hop Community in 2013…

tonymuhammedchitown-225The marked end of The Mayan Calendar on December 21st, 2012 as noted in the KRS-One song Aztechnical does not mean that life on planet Earth itself is going to end any time soon due to cataclysmic events. But rather, just as many Biblical Prophecies, Qur’anic Prophecies, the pyramid prophecies of Ancient Egypt (Kemet), the end of The Age of Pisces/beginning of the Age of Aquarius and other prophetic histories that are “written in advanced,” the end of The Mayan Calendar points to, above all else, the end of an old state of being and the steady movement towards a new age of spiritual and intellectual Awakening; into the very nature and reality of Self.

This is the consciousness and manifestation of God in the person of human being, which is also known as “The Hereafter.” This is not talking about a state of consciousness that we experience after we physically die, but an actual physical condition experienced here on Earth while we are still living.  Furthermore, “The Hereafter” is a state of being in which we are actively working to manifest The Divine in any way imaginable, while continuously removing obstructions that impede our progress from achieving this Ultimate Goal.  As Edgar Cayce, a legend within the New Thought Movement, said “For you grow to heaven, you don’t go to heaven. It is within thine own conscience that ye grow there …”

http://www.youtube.com/watch?feature=player_embedded&v=5M7MZh_bvjg

Hip Hop, as a culture and as a community, must move in this direction of Divine Order if it stands a chance to survive. Movement towards The Divine, in this sense, is not a partial occurrence, as it has been experienced in the Movement in the past (particularly in the late 1980s and throughout the 1990s). Rather, The Time we are living in warrants a holistic change, incorporating all aspects of living – from the way that we think, perform, eat and even rest.

In essence, the root of making all things new in our way of life derives from what The Honorable Minister Louis Farrakhan has referred to as The Most Powerful Creative Force which is Love, The Building Blocks that gave shape and form to the very Universe itself.  We along with everything in Creation itself exist because of Unconditional Love, which is Biblically synonymous with The Creator of The Heavens and The Earth Himself.

“The one who does not love does not know God, for God is love.” (1 John 4:8).

Tony Muhammad and Africa BambaataaIt is because of Unconditional Love for the people, that one of the most influential Founding Fathers of Hip Hop culture, Afrika Bambaataa, was able to end gang violence in The South Bronx in the early 1970s.  It was gang violence that was leading to heightened levels of death among the youth.  In a gradual process, after entering into Divine Knowledge that he had learned from different communities at the time, including The Nation of Islam, The Nation of Gods and Earth and The Moorish Science Temple.  He utilized that knowledge to separate the darkness (or condition of gross ignorance) that lurked in his own mind and discovered the Divine Light that was buried within him the whole time of his own existence.  From there, he summoned the Divine Forces within himself and all of the Forces outside of himself.  They manifested themselves in the form of the gang members in the community, which he considered to be his family.  He called for peace, and established it under the banner of the first Hip Hop activist organization called Universal Zulu Nation.

But just in the very nature of Love being a creative force he also summoned all of the Divine Expressions or Elements in the environment that also lurked in the dark (DJing, Emceeing, Breaking, Graffiti) and gave them aim, purpose, shape and form into the Universal Cultural Expression known as Hip Hop.  Afrika Bambaataa himself says in an interview with East-3.com, which was featured on Daveyd.com:

afrika-Bambaataa-Gang“It is Afrika Bambaataa to whom named and called each entity of BBoys/BGirls/DJaying/MCs/Aerosol Writing and adding The Most important Knowledge as the main Element of Hip Hop Culture and Brother KRS One helped to add more, with a few other as Plus Elements to the main Key elements of Hip Hop Culture. No one else never used or thought of naming each entity of the Culture an Element or to say that this Movement that we all are doing is called Hip Hop Culture or to recognize it as a World Movement. The Birth of this movement is The Bronx, New York City, New York Republic, but Rap is as Ancient as The creation of Humans itself.”

As noted by Afrika Bambaataa himself, this Divine Process falls in line with the great tradition of Motion of The Ancients themselves.  It goes as far back as The Great River Valley Civilizations of Kemet, Arabia, Sumeria and China in which the richness of the environment was extracted from (cultivated), given form, given aim and given purpose.   And even long before that, it is in line with the actual Self-Creation of The Creator Himself, separating Triple Darkness from Light, and giving Himself and the Universe form using the very rich aquatic material found in the Triple Darkness itself.  This Divine process mentioned in a coded way in both Bible and Holy Qur’an:

“He has inscribed a circle on the surface of the waters At the boundary of light and darkness.” (Job 26:10)

“Praise be to Allah, Who created the heavens and the earth, and made darkness and light. Yet those who disbelieve set up equals to their Lord.  He it is Who created you from clay, then He decreed a term. And there is a term named with Him; still you doubt.” (Holy Qur’an 6:1 – 2)

Just as it was in these Noble Divine Beginnings, so it can be with Hip Hop once again.  The culture overall has fallen in a state of spiritual darkness and has stayed there for well over a decade.  It’s most illuminating voices have been kept buried, hence “Underground.” But now, it just takes one with unconditional love within an organization, a town or a city to have the courage to unbury these luminaries, bring them together and put their gifts and talents to use for what they are Divinely intended to fulfill – UPLIFT HUMAN BEINGS, FAMILIES AND COMMUNITIES TO THEIR GREATEST POTENTIAL!  ARE YOU THE ONE THAT CAN FULFILL THIS?

Tony Muhammad has been teaching Social Studies in Miami-Dade County Public Schools for over 10 years and is currently involved in The MIA (Music Is Alive) Campaign for the development of the National Hip Hop Day of Service.  Tony is most noted for his work as publisher of Urban America Newspaper (2003 – 2007) and co-organizer of the Organic Hip Hop Conference.  He currently serves as a student assistant minister to Student Minister Rasul Hakim Muhammad at Muhammad Mosque #29 in Miami, Florida.

original article: http://tonymuhammad.wordpress.com/2013/01/01/separating-the-darkness-so-that-we-may-see-the-light-guidance-for-the-hip-hop-community-in-2013-and-beyond/

http://www.youtube.com/watch?v=A4Yv1ay0CmM

Skillz is Back.. Rap-Up 2012.. The Year of Ratchedness

skillzSkillz is back with his annual Rap Up... This one pays Tribute to 2012.. The Year of Ratchedness.. Not sure I’m feeling this beat…. somethings get lost with it being so noisy, but it is what it is.. He does cover a lot of ground.. #salute

http://www.youtube.com/watch?v=8uvMxtxbltA

Gays and Hip Hop

Who is the Gay Rapper?

That’s a question that obsessed people after the Connecticut
publication One Nut set off a firestorm of speculation a few years ago
by publishing a series of interviews with an anonymous well-known
rapper who claimed to be gay. Hip-hop fans and industry insiders went
on a witch hunt, analyzing lyrics and theorizing about various
artists’ offstage behavior. Stars ranging from LL Cool J to Dr. Dre
to Jay-Z to Method Man found their sexual orientation being called
into question.

Sadly, the fascination was fueled by prevalent gay stereotypes. Far
too many people seem to think that being gay would somehow prevent a
rapper from busting a mind-altering dance move or kicking a dope
freestyle. But such notions are ridiculous. After all, there are gay
policemen, accountants and doctors who are as good at their jobs or
better than their straight colleagues. So why couldn’t the Gay Rapper
be a superstar?

A listen to the tracks “Straight Trippin’ ” or “Fam Biz Edit,” put
out by Bay Area rappers Tim’m T West and Juba Kalamka with their crew,
D/DC (Deep Dick Collective), lays to rest any idea that gay rappers
lack the necessary skills.Over the past couple of years, D/DC has
built a strong reputation at its frequent shows for both gay and
straight crowds. The D/DC group is best known for its innovations —
fusing spoken-word, as well as straight-up rap, with the music. Their
current CD has a title that’s hard to confuse with any other,
“Bourgiebohopostpomoafro Homo,” and they’re working on a new disc,
“The Famous Outlaw League of Proto-Negroes,” due out in the fall on
the Sugartruck/Agitprop/Cellular label. Check out the Web site
gayhiphop.com to sample D/DC’s music.

Another Bay Area artist who is openly gay and has forged an awesome
reputation as an innovative rhymer is Hanifah Walidah. She first hit
the scene in 1994 using the name Sha-Key, having released the
impressive album “A Headnodda’s Journey.” Her single “Soulsville
was ahead of its time because it fused rap with spoken-word years
before that would become common. Walidah is featured on the new
compilation album “Shame the Devil” (Freedom Fighter Records) which
deals with the prison industrial complex. She’s currently at work on
a hip-hop opera.

Hanifah and D/DC are just a few of the gay artists taking their
rightful places in the world of hip-hop, and these artists are
building upon the trailblazing spirit of earlier gay hip-hoppers.The
Bay Area owes a debt of gratitude to people such as Page Hodell, one
of the first women to do a live mix show on commercial radio, working
the turntables on KSOL in the mid-’80s. She rivaled, and often
surpassed, her male counterparts. Hodell also deejayed and produced
one of the country’s longest-running hip-hop clubs. The Box, as it
was called, ran for more then 10 years in San Francisco, attracted
thousands of clubgoers, mostly gay, and became a Bay Area institution.

Props are also due for Dave Moss, who was on KSOL’s up-and-coming
rival station, KMEL, at the same time as Hodell. KMEL was then known
primarily as a dance station, but on Saturday nights Moss would put
together incredible East Coast-style break beat/hip-hop mixes that are
still talked about today.

DJ Neon Leon, well-known in London and among house music fans
everywhere, started in the mid-’80s as a hip-hop DJ on KALX, the
University of California-Berkeley station. He later earned his
stripes as a Hip Hop club DJ at the now-defunct I-Beam.

We could go on and on naming gay artists who have made an impact on
hip-hop. Gays have always been down with hip-hop. Many have embraced
the culture from day one….The question is: Do we accept our gay
brothers and sistas?

So who is the Gay Rapper? He or she might be the victor of a fierce
rhyme battle or the artist whose record you dance to every time it’s
played on the radio or at a club. So what difference does it make?

written by Davey D for San Jose Mercury News.. please send emails to
mrdaveyd@gmail.com

July 14 2002

Greatest Posse Cut of All-time: Juice Crew’s Symphony vs Wu-Tang’s Triumph-Who wins?

Juice-Crew-vs-Wu-TangBeen having a heated debate about the greatest pose track of all time… There’s been lots of landmark cuts to choose from like Main Source‘s Live at the BBQ which featured a young Nas among others..

You had Craig Mack‘s Flava in Ya Ear which featured notables like Notorious BIG, Busta Rhymes and LL to name a few..

Of course we had Tribe Called Quest‘s  Scenario which featured Leaders of the New School and the late Kid Hood.  But at the end of the day you gotta narrow it down to two tracks..

One of my favorites is Heavy D‘s slept on track .. A Buncha Ni— which featured among others Guru and a young Notorious BIG who made his debut

Juice Crew.. The Symphony which features Big Daddy Kane, Kool G Rap, Craig G and Master Ace. When that song dropped in ’88 Hip Hop changed for the better. Everyone had to step up their lyrical game. The careers of all those featured took off and almost all featured on that song were immortalized within the Hip Hop annals …

http://www.youtube.com/watch?v=XbsPTkwqWCI

It would be almost 10 years before another quintessential posse cut would come along on par with the Juice Crew. In ’97 the Wu Tang Clan dropped Triumph where all 9 members of Wu-Tang including Capaddona came along and like the Juice Crew before them changed the game.

http://www.youtube.com/watch?v=isumZjs3dKA

its always been a Hip Hop fantasy to speculate as to what would happen if the Juice Crew squared off w/ Wu-Tnag in a lyrical battle.. Who would match up with who? How would things go down? Juice Crew’s Symphony vs Wu-Tang’s Triumph.. Which is the Greatest of all-time?

Public Enemy Weighs in on Immigration Question w/ a New Song called ICE Breaker

Hip Hop artists have been on fire as of late. It seems like everyone is stepping up their game and making music that passionately speaks truth to power… One song that should not be overlooked is a brand new joint from Public Enemy called Ice Breakers.. It’s off their new album ‘The Evil Empire of Everything‘. This particular song addresses the issue of mass deportations and what its like for those who are living in immigrant communities and are literally being hunted by I.C.E.

The song features searing lyrics from Chuck D where he raps:

I KNOW A SILENT NATION IN DISLOCATION
FRUSTRATION FROM LEGISLATION
LED TO DEMOGRAPHIC IN ISOLATION
ANOTHER PARTICIPATION IN DECAPITATION
10-4 DIE RIVER DEEP MOUNTAIN HIGH
IS A WALL STUCK BETWEEN DYING AND DOING TIME
CANT IGNORE SMACK DAB BORDER WAR
AS THE BEAT GOES ON, WORDS FLOWED ON
I CAUGHT THE LAW
PYRAMIDS MACHU PICHU
THINGS THEY DONT TEACH YOU
DONT APOLOGIZE
YOU WERE HERE FIRST ON THIS EARTH
BEFORE THESE MILLENNIAL �COWBOYS CLAIMED THEIR TURF
NOW WHOS 1000 MILES AND RAN
DESERTED IN THE DESERT
WILD WILD WEST HURT TO THE DIRT
ANTI IMMIGRATION
AGAINST BROWN SWKIN
SOUNDS LIKE BROWN SHIRTS
SILENCED BY SO CALLED LEGAL VIOLENCE
SOMEBODY HAD PERMISSION
TO PUT HUMANS IN THIS CONDITION
THIS LAND IS WHOS LAND??
THEY MUSTVE FORGOT
KICKING THE BLACK IN THE ASS
WHILE KEEPING THE BROWN OUT
THIS ONE SIDED LAW MAKES ME SCREAM AND SHOUT

Chuck is joined  by The Impossebulls, Sekreto, Kyle Jason & True Math who all come with heat both in English and Spanish..Its good to see a group like PE keep it 100 when it comes to issues of the day..

ICE Breakers is actually the second song they did on the topic of immigration, when Arizona passed the anti-immigrant SB1070 law the group did a song called Tear Down That Wall ..Looking forward to peeping the video..for this new song…

http://www.youtube.com/watch?v=1K9BgyjNpoI

http://www.youtube.com/watch?v=nPeyQ9SdiOs

A Great Speech from Immortal Technique on Immigration, Race & Hip Hop

It’s always a pleasure to sit down and chop it up with Immortal Technique or to be in the audience when he speaks. The man is full of wisdom. When he addressed the large crowd at an event in Los Angles for the Soundstrike he did not disappoint. This is an incredible speech on immigration, race relation and the current state of affairs…Props to tech for bringing the heat..

Click the link Below to peep this speech from Immortal Technique