Rap COINTELPRO Pt VI: Is The Murder of Biggie Setting Up a Civil War In Hip-Hop ?

Cedric Muhammad

Cedric Muhammad

Note: The Rolling Stone.com online version of the “The Murder Of Notorious B.I.G.” is only an excerpt from the full article which appears in the hard copy

After reading the feature article in the June 7th issue of Rolling Stone Magazine, “The Murder Of The Notorious B.I.G.” we suggest that the Hip-Hop community and industry brace itself for some serious mischief making. The publication of this article and the time of its appearance, which coincides with the news that the NYPD has Hip-Hop artists under surveillance has us just about convinced that something sinister is going on with the FBI, LAPD, NYPD and media outlets that looks just like the COINTELPRO of the 1960s and 70s and which may manifest violently this summer. In light of recent events, the stage has now been set, enough seeds have been dropped and a cover story written for a civil war in Hip-Hop and inside of the Black and Latino community that would involve East Coast Rappers, West Coast rappers, Bloods, Crips, Latin Kings and the Nation of Islam and which would serve the ultimate objective of the U.S. government’s phony war on drugs and gangs.

By far, this article is the most extensive, in terms of innuendo, rumor-mongering and potentially slander and libel that we have seen since we began writing this series about our belief that the Hip-Hop community and industry are the object of a destabilizing effort that bears a startling resemblance to the FBI-coordinated efforts to discredit, neutralize and destabilize Black organizations. In that effort everything from surveillance, informants, planted evidence and newspaper articles were used to destroy organizations and their reputations from within and in the court of public opinion.

Det Russell Poole

Det Russell Poole

This article in Rolling Stone, which relies heavily upon the account of a single LAPD officer, Russell Poole, works to pin the murder of the Notorious B.I.G. on Suge Knight and a group of LAPD officers. This is the second time that a media outlet has attempted to do this. The first effort began in early 1999 but was unsuccessful in large part due to articles printed in Brill’s Content and the work of another reporter who writes for the LA Times who poked numerous holes in the theory.

SugeKnight-cigar-225The Rolling Stone article, even though it acknowledges that the first effort to link Suge Knight with the murder of Biggie had some very serious problems with it spends not so much as a whole paragraph detailing how Brill’s Content and the second LA Times reporter poked wholes in the initial theory. Instead, Rolling Stone writer Randall Sullivan spends tens of thousands of words dropping seeds and speculating that Suge Knight, some LAPD officers and an individual named Amir Muhammad were involved in the murder of Biggie.

Sullivan very deviously and slyly works to even connect the murder with the Nation Of Islam, an effort that actually publicly began within hours of the shooting, by emphasizing the reports and police sketch indicating that the shooter wore a bow tie. Sullivan then states that Amir Muhammad and David Mack, one of the off-duty officers allegedly involved in the murder of Biggie, claimed to be Muslims.

Regardless to what their faith may be we find it especially peculiar that Sullivan and Rolling Stone, in thousands of words of writing, only make one reference to the second LA Times reporter who debunks the association of Amir Muhammad with the murder of Biggie. They only mention it briefly but do nothing to explain how the reporter saw through the loose reporting of his fellow reporter who first put in print the theory that Suge Knight, LAPD officers and Amir Muhammad were behind the shooting.

One of the more interesting things that comes out of the Rolling Stone article is that the reporter reveals how the government and the LAPD infiltrated Death Row Records as well as businesses connected with Suge Knight. They even make reference to a probe of Death Row Records and Suge Knight, which was/is being run out of the U.S. Justice Department.

But by far, the most interesting aspect to the story is that while it makes numerous efforts to pin the murder of Biggie on Suge Knight it drops some very peculiar information that seems to indicate that people way above Suge Knight and off-duty LA police officers have knowledge of who is actually behind Biggie’s murder.

Sullivan writes:

diddy flowers-225“One week after Russell Poole took over the Biggie Smalls murder investigation, the media learned that as many as a dozen law-enforcement officers had been on the scene when Smalls was shot to death. Six cops had been working for Smalls that night. The rapper was being shadowed as well by an assortment of undercover officers from the New York Police Department and the Federal Bureau of Alcohol, Tobacco and Firearms. The New York cops believed that the same man who shot Tupac Shakur at Quad Studios had killed by one of their off-duty officers and might still be working for either Puffy Combs or Biggie Smalls. The ATF officers were part of a federal task force investigating allegations that employees of Death Row Records were involved in money laundering and the sale of stolen weapons.”

It is interesting that Sullivan leaves out the fact that the officers that followed Biggie’s car as he was killed were able to show members of Biggie’s entourage actual pictures of cars and individuals taken while they were following Biggie. That information shocked the members of Biggie’s entourage who were totally unaware that the government and NYPD cops were following them. This was reported in the LA Times, why didn’t Rolling Stone and Randall Sullivan indicate that in their article?

And why does Sullivan rely almost exclusively on information and sources within the LAPD when he knows that NYPD officers and ATF agents were following Biggie at the exact moment that he was shot? We think in light of that fact it would be incumbent on any reporter worth two cents to follow up that angle. If the NYPD and government agents had a birds’ eye view of Biggie’s murder why all of the emphasis on the LAPD?

LAPDWhy would a supposedly enterprising reporter like Sullivan not work his investigation from the actual scene of the shooting? Why do we have so much information in his article about people at the party that Biggie attended before the shooting where “Muslim-looking” individuals and off-duty police officers connected to Death Row were seen, and so little information about the government agents and undercover NYPD officers following Biggie’s car when he was shot?

To ignore the scene of the crime as Sullivan does, when information is available, is a sign of horrific reporting, at best.

Unless… the Rolling Stone article is part of the cover story being written not by Rolling Stone but through Rolling Stone, by the government, with the help of editors and a willful or ignorant reporter, Randall Sullivan, to pin the murder of Biggie on Suge Knight, off-duty LAPD officers and others in order to serve a larger purpose with implications on the Hip-Hop and Black communities.

The FBI and CIA, for years, used reporters and editors to influence stories and even plant stories in mainstream media sources that were uncomplimentary to various groups.

Notorious BIG DiddyA basic reading of the story indicates that Sullivan directly or indirectly was fed information from people in the U.S. government who have been watching Death Row and Bad Boy Records and who work with the LAPD and NYPD. No one can reasonably refute that from the manner in which Sullivan quotes unnamed sources and weaves in information into his story that had to have been given to him by the government itself, or through others in touch with the FBI or Justice Department.

The most striking aspect of the article which makes us believe that the story at least has been crafted, is that after spending the entire emphasis on the article and tens of thousands of words on making the LAPD the entire focus of the article, Sullivan turns his attention to the reality that the FBI is now working on an effort with the help of a Los Angeles jail inmate to connect Suge Knight with the murder of Biggie. The effort is not lightweight, according to Sullivan.

Our question for Sullivan’s reporting is: if the FBI has been investigating Biggie’s murder all along, why does he place the entire emphasis of his story on the LAPD and its investigation of the murder?

Even Sullivan’s primary source, Russell Poole, who evidently has knowledge of the FBI’s investigation, is quoted by Sullivan as saying, “The FBI has something big cooking…”

David Mack LAPD

David Mack LAPD

For Sullivan to leave out the NYPD, ATF, the Brill’s Content and LA Times articles which contradict the alleged Suge Knight, David Mack, Amir Muhammad connection with the murder of Biggie; and for Sullivan to leave out the FBI’s investigation into the murder, until the end of his lengthy piece, results in his writing and willful omissions fitting rather nicely with whatever the FBI is “cooking”.

Why is all of this information coming out now, on the eve of Suge Knight’s release from jail?

Has the government, law enforcement agencies and informants in the Hip-Hop industry/community planned something even bigger that puts not even Suge Knight’s life in danger, upon his exit from jail, but the entire Hip-Hop community and sectors of the Black community?

What kind of atmosphere is being created by the Rolling Stone article, media outlets like Newsweek, MSNBC (particularly the Imus in the Morning Show) hyping up Suge Knight’s release from prison, and what of the hidden efforts of the Justice Department, FBI, ATF, NYPD and LAPD – including these law enforcement agencies’ ongoing investigations focusing on Hip-Hop artists and record labels?

How does all of this relate to the recent revelation that the NYPD now has the entire Hip-Hop community under surveillance? And what about the recent arrest of Jay-Z while under surveillance by the NYPD’s Street Crime Fighting Unit and his reported feud with Jayo Felony, a rapper from LA who is said to be a Crip?

Who would benefit from a war in the Black community involving East Coast rappers, West Coast Rappers, Suge Knight, Puffy, Bloods, Crips, and even the Nation Of Islam – all of whom, through innuendo, are made to look like criminals in the Rolling Stone piece?

Fasten your seat belts.

http://www.blackelectorate.com/articles.asp?ID=92

Cedric Muhammad

Friday, June 01, 2001

Rap COINTELPRO Pt2 (Wu-Tang Clan & The Village Voice)

Cedric Muhammad

Last week we raised the possibility that an organized attempt had been and still is being made to destabilize the Hip-Hop industry and thus the community. We briefly looked at the murder of the Notorious B.I.G. and raised some unanswered questions surrounding his death; introduced some important background information regarding the FBI’s COINTELPRO which was dedicated to destabilizing Black and progressive organizations, especially in the 1960s and 70s; and posed a challenge to Black intellectuals to apply their knowledge of the tactics used by the U.S. government to oppose Black leaders, to Biggie’s murder in particular, and to the Hip-Hop Industry/Community in general.

We also pointed you to a Brill’s Content article that shows how the L.A. Times has been involved in disseminating false information regarding Biggie’s murder. We also took pains to mention that it was this story and one prior to it that brought Suge Knight’s name into the mix as allegedly involved in Biggie’s death. We openly questioned that if the L.A. Times article is misinformation wouldn’t that point to Mr. Knight’s innocence and we asked who was the original source in the FBI/LAPD that fingered Suge Knight? What was their motive for doing this, through the media? I hope that some of you, in your study of COINTELPRO and other programs, are familiar with the manner in which the FBI and CIA used reporters and media outlets, print and TV, to plant stories, have articles written and spread malicious lies – much of which was directed at getting groups that otherwise could have worked together to fight one another.

Last week, I also openly stated that it was my opinion that the image and rumors of an East Coast – West Coast Hip-Hop “war” were a fabrication of the media and perpetuated by local and federal police departments prior to and during the investigations into Tupac and Biggie’s murders, in large part via information fed to reporters in various media outlets. We will conclude this series next week on this crucial point of the role of the media, in particular its role in COINTELPRO of yesterday and its possible continuation today. This week we take a very brief look at a more recent situation in Hip-Hop that again raises the possibility that the Federal Government has ill- intentions for the Hip-Hop Community.

A few weeks ago, the Village Voice published an article alleging that over the last year a white government informant was in some capacity representing members of the multi-platinum group, Wu-Tang Clan, while the group was under criminal investigation. After reading the article, it is readily apparent that it was a sensationalized story designed to reflect negatively upon Wu-Tang.

The story also appeared to be crafted in great part because while the headlines emphasized the supposed connection between this white individual and Wu-Tang, the article deals more substantively with the individual’s alleged real connection to white organized crime figures in New York and Miami. The individual is reportedly a government informant in a case involving Mob figures in New York and Miami. So while real evidence allegedly links the individual to Mob figures, the Village Voice cover and headlines and subtitles focused on a very unclear connection between the “informant’ and the Hip-Hop group. Most of the information on that front is anecdotal in nature that informs the reader of little.

The real story is this individual’s relationship with white underworld figures and the feds yet the Village Voice markets the piece, which was picked up by news services all over the world, as quality reporting that somehow connects this individual’s relationship with the U.S. Government with his relationship with Wu-Tang. The piece doesn’t live up to that billing. It never connects the dots but to an unsuspecting and innocent reader, it does open the Clan up to suspicion not only in terms of a link to the feds but also in terms of criminal activity. I found that to be peculiar and yes, the deliberate intention of the Village Voice. In the weeks that have followed the piece, many people have spread more rumors, gossip and innuendo regarding the Clan over the Internet and many people seem to have only read the sensational headlines but have not analyzed the story or the motive behind it with a critical mind.

To me, the aim of the Village Voice and/or whoever may have helped them craft the story, was to discredit the Clan inside of the unforgiving world of the New York Hip-Hop community and to discredit them among their core group of fans. It also attempted to portray the group as unintelligent but it definitely did not seek to prove that the individual was really working on behalf of the government specifically against the Clan, though the article and headlines imply otherwise.

This is one of the factors that makes me believe that someone bigger than just the Village Voice may have been behind the story – how else could the government come off clean and the Clan looking rather uncomplimentary. Remember, the story is supposed to be about feds, Wu and this informant but it ends up really only being about the informant and Wu. What happened to the feds?

Village Voice Article drew suspicion Capadonna & Ghostface

The reason why I stress that point is because I believe the writer(s) could have proved or disproved whether the informant was working against the Clan if they so desired and from reading the piece, I believe that the writer(s) has discussed the government’s surveillance of Wu-Tang with enough people in the know, to be able to determine whether or not this government informant is directly working against Wu-Tang or if he is only with the group strictly for business purposes as he gives evidence on the alleged Miami/New York crime figures. The writer(s) simply asks why the informant was working with Wu-Tang in any capacity and spends the majority of the article lampooning and mocking the group. And again, he leaves the feds unscathed.

The Village Voice sought to harm the group’s reputation by negative implication and innuendo. The story, to me, seemed designed to destroy the Clan’s street credibility not prove any thing about this informant working for the feds against the Clan. If they had done that (proved the informant was working against the Clan) the Village Voice would have proved the existence of COINTELPRO. No, the informant angle is the hook that draws you in to read garbage about the Clan. And I found it very interesting that no one in the community that prides itself on its “consciousness” came to the defense of the Clan, even to intelligently alert the public to the possibility that the Village Voice article may point to something bigger than Wu-Tang.

Lord Michael Caruso & Rza werte also targeted in Village Voice article

This could have helped others even those who I know do not like Wu-Tang personally or what they represent in music or ideology. If you are in the Hip-Hop community, personal dislike of the Clan won’t cut it on this one. The Hip-Hop community owes it to itself to defend itself from what many people, more than just myself, know to be a deliberate attempt to destabilize and destroy the real and potential cultural, economic and political impact of Hip-Hop. From my limited vantage point, everyone seemed caught up in the sensational aspects of the story and not the potential threat it posed to the entire community. This is another aspect of the indolence of the Hip-Hop community that I referred to last week.

I personally served as management to Wu-Tang a couple of years ago. I no longer do so. To the best of my knowledge, which I think is pretty good, the Clan was never involved in any of the criminal activities that they were or are currently under investigation for. I do not and never have, for one moment believed that they are guilty. Of course, I did not see everything that everyone was doing but I am confident that I was certainly in a position to know whether or not a gun-running operation was being organized and ran by the group. I am not afraid to go on public record in defense of the group or the truth of what I know.

But the Federal Government wants to pin these charges on the Clan.

What I can tell you that the Village Voice did not tell you, is that several individuals who have been arrested and/or charged with crimes in New York City and who have never had any affiliation with the group, have been offered reduced sentences or no time at all in exchange for either saying that they were connected with Wu-Tang when they committed their alleged crimes or in exchange for directly infiltrating the music group.

This is a fact. A fact that the Village Voice should know about with all of its connections in the entertainment community and law-enforcement. And these individuals being approached are young Black males not an alleged white informant who is linked to some white mobsters in New York or Miami. That is the real story if the Village Voice is so interested.

The goal of the Federal Government, the FBI included, is to lie and link Wu-Tang and others to a supposed Hip-Hop industry- wide crime network. I know that as early as 1995, several young Black music executives, other than Wu-Tang, and their actual places of business were under surveillance and “investigation” by the Federal Government allegedly for committing various crimes. Not only have individuals under the supervision of the criminal justice system been approached in an effort to make cases against high-profile individuals in the industry but so have white lawyers and white music executives who deal with these individuals. This is common knowledge inside of a few circles in the music industry; even marketing plans of certain artists have been taken by federal investigators. We also know that the IRS has been and is unfairly targeting several Hip-Hop artists and their business enterprises for audits. One day, this will all come out.

For those who persist in wanting to see all crime-fighting efforts as above reproach and legitimate, I can tell you that for whatever illegal activities that may or may not have been perpetrated by various individuals in the music business, the Federal Government has gone above and beyond what is fair in their investigation of the Clan. Asking individuals to straight up lie and say that they are connected to crimes that never occurred and to make up affiliations and even to ask suspects to infiltrate Wu-Tang is not legitimate crime fighting. I also do not see it as simply a case of a “few bad cops”. I see it as a deliberate attempt to destabilize and discredit not only an influential group but also an entire industry and cultural force.

To me, it is certainly reminiscent of COINTELPRO where the goal was not to arrest guilty individuals but to arrest a cultural and political movement. For those who have studied COINTELPRO, it is interesting to learn of all of the Black celebrities and entertainers who have/had government files. I hope everyone in the Hip-Hop community will become much more alert and those who have first-hand knowledge of what I am talking about will begin to compare notes with one another. This isn’t a game or fantasy although some will persist in doubting to the very end. Next week at http://blackelectorate.com/ we will look at some historical evidence that shows that the FBI and CIA used reporters to spread pieces of misinformation to the public and actually helped journalists write false stories. Could this be happening today?

Cedric Muhammad

Friday, June 16, 2000

Return to Davey D’s Hip Hop Corner

Rap COINTELPRO Pt1 (Death of Biggie)

March 9 2011.. I wanna leave people with a recording of one of the last Biggie radio interviews before he died. This was done the Thursday before his death at KMEL with Sway and the Breakfest club...

One of the interesting side notes to this is when Biggie initially did this interview it sounded like he was being coy when asked about his involvement with 2Pac’s death. It angered many of the people listening, so much that came Sunday morning when word got out about him being killed, people called up to the station celebrating..

It wasn’t until years later that when listening to the interview we realized that Biggie’s slang and word phrasing had been misinterpreted.. When Victor asked him about Pac’s death Biggie responded “We Ain’t that Powerful yet‘.. What he actually said was ‘We ain’t that powerful yo‘.. The phrasing where you end a sentence with ‘yo’ was not commonly heard or used at least in the Bay that time.. so folks thought he was being funny..Listen for yourself and then read this insightful article..

-Davey D-

Cedric Muhammad

For years, while I was in the music industry I would hear stories from so-called “conscious” artists about how the government had effectively neutralized and destabilized various pro-Black, Progressive and Civil Rights organizations through the FBI’s Counter Intelligence program (COINTELPRO). Then they would inform me that they “knew” that COINTELPRO-like tactics were being exercised today.

Nine times out of ten after I asked them a question or two I realized two things immediately 1) how little they actually knew about the FBI’s programs and its aims and objectives 2) these artists wouldn’t recognize COINTELPRO today if it hit them in the face. It is not just artists who suffer from this problem, most Black people today don’t have a working knowledge of exactly what the U.S. government did to destroy Black organizations and discredit Black leaders. And the many Black intellectuals that I have met, who seem to know COINTELPRO inside out, don’t seem to be able to identify aspects of the programs existence today. I really came to realize this through their inability to see how the phony East Coast – West Coast Hip-Hop “War” of 1995-1997 had been fabricated and perpetuated by the media, police departments and yes, even the FBI.

Virtually everyone who was in the Hip-Hop industry during that time frame knew that there was no real war of East Coast Rappers Vs. West-Coast Rappers. There were a few personal problems between parties on both coasts but there was no organized conflict as the media portrayed it. Yet everywhere I went, I was constantly asked about this supposed war. Clearly, the Black Community fell victim to the propaganda. I was always saddened that the people who had been the greatest victims of misinformation in the 1960s had fallen the hardest for it in the 90s. It was just a small indication, to me, of how little the Black Community has really learned of and from what went on in the 1960s and 70s, in particular.

When the Notorious B.I.G. was murdered in 1997, the LAPD, NYPD and even the FBI fed reporters stories about the possibility that Biggie had been murdered as a result of a “rap feud’. If you can, go back and read the first stories 1 week within the murder, in N.Y. and L.A. papers first and then other big-city newspapers and you will be able to see the numerous “sources” of reporter’s stories on the murder that furthered this line of argument and spread it throughout America (and don’t forget that the media advanced this argument after Tupac was murdered the year before).

If you do a little more research you will see that the whole time Biggie was in L.A., he and Puffy were under police department and FBI surveillance. They were even under surveillance on the very night Biggie was killed. The question that has never been investigated properly by the media or raised by Hip-Hop writers, Black intellectuals and COINTELPRO experts was why were Biggie and Puffy being watched by the FBI and why hasn’t anyone been arrested for Biggie’s murder if the government had been watching their movements that closely? Did they see everything else that Biggie was doing but just happened to miss who killed him?

In 1999 when I first heard that the FBI was investigating the supposed possibility that Death Row Records head Suge Knight was involved in what happened to Biggie I didn’t believe it. I immediately dismissed that allegation, which was blasted throughout the media, MTV and Black radio in particular. I especially found it odd that the news of this “new” development was dropped right around the 2nd anniversary of Biggie’s death. It seemed it had been done for “maximum impact”.

I did not accept that it would take the FBI 2 years to figure out who killed Biggie especially if they had been watching him when he was killed. They are not that stupid, something else was going on, I figured. Then late last year the LA Times drops this story that supposedly links a few individuals to Suge Knight for some “murder for hire” scheme.

Now, it turns out, according to Brill’s Content in a story that we ran on BlackElectorate.com two weeks ago, that the whole story was a fabrication with no documentation. And that certain editors at the LA Times tried to cover up the fact that they knew the story was bogus. They very quietly tried to counter the original story with another one but the damage had been done to the reputation of an innocent man who may be suing the paper as a result.

But what I recognized in the Brill’s Content story and media coverage of the misinformation the L.A. Times spewed out was little or no mention of the fact that the original story and media hoopla surrounding it supposedly linked Suge Knight to the murder of Biggie. Virtually no one has brought up this fact in Hip-Hop media circles. Again, another indication of the indolence of the Hip-Hop community and a sign of how little supposedly “conscious’ individuals know about the history of the “struggle” they claim to represent. At times it is as if the Hip-Hop community is asleep.

So, who was really behind the attempt to link Suge to Biggie’s murder? Was it simply the error of a reporter? The original story refers to the LAPD as “sources” of information for the story. And what has the FBI been doing watching not just Biggie and Puffy but several Young Black Hip-Hop label Executives and Artists?

These are questions that should have been asked by the Hip-Hop Community and its media outlets. And certainly by Black intellectuals who claim to be such authorities on the government surveillance programs of the 1960s and media misinformation. Surely they, if no one else, should have seen a pattern developing.

Next week will get a little deeper into the possibility that the FBI has and is trying to destabilize the Hip-Hop community.

But in the interim I ask that everyone read up on COINTELPRO at:

http://www.icdc.com/~paulwolf/cointel.htm

As well as Brill’s Content’s expose of the LA Times misinformation on Biggie’s murder at:

http://www.brillscontent.com/current/notorious05_23_00.html …..(this site is now defunct)
Please Read It. You have a whole week!

Cedric Muhammad

Friday, June 09, 2000

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