We Remember World Aids Day-We Want Everyone to ‘Act Right’

Today December 1 2010 is World AIDs Day with its theme being Act Aware.. Last year the theme was Universal Access and Human Rights. With so many things bombarding us ranging from lack of jobs, unemployment benefits not being extended political strife and the latest Lil Kim diss toward Nicki Minaj, thinking about HIV and AIDs may not be top of mind… This morning we wanted to remind folks as to what’s happening..In many of our communities this dreaded disease is still impacting us in ways that are incredibly impacting. The leading cause of death among young people is HIV and AIDs. The primary culprit is lack of medical care and access. Here in the US the primary culprit is woeful ignorance. That has got to change.

First lets start with this song from Michael Franti called ‘Positive’. It was a song done back in 1994 and was proceeded with a request for urban radio stations all around the country to pay tribute to World AIDs day by giving a moment of silence. Sadly many of the urban stations in the big cities where HIV and AIDs was impacting us the most refused. Fortunately, we can share this ground breaking song here.

http://www.youtube.com/watch?v=rG94nBlcLYg

On a side note wanna give a shout out to West Coast pioneer Captain Rap who put out the song Bad Times back in 1983.. For many of us it was the first time we heard the word AIDs in a rap song. He talks about it in the third verse and how doctors were afraid to treat victims of  this new disease. http://www.youtube.com/watch?v=5QPUazhwYdg&feature=related

For this World AIDS Day 2010 a number of high profile artists are staging ‘digital deaths‘ in which they log off line and won’t come back on until money is raised for the organization Buy Life.  They include  UsherLady GagaP-DiddyUsher and Serana Williams to name a few. The goal is to bring awareness to those in younger generations who are constantly being challenged by videos, TV shows and celebrity sex tapes that leave one with the impression that unprotected sex is ok.

For example, the recent sexually charged video by Raheem DevaughnSingle’ has everyone buzzing as he performs oral sex on a partner.  While its no doubt tantalizing and being widely viewed, one has to ask does it leave those who are young, sexual active and impressionable  with the wrong message that everything is a-ok with no consequences. The startling statistics say we need to raise awareness in a big way.

Below is a a video from Alicia Keys who is also one of the celebrities participating in the digital death series. Will her message be as widely viewed as some of the sex charged videos?

http://www.youtube.com/watch?v=86nv_mTf0OQ&feature=player_embedded

Facts About HIV and AIDs Every One Hip Hop Head Should Know

HIV (human immunodeficiency virus) is the virus that causes AIDS. This virus may be passed from one person to another when infected blood, semen, or vaginal secretions come in contact with an uninfected person’s broken skin or mucous membranes*. In addition, infected pregnant women can pass HIV to their baby during pregnancy or delivery, as well as through breast-feeding. People with HIV have what is called HIV infection. Some of these people will develop AIDS as a result of their HIV infection.

http://www.cdc.gov/hiv/resources/qa/qa1.htm

What is AIDS?

AIDS stands for Acquired Immunodeficiency Syndrome:

Immune Deficiency means a weakness in the body’s system that fights diseases.

Syndrome means a group of health problems that make up a disease.

AIDS is caused by a virus called HIV, the Human Immunodeficiency Virus. If you get infected with HIV, your body will try to fight the infection. It will make “antibodies,” – (chemicals that are part of the immune system that recognize invaders like bacteria and viruses and mobilize the body’s attempt to fight infection special molecules to fight HIV.

A blood test for HIV looks for these antibodies. If you have them in your blood, it means that you have HIV infection. People who have the HIV antibodies are called “HIV-Positive.”

Being HIV-positive, or having HIV disease, is not the same as having AIDS. Many people are HIV-positive but don’t get sick for many years. As HIV disease continues, it slowly wears down the immune system. Viruses, parasites, fungi and bacteria that usually don’t cause any problems can make you very sick if your immune system is damaged. These are called “opportunistic infections.”

http://www.aids.org/factSheets/101-what-is-aids.html

http://www.youtube.com/watch?v=qarXfMLnIp8

http://www.youtube.com/watch?v=ylmmkQWd22s&feature=player_embedded

How is HIV transmitted?

HIV transmission can occur when blood, semen, pre-seminal fluid, vaginal fluid or breastmilk from an HIV-positive person enters the body of an HIV-negative person. HIV can enter the body through a vein, the lining of the anus or rectum, the lining of the vagina and/or cervix, the opening to the penis, the mouth, other mucous membranes — such as the eyes or inside of the nose — or cuts and sores. Intact, healthy skin is an excellent barrier against HIV and other viruses and bacteria.

Worldwide, the most common way that HIV is transmitted is through sexual transmission, including anal, vaginal or oral sex with an HIV-positive person. HIV also can be transmitted by sharing needles or injection equipment with an injection drug user who is HIV-positive, or from an HIV-positive woman to her infant before or during birth or through breastfeeding after birth. HIV also can be transmitted through receipt of infected blood or blood clotting factors.

http://www.globalhealthreporting.org/diseaseinfo.asp?id=277

http://www.youtube.com/watch?v=2TDq5IC8ibM

Does having HIV mean you’ll die?

Testing positive for HIV means that you now carry the virus that causes AIDS. It does not mean that you have AIDS, nor does it mean that you will die. Although there is no cure for AIDS, many opportunistic infections that make people sick can be controlled, prevented or eliminated. This has substantially increased the longevity and quality of life for people living with AIDS. Bottom line, HIV/AIDS is not the same death sentence it was say 25 years ago. People are living long healthy lives with HIV and AIDS. The sooner you start to become aware and the more you know about the “virus” the better your chances are delaying the effects of the disease.

http://www.aids.org/info/aids-hiv-positive-will-i-die.html

Conscious Daughters and Paris-Caught Up

http://www.guerrillafunk.com/mp3/all_caught_up.mp3

Do I have to tell everyone that I’m HIV positive?

No. Who you tell your status is your own business. They only people that need to tell are anyone you are going to have unprotected sex with. Not disclosing your status is punishable by law. Any person who exposes another to HIV by engaging in unprotected sexual activity is guilty of a felony, when the infected person: 1) knows he/she is infected; 2) has not disclosed his/her HIV-positive status; and 3) acts with the intent to infect the other person with HIV. The felony charge is punishable in the state prison for three, five, or eight years.

http://www.cdph.ca.gov/programs/AIDS/Documents/RPT2002AIDSLaws.pdf

How do I protect myself and my partner from contracting HIV?

Getting tested, knowing your status and limiting risk-factors for contracting the virus like sharing needles or having unprotected sex with other people, is the best way to protect yourself and your partner. Many health advocates suggest getting tested at least 3 to 4 times a year and more depending on the person’s sexual behaviors.

Can you tell someone is HIV positive just by looking at them?

No. A person living with HIV may look healthy and feel good just like you. A blood test is the only way a person can find out if he or she is infected with HIV.

http://www.youtube.com/watch?v=A6DCubdIgO8

Return to Davey D’s Hip Hop Corner

 


Is Eminem Being Unfairly Targeted for His Homophobic Lyrics Because he’s White?

There’s a lot of buzz around Eminem‘s recent 60 Minutes appearance with Anderson Cooper. On the surface it was a good look as there’s no denying Em’s popularity. He’s now seen as an OG of sorts who has finally returned to the scene after being away for a couple of years recovering from a series of life altering mishaps.

We all know about the tragic night club shooting of his best friend Proof (Detroit’s un-official mayor ) a few years back. We also know that Eminem almost overdosed and had been hooked on drugs. According to him he’s been 2 years sober. Like it or not when polled Eminem’s name frequents cracks the top 5 in one Hip Hop’s greatest rapper ever.  His delivery, controversial subject matter and clever word play has earned him his respect. However, what caught people’s attention during the 60 Minutes interview was his remarks around homophobic and misogynistic lyrics. When asked about them and the controversy that emerged here’s what Em is quoted as saying;

“I felt like I was being attacked. I was being singled out. I felt like, ‘Is it because of the color of my skin? Is it because of that you’re paying more attention?’ There are certain rappers that do and say the same things that I’m saying and I don’t hear no one say anything about that.”.

You can peep the full interview here..

http://www.youtube.com/watch?v=EFGVXtwc-Ak

Em’s remarks raised more than a few eyebrows and left us with a few things to think about. The name of the game as he well knows is when you’re trying to make noise to blow up a spot, unless you have a compelling story to tell or exemplary skill sets, the best way to bring attention to yourself or an issue is to kick up dust and cause controversy.

This is what Eminem did. He bursted on the scene 10 years ago causing controversy. It wasn’t just his shocking lyrics but also some of his on and off stage antics. For example, I recall on one of his early visits to the Bay he got into a heated exchange with a radio host on KALX (UC Berkeley’s radio station) who thought he was a bit rude and over the top. The host Sister Tamu wound up breaking his record on the air. Word of that incident spread quick.

A few months later (may 1999) while doing a concert at the Fillmore a fight broke out. Em attempted to quell things only to jump off the stage with crew in tow to pummel a heckler who he felt wasn’t showing the proper respect. What appeared to be an isolated incident was later revealed to be something that somewhat staged as similar incidents of Em jumping off the stage to confront hecklers occurred at other concerts including Las Vegas a few days later. Again controversy sells and Eminem early on was a spark plug for it…

It should come as no surprise that folks wishing to get a message across would not attach themselves to his missteps to get a message out. This has been a tried and true method used by organizations like PETA when it comes to animal abuse and obviously other organizations like GLAAD who went after Eminem to bring attention to homophobia. But with that being said, while Eminem has come under fire, he has never been economically blocked at least not in the ways we seen other artists who dared cross certain lines.

For example, take reggae artist Buju Banton.. Here’s a guy that recorded an over the top homophobic song back in 1988 when he was 15. The song  ‘Boom Bye Bye‘ was about the murdering  gay man and became a huge hit and an anthem of sorts. 20 years after this song was recorded folks never let up him. They protested, got his tours canceled. Folks have and continue to go all out on Buju.  Eminem.. yeah he got heat from GLAAD and other organizations, but his concerts were never cancelled even here in San Francisco where activist have shut down Buju everytime his name is even mentioned.

This has gone on even after Buju has gone on to do positive music and explained his immaturity and ignorance at 15. He is now considered a strong voice for Jamaica. The protests have gone on even after he was the first to set up program Willy to help prevent the spread HIV and AIDs in Jamaica. Prior to that using a condom was seen in a bad light the same way homosexuality was. Buju took those steps and has still been dogged.

Em still performed his over the top songs even after public apologies and a show of reconciliation with singer Elton John who is outspoken on Gay Rights. Em was still embraced even though he does many of those ‘offensive’ songs. In addition when Eminem is mentioned it’s rarely with the tag Anti-gay rapper vs Buju who is frequently cited in the press as Anti-gay singer.

Def Jeff

Now one may look at Buju and say his song was an anthem that sparked violence and hence deserved to be protested. Thats understandable on a number of levels so lets look at  a few other less egregious examples..  I recall back in the early 90s ago LA rapper Def Jeff coming to San Francisco to perform at Club Townsend. He attempted to try to get the crowd hyped  by first yelling ‘All the Ugly People Be Quiet’. When he got a luke warm response he then yelled ‘All the People who got Aids be Quiet‘. To put it simply, after he yelled those remarks it was a wrap.

Even though Def Jeff got a resounding response from the audience that night he soon found himself blacklisted by SF club owners. Many who heard about his remarks refused to book him. Years later, he admitted at that time, he was young and just ignorant to both the horrors of HIV and AIDs. He was also oblivious to the type of anger and scapegoating directed at the Gay community. At that time AIDs was more associated with white Gay males as opposed to folks in the inner city and Jeff was simply insensitive. He apologized, but to know avail. He hasn’t been in the Bay to perform since.

A few months prior to Def Jeff’s remarks, Turbo B the lead rapper for the group the Snap which had the mega hit song ‘The Power’, made some unsavory remarks about Gays and AIDs and caused a huge uproar. Turbo later apologized for his ignorance, but it was all but a wrap for him and his career pretty much went down the tubes from there. It didn’t help that the Snap had a large following in the Gay community. Folks weren’t gonna allow those anti-gay remarks to go.

Cypress Hill

Also around that time a more visible and publicized incident occurred with Cypress Hill who were performing at the Bill Graham Civic Center during the Soul Assassins Tour. The show featured House of Pain, Cypress Hill and a number of other acts. Someone in the opening act acting as hype man yelled out to the crowd ‘”All the fags in the House Be Quiet’. There was a loud response from all the straight males who of course responded to the call.

The next day, angry members of the Gay community reacted and targeted radio giant KMEL which gave away tickets for the show. Letters and phone calls came in and the end result was Cypress Hill was banned from airplay on the station. The group quickly issued a letter of apology, even though they weren’t onstage at the time. The logic from the Gay protestors was that they were responsible for the insensitivity of the acts they brought along with them, hence they needed to be banned. The Cypress Hill radio boycott lasted for almost a year. It wasn’t lifted until they actually wound up doing a syndicated Soul Assassin’s radio show on our station.

Now again let’s not get things twisted, anyone advocating for the beating, killing or even the discrimination of gays or any ethnic group is bad news. And folks on the receiving end of those insults and threats have every right and should express their anger and outrage. If that outrage includes protests and shutting folks down, so be it. All of us have a responsibility in being aware of boundaries that exists within certain communities.But bringing this back to Eminem, he was given huge passes and in many ways embraced. Em’s angry lyrics have more often than not been praised by publications like the UK Guardian and Spin Magazine for expressing and reflecting the angst and anger felt by many within the white working class.

So is Eminem a target for his homophobic and misogynist lyrics because he’s white? Hardly. It’s more likely that he’s a target because he’s enormously popular. I think many of these organizations learned that they can only go so far in bringing attention to these issues going after lesser known artists. Hence  as long as Eminem is in the spotlight he allows a light to be shined on these issues. Hence anything he says will be scrutinized for an opportunity to weigh in. The attacks on Eminem are not the same as the shut downs and demonization of entire groups of Black and Brown folks for anti-social ills.

When Def Jeff and Turbo B got clocked all of rap was called into question. When Buju Banton was called all of Jamaica and its culture was called into question. When Em was called out it began and stopped with him. We didn’t make the connection with Eminem being a white man born in the US who may be part of and ultimately influenced by a culture that includes everyone from conservative politicians to overzealous Evangelists who routinely bash the gay community. Bottomline in spite of his hard upbringing there are major institutions in this country that have afforded Eminem a few priviledges he himself might not recognize and certainly didn’t acknowledge during his interview

something to consider

-Davey D-

Return to Davey D’s Hip Hop Corner

Chuck D & Funk Expert Rickey Vincent Speak on the Music & Political Legacy of Michael Jackson & the Jackson 5

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Listen to the History of Funk pt 1-retrospective look at Michael Jackson & the Jackson 5

1-Breakdown FM-History of Funk pt1-Michael jackson & the Jackson 5

2-Breakdown FM-History of Funk pt2-w/Chuck D How MJ influenced Hip Hop & Politics

 
Professor Rick Vincent-author of History of Funk drops a lot of insight about the musical legacy of Michael Jackson  and his brothers

Professor Rick Vincent-author of History of Funk drops a lot of insight about the musical legacy of Michael Jackson and his brothers

Michael Jackson and the Jackson 5 are considered steller musicians and entertainers who changed the game in major ways. Oftentimes when we speak of them they are presented as if they came out of nowhere and their musical prowess came out of a vacuum. We wanted to give people some deeper insight into their music and what it meant to Soul, Funk and the Black community.

We sat down with Professor Ricky Vincent aka the Uhuru Maggot, author of the landmark book The History of Funk. We sat down and walked through the history of MJ and the Jacksons and talked in depth about their influences ranging from James Brown to Stevie Wonder. We talked in depth about their roots including how MJ and his brothers grew up in Gary, Indiana. We talked about the important role Gary played in Black America, both in terms of having one of the country’s first African American mayors and the 1972 meeting by Black folks to set a nationwide agenda.

We talked about their father Joe Jackson and who he is and how he spent alot of childhood and teenage years in Oakland, California. Vincent talked about the vibrant blues scene that was in full gear when Joe jackson was around in West Oakland and how that may have been a foundation for his musical ambitions.

We spoke about Michael Jackson and his dancing history. We talked about his signature moves ‘The Robot’, The Moonwalk and locking and noted how these were popular dance styles well known in various hoods throughout California for years prior to Michael introducing them to the rest of the world.

We talked about the struggles the group had when MJ’s voice changed and how Motown executives wanted them to follow a particular pop formula while the group pushed to establish a new sound that was more soulful, funky and contemporary. Eventually the tension became so great that the group left Motown and joined Epic. Because Motown owned the name The Jackson 5, the group changed their name to The Jacksons. Complicating their situation even more was the fact that older brother Jermaine married Berry Gordy’s daughter hence he went on to stay at Motown and do a solo career.

We talk about the influence James Brown had on Michael and how he went out and pretty much adapted much of Brown’s delivery, showmanship and overall style. We explore the music from that time period in the mid 70s and note how the group found themselves under the gun as they tried to keep up with icons like Stevie Wonder, George Clinton, Sly Stone, BT Express and an array of ‘child groups like the Sylvers who had bursted on the scene and were hitting hard.

Ricky reminded us of how George Clinton and his p-funk mob were in Detroit recording songs and that their style and influence was definitely felt. because he was connecting with the hood, the Jacksons were forced to step it up and become alittle more raw with their music.

We end this segment by highlighting the various musical directions the group took.

Here’s the link to part1

Breakdown FM-History of Funk pt1-Michael jackson & the Jackson 5

———————————————————————————–

Chuck D spoke about Michael Jackson's political side and how he influenced his love for Hip Hop

Chuck D spoke about Michael Jackson's political side and how he influenced his love for Hip Hop

In pt 2 we are joined by Chuck D of Public Enemy where we have an indepth discussion about MJ and his politics and how Chuck was introduced to Hip Hop via Mike.

Chuck talks about the important role legendary songwriters Gamble & Huff played in pushing Mike and his brothers. Author Ricky Vincent talks about how the message in the music is part of a much larger tradition within Black music.

Chuck D also talks about how some of Michael Jackson’s records which were used as breakbeats influenced him and made him embrace Hip hop more. In particular is the vintage cut ‘Music’s Taking Over’. Chuck also talks about the sample they used from MJ in the song By The Time I get to Arizona.

Chuck also talks about the important influence Michael Jackson had in the realm of videos.

We play lots of Jackson’s political songs as well as the cuts that inspired Chuck D.

We conclude the interview by talking about MJs War with Sony Music and Tommy Mottola, his charitable works and the importance of being named the King of Pop.

Here’s the link to pt 2

Breakdown FM-History of Funk pt2-w/Chuck D How MJ influenced Hip Hop & Politics

Return to Davey D’s Hip Hop Corner

Chuck D & Funk Expert Rickey Vincent Speak on the Music & Political Legacy of Michael Jackson & the Jackson5

daveydbanner

Share/Save/Bookmark//

logo-History-of-funk-Jackso

Listen to the History of Funk pt 1-retrospective look at Michael Jackson & the Jackson 5

1-Breakdown FM-History of Funk pt1-Michael jackson & the Jackson 5

2-Breakdown FM-History of Funk pt2-w/Chuck D How MJ influenced Hip Hop & Politics

 
Professor Rick Vincent-author of History of Funk drops a lot of insight about the musical legacy of Michael Jackson  and his brothers

Professor Rick Vincent-author of History of Funk drops a lot of insight about the musical legacy of Michael Jackson and his brothers

Michael Jackson  and the Jackson 5 are considered steller musicians and entertainers who changed the game in major ways. Oftentimes when we speak of them they are presented as if they came out of nowhere and their musical prowess came out of a vacuum. We wanted to give people some deeper insight into their music and what it meant to Soul, Funk and the Black community.

We sat down with Professor Ricky Vincent aka the Uhuru Maggot, author of the landmark book The History of Funk. We sat down and walked through the history of MJ and the Jacksons and talked in depth about their influences ranging from James Brown to Stevie Wonder. We talked in depth about their roots including how MJ and his brothers grew up in Gary, Indiana. We talked about the important role Gary played in Black America, both in terms of having one of the country’s first African American mayors and the 1972 meeting by Black folks to set a nationwide agenda.

We talked about their father Joe Jackson and who he is and how he spent alot of childhood and teenage years in Oakland, California. Vincent talked about the vibrant blues scene that was in full gear when Joe jackson was around in West Oakland and how that may have been a foundation for his musical ambitions.

We spoke about Michael Jackson and his dancing history. We talked about his signature moves ‘The Robot’, The Moonwalk and locking and noted how these were popular dance styles well known in various hoods throughout California for years prior to Michael introducing them to the rest of the world.

We talked about the struggles the group had when MJ’s voice changed and how Motown executives wanted them to follow a particular pop formula while the group pushed to establish a new sound that was more soulful, funky and contemporary. Eventually the tension became so great that the group left Motown and joined Epic. Because Motown owned the name The Jackson 5, the group changed their name to The Jacksons. Complicating their situation even more was the fact that older brother Jermaine married Berry Gordy’s daughter hence he went on to stay at Motown and do a solo career.

We talk about the influence James Brown had on Michael and how he went out and pretty much adapted much of Brown’s delivery, showmanship and overall style. We explore the music from that time period in the mid 70s and note how the group found themselves under the gun as they tried to keep up with icons like Stevie Wonder, George Clinton, Sly Stone,  BT Express and an array of ‘child groups like the Sylvers who had bursted on the scene and were hitting hard.

Ricky reminded us of how George Clinton and his p-funk mob were in Detroit recording songs and that their style and influence was definitely felt. because he was connecting with the hood, the Jacksons were forced to step it up and become alittle more raw with their music.

We end this segment by highlighting the various musical directions the group took.

Here’s the link to part1

Breakdown FM-History of Funk pt1-Michael jackson & the Jackson 5

———————————————————————————–

Chuck D spoke about Michael Jackson's political side and how he influenced his love for Hip Hop

Chuck D spoke about Michael Jackson's political side and how he influenced his love for Hip Hop

In pt 2 we are joined by Chuck D of Public Enemy where we have an indepth discussion about MJ and his politics and how Chuck was introduced to Hip Hop via Mike.

Chuck talks about the important role legendary songwriters Gamble & Huff played in pushing Mike and his brothers. Author Ricky Vincent talks about how the message in the music is part of a much larger tradition within Black music.

Chuck D also talks about how some of Michael Jackson’s records which were used as breakbeats influenced him and made him embrace Hip hop more. In particular is the vintage cut ‘Music’s Taking Over’. Chuck also talks about the sample they used from MJ in the song By The Time I get to Arizona.

Chuck also talks about the important influence Michael Jackson had in the realm of videos.

We play lots of Jackson’s political songs as well as the cuts that inspired Chuck D.

We conclude the interview by talking about MJs War with Sony Music and Tommy Mottola, his charitable works and the importance of being named the King of Pop.

Here’s the link to pt 2

Breakdown FM-History of Funk pt2-w/Chuck D How MJ influenced Hip Hop & Politics

Return to Davey D’s Hip Hop Corner

BET Denounces Lil Wayne & Drake Performance But Only to AHH

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So today after recieving news that  a whooping record breaking 11 million viewers checked in to watch the BET Awards this past Sunday night in anticipation of seeing a Tribute to Michael Jackson just 2 or 3 days after his death, BET has finally responded to all the criticism.  It responded by giving an exclusive statement to All Hip Hop where they denounce the performance of Lil Wayne and Drake.  An exclusive statement to AHH?  Wow.. there was no press release issued by Debra Lee or Stephen Hill.. There was no notification on their website BET.com as of 7:45 am PST… All I can do is shake my head..  Of course they do this on the day of our three day holiday when everyone is out and about..

In the meanwhile Drake has issued an apology of sorts. He says he regrets what happened and that the timing was poor. Thank you Drake for taking some sort of responsibility. You can read the BET apology below.. Shout out to the fam over at All Hip Hop.. Please do us a favor.. can you ask BET to exclusively apologize to all of us via their network? Also can y’all please ask them who made the call to put Drake and Lil Wayne on to do the song. Drake notes in his apology that they were being pressured to do the song. pressured by who? The Label? BET? Friends and family?

-Davey D-

Exclusive: BET Denounces Lil Wayne Performance, Drake Apologizes

By Houston Williams
BET CEO Debra Lee- Not sure if it was Ms Lee, but BET denounces Lil Wayne and Drake's performance at the BET Awards

BET CEO Debra Lee- Not sure if it was Ms Lee, but BET denounces Lil Wayne and Drake's performance at the BET Awards

BET has expressed remorse over a performance by Lil Wayne, Drake and Young Money Records that involved underage girls during songs “Best I Ever Had” and “Every Girl.”

The songs, which have overt sexual references, were performed during the Sunday BET Awards ’09 show as a bevy of young girls danced on stage. The group of girls consisted of Lil Wayne’s daughters and her friends.

In an exclusive statement, BET has responded to the criticism and the public outcry over the segment.

“BET Networks deeply regrets the performance by Young Money at the BET AWARDS ’09 (featuring Lil Wayne, Drake, Gudda Gudda and Mack Maine),” a BET representative told AllHipHop.com exclusively. “Elements of the performance were unplanned and should not have happened.”

In the aftermath of the show, many have expressed outrage over the outing by Young Money, which was set amid a show dedicated to the late Michael Jackson.

Activist and filmmaker Byron Hurt lambasted the network earlier in the week in an open letter to Debra Lee, the President and Chief Executive Officer of BET Holdings, Inc.

“In a culture where one out of four girls and women are either raped or sexually assaulted – and where manipulative men routinely traffic vulnerable women into the sex industry – it is not okay that BET allowed this to happen,” Hurt said. “BET owes its entire audience – particularly girls and women around the world – an apology for its failure to intervene.”

A representative said generally the company has found such opinions useful.

“We value and appreciate the feedback from our viewers and have edited Young Money’s performance for all BET Awards ’09 encore presentations.”

Drake has apologized and taken responsibility for the performance, admitting it was in poor taste.

Drake says he regrets what happened at the BET Awards. he says it was poor timing

Drake says he regrets what happened at the BET Awards. He says it was poor timing

“That…was a terrible idea that I’ll never do to myself again. But I was being pressed from different areas to perform, and I think what really happened at the BET Awards is with the passing of Mike, the climate really changed, as far as the award show goes,” he told Complex. “I don’t think it called for us to perform “Every Girl” and “Always Strapped,” and I think it was an award show filled with tributes and music and these genuine heartfelt speeches. And to sort of climax out of a very tongue-n-cheek point, and then people misconstruing Wayne’s daughters and her friends coming out on stage — it was just timed very poorly and it definitely wasn’t planned like that, but with that being said, it is what is. I believe in Wayne and myself and it’s nothing we can’t bounce back from. To anyone who was offended, my personal apologies, it wasn’t intended to offend anybody.”

An edited version of the show will re-air on Monday July 6. The BET Awards saw a 61-percent increase in viewers this year fueled by the sudden death of Michael Jackson. Ten percent of all turned on television sets watched the show Sunday, a remarkably high number

Return to Davey D’s Hip Hop Corner

White Cop Calls Oscar Grant a ‘Bitch Ass Nigger’ -Moments Before He was Shot

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Oscargrantgreen-225(06-28) 17:20 PDT — Overlooked in the court hearing that ended in former BART police Officer Johannes Mehserle being ordered tried for murder in the slaying of Oscar Grant was testimony about another officer’s explosive outburst just 30 seconds before Grant was shot.



One of the videos made by riders at the Fruitvale Station in Oakland early New Year’s Day caught Officer Tony Pirone standing over the prone Grant and yelling, “Bitch-ass n-.”

Pirone and his attorney say he was parroting an epithet that Grant first hurled at him – though Grant’s voice is not audible on the tape.

The sound-enhanced tape shows Pirone delivering a shoulder chop to Grant and bringing him to the ground. Pirone can be heard saying twice, “Bitch-ass n-, right?”

Prosecutors showed the tape in court on the last day of Mehserle’s preliminary hearing, but the headlines went to the judge’s decree hours later that there was enough evidence to send Mehserle to trial for murder.

Under questioning from Mehserle’s attorney Michael Rains, Pirone insisted it was Grant who had first “called me a bitch-ass n-.”

Asked if he had repeated the slur to Grant, Pirone testified: “I don’t remember, but it very well may have happened.”

“Is that something you would have initiated on your own, calling him names?” Rains asked.

“No, I don’t talk like that,” Pirone said.

Oakland attorney John Burris, who is representing Grant’s family in a lawsuit against BART, called Pirone’s words “shocking and disturbing.”

“Pirone was out of control,” Burris said, “assaulting Oscar Grant and taunting him with racial slurs, and none of the other officers seemed to put him in check.”

Pirone’s attorney, William Rapoport, dismissed Burris’ assertion – reiterating that Pirone, who is white, was simply reacting in surprise to being called the “N” word himself.

Mehserle, who is white, was not accused by prosecutors or Grant’s family of a racial motive in the shooting of Grant, a 22-year-old African American whom BART officers pulled off a train after receiving reports of an onboard fight.

A spokesman for the state Commission on Peace Officer Standards and Training in Sacramento declined to weigh in on whether Pirone’s comments would be cause for discipline or even firing, citing an internal BART probe of the shooting.

Peter Keane, a Golden Gate University law professor and former San Francisco police commissioner, said that determining whether Pirone’s comments were grounds for discipline depends on whether he was intending to use a racial epithet or just echoing Grant in a “sense of incredulity.”

But without Grant’s voice on the tape, Keane said, “the burden of proof moves heavily to Pirone.”

The race is on: State Attorney General Jerry Brown bests San Francisco Mayor Gavin Newsom by 20 points in a new, two-way poll for next year’s Democratic gubernatorial contest.

The poll by JMM Research of 525 Democratic and decline-to-state voters is the first snapshot since Los Angeles Mayor Antonio Villaraigosa announced last week that he wasn’t running.

With Villaraigosa in the lineup, the numbers read:

— Brown, 33 percent.

— Newsom, 20 percent.

— Villaraigosa, 17 percent.

Take the L.A. mayor out, and it’s:

— Brown, 46 percent.

— Newsom, 26 percent.

Brown does best with the voters over 40, who tend to turn out in bigger numbers on election day. Newsom thrives with the younger crowd, which he hopes to turn out big time, a la Barack Obama.

 Geographically, Brown beats Newsom everywhere but the Bay Area.

Whichever candidate they support, the one thing Democrats overwhelmingly agree on is the sad state of the state, with 73 percent saying California is headed in the wrong direction.

Budget bingo: Publicly, San Francisco’s budget battle is being pitched as a fight with Mayor Gavin Newsom, cops and firefighters on one side, and the Board of Supervisors and advocates of social programs on the other.

But behind the scenes, the fight is also between two major labor groups: the Service Employees International Union, which represents most of the city’s health and social workers, and the police and fire unions.

Service worker unions have helped elect a number of the supervisors. The police and firefighter unions are big backers of the mayor, and opposed many of the supervisors.

The first round went to the service workers when the supervisors voted to cut $82.9 million from the police, fire and sheriff’s departments and use it for health and social services.

But now, it’s dawning on everyone that the city will probably need even more money to keep everyone happy, which means going to the ballot in November with some kind of tax hike. And any kind of tax hike is going to need police and firefighter support to pass.

Which may explain why the service and firefighters unions have been meeting on the QT in the hopes of working out a compromise.

And if they do – City Hall will follow.

Banmiller bows: After taking a good, hard look at the numbers, business newscaster Brian Banmiller has decided to stay out of the race to replace outgoing East Bay Democratic Rep. Ellen Tauscher.

 “They weren’t kidding around when they redistricted the 10th,” the Republican said of the district, which includes portions of Solano and Contra Costa counties. “They said they were going to make it safe for Democrats, and it is.”

EXTRA! Catch our blog at www.sfgate.com/matierandross.

Chronicle columnists Phillip Matier and Andrew Ross appear Sundays, Mondays and Wednesdays. Phil can be seen on the KPIX morning and evening news. He can also be heard on KCBS radio Monday through Friday at 7:50 a.m. and 5:50 p.m. Got a tip? Call (415) 777-8815, or e-mail matierandross@sfchronicle.com.

source: http://www.sfgate.com/columnists/matierandross/

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Beneath Low: BET, Lil Wayne Set the Stage for Child Pornography

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Beneath Low: BET, Lil Wayne Set the Stage for Child Pornography

By April R. Silver, June 29, 2009

www.aprilsilver.com 

AprilSilverLast night, live at the BET Awards in Los Angeles, a room full of head-bobbing, consenting adults bounced to Drake and Lil Wayne’s back-to-back performances of the hit songs “Best I Ever Had” and “Every Girl.” I watched, underwhelmed. I wanted more “Michael” in what was supposed to be this award-show-turned-Michael-Jackson-tribute. I watched, ever puzzled by the Lil Wayne phenomena that has captivated the music industry. I watched, wondering when the set was going to end. 

Then the little girls came onstage…literally the little girls. “Are those children?” I asked out loud, in disbelief. Then the camera panned the audience. Everyone was still head-bobbing as the little Black girls huddled around these superstars. 

“Are those little girls on stage…for this song?!?!” I, still in disbelief, lost breath and forced myself to exhale. “Why are these little girls featured on this performance? Is somebody going to stop this?” Again, the show was live, though for a nano-second, I was hoping that a hunched-over stage manager would bust through from back stage to scoop up the children, rescuing them from harm’s way…from being associated from this song. But instead, what those girls witnessed from the stage was hundreds and hundreds of adults (mostly Black people) staring back at them, co-signing the performance. These girls, who all appeared to be pre-teens, were having their 15 minutes of glam on one of the biggest nights in televised Black entertainment history, with two of pop culture’s biggest stars at the moment, with millions of people watching. They must have been bubbling with girlish excitement, shimmering like princesses all night. Pure irony: one of them wore a red ballerina tutu for the special occasion. And we applauded them. 

  

I’m told that one of the girls is Lil Wayne’s daughter. That doesn’t matter. In fact that makes it worse. Last night we were reminded that there are few safe spaces for our little girls to be children; that some of us are willing to trade their innocence for a good head nod. BET and Lil Wayne are beneath low because, in effect, they have given premium assurance to these and other little girls that their best value, their shining moment, their gifts to display to the world, all lie within a context that says they are fuckable. 

I’m also told by industry insiders that Lil Wayne was continuously sexually molested as a child, remains in a psychologically abusive relationship with the molester, and for that reason his understanding of what’s appropriate and what’s not appropriate for children is terribly skewed. I don’t know if that is true. If it is, help is needed. If it is true, it might explain something regarding Lil Wayne’s compliance in this offense. But what about BET’s nickel in this dime? 

BET President and CEO Debra Lee has come underfire over the years yet many see the network as one hell bent on showing the worse pathologies of Black people

BET President and CEO Debra Lee has come underfire over the years yet many see the network as one hell bent on showing the worse pathologies of Black people

The programming at BET has been heavily criticized by artists, concerned citizens, college students, parent groups, social justice organizations, media reform activists, and many others for over a decade now. Their programming seems hell bent on broadcasting the worst pathologies in the Black community. Some have joined the anti-BET movement by simply tuning out. Others have been more pro-active. National letter-writing campaigns and other activities designed to shame and/or pressure the network into improving its programming have been in play for some time now. Boycotts have been called as well. Two years ago, for example, the network found itself in the line of fire as it planned to air the very controversial series “Hot Ghetto Mess.” Advertisers, such as State Farm Insurance and Home Depot, responded to pressure and requested that their ads be disassociated with the series (though, their ads could be placed in other programming slots). None of this has made a difference. In fact, it seems to have emboldened the network, for it is now expanding. In the fall, BET is due to launch another channel.

 

But millions of Black people are not offended by the network and welcome anything BET has to offer, no matter how much it continues to unravel the fabric of our community. Imagine, if you will, BET as a human being and the viewers as the community. You would have to imagine BET as a drug dealer, with his swag on…perhaps outside standing atop a truck, the community crowded beneath him. Imagine him throwing nicely wrapped gifts into the crowed, or giving away turkeys at Thanksgiving. Or maybe it’s Mother’s Day and he buys dinner and teddy bears to all the single moms and grandmothers around the way. Despite his best efforts and despite the approval of his fans, he is still a drug dealer, pimping death to the masses. 

Proverbs is full of sacred text that teaches us that there will always be fools amongst us. Some of them will be highly paid, protected, and given world-wide platforms to show off what they do best. And these fools (be they performers, corporate executives, or others), will have fans and loyal supporters, and a place to call home, like a BET. 

But as long as there will be fools amongst us, there will also be wise ones – a small group of people concerned about the long term health and well being of the community. This small group will often go unheard and they will be outmatched. They will struggle over which problem to address first: the child pornographer, the batterer, the pimp, the prostitute, the thief, the slumlord, or the system that enables it all. They will get tired and their defense will pale in comparison to the almost crushing offense. And they will be betrayed from within. Historically and universally, this is what happens in the struggle for what is right. But eventually, with continued pressure, something will shift. A radical new thinking will emerge, and the fools will lose their stronghold.  

The sure expectation of victory, however, can not be understated. It is a concrete ingredient in the struggle against the death that is being paraded in our community…as necessary as letter writing campaigns, economic boycotts, symbolic and actual protests, and other pressure-oriented activities. It is indeed possible to bring more life into our community.

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As a social entrepreneur and activist, my entire life/work has been dedicated to standing up for what’s right, especially within the culture of hip hop. When identifying what cancerous elements exist within the Black community, many fellow activists agree with Chuck D (of Public Enemy), and even Aaron McGruder (of The Boondocks), when they targeted BET as one of those elements. That said, I didn’t think that we would ever have to take the network to task for what amounts to child pornography. 

Lil Wayne shocked many with his performance at the BET Awards when he allowed little girls to come on stage

Lil Wayne shocked many with his performance at the BET Awards when he allowed little girls to come on stage

But did no one care that Lil Wayne’s song Every Girl is about grown men and their sexual escapades with women? Did the meaning and intent of the song matter to anyone, this song whose hook and other lyrics required a re-write in order to get air play? “I wish I could love every girl in the world.” That’s the radio-friendly version of “I wish I could f–k every girl in the world.” But Lil Wayne’s BET performance was the clean edit of the song. Perhaps he (and the show producers) thought that there was nothing wrong in featuring the children in the clean version. Perhaps we were supposed to see the whole bit as cute and innocent. Absolutely not. There’s no other way to cut it: in presenting little girls in a performance of a song that is about sex, group sex, and more sex, BET and Lil Wayne set the stage for child pornography. It doesn’t matter what version of the song was played, much like a man who batters women is still an abusive man, even if uses flowery phrases while battering.In the song, Lil Wayne mentions superstar Miley Cyrus, but Cyrus gets a pass on this lyrical sex escapade because, as he acknowledges, she is a minor. Huh? Why, then, is he comfortable with featuring four minors, these four little Black girls, in the show? How deep exactly is this inability of some men to respect women, and how deep is Lil Wayne’s disregard for the safety of little girls? 

Ishmeal Reed: The Persecution of Michael Jackson

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The Mad Dog DA and the Mad Dog Media

The Persecution of Michael Jackson 

By ISHMAEL REED
http://www.counterpunch.com/ 

Ishmael Reed  photo credit Mark Costani

Ishmael Reed photo credit Mark Costani

Last Thursday, while working on some writing deadlines, I was switching channels on cable.  On CNN they were promoting  “Black In America,” an exercise meant to boost ratings by making whites feel good by making blacks look bad,  the marketing strategy of the mass media since the 1830s, according to a useful book entitled “The Showman and the Slave,” by Benjamin Reiss.  The early penny press sold a “whiteness” upgrade to newly arriving immigrants by depicting blacks in illicit situations. By doing so they were marketing an early version of a self esteem boosting product.  One of the initial sensational stories was about the autopsy of a black woman named Joice Heth,  who claimed to be George Washington’s nurse and over one hundred years old. It was the O. J.  story of the time.  Circus master, P. T. Barnum, charged admission to her autopsy, which attracted the perverted in droves.  

And so, if the people broadcasting cable news appear to be inmates of a carnival,  there is a connection since the early days of the mass media to that form of show business.  According to Reiss, early newspapers were not only influenced by P. T. Barnum,  but actually cooperated with him on some hoaxes and stunts.

I would classify CNN’s “Black in America” as a stunt.  In preparing for a sequel to the first “Black In America,” which boosted the networks ratings (the O. J. trial saved CNN!),  CNN rolled out the usual stereotypes about black Americans.  Unmarried black mothers were exhibited,  without mentioning that births to unmarried black women have plunged since 1976 more than that of any other ethnic group.  Then we got some footage that implied that blacks as a group were homophobes even though Charles Blow, a statistician for The New York Times, recently published a chart showing that gays have the least to fear from blacks. Recently,  the media perpetrated a hoax that blacks were responsible for the passage of Proposition 8,  the California proposition that banned gay marriage.  An academic study refuted this claim, but that didn’t deter The New York Times from hiring Benjamin Schwarz to explain black homophobia.  Schwarz is the writer who wrote in The Los Angeles Times that blacks who were victims of lynchings in the south were probably guilty.

In the last “Black in America,” Soledad O’Brien,  CNN’s designated tough love agent against the brothers and sisters,  scolded a black man for not attending his daughter’s birthday party.  The aim of this scene was meant to humiliate black men as neglectful fathers.  Ms. O’Brien won’t be permitted by her employees to mention that 75% of white children will live at one time or another in a single parent household and that the Gov. of South Carolina’s not showing up for Father’s Day isn’t just a lone aberration in “White America.”

How would CNN promote a “White in America?” The thousands of meth addicts who have abandoned their children? The California rural and suburban white women who do more dope than Latino and black youth? The suburban Dallas white teenagers who are overdosing on “cheese” heroin? Why not? Can’t get State Farm, Ford and MacDonald’s to sponsor such a program? All of these companies are sponsoring “Black in America,” the aim of which is to cast collective blame on blacks for the country’s social problems. For ratings.  

During CNN’s carnival act disguised as news, the scene of Zimbabwe’s Prime Minster being urinated upon by a monkey while sitting in his garden drew snickers in the newsroom.  This is what passes for coverage of the African continent by CNN.

When the bulletin that Michael Jackson had died flashed across the screen, I was prepared for TV at it’s worst and I wasn’t disappointed.  The man wasn’t cold before the familiar adjectives were rolled out.  “Weird, bizarre, eccentric,” the traditional language used to disparage artists by the bourgeoisie.  Dan Abrams,  who made his reputation by convicting O. J. Simpson before the opening arguments of his criminal trial,  made a snarky comment about Jackson’s weirdness.  Mr.  Abrams,  a higher up at MSNBC, employs a Hitler admirer named Pat Buchanan.  Given Abram’s background, why isn’t that considered weird?

Former Calfornia poet laureate Al Young called to inform me that CNN’s Jeffrey Toobin, another O. J. alumni,  and a man who said that blacks shouldn’t be “patted on the head” or “patronized” for believing in O. J. Simpson’s innocence,  had made some ugly comments about Jackson. (A star who has had at least a dozen facelifts called into the “Larry King Show” to comment about MJ’s altering his appearance).

Also weird was MSBC’s Savanah Guthries’ air-headed depiction of the trial. (For a list of Ms. Guthries’ false reportings see MediaMatters.com).  She said that the evidence against Jackson in the trial was  “devastating.” So devastating that some legal experts said that  Jackson should never have been brought to trial and that the aim of the trial was to seek a pound of flesh from Jackson for being uppity and for putting the name of Thomas W. Sneddon Jr., a vindictive District Attorney, into a song. In my opinion it was the prosecution of Jackson by this District Attorney,  who, among other things, violated Jackson’s fourth amendment rights, and made disparaging remarks about the star during a press conference,  and the side-show pro prosecution media coverage that killed Jackson.

In my lengthy examination of the trial printed in my book,  “Mixing It Up, Taking on The Media Bullies,” I concluded that though millions of Jackson’s fans celebrated his acquittal,  the District Attorney,  who was allowed to squander the California taxpayers’ money so that he might humiliate a rich  black man, whom he felt had sassed him, was the victor.  At the beginning of the trial, Jackson was dancing on top of a van.  During the trial he had to be hospitalized.  At the end, he was a frail emaciated wreck.

Because of the malicious prosecution of Jackson by Sneddon and Sneddon’s  claque in the media, Jackson will always be regarded as a pedophile. (When the trial opened,  a USA Today / CNN / Gallup Poll found that 72% of whites and 51% of Blacks believed that the charges against Jackson were “Definitely” or “Probably” true.) Wherever “Mad Dog” Sneddon, this hateful man might be in his retirement,  he can gloat over  the death of the man against whom he waged a vendetta with all of the power of the state at his disposal. Sneddon even tried to introduce photos of Jackson’s genitals during the 2005 trial, which proved too much even for the pro prosecution judge.

Of course,  none of Sneddon’s abuse or the abuse of Jackson by his accusers was mentioned by an old corporate media,  out of touch and on life supports. For infotainers like Katie Couric,  Jackson’s father Joe   was MJ’s  sole abuser. In the eyes of yesterday’s media, black fathers are the principal actors in domestic violence.

Guthrie also said that the prosecution “had conducted mini trials within the trial,” which brought up  “a whole history of prior bad acts of molestation.” She was referring to  1994 case in which Jackson was accused of pedophilia by a youngster who, according to writer Mary Fisher,  a serious journalist, was used by his father to wrest some cash from Jackson.  In”Mixing It Up,” I summarized Mary Fisher’s serious and thorough investigation that was originally published in GQ, October, 1994,  under the title “Was Michael Jackson Framed?” Jackson settled out of court because Johnnie Cochran didn’t want him to face one of those all white suburban juries that O. J. faced.  

Fisher wrote: “It’s a story of greed,  ambition,  misconceptions of part of police and prosecutors,  a lazy and sensation-seeking media and the use of a powerful,  hypnotic drug.  It may also be a story about how a case was simply invented.”

Fisher claimed that the first case arose from the ambitions of the thirteen-year-old accuser’s stepfather,  Evan Chandler,  who exploited Jackson’s friendship with his son.  At one point,  he asked Jackson to build him a house.   Fisher said that the child denied being abused by Jackson until he was administered the drug sodium amytal,  which is known to induce false memory.  Chandler refused to be interviewed for the article and refused to appear on the Today Show,  where Fisher repeated her charges before a nationwide audience.  She said that the whole scheme was concocted by the child’s stepfather to destroy the superstar.  

None of the media descriptions of  Jackson’s career,  including a superficial pop-driven survey of the star’s career by Anderson Cooper,  referred to the 2005 plaintiff’s lies and his mother’s shabby history of conning individuals and institutions including J. C. Penney’s, which she accused of sexual abuse. She claimed that she had been “fondled inappropriately” by store personnel. Documents also hinted that “…the mom rehearsed her children to corroborate her story.”

During the 2005 trial, Jackson’s Attorney,  Tom Mesereau Jr.  got the teenage boy to admit that he lied under oath during the J. C. Penny case. USA Today reported on March 1,  2005,  that the mother used the boy as a prop to get money from Mike Tyson,  Adam Sandler,  Jim Carrey,  Jay Leno and others,  “even though insurance was paying his bills.” Linda Deutsch, one of the last of hard-nosed shoe leather journalists, reporting for the Associated Press on March of 2005.  said that Mesereau got the 15 year old to admit that he’d told Jeffrey Alpert,  a school official that “nothing happened” between Jackson and him.

Connie Keenan,  editor of Mid Valley News,  wrote of a hoax that the boy’s mother perpetrated on that newspaper.  She made a pitch that her son needed medical care and that she had no financial means to provide it. During the first week of the newspaper’s appeal,  the mother received $965 in donations. It turned out that the boy was being treated at Kaiser Permanente in Los Angeles with no cost to the family. Connie Keenan concluded that “My gut level,  she’s a shark.  She was after money.  My readers were used.  My staff was used.  It’s sickening.”

While referring to Jackson as “bizarre” none of the cable reporting about Jackson’s death cited the bizarre courtroom testimony of the plaintiff’s mother,  Janet Arvizo.  At one point during her testimony, she said that feared her children would disappear from Neverland,  Jackson’s ranch,  in a hot air balloon.

 On Apr 18,  2005,  Agence France-Presse reported “The mother of Michael Jackson’s young molestation accuser claimed that she feared her children would be spirited away from the star’s Neverland Ranch in a hot air balloon.  In some of the most bizarre testimony of Jackson’s frequently surreal trial,  the woman revealed that she told police she feared her three kids would vanish from Neverland into California’s blue skies.

“Did you tell the sheriff that you thought your children might disappear in a hot air balloon from Neverland?” Jackson’s lead lawyer Thomas Mesereau asked the woman under cross-examination.

“I made them aware,” she said.

Finally,  in November of 2006, according to TMZ,  Janet Arvizo pled no contest to a welfare fraud charge in Los Angeles.  She was ordered to 150 hours of community service and to pay $8, 600 in restitution.  During Jackson’s trial,  Arvizo invoked the Fifth regarding welfare fraud.  Seems that she applied for welfare even though she’d received a $150, 000 settlement from J. C. Penny’s.  Even with the mother’s behavior and the boys lies,  Nancy Grace,  commenting on the death of Jackson,  said that she was surprised by the not guilty verdict in the Jackson trial. No wonder Ms. Grace has been called” a cheerleader for the  prosecution.”

Yet,  these journalists insist that their news product is superior
to that of bloggers.  (Journalistic bottom feeder, Diane Dimond,  a Sneddon fan and Jackson stalker was invited by MSNBC to weigh in during which she was allowed to engage in doofus speculation much of it ugly about Jackson’s life and death)

G. Q. s Mary  Fisher accused her colleagues of lazy journalism of the sort that defamed Jackson in life and in death. Maureen Orth from Vanity Fair didn’t read Mary Fisher’s findings.  She was on the Chris Matthews Show accusing Jackson of “serious felonies” involving pedophilia.  Another reporter who seemed to nullify the 2005 Jackson jurie’s decision was “Morning Joe’s” adjunct bimbo,  Courtney Hazlett.  She said that there would be no pilgrimage to Neverland and as there was to Graceland,  because “bad things happened at Never Land.” We are led to believe that Presley and his entourage spent their days at Graceland drinking milk and reading each other passages from the scriptures.

All of these opinions seem to indicate that Cable’s talking heads have taken it upon themselves to nullify the judgment of juries whenever they please. This all white electronic jury has placed itself above the law.

But at least Jackson didn’t suffer from the kind of hi tech lynching accorded the tragic Patsy Ramsey.  For years cable,  which now not only calls elections but acts as judge and jury,  accused her of murdering her child. Only after her death was it found that she was innocent.  

If the reporting on Jackson’s death by the media wasn’t salacious and ignorant enough, it didn’t get any better the next day,  June 26.

  

Santa Barbara District Attorney Don 'Mad Dog' Sneddon never let up in persecuting Michael Jackson-Many think the man had a personal vendetta

Santa Barbara District Attorney Don 'Mad Dog' Sneddon never let up in persecuting Michael Jackson-Many think the man had a personal vendetta

Ignoring Jackson’s philanthropic pursuits and contributions to forty charities,  on the “Today Show,“ it was all about what happened to all of the nigger’s money and whether he died from too many drugs and what’s to become of his children,  questions meant to attract the prurient.  Again, Diane Dimod was invited on to spread scurrilous unconfirmed rumors about the dead star. Some of the modern day carnival barkers like Chris Matthews expressed surprise that Jackson’s death resulted in such an outpouring of worldwide mourning.  This is what happens to people like Matthews who dwell in an insulated white supremacist bubble (that includes the Anglo wannabe and Churchill admiring Irish among them) which holds that a narrow cultural strip between New York and Washington represents the world.   
I would like to have seen more independent African-American journalists comment on the passing of Michael Jackson,  but,  according to Richard Prince,  who runs a media blog for the Maynard journalism Institute, hundreds have lost their jobs over the last two years,  including Pulitzer Prize winners like Les Payne.

With the absence of black and Latinos from journalism, the media have become a spare all white jury always ready to take down a black celebrity for the entertainment of the types who used to attend those acts created by P. T. Barnum.

Ishmael Reed is the publisher of Konch. His new book, “Mixing It Up, Taking On The Media Bullies” was published by De Capo.

 

Lyrics: by Michael Jackson

They wanna get my a**,  dead or alive.
You know he really tried to take me down by surprise.  
I bet he missioned with the CIA.
He don’t do half what he say.

Dom Sheldon is a cold man
Dom Sheldon is a cold man
Dom Sheldon is a cold man
Dom Sheldon is a cold man

He out shock in every single way.
He stop at nothing just to get his political say.
He think he hot cause he’s BSDA.

I bet he never had a social life anyway.
You think he bother with the KKK?
I bet his mother never taught him right anyway.
He want your vote just to remain TA.
He don’t do half what he say.

Dom Sheldon is a cold man
Dom Sheldon is a cold man
Dom Sheldon is a cold man
Dom Sheldon is a cold man

Dom S.  Sheldon is a cold man
Dom Sheldon is a cold man
Dom Sheldon is a cold man
Dom Sheldon is a cold man

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Another Police Terrorism Incident-This Time in Baltimore-Transit Cop Rapes Girl

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MTA officer charged with raping girl, 15

By Justin Fenton and Michael Dresser Baltimore Sun reporter

A Maryland Transit Administration police officer has been charged with raping a 15-year-old Elkridge girl who asked him for help finding her way home on the light rail, according to charging documents.

Officer Donald Brown was taken into custody June 24 after Howard County police were contacted by a case worker for a local foster care organization. The girl told police that she thought she was being escorted to a police station to make arrangements to get home but was instead taken to Brown’s apartment in downtown Baltimore, where they had sex.

He then gave her $25 to get back home and told her to leave, according to police.

Brown was charged with first-degree rape, various sex offense charges, use of a handgun in a violent crime and kidnapping a child under age 16. He was initially ordered held without bond, though a District Court judge on Thursday set a bail at $500,000. He remained in custody as of Monday afternoon.

MTA spokeswoman Jawauna Greene confirmed that Brown is a member of the force and said he has been suspended without pay. She said the agency could not comment further.

“We do take these charges very seriously,” she said. “These charges are troubling, but we need to allow the judicial process to work its course.”

Greene said Brown had been an MTA officer for about two years. She said the MTA works closely with the Baltimore City and Anne Arundel County police departments, whose academies are used to train MTA officer recruits, screen applicants and conduct background checks.

The MTA police is a force of 165 sworn officers and about 90 civilian workers. The department is the primary law enforcement agency on the light rail and Metro subway systems and aboard city buses.

An attorney for Brown, Parkville attorney Perry London, did not return a phone call seeking comment Monday.

According to the girl’s statement to police, she got lost on June 20 and ended up on the light rail in Linthicum. She saw three uniformed police officers and asked if she could use a phone to call home.

One of the officers let her use his phone and asked her what she needed. She said she needed to get back to Elkridge, and the officer told her to come with him to a police station and that he would help her, according to charging documents.

The girl said they rode the light rail to the Lexington Market stop and walked to a parking garage, where they rode the elevator to the 17th floor. The officer then led her into an apartment and locked the door, she said.

“He then asked her what she would do to get home,” according to charging documents.

The girl said the officer began to touch her inappropriately and that she told him to stop, but he became mad. He was wearing his gun belt, which made her nervous, and she complied. During intercourse the girl said she noticed the officer’s name plate on his uniform read “Brown.”

Later, he gave her $25 with a piece of paper with the name “Donald” on it and told her to leave.

City police checked police agency personnel rosters and found a Donald Brown employed by the transit police, and a check with the agency revealed Brown may have been working the area on that date. Transit police ordered all video connected with light rail cars, the Linthicum stop, and the Lexington Market stop as well as a list of officers working on June 20.

The girl, meanwhile, picked Brown out of a photo array of six people, and took police to the Avalon Centerpoint apartment building where she said the rape occurred.

Court documents list Brown’s address in the 300 block of W. Fayette St., though property records show he owns a $470,000 home in Perry Hall.

According to electronic court records, Brown was issued a citation and charged with “hacking,” or operating an unlicensed taxicab, in late 2007. The charge was dropped a month later.

source:http://www.baltimoresun.com/news/maryland/baltimore-city/bal-mta0629,0,14096.story

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White House Is Rather Mute on Jackson’s Death

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White House Is Rather Mute on Jackson’s Death

By Jeff Zeleny

President Obama spoke with his top aides on Friday morning about the death of Michael Jackson, but the White House chose not to release a statement of condolences that it commonly does upon the deaths of many prominent Americans or global figures.

“I talked to him about it this morning,” said Robert Gibbs, the president’s press secretary, speaking to reporters at the daily press briefing. “Obviously, Michael Jackson was a spectacular performer and a music icon. I think everybody remembers hearing the songs, watching him moonwalk on television during Motown’s 25th anniversary.”

“The president also said he had aspects of his life that were sad and tragic,” Mr. Gibbs said, adding that he did not believe either Mr. Obama or Michelle Obama had ever met Mr. Jackson.

And that seems to be the first – and the last – word from the White House on Mr. Jackson’s death. 

source: http://thecaucus.blogs.nytimes.com/2009/06/26/white-house-is-rather-mute-on-jacksons-death/

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President Obama has been strangley silent in the aftermath of Michael Jackson's death. We wonder is it because he is assessing public opinion about whether or not he should say something favorable about the 'King of Pop'.

President Obama has been strangley silent in the aftermath of Michael Jackson's death. We wonder is it because he is assessing public opinion about whether or not he should say something favorable about the 'King of Pop'.